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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B3B54 it is the complementary color #74C4AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B3B54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B3B54 shade: #903B4F, #A14D62, #B25F75, #C37188 and #D4839B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B3B54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B3B54 shade: #8B3B54, #7A2941, #69172E, #58051B and #470008

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B3B54 shade: #8B3B54, #8B3B3F and #8B3B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B3B54 shade: #8B3B54, #8B3B69, #8B3B7F, #813B8B and #6C3B8B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B3B54 shade matches the following richer shades: #8B3B54, #9B2B4E, #AB1B48 and #BB0B42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B3B54 shade: #8B3B54, #7B4B5A, #6B5B60, #5A6B66 and #4A7C6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B3B54 shade: #8B3B7F, #8B3B6A, #8B3B54, #8B3B3F and #8B4C3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B3B54 shade: #512231, #6E2F42, #8B3B54, #A84866 and #BA5E7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B3B54 shade: #8B3B54, #8B813B and #3B748B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B3B54 shade: #8B3B54, #548B3B and #3B548B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B3B54 shade: #8B3B54, #8B813B, #3B8B72 and #3B448B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B3B54 shade: #8B3B54, #7C8B3B, #3B8B72 and #4A3B8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 40 / 45

HEX #8B3B54

RGB 139 59 84

HSL 341.25, 0.4%, 0.39%

LAB 36.47, 36.69, 1.93

 

Complementary color

CMYK 41 / 0 / 13 / 23

HEX #74C4AB

RGB 116 196 171

HSL 161.25, 0.4%, 0.61%

LAB 73.63, -30.39, 4.88

 

CMYK 0 / 59 / 45 / 44

HEX #903B4F

RGB 144 59 79

HSL 345.88, 0.42%, 0.4%

LAB 37.15, 37.91, 6.2

 

CMYK 0 / 52 / 39 / 37

HEX #A14D62

RGB 161 77 98

HSL 345, 0.35%, 0.47%

LAB 43.9, 37.01, 4.33

 

CMYK 0 / 47 / 34 / 30

HEX #B25F75

RGB 178 95 117

HSL 344.1, 0.35%, 0.54%

LAB 50.61, 36.06, 2.82

 

CMYK 0 / 42 / 30 / 24

HEX #C37188

RGB 195 113 136

HSL 343.17, 0.41%, 0.6%

LAB 57.26, 35.13, 1.56

 

CMYK 0 / 38 / 27 / 17

HEX #D4839B

RGB 212 131 155

HSL 342.22, 0.49%, 0.67%

LAB 63.83, 34.25, 0.47

 

CMYK 0 / 58 / 40 / 45

HEX #8B3B54

RGB 139 59 84

HSL 341.25, 0.4%, 0.39%

LAB 36.47, 36.69, 1.93

 

CMYK 0 / 66 / 47 / 52

HEX #7A2941

RGB 122 41 65

HSL 342.22, 0.5%, 0.32%

LAB 29.68, 37.36, 4.09

 

CMYK 0 / 78 / 56 / 59

HEX #69172E

RGB 105 23 46

HSL 343.17, 0.64%, 0.25%

LAB 23.04, 37.48, 7.1

 

CMYK 0 / 94 / 69 / 65

HEX #58051B

RGB 88 5 27

HSL 344.1, 0.89%, 0.18%

LAB 16.81, 36.42, 11.47

 

CMYK 0 / 100 / 89 / 72

HEX #470008

RGB 71 0 8

HSL 353.24, 1%, 0.14%

LAB 11.67, 32.2, 15.08

 

CMYK 0 / 58 / 40 / 45

HEX #8B3B54

RGB 139 59 84

HSL 341.25, 0.4%, 0.39%

LAB 36.47, 36.69, 1.93

 

CMYK 0 / 58 / 55 / 45

HEX #8B3B3F

RGB 139 59 63

HSL 357, 0.4%, 0.39%

LAB 35.94, 34.46, 14.54

 

CMYK 0 / 58 / 58 / 45

HEX #8B3B3B

RGB 139 59 59

HSL 0, 0.4%, 0.39%

LAB 35.85, 34.11, 16.95

 

CMYK 0 / 58 / 40 / 45

HEX #8B3B54

RGB 139 59 84

HSL 341.25, 0.4%, 0.39%

LAB 36.47, 36.69, 1.93

 

CMYK 0 / 58 / 24 / 45

HEX #8B3B69

RGB 139 59 105

HSL 325.5, 0.4%, 0.39%

LAB 37.18, 39.52, -10.31

 

CMYK 0 / 58 / 9 / 45

HEX #8B3B7F

RGB 139 59 127

HSL 309, 0.4%, 0.39%

LAB 38.11, 43.09, -22.61

 

CMYK 7 / 58 / 0 / 45

HEX #813B8B

RGB 129 59 139

HSL 292.5, 0.4%, 0.39%

LAB 37.22, 42.45, -31.49

 

CMYK 22 / 58 / 0 / 45

HEX #6C3B8B

RGB 108 59 139

HSL 276.75, 0.4%, 0.39%

LAB 34.36, 36.6, -36.22

 

CMYK 0 / 58 / 40 / 45

HEX #8B3B54

RGB 139 59 84

HSL 341.25, 0.4%, 0.39%

LAB 36.47, 36.69, 1.93

 

CMYK 0 / 72 / 50 / 39

HEX #9B2B4E

RGB 155 43 78

HSL 341.25, 0.57%, 0.39%

LAB 36.45, 48.57, 6.11

 

CMYK 0 / 84 / 58 / 33

HEX #AB1B48

RGB 171 27 72

HSL 341.25, 0.73%, 0.39%

LAB 37.68, 57.64, 12.14

 

CMYK 0 / 94 / 65 / 27

HEX #BB0B42

RGB 187 11 66

HSL 341.25, 0.89%, 0.39%

LAB 39.91, 64.11, 19.55

 

CMYK 0 / 58 / 40 / 45

HEX #8B3B54

RGB 139 59 84

HSL 341.25, 0.4%, 0.39%

LAB 36.47, 36.69, 1.93

 

CMYK 0 / 39 / 27 / 52

HEX #7B4B5A

RGB 123 75 90

HSL 341.25, 0.24%, 0.39%

LAB 37.81, 22.54, -0.2

 

CMYK 0 / 15 / 10 / 58

HEX #6B5B60

RGB 107 91 96

HSL 341.25, 0.08%, 0.39%

LAB 40.33, 7.43, -0.46

 

CMYK 16 / 0 / 5 / 58

HEX #5A6B66

RGB 90 107 102

HSL 162.35, 0.09%, 0.39%

LAB 43.72, -7.49, 0.65

 

CMYK 40 / 0 / 13 / 51

HEX #4A7C6C

RGB 74 124 108

HSL 160.8, 0.25%, 0.39%

LAB 48.2, -20.86, 3.45

 

CMYK 0 / 58 / 9 / 45

HEX #8B3B7F

RGB 139 59 127

HSL 309, 0.4%, 0.39%

LAB 38.11, 43.09, -22.61

 

CMYK 0 / 58 / 24 / 45

HEX #8B3B6A

RGB 139 59 106

HSL 324.75, 0.4%, 0.39%

LAB 37.22, 39.67, -10.89

 

CMYK 0 / 58 / 40 / 45

HEX #8B3B54

RGB 139 59 84

HSL 341.25, 0.4%, 0.39%

LAB 36.47, 36.69, 1.93

 

CMYK 0 / 58 / 55 / 45

HEX #8B3B3F

RGB 139 59 63

HSL 357, 0.4%, 0.39%

LAB 35.94, 34.46, 14.54

 

CMYK 0 / 45 / 58 / 45

HEX #8B4C3B

RGB 139 76 59

HSL 12.75, 0.4%, 0.39%

LAB 39.54, 24.81, 21.74

 

CMYK 0 / 58 / 40 / 68

HEX #512231

RGB 81 34 49

HSL 340.85, 0.41%, 0.23%

LAB 20.5, 23.82, 0.77

 

CMYK 0 / 57 / 40 / 57

HEX #6E2F42

RGB 110 47 66

HSL 341.9, 0.4%, 0.31%

LAB 28.75, 30.09, 1.83

 

CMYK 0 / 58 / 40 / 45

HEX #8B3B54

RGB 139 59 84

HSL 341.25, 0.4%, 0.39%

LAB 36.47, 36.69, 1.93

 

CMYK 0 / 57 / 39 / 34

HEX #A84866

RGB 168 72 102

HSL 341.25, 0.4%, 0.47%

LAB 44.12, 42.5, 2.33

 

CMYK 0 / 49 / 34 / 27

HEX #BA5E7B

RGB 186 94 123

HSL 341.09, 0.4%, 0.55%

LAB 51.7, 40.22, 0.96

 

CMYK 0 / 58 / 40 / 45

HEX #8B3B54

RGB 139 59 84

HSL 341.25, 0.4%, 0.39%

LAB 36.47, 36.69, 1.93

 

CMYK 0 / 7 / 58 / 45

HEX #8B813B

RGB 139 129 59

HSL 52.5, 0.4%, 0.39%

LAB 53.5, -5.74, 38.68

 

CMYK 58 / 17 / 0 / 45

HEX #3B748B

RGB 59 116 139

HSL 197.25, 0.4%, 0.39%

LAB 46.02, -11.65, -18.26

 

CMYK 0 / 58 / 40 / 45

HEX #8B3B54

RGB 139 59 84

HSL 341.25, 0.4%, 0.39%

LAB 36.47, 36.69, 1.93

 

CMYK 40 / 0 / 58 / 45

HEX #548B3B

RGB 84 139 59

HSL 101.25, 0.4%, 0.39%

LAB 52.58, -33.59, 36.61

 

CMYK 58 / 40 / 0 / 45

HEX #3B548B

RGB 59 84 139

HSL 221.25, 0.4%, 0.39%

LAB 36.24, 7.95, -33.5

 

CMYK 0 / 58 / 40 / 45

HEX #8B3B54

RGB 139 59 84

HSL 341.25, 0.4%, 0.39%

LAB 36.47, 36.69, 1.93

 

CMYK 0 / 7 / 58 / 45

HEX #8B813B

RGB 139 129 59

HSL 52.5, 0.4%, 0.39%

LAB 53.5, -5.74, 38.68

 

CMYK 58 / 0 / 18 / 45

HEX #3B8B72

RGB 59 139 114

HSL 161.25, 0.4%, 0.39%

LAB 52.52, -30.82, 6.07

 

CMYK 58 / 51 / 0 / 45

HEX #3B448B

RGB 59 68 139

HSL 233.25, 0.4%, 0.39%

LAB 31.64, 18.51, -40.84

 

CMYK 0 / 58 / 40 / 45

HEX #8B3B54

RGB 139 59 84

HSL 341.25, 0.4%, 0.39%

LAB 36.47, 36.69, 1.93

 

CMYK 11 / 0 / 58 / 45

HEX #7C8B3B

RGB 124 139 59

HSL 71.25, 0.4%, 0.39%

LAB 55.14, -17.74, 40.22

 

CMYK 58 / 0 / 18 / 45

HEX #3B8B72

RGB 59 139 114

HSL 161.25, 0.4%, 0.39%

LAB 52.52, -30.82, 6.07

 

CMYK 47 / 58 / 0 / 45

HEX #4A3B8B

RGB 74 59 139

HSL 251.25, 0.4%, 0.39%

LAB 30.52, 27.81, -42.58

 

Description

Color code: HEX #8B3B54 | qconv.com Color code: HEX #8B3B54 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 59 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 59 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 40 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 40% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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