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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B3CA1 it is the complementary color #74C35E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B3CA1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B3CA1 shade: #903C9C, #A14EAF, #B260C2, #C372D5 and #D484E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B3CA1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B3CA1 shade: #8B3CA1, #7A2A8E, #69187B, #580668 and #470055

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B3CA1 shade: #8A3BA0, #A03B9A, #A03B7F, #A03B64 and #A03B49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B3CA1 shade: #8A3BA0, #6E3BA0, #533BA0 and #3B3BA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B3CA1 shade matches the following richer shades: #8A3BA0, #9429B1, #9E17C3 and #A805D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B3CA1 shade: #8A3BA0, #804C8E, #765E7C, #6C706A and #628259

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B3CA1 shade: #523BA0, #6D3BA0, #883BA0, #A03B9C and #A03B81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B3CA1 shade: #562463, #703081, #8A3BA0, #A248BB and #B167C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B3CA1 shade: #8B3CA1, #A03B3E and #3BA060

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B3CA1 shade: #8B3CA1, #A0883B and #3BA088

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B3CA1 shade: #8B3CA1, #A03B3E, #52A03B and #3BA09C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B3CA1 shade: #8B3CA1, #A0563B, #52A03B and #3B85A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 63 / 0 / 37

HEX #8B3CA1

RGB 139 60 161

HSL 286.93, 0.46%, 0.43%

LAB 40.07, 49.1, -40.22

 

Complementary color

CMYK 41 / 0 / 52 / 24

HEX #74C35E

RGB 116 195 94

HSL 106.93, 0.46%, 0.57%

LAB 71.93, -43.41, 42.9

 

CMYK 8 / 62 / 0 / 39

HEX #903C9C

RGB 144 60 156

HSL 292.5, 0.44%, 0.42%

LAB 40.51, 49.38, -36.47

 

CMYK 8 / 55 / 0 / 31

HEX #A14EAF

RGB 161 78 175

HSL 291.34, 0.38%, 0.5%

LAB 47.13, 48.92, -37.13

 

CMYK 8 / 51 / 0 / 24

HEX #B260C2

RGB 178 96 194

HSL 290.2, 0.45%, 0.57%

LAB 53.73, 48.27, -37.62

 

CMYK 8 / 46 / 0 / 16

HEX #C372D5

RGB 195 114 213

HSL 289.09, 0.54%, 0.64%

LAB 60.28, 47.54, -38

 

CMYK 9 / 43 / 0 / 9

HEX #D484E8

RGB 212 132 232

HSL 288, 0.68%, 0.71%

LAB 66.77, 46.78, -38.31

 

CMYK 14 / 63 / 0 / 37

HEX #8B3CA1

RGB 139 60 161

HSL 286.93, 0.46%, 0.43%

LAB 40.07, 49.1, -40.22

 

CMYK 14 / 70 / 0 / 44

HEX #7A2A8E

RGB 122 42 142

HSL 288, 0.54%, 0.36%

LAB 33.45, 49.25, -39.4

 

CMYK 15 / 80 / 0 / 52

HEX #69187B

RGB 105 24 123

HSL 289.09, 0.67%, 0.29%

LAB 26.98, 48.62, -38.06

 

CMYK 15 / 94 / 0 / 59

HEX #580668

RGB 88 6 104

HSL 290.2, 0.89%, 0.22%

LAB 20.84, 46.58, -35.88

 

CMYK 16 / 100 / 0 / 67

HEX #470055

RGB 71 0 85

HSL 290.12, 1%, 0.17%

LAB 15.46, 41.69, -32.08

 

CMYK 14 / 63 / 0 / 37

HEX #8A3BA0

RGB 138 59 160

HSL 286.93, 0.46%, 0.43%

LAB 39.7, 49.12, -40.22

 

CMYK 0 / 63 / 4 / 37

HEX #A03B9A

RGB 160 59 154

HSL 303.56, 0.46%, 0.43%

LAB 42.66, 53.64, -31.71

 

CMYK 0 / 63 / 21 / 37

HEX #A03B7F

RGB 160 59 127

HSL 319.6, 0.46%, 0.43%

LAB 41.43, 49.32, -17.22

 

CMYK 0 / 63 / 38 / 37

HEX #A03B64

RGB 160 59 100

HSL 335.64, 0.46%, 0.43%

LAB 40.45, 45.74, -1.95

 

CMYK 0 / 63 / 54 / 37

HEX #A03B49

RGB 160 59 73

HSL 351.68, 0.46%, 0.43%

LAB 39.72, 42.99, 13.96

 

CMYK 14 / 63 / 0 / 37

HEX #8A3BA0

RGB 138 59 160

HSL 286.93, 0.46%, 0.43%

LAB 39.7, 49.12, -40.22

 

CMYK 31 / 63 / 0 / 37

HEX #6E3BA0

RGB 110 59 160

HSL 270.3, 0.46%, 0.43%

LAB 35.95, 42.26, -46.43

 

CMYK 48 / 63 / 0 / 37

HEX #533BA0

RGB 83 59 160

HSL 254.26, 0.46%, 0.43%

LAB 32.93, 36.23, -51.46

 

CMYK 63 / 63 / 0 / 37

HEX #3B3BA0

RGB 59 59 160

HSL 240, 0.46%, 0.43%

LAB 30.87, 31.74, -54.9

 

CMYK 14 / 63 / 0 / 37

HEX #8A3BA0

RGB 138 59 160

HSL 286.93, 0.46%, 0.43%

LAB 39.7, 49.12, -40.22

 

CMYK 16 / 77 / 0 / 31

HEX #9429B1

RGB 148 41 177

HSL 287.21, 0.62%, 0.43%

LAB 39.67, 62.01, -50.32

 

CMYK 19 / 88 / 0 / 24

HEX #9E17C3

RGB 158 23 195

HSL 287.09, 0.79%, 0.43%

LAB 40.93, 71.76, -58.8

 

CMYK 21 / 98 / 0 / 16

HEX #A805D5

RGB 168 5 213

HSL 287.02, 0.95%, 0.43%

LAB 43.12, 78.71, -65.62

 

CMYK 14 / 63 / 0 / 37

HEX #8A3BA0

RGB 138 59 160

HSL 286.93, 0.46%, 0.43%

LAB 39.7, 49.12, -40.22

 

CMYK 10 / 46 / 0 / 44

HEX #804C8E

RGB 128 76 142

HSL 287.27, 0.3%, 0.43%

LAB 40.75, 33.56, -27.78

 

CMYK 5 / 24 / 0 / 51

HEX #765E7C

RGB 118 94 124

HSL 288, 0.14%, 0.43%

LAB 43.23, 15.57, -13.14

 

CMYK 4 / 0 / 5 / 56

HEX #6C706A

RGB 108 112 106

HSL 100, 0.03%, 0.43%

LAB 46.73, -2.75, 2.8

 

CMYK 25 / 0 / 32 / 49

HEX #628259

RGB 98 130 89

HSL 106.83, 0.19%, 0.43%

LAB 51.02, -19.73, 18.62

 

CMYK 49 / 63 / 0 / 37

HEX #523BA0

RGB 82 59 160

HSL 253.66, 0.46%, 0.43%

LAB 32.83, 36.02, -51.62

 

CMYK 32 / 63 / 0 / 37

HEX #6D3BA0

RGB 109 59 160

HSL 269.7, 0.46%, 0.43%

LAB 35.82, 42.03, -46.64

 

CMYK 15 / 63 / 0 / 37

HEX #883BA0

RGB 136 59 160

HSL 285.74, 0.46%, 0.43%

LAB 39.41, 48.62, -40.69

 

CMYK 0 / 63 / 2 / 37

HEX #A03B9C

RGB 160 59 156

HSL 302.38, 0.46%, 0.43%

LAB 42.77, 53.98, -32.75

 

CMYK 0 / 63 / 19 / 37

HEX #A03B81

RGB 160 59 129

HSL 318.42, 0.46%, 0.43%

LAB 41.51, 49.62, -18.32

 

CMYK 13 / 64 / 0 / 61

HEX #562463

RGB 86 36 99

HSL 287.62, 0.47%, 0.26%

LAB 24.13, 33.77, -27.36

 

CMYK 13 / 63 / 0 / 49

HEX #703081

RGB 112 48 129

HSL 287.41, 0.46%, 0.35%

LAB 32.13, 41.27, -33.53

 

CMYK 14 / 63 / 0 / 37

HEX #8A3BA0

RGB 138 59 160

HSL 286.93, 0.46%, 0.43%

LAB 39.7, 49.12, -40.22

 

CMYK 13 / 61 / 0 / 27

HEX #A248BB

RGB 162 72 187

HSL 286.96, 0.46%, 0.51%

LAB 46.85, 54.45, -44.6

 

CMYK 11 / 48 / 0 / 22

HEX #B167C6

RGB 177 103 198

HSL 286.74, 0.45%, 0.59%

LAB 55.2, 45.14, -37.62

 

CMYK 14 / 63 / 0 / 37

HEX #8B3CA1

RGB 139 60 161

HSL 286.93, 0.46%, 0.43%

LAB 40.07, 49.1, -40.22

 

CMYK 0 / 63 / 61 / 37

HEX #A03B3E

RGB 160 59 62

HSL 358.22, 0.46%, 0.43%

LAB 39.49, 42.13, 20.52

 

CMYK 63 / 0 / 40 / 37

HEX #3BA060

RGB 59 160 96

HSL 141.98, 0.46%, 0.43%

LAB 58.9, -43.99, 24.94

 

CMYK 14 / 63 / 0 / 37

HEX #8B3CA1

RGB 139 60 161

HSL 286.93, 0.46%, 0.43%

LAB 40.07, 49.1, -40.22

 

CMYK 0 / 15 / 63 / 37

HEX #A0883B

RGB 160 136 59

HSL 45.74, 0.46%, 0.43%

LAB 57.46, -0.21, 43.7

 

CMYK 63 / 0 / 15 / 37

HEX #3BA088

RGB 59 160 136

HSL 165.74, 0.46%, 0.43%

LAB 59.75, -35.1, 3.92

 

CMYK 14 / 63 / 0 / 37

HEX #8B3CA1

RGB 139 60 161

HSL 286.93, 0.46%, 0.43%

LAB 40.07, 49.1, -40.22

 

CMYK 0 / 63 / 61 / 37

HEX #A03B3E

RGB 160 59 62

HSL 358.22, 0.46%, 0.43%

LAB 39.49, 42.13, 20.52

 

CMYK 49 / 0 / 63 / 37

HEX #52A03B

RGB 82 160 59

HSL 106.34, 0.46%, 0.43%

LAB 59.21, -43.34, 44.15

 

CMYK 63 / 0 / 2 / 37

HEX #3BA09C

RGB 59 160 156

HSL 177.62, 0.46%, 0.43%

LAB 60.31, -29.69, -6.56

 

CMYK 14 / 63 / 0 / 37

HEX #8B3CA1

RGB 139 60 161

HSL 286.93, 0.46%, 0.43%

LAB 40.07, 49.1, -40.22

 

CMYK 0 / 46 / 63 / 37

HEX #A0563B

RGB 160 86 59

HSL 16.04, 0.46%, 0.43%

LAB 44.86, 28.02, 29.07

 

CMYK 49 / 0 / 63 / 37

HEX #52A03B

RGB 82 160 59

HSL 106.34, 0.46%, 0.43%

LAB 59.21, -43.34, 44.15

 

CMYK 63 / 17 / 0 / 37

HEX #3B85A0

RGB 59 133 160

HSL 196.04, 0.46%, 0.43%

LAB 52.11, -14.45, -21.24

 

Description

Color code: HEX #8B3CA1 | qconv.com Color code: HEX #8B3CA1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 60 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 60 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 63 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 63% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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