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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B4418 it is the complementary color #74BBE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B4418. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B4418 shade: #904413, #A15626, #B26839, #C37A4C and #D48C5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B4418. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B4418 shade: #8B4418, #7A3205, #692000, #580E00 and #470000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B4418 shade: #8B4417, #8B2417 and #8B1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B4418 shade: #8B4417, #8B6317, #8B8217, #758B17 and #568B17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B4418 shade matches the following richer shades: #8B4417 and #98400A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B4418 shade: #8B4417, #7E4724, #714A32, #634D3F and #56504C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B4418 shade: #8B172A, #8B2317, #8B4217, #8B6117 and #8B7F17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B4418 shade: #44210B, #683211, #8B4417, #AE551D and #D26623

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B4418 shade: #8B4418, #498B17 and #171B8B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B4418 shade: #8B4418, #178B42 and #42178B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B4418 shade: #8B4418, #498B17, #17618B and #59178B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B4418 shade: #8B4418, #278B17, #17618B and #7C178B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 83 / 45

HEX #8B4418

RGB 139 68 24

HSL 22.96, 0.71%, 0.32%

LAB 37.28, 27.17, 38.61

 

Complementary color

CMYK 50 / 19 / 0 / 9

HEX #74BBE7

RGB 116 187 231

HSL 202.96, 0.71%, 0.68%

LAB 72.91, -10.42, -28.83

 

CMYK 0 / 53 / 87 / 44

HEX #904413

RGB 144 68 19

HSL 23.52, 0.77%, 0.32%

LAB 38.04, 29.14, 41.79

 

CMYK 0 / 47 / 76 / 37

HEX #A15626

RGB 161 86 38

HSL 23.41, 0.62%, 0.39%

LAB 44.76, 27.21, 40.34

 

CMYK 0 / 42 / 68 / 30

HEX #B26839

RGB 178 104 57

HSL 23.31, 0.51%, 0.46%

LAB 51.45, 25.5, 38.54

 

CMYK 0 / 37 / 61 / 24

HEX #C37A4C

RGB 195 122 76

HSL 23.19, 0.5%, 0.53%

LAB 58.08, 24.02, 36.76

 

CMYK 0 / 34 / 55 / 17

HEX #D48C5F

RGB 212 140 95

HSL 23.08, 0.58%, 0.6%

LAB 64.63, 22.72, 35.09

 

CMYK 0 / 51 / 83 / 45

HEX #8B4418

RGB 139 68 24

HSL 22.96, 0.71%, 0.32%

LAB 37.28, 27.17, 38.61

 

CMYK 0 / 59 / 96 / 52

HEX #7A3205

RGB 122 50 5

HSL 23.08, 0.92%, 0.25%

LAB 30.47, 29.21, 39.66

 

CMYK 0 / 70 / 100 / 59

HEX #692000

RGB 105 32 0

HSL 18.29, 1%, 0.21%

LAB 23.79, 31.29, 34.66

 

CMYK 0 / 84 / 100 / 65

HEX #580E00

RGB 88 14 0

HSL 9.55, 1%, 0.17%

LAB 17.41, 32.51, 26.57

 

CMYK 0 / 100 / 100 / 72

HEX #470000

RGB 71 0 0

HSL 0, 1%, 0.14%

LAB 11.55, 31.88, 18.17

 

CMYK 0 / 51 / 83 / 45

HEX #8B4417

RGB 139 68 23

HSL 23.28, 0.72%, 0.32%

LAB 37.27, 27.13, 39.06

 

CMYK 0 / 74 / 83 / 45

HEX #8B2417

RGB 139 36 23

HSL 6.72, 0.72%, 0.32%

LAB 31.38, 42.61, 33.5

 

CMYK 0 / 83 / 83 / 45

HEX #8B1717

RGB 139 23 23

HSL 0, 0.72%, 0.32%

LAB 29.82, 46.95, 31.98

 

CMYK 0 / 51 / 83 / 45

HEX #8B4417

RGB 139 68 23

HSL 23.28, 0.72%, 0.32%

LAB 37.27, 27.13, 39.06

 

CMYK 0 / 29 / 83 / 45

HEX #8B6317

RGB 139 99 23

HSL 39.31, 0.72%, 0.32%

LAB 44.91, 9.25, 45.98

 

CMYK 0 / 6 / 83 / 45

HEX #8B8217

RGB 139 130 23

HSL 55.34, 0.72%, 0.32%

LAB 53.51, -8.37, 53.51

 

CMYK 16 / 0 / 83 / 45

HEX #758B17

RGB 117 139 23

HSL 71.38, 0.72%, 0.32%

LAB 54.35, -23.07, 53.53

 

CMYK 38 / 0 / 83 / 45

HEX #568B17

RGB 86 139 23

HSL 87.41, 0.72%, 0.32%

LAB 52.4, -35.75, 51.06

 

CMYK 0 / 51 / 83 / 45

HEX #8B4417

RGB 139 68 23

HSL 23.28, 0.72%, 0.32%

LAB 37.27, 27.13, 39.06

 

CMYK 0 / 58 / 93 / 40

HEX #98400A

RGB 152 64 10

HSL 22.82, 0.88%, 0.32%

LAB 38.49, 34.36, 45.94

 

CMYK 0 / 51 / 83 / 45

HEX #8B4417

RGB 139 68 23

HSL 23.28, 0.72%, 0.32%

LAB 37.27, 27.13, 39.06

 

CMYK 0 / 44 / 71 / 51

HEX #7E4724

RGB 126 71 36

HSL 23.33, 0.56%, 0.32%

LAB 36.12, 20.31, 30.61

 

CMYK 0 / 35 / 56 / 56

HEX #714A32

RGB 113 74 50

HSL 22.86, 0.39%, 0.32%

LAB 35.28, 13.7, 21.01

 

CMYK 0 / 22 / 36 / 61

HEX #634D3F

RGB 99 77 63

HSL 23.33, 0.22%, 0.32%

LAB 34.64, 7.03, 11.84

 

CMYK 0 / 7 / 12 / 66

HEX #56504C

RGB 86 80 76

HSL 24, 0.06%, 0.32%

LAB 34.47, 1.67, 3.24

 

CMYK 0 / 83 / 70 / 45

HEX #8B172A

RGB 139 23 42

HSL 350.17, 0.72%, 0.32%

LAB 30.08, 47.75, 20.41

 

CMYK 0 / 75 / 83 / 45

HEX #8B2317

RGB 139 35 23

HSL 6.21, 0.72%, 0.32%

LAB 31.24, 42.99, 33.36

 

CMYK 0 / 53 / 83 / 45

HEX #8B4217

RGB 139 66 23

HSL 22.24, 0.72%, 0.32%

LAB 36.83, 28.23, 38.65

 

CMYK 0 / 30 / 83 / 45

HEX #8B6117

RGB 139 97 23

HSL 38.28, 0.72%, 0.32%

LAB 44.38, 10.42, 45.51

 

CMYK 0 / 9 / 83 / 45

HEX #8B7F17

RGB 139 127 23

HSL 53.79, 0.72%, 0.32%

LAB 52.65, -6.72, 52.76

 

CMYK 0 / 51 / 84 / 73

HEX #44210B

RGB 68 33 11

HSL 23.16, 0.72%, 0.15%

LAB 17.18, 14.78, 20.89

 

CMYK 0 / 52 / 84 / 59

HEX #683211

RGB 104 50 17

HSL 22.76, 0.72%, 0.24%

LAB 27.48, 21.69, 30.7

 

CMYK 0 / 51 / 83 / 45

HEX #8B4417

RGB 139 68 23

HSL 23.28, 0.72%, 0.32%

LAB 37.27, 27.13, 39.06

 

CMYK 0 / 51 / 83 / 32

HEX #AE551D

RGB 174 85 29

HSL 23.17, 0.71%, 0.4%

LAB 46.42, 32.84, 46.77

 

CMYK 0 / 51 / 83 / 18

HEX #D26623

RGB 210 102 35

HSL 22.97, 0.71%, 0.48%

LAB 55.41, 38.72, 54.35

 

CMYK 0 / 51 / 83 / 45

HEX #8B4418

RGB 139 68 24

HSL 22.96, 0.71%, 0.32%

LAB 37.28, 27.17, 38.61

 

CMYK 47 / 0 / 83 / 45

HEX #498B17

RGB 73 139 23

HSL 94.14, 0.72%, 0.32%

LAB 51.77, -40.36, 50.25

 

CMYK 83 / 81 / 0 / 45

HEX #171B8B

RGB 23 27 139

HSL 237.93, 0.72%, 0.32%

LAB 19.35, 39.91, -61.01

 

CMYK 0 / 51 / 83 / 45

HEX #8B4418

RGB 139 68 24

HSL 22.96, 0.71%, 0.32%

LAB 37.28, 27.17, 38.61

 

CMYK 83 / 0 / 53 / 45

HEX #178B42

RGB 23 139 66

HSL 142.24, 0.72%, 0.32%

LAB 50.73, -47.21, 30.35

 

CMYK 53 / 83 / 0 / 45

HEX #42178B

RGB 66 23 139

HSL 262.24, 0.72%, 0.32%

LAB 22.43, 46.06, -55.8

 

CMYK 0 / 51 / 83 / 45

HEX #8B4418

RGB 139 68 24

HSL 22.96, 0.71%, 0.32%

LAB 37.28, 27.17, 38.61

 

CMYK 47 / 0 / 83 / 45

HEX #498B17

RGB 73 139 23

HSL 94.14, 0.72%, 0.32%

LAB 51.77, -40.36, 50.25

 

CMYK 83 / 30 / 0 / 45

HEX #17618B

RGB 23 97 139

HSL 201.72, 0.72%, 0.32%

LAB 38.89, -6.29, -29.41

 

CMYK 36 / 83 / 0 / 45

HEX #59178B

RGB 89 23 139

HSL 274.14, 0.72%, 0.32%

LAB 25.57, 49.46, -50.53

 

CMYK 0 / 51 / 83 / 45

HEX #8B4418

RGB 139 68 24

HSL 22.96, 0.71%, 0.32%

LAB 37.28, 27.17, 38.61

 

CMYK 72 / 0 / 83 / 45

HEX #278B17

RGB 39 139 23

HSL 111.72, 0.72%, 0.32%

LAB 50.64, -49.44, 48.79

 

CMYK 83 / 30 / 0 / 45

HEX #17618B

RGB 23 97 139

HSL 201.72, 0.72%, 0.32%

LAB 38.89, -6.29, -29.41

 

CMYK 11 / 83 / 0 / 45

HEX #7C178B

RGB 124 23 139

HSL 292.24, 0.72%, 0.32%

LAB 31.26, 55.74, -41.04

 

Description

Color code: HEX #8B4418 | qconv.com Color code: HEX #8B4418 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 68 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 68 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 83 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 83% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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