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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B4520 it is the complementary color #74BADF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B4520. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B4520 shade: #90451B, #A1572E, #B26941, #C37B54 and #D48D67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B4520. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B4520 shade: #8B4520, #7A330D, #692100, #580F00 and #470000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B4520 shade: #8D4520, #8D2820 and #8D2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B4520 shade: #8D4520, #8D6320, #8D8020, #7C8D20 and #5E8D20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B4520 shade matches the following richer shades: #8D4520, #9B4112 and #A93D04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B4520 shade: #8D4520, #7F4A2E, #714E3C, #63524A and #555758

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B4520 shade: #8D2035, #8D2720, #8D4420, #8D6120 and #8D7E20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B4520 shade: #4A2410, #6B3518, #8D4520, #AE5627 and #CF672F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B4520 shade: #8B4520, #538D20 and #20278D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B4520 shade: #8B4520, #208D44 and #44208D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B4520 shade: #8B4520, #538D20, #20688D and #5A208D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B4520 shade: #8B4520, #328D20, #20688D and #7B208D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 77 / 45

HEX #8B4520

RGB 139 69 32

HSL 20.75, 0.63%, 0.34%

LAB 37.57, 26.95, 34.91

 

Complementary color

CMYK 48 / 17 / 0 / 13

HEX #74BADF

RGB 116 186 223

HSL 200.75, 0.63%, 0.66%

LAB 72.33, -12.15, -25.37

 

CMYK 0 / 52 / 81 / 44

HEX #90451B

RGB 144 69 27

HSL 21.54, 0.68%, 0.34%

LAB 38.31, 28.86, 38.44

 

CMYK 0 / 46 / 71 / 37

HEX #A1572E

RGB 161 87 46

HSL 21.39, 0.56%, 0.41%

LAB 45.07, 27.06, 36.55

 

CMYK 0 / 41 / 63 / 30

HEX #B26941

RGB 178 105 65

HSL 21.24, 0.47%, 0.48%

LAB 51.78, 25.47, 34.63

 

CMYK 0 / 37 / 57 / 24

HEX #C37B54

RGB 195 123 84

HSL 21.08, 0.48%, 0.55%

LAB 58.42, 24.09, 32.85

 

CMYK 0 / 33 / 51 / 17

HEX #D48D67

RGB 212 141 103

HSL 20.92, 0.56%, 0.62%

LAB 64.98, 22.87, 31.22

 

CMYK 0 / 50 / 77 / 45

HEX #8B4520

RGB 139 69 32

HSL 20.75, 0.63%, 0.34%

LAB 37.57, 26.95, 34.91

 

CMYK 0 / 58 / 89 / 52

HEX #7A330D

RGB 122 51 13

HSL 20.92, 0.81%, 0.26%

LAB 30.72, 28.87, 36.64

 

CMYK 0 / 69 / 100 / 59

HEX #692100

RGB 105 33 0

HSL 18.86, 1%, 0.21%

LAB 23.97, 30.81, 34.83

 

CMYK 0 / 83 / 100 / 65

HEX #580F00

RGB 88 15 0

HSL 10.23, 1%, 0.17%

LAB 17.54, 32.15, 26.73

 

CMYK 0 / 100 / 100 / 72

HEX #470000

RGB 71 0 0

HSL 0, 1%, 0.14%

LAB 11.55, 31.88, 18.17

 

CMYK 0 / 51 / 77 / 45

HEX #8D4520

RGB 141 69 32

HSL 20.37, 0.63%, 0.34%

LAB 37.88, 27.8, 35.34

 

CMYK 0 / 72 / 77 / 45

HEX #8D2820

RGB 141 40 32

HSL 4.4, 0.63%, 0.34%

LAB 32.45, 42.04, 29.56

 

CMYK 0 / 77 / 77 / 45

HEX #8D2020

RGB 141 32 32

HSL 0, 0.63%, 0.34%

LAB 31.35, 45.08, 28.35

 

CMYK 0 / 51 / 77 / 45

HEX #8D4520

RGB 141 69 32

HSL 20.37, 0.63%, 0.34%

LAB 37.88, 27.8, 35.34

 

CMYK 0 / 30 / 77 / 45

HEX #8D6320

RGB 141 99 32

HSL 36.88, 0.63%, 0.34%

LAB 45.21, 10.56, 42.71

 

CMYK 0 / 9 / 77 / 45

HEX #8D8020

RGB 141 128 32

HSL 52.84, 0.63%, 0.34%

LAB 53.17, -5.99, 50.32

 

CMYK 12 / 0 / 77 / 45

HEX #7C8D20

RGB 124 141 32

HSL 69.36, 0.63%, 0.34%

LAB 55.52, -20.63, 52

 

CMYK 33 / 0 / 77 / 45

HEX #5E8D20

RGB 94 141 32

HSL 85.87, 0.63%, 0.34%

LAB 53.53, -33.13, 49.4

 

CMYK 0 / 51 / 77 / 45

HEX #8D4520

RGB 141 69 32

HSL 20.37, 0.63%, 0.34%

LAB 37.88, 27.8, 35.34

 

CMYK 0 / 58 / 88 / 39

HEX #9B4112

RGB 155 65 18

HSL 20.58, 0.79%, 0.34%

LAB 39.23, 35.21, 43.92

 

CMYK 0 / 64 / 98 / 34

HEX #A93D04

RGB 169 61 4

HSL 20.73, 0.95%, 0.34%

LAB 40.87, 42.3, 50.78

 

CMYK 0 / 51 / 77 / 45

HEX #8D4520

RGB 141 69 32

HSL 20.37, 0.63%, 0.34%

LAB 37.88, 27.8, 35.34

 

CMYK 0 / 42 / 64 / 50

HEX #7F4A2E

RGB 127 74 46

HSL 20.74, 0.47%, 0.34%

LAB 37.13, 19.69, 26.11

 

CMYK 0 / 31 / 47 / 56

HEX #714E3C

RGB 113 78 60

HSL 20.38, 0.31%, 0.34%

LAB 36.53, 12.35, 16.54

 

CMYK 0 / 17 / 25 / 61

HEX #63524A

RGB 99 82 74

HSL 19.2, 0.14%, 0.34%

LAB 36.33, 5.65, 7.32

 

CMYK 3 / 1 / 0 / 65

HEX #555758

RGB 85 87 88

HSL 200, 0.02%, 0.34%

LAB 36.84, -0.58, -0.86

 

CMYK 0 / 77 / 62 / 45

HEX #8D2035

RGB 141 32 53

HSL 348.44, 0.63%, 0.34%

LAB 31.7, 46.23, 15.37

 

CMYK 0 / 72 / 77 / 45

HEX #8D2720

RGB 141 39 32

HSL 3.85, 0.63%, 0.34%

LAB 32.3, 42.45, 29.39

 

CMYK 0 / 52 / 77 / 45

HEX #8D4420

RGB 141 68 32

HSL 19.82, 0.63%, 0.34%

LAB 37.66, 28.35, 35.11

 

CMYK 0 / 31 / 77 / 45

HEX #8D6120

RGB 141 97 32

HSL 35.78, 0.63%, 0.34%

LAB 44.68, 11.72, 42.2

 

CMYK 0 / 11 / 77 / 45

HEX #8D7E20

RGB 141 126 32

HSL 51.74, 0.63%, 0.34%

LAB 52.61, -4.88, 49.79

 

CMYK 0 / 51 / 78 / 71

HEX #4A2410

RGB 74 36 16

HSL 20.69, 0.64%, 0.18%

LAB 19.03, 16.1, 20.88

 

CMYK 0 / 50 / 78 / 58

HEX #6B3518

RGB 107 53 24

HSL 20.96, 0.63%, 0.26%

LAB 28.74, 21.62, 28.4

 

CMYK 0 / 51 / 77 / 45

HEX #8D4520

RGB 141 69 32

HSL 20.37, 0.63%, 0.34%

LAB 37.88, 27.8, 35.34

 

CMYK 0 / 51 / 78 / 32

HEX #AE5627

RGB 174 86 39

HSL 20.89, 0.63%, 0.42%

LAB 46.71, 32.68, 42.45

 

CMYK 0 / 50 / 77 / 19

HEX #CF672F

RGB 207 103 47

HSL 21, 0.63%, 0.5%

LAB 55.25, 37.42, 48.81

 

CMYK 0 / 50 / 77 / 45

HEX #8B4520

RGB 139 69 32

HSL 20.75, 0.63%, 0.34%

LAB 37.57, 26.95, 34.91

 

CMYK 41 / 0 / 77 / 45

HEX #538D20

RGB 83 141 32

HSL 91.93, 0.63%, 0.34%

LAB 52.94, -37.24, 48.63

 

CMYK 77 / 72 / 0 / 45

HEX #20278D

RGB 32 39 141

HSL 236.15, 0.63%, 0.34%

LAB 22.59, 34.17, -56.89

 

CMYK 0 / 50 / 77 / 45

HEX #8B4520

RGB 139 69 32

HSL 20.75, 0.63%, 0.34%

LAB 37.57, 26.95, 34.91

 

CMYK 77 / 0 / 52 / 45

HEX #208D44

RGB 32 141 68

HSL 139.82, 0.63%, 0.34%

LAB 51.58, -46.43, 30.39

 

CMYK 52 / 77 / 0 / 45

HEX #44208D

RGB 68 32 141

HSL 259.82, 0.63%, 0.34%

LAB 24.27, 42.83, -54

 

CMYK 0 / 50 / 77 / 45

HEX #8B4520

RGB 139 69 32

HSL 20.75, 0.63%, 0.34%

LAB 37.57, 26.95, 34.91

 

CMYK 41 / 0 / 77 / 45

HEX #538D20

RGB 83 141 32

HSL 91.93, 0.63%, 0.34%

LAB 52.94, -37.24, 48.63

 

CMYK 77 / 26 / 0 / 45

HEX #20688D

RGB 32 104 141

HSL 200.37, 0.63%, 0.34%

LAB 41.42, -8.72, -26.64

 

CMYK 36 / 77 / 0 / 45

HEX #5A208D

RGB 90 32 141

HSL 271.93, 0.63%, 0.34%

LAB 27.1, 46.59, -49.27

 

CMYK 0 / 50 / 77 / 45

HEX #8B4520

RGB 139 69 32

HSL 20.75, 0.63%, 0.34%

LAB 37.57, 26.95, 34.91

 

CMYK 65 / 0 / 77 / 45

HEX #328D20

RGB 50 141 32

HSL 110.09, 0.63%, 0.34%

LAB 51.65, -47.18, 46.93

 

CMYK 77 / 26 / 0 / 45

HEX #20688D

RGB 32 104 141

HSL 200.37, 0.63%, 0.34%

LAB 41.42, -8.72, -26.64

 

CMYK 13 / 77 / 0 / 45

HEX #7B208D

RGB 123 32 141

HSL 290.09, 0.63%, 0.34%

LAB 32.18, 53.14, -40.8

 

Description

Color code: HEX #8B4520 | qconv.com Color code: HEX #8B4520 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 69 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 69 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 77 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 77% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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