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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B5358 it is the complementary color #74ACA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B5358. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B5358 shade: #905353, #A16566, #B27779, #C3898C and #D49B9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B5358. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B5358 shade: #8B5358, #7A4145, #692F32, #581D1F and #470B0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B5358 shade: #8C5459 and #8C5454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B5358 shade: #8C5459, #8C5468, #8C5477, #8C5486 and #82548C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B5358 shade matches the following richer shades: #8C5459, #9E414A, #B02F3B, #C21D2C and #D40B1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B5358 shade: #8C5459, #7A6668, #677876, #558A85 and #439C94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B5358 shade: #8C5477, #8C5468, #8C5459, #8C5D54 and #8C6C54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B5358 shade: #583538, #724448, #8C5459, #A3666B and #B28084

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B5358 shade: #8B5358, #868C54 and #54708C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B5358 shade: #8B5358, #598C54 and #54598C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B5358 shade: #8B5358, #868C54, #548C86 and #59548C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B5358 shade: #8B5358, #758C54, #548C86 and #6A548C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 37 / 45

HEX #8B5358

RGB 139 83 88

HSL 354.64, 0.25%, 0.44%

LAB 41.81, 23.99, 7.08

 

Complementary color

CMYK 33 / 0 / 3 / 33

HEX #74ACA7

RGB 116 172 167

HSL 174.64, 0.25%, 0.56%

LAB 66.53, -19.38, -3.28

 

CMYK 0 / 42 / 42 / 44

HEX #905353

RGB 144 83 83

HSL 0, 0.27%, 0.45%

LAB 42.37, 25.38, 11.03

 

CMYK 0 / 37 / 37 / 37

HEX #A16566

RGB 161 101 102

HSL 359, 0.24%, 0.51%

LAB 49.31, 24.34, 9.61

 

CMYK 0 / 33 / 32 / 30

HEX #B27779

RGB 178 119 121

HSL 357.97, 0.28%, 0.58%

LAB 56.13, 23.41, 8.38

 

CMYK 0 / 30 / 28 / 24

HEX #C3898C

RGB 195 137 140

HSL 356.9, 0.33%, 0.65%

LAB 62.83, 22.59, 7.3

 

CMYK 0 / 27 / 25 / 17

HEX #D49B9F

RGB 212 155 159

HSL 355.79, 0.4%, 0.72%

LAB 69.43, 21.85, 6.32

 

CMYK 0 / 40 / 37 / 45

HEX #8B5358

RGB 139 83 88

HSL 354.64, 0.25%, 0.44%

LAB 41.81, 23.99, 7.08

 

CMYK 0 / 47 / 43 / 52

HEX #7A4145

RGB 122 65 69

HSL 355.79, 0.3%, 0.37%

LAB 34.7, 25.07, 8.6

 

CMYK 0 / 55 / 52 / 59

HEX #692F32

RGB 105 47 50

HSL 356.9, 0.38%, 0.3%

LAB 27.48, 26.26, 10.52

 

CMYK 0 / 67 / 65 / 65

HEX #581D1F

RGB 88 29 31

HSL 357.97, 0.5%, 0.23%

LAB 20.25, 27.41, 13.14

 

CMYK 0 / 85 / 83 / 72

HEX #470B0C

RGB 71 11 12

HSL 359, 0.73%, 0.16%

LAB 13.26, 28, 15.56

 

CMYK 0 / 40 / 36 / 45

HEX #8C5459

RGB 140 84 89

HSL 354.64, 0.25%, 0.44%

LAB 42.21, 23.94, 7.05

 

CMYK 0 / 40 / 40 / 45

HEX #8C5454

RGB 140 84 84

HSL 0, 0.25%, 0.44%

LAB 42.09, 23.3, 9.95

 

CMYK 0 / 40 / 36 / 45

HEX #8C5459

RGB 140 84 89

HSL 354.64, 0.25%, 0.44%

LAB 42.21, 23.94, 7.05

 

CMYK 0 / 40 / 26 / 45

HEX #8C5468

RGB 140 84 104

HSL 338.57, 0.25%, 0.44%

LAB 42.64, 26.09, -1.55

 

CMYK 0 / 40 / 15 / 45

HEX #8C5477

RGB 140 84 119

HSL 322.5, 0.25%, 0.44%

LAB 43.13, 28.55, -10

 

CMYK 0 / 40 / 4 / 45

HEX #8C5486

RGB 140 84 134

HSL 306.43, 0.25%, 0.44%

LAB 43.71, 31.3, -18.24

 

CMYK 7 / 40 / 0 / 45

HEX #82548C

RGB 130 84 140

HSL 289.29, 0.25%, 0.44%

LAB 42.73, 29.16, -23.47

 

CMYK 0 / 40 / 36 / 45

HEX #8C5459

RGB 140 84 89

HSL 354.64, 0.25%, 0.44%

LAB 42.21, 23.94, 7.05

 

CMYK 0 / 59 / 53 / 38

HEX #9E414A

RGB 158 65 74

HSL 354.19, 0.42%, 0.44%

LAB 40.48, 39.5, 14.32

 

CMYK 0 / 73 / 66 / 31

HEX #B02F3B

RGB 176 47 59

HSL 354.42, 0.58%, 0.44%

LAB 40.54, 52.25, 24.3

 

CMYK 0 / 85 / 77 / 24

HEX #C21D2C

RGB 194 29 44

HSL 354.55, 0.74%, 0.44%

LAB 42.05, 62.02, 36

 

CMYK 0 / 95 / 86 / 17

HEX #D40B1D

RGB 212 11 29

HSL 354.63, 0.9%, 0.44%

LAB 44.7, 69.05, 47.97

 

CMYK 0 / 40 / 36 / 45

HEX #8C5459

RGB 140 84 89

HSL 354.64, 0.25%, 0.44%

LAB 42.21, 23.94, 7.05

 

CMYK 0 / 16 / 15 / 52

HEX #7A6668

RGB 122 102 104

HSL 354, 0.09%, 0.44%

LAB 45.14, 8.33, 1.85

 

CMYK 14 / 0 / 2 / 53

HEX #677876

RGB 103 120 118

HSL 172.94, 0.08%, 0.44%

LAB 49.04, -6.69, -1.02

 

CMYK 38 / 0 / 4 / 46

HEX #558A85

RGB 85 138 133

HSL 174.34, 0.24%, 0.44%

LAB 53.82, -18.84, -2.91

 

CMYK 57 / 0 / 5 / 39

HEX #439C94

RGB 67 156 148

HSL 174.61, 0.4%, 0.44%

LAB 59.07, -28.46, -3.84

 

CMYK 0 / 40 / 15 / 45

HEX #8C5477

RGB 140 84 119

HSL 322.5, 0.25%, 0.44%

LAB 43.13, 28.55, -10

 

CMYK 0 / 40 / 26 / 45

HEX #8C5468

RGB 140 84 104

HSL 338.57, 0.25%, 0.44%

LAB 42.64, 26.09, -1.55

 

CMYK 0 / 40 / 36 / 45

HEX #8C5459

RGB 140 84 89

HSL 354.64, 0.25%, 0.44%

LAB 42.21, 23.94, 7.05

 

CMYK 0 / 34 / 40 / 45

HEX #8C5D54

RGB 140 93 84

HSL 9.64, 0.25%, 0.44%

LAB 44.3, 18.06, 13.01

 

CMYK 0 / 23 / 40 / 45

HEX #8C6C54

RGB 140 108 84

HSL 25.71, 0.25%, 0.44%

LAB 48.19, 9.29, 18.31

 

CMYK 0 / 40 / 36 / 65

HEX #583538

RGB 88 53 56

HSL 354.86, 0.25%, 0.28%

LAB 26.47, 16.17, 4.73

 

CMYK 0 / 40 / 37 / 55

HEX #724448

RGB 114 68 72

HSL 354.78, 0.25%, 0.36%

LAB 34.35, 20.38, 6.04

 

CMYK 0 / 40 / 36 / 45

HEX #8C5459

RGB 140 84 89

HSL 354.64, 0.25%, 0.44%

LAB 42.21, 23.94, 7.05

 

CMYK 0 / 37 / 34 / 36

HEX #A3666B

RGB 163 102 107

HSL 355.08, 0.25%, 0.52%

LAB 49.92, 25.21, 7.53

 

CMYK 0 / 28 / 26 / 30

HEX #B28084

RGB 178 128 132

HSL 355.2, 0.25%, 0.6%

LAB 58.57, 19.92, 5.52

 

CMYK 0 / 40 / 37 / 45

HEX #8B5358

RGB 139 83 88

HSL 354.64, 0.25%, 0.44%

LAB 41.81, 23.99, 7.08

 

CMYK 4 / 0 / 40 / 45

HEX #868C54

RGB 134 140 84

HSL 66.43, 0.25%, 0.44%

LAB 56.55, -11.36, 29.16

 

CMYK 40 / 20 / 0 / 45

HEX #54708C

RGB 84 112 140

HSL 210, 0.25%, 0.44%

LAB 46.13, -2.6, -18.57

 

CMYK 0 / 40 / 37 / 45

HEX #8B5358

RGB 139 83 88

HSL 354.64, 0.25%, 0.44%

LAB 41.81, 23.99, 7.08

 

CMYK 36 / 0 / 40 / 45

HEX #598C54

RGB 89 140 84

HSL 114.64, 0.25%, 0.44%

LAB 53.51, -28.84, 24.65

 

CMYK 40 / 36 / 0 / 45

HEX #54598C

RGB 84 89 140

HSL 234.64, 0.25%, 0.44%

LAB 39.45, 11.56, -28.93

 

CMYK 0 / 40 / 37 / 45

HEX #8B5358

RGB 139 83 88

HSL 354.64, 0.25%, 0.44%

LAB 41.81, 23.99, 7.08

 

CMYK 4 / 0 / 40 / 45

HEX #868C54

RGB 134 140 84

HSL 66.43, 0.25%, 0.44%

LAB 56.55, -11.36, 29.16

 

CMYK 40 / 0 / 4 / 45

HEX #548C86

RGB 84 140 134

HSL 173.57, 0.25%, 0.44%

LAB 54.41, -19.92, -2.62

 

CMYK 36 / 40 / 0 / 45

HEX #59548C

RGB 89 84 140

HSL 245.36, 0.25%, 0.44%

LAB 38.48, 16.18, -30.43

 

CMYK 0 / 40 / 37 / 45

HEX #8B5358

RGB 139 83 88

HSL 354.64, 0.25%, 0.44%

LAB 41.81, 23.99, 7.08

 

CMYK 16 / 0 / 40 / 45

HEX #758C54

RGB 117 140 84

HSL 84.64, 0.25%, 0.44%

LAB 55.26, -18.34, 27.24

 

CMYK 40 / 0 / 4 / 45

HEX #548C86

RGB 84 140 134

HSL 173.57, 0.25%, 0.44%

LAB 54.41, -19.92, -2.62

 

CMYK 24 / 40 / 0 / 45

HEX #6A548C

RGB 106 84 140

HSL 263.57, 0.25%, 0.44%

LAB 40.08, 21.38, -27.81

 

Description

Color code: HEX #8B5358 | qconv.com Color code: HEX #8B5358 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 83 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 83 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 37 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 37% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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