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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B7821 it is the complementary color #7487DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B7821. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B7821 shade: #90781C, #A18A2F, #B29C42, #C3AE55 and #D4C068

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B7821. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B7821 shade: #8B7821, #7A660E, #695400, #584200 and #473000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B7821 shade: #8C7920, #8C5C20, #8C3F20, #8C2220 and #8C2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B7821 shade: #8C7920, #828C20, #658C20, #488C20 and #2B8C20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B7821 shade matches the following richer shades: #8C7920, #9A8212 and #A88B04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B7821 shade: #8C7920, #7E702E, #70673D, #625E4B and #545559

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B7821 shade: #8C3F20, #8C5C20, #8C7820, #838C20 and #668C20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B7821 shade: #493F11, #6B5C19, #8C7920, #AD9628 and #CEB231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B7821 shade: #8B7821, #208C22 and #4D208C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B7821 shade: #8B7821, #208C78 and #78208C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B7821 shade: #8B7821, #208C22, #20348C and #8C208A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B7821 shade: #8B7821, #208C42, #20348C and #8C206A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 76 / 45

HEX #8B7821

RGB 139 120 33

HSL 49.25, 0.62%, 0.34%

LAB 50.72, -2.41, 47.56

 

Complementary color

CMYK 48 / 39 / 0 / 13

HEX #7487DE

RGB 116 135 222

HSL 229.25, 0.62%, 0.66%

LAB 58.33, 16.4, -46.61

 

CMYK 0 / 17 / 81 / 44

HEX #90781C

RGB 144 120 28

HSL 47.59, 0.67%, 0.34%

LAB 51.21, -0.29, 50.05

 

CMYK 0 / 14 / 71 / 37

HEX #A18A2F

RGB 161 138 47

HSL 47.89, 0.55%, 0.41%

LAB 58, -1.62, 49.74

 

CMYK 0 / 12 / 63 / 30

HEX #B29C42

RGB 178 156 66

HSL 48.21, 0.46%, 0.48%

LAB 64.67, -2.69, 48.85

 

CMYK 0 / 11 / 56 / 24

HEX #C3AE55

RGB 195 174 85

HSL 48.55, 0.48%, 0.55%

LAB 71.23, -3.58, 47.73

 

CMYK 0 / 9 / 51 / 17

HEX #D4C068

RGB 212 192 104

HSL 48.89, 0.56%, 0.62%

LAB 77.7, -4.31, 46.52

 

CMYK 0 / 14 / 76 / 45

HEX #8B7821

RGB 139 120 33

HSL 49.25, 0.62%, 0.34%

LAB 50.72, -2.41, 47.56

 

CMYK 0 / 16 / 89 / 52

HEX #7A660E

RGB 122 102 14

HSL 48.89, 0.79%, 0.27%

LAB 43.76, -0.92, 47.14

 

CMYK 0 / 20 / 100 / 59

HEX #695400

RGB 105 84 0

HSL 48, 1%, 0.21%

LAB 36.64, 0.97, 44.7

 

CMYK 0 / 25 / 100 / 65

HEX #584200

RGB 88 66 0

HSL 45, 1%, 0.17%

LAB 29.34, 3.35, 38.6

 

CMYK 0 / 32 / 100 / 72

HEX #473000

RGB 71 48 0

HSL 40.56, 1%, 0.14%

LAB 21.78, 5.95, 30.77

 

CMYK 0 / 14 / 77 / 45

HEX #8C7920

RGB 140 121 32

HSL 49.44, 0.63%, 0.34%

LAB 51.1, -2.55, 48.34

 

CMYK 0 / 34 / 77 / 45

HEX #8C5C20

RGB 140 92 32

HSL 33.33, 0.63%, 0.34%

LAB 43.26, 14.18, 40.75

 

CMYK 0 / 55 / 77 / 45

HEX #8C3F20

RGB 140 63 32

HSL 17.22, 0.63%, 0.34%

LAB 36.43, 30.64, 33.77

 

CMYK 0 / 76 / 77 / 45

HEX #8C2220

RGB 140 34 32

HSL 1.11, 0.63%, 0.34%

LAB 31.4, 44.04, 28.35

 

CMYK 0 / 77 / 77 / 45

HEX #8C2020

RGB 140 32 32

HSL 0, 0.63%, 0.34%

LAB 31.14, 44.75, 28.07

 

CMYK 0 / 14 / 77 / 45

HEX #8C7920

RGB 140 121 32

HSL 49.44, 0.63%, 0.34%

LAB 51.1, -2.55, 48.34

 

CMYK 7 / 0 / 77 / 45

HEX #828C20

RGB 130 140 32

HSL 65.56, 0.63%, 0.34%

LAB 55.69, -17.46, 52.32

 

CMYK 28 / 0 / 77 / 45

HEX #658C20

RGB 101 140 32

HSL 81.67, 0.63%, 0.34%

LAB 53.63, -29.89, 49.64

 

CMYK 49 / 0 / 77 / 45

HEX #488C20

RGB 72 140 32

HSL 97.78, 0.63%, 0.34%

LAB 52.11, -40.57, 47.65

 

CMYK 69 / 0 / 77 / 45

HEX #2B8C20

RGB 43 140 32

HSL 113.89, 0.63%, 0.34%

LAB 51.12, -48.38, 46.35

 

CMYK 0 / 14 / 77 / 45

HEX #8C7920

RGB 140 121 32

HSL 49.44, 0.63%, 0.34%

LAB 51.1, -2.55, 48.34

 

CMYK 0 / 16 / 88 / 40

HEX #9A8212

RGB 154 130 18

HSL 49.41, 0.79%, 0.34%

LAB 54.95, -1.54, 56.63

 

CMYK 0 / 17 / 98 / 34

HEX #A88B04

RGB 168 139 4

HSL 49.39, 0.95%, 0.34%

LAB 58.79, -0.29, 62.74

 

CMYK 0 / 14 / 77 / 45

HEX #8C7920

RGB 140 121 32

HSL 49.44, 0.63%, 0.34%

LAB 51.1, -2.55, 48.34

 

CMYK 0 / 11 / 63 / 51

HEX #7E702E

RGB 126 112 46

HSL 49.5, 0.47%, 0.34%

LAB 47.26, -3.14, 37.79

 

CMYK 0 / 8 / 46 / 56

HEX #70673D

RGB 112 103 61

HSL 49.41, 0.29%, 0.34%

LAB 43.48, -2.97, 24.93

 

CMYK 0 / 4 / 23 / 62

HEX #625E4B

RGB 98 94 75

HSL 49.57, 0.13%, 0.34%

LAB 39.77, -1.91, 11.49

 

CMYK 6 / 4 / 0 / 65

HEX #545559

RGB 84 85 89

HSL 228, 0.03%, 0.34%

LAB 36.18, 0.48, -2.47

 

CMYK 0 / 55 / 77 / 45

HEX #8C3F20

RGB 140 63 32

HSL 17.22, 0.63%, 0.34%

LAB 36.43, 30.64, 33.77

 

CMYK 0 / 34 / 77 / 45

HEX #8C5C20

RGB 140 92 32

HSL 33.33, 0.63%, 0.34%

LAB 43.26, 14.18, 40.75

 

CMYK 0 / 14 / 77 / 45

HEX #8C7820

RGB 140 120 32

HSL 48.89, 0.63%, 0.34%

LAB 50.82, -1.99, 48.07

 

CMYK 6 / 0 / 77 / 45

HEX #838C20

RGB 131 140 32

HSL 65, 0.63%, 0.34%

LAB 55.77, -17.01, 52.43

 

CMYK 27 / 0 / 77 / 45

HEX #668C20

RGB 102 140 32

HSL 81.11, 0.63%, 0.34%

LAB 53.69, -29.48, 49.73

 

CMYK 0 / 14 / 77 / 71

HEX #493F11

RGB 73 63 17

HSL 49.29, 0.62%, 0.18%

LAB 26.77, -1.79, 28.57

 

CMYK 0 / 14 / 77 / 58

HEX #6B5C19

RGB 107 92 25

HSL 49.02, 0.62%, 0.26%

LAB 39.33, -1.92, 38.67

 

CMYK 0 / 14 / 77 / 45

HEX #8C7920

RGB 140 121 32

HSL 49.44, 0.63%, 0.34%

LAB 51.1, -2.55, 48.34

 

CMYK 0 / 13 / 77 / 32

HEX #AD9628

RGB 173 150 40

HSL 49.62, 0.62%, 0.42%

LAB 62.38, -3.1, 57.14

 

CMYK 0 / 14 / 76 / 19

HEX #CEB231

RGB 206 178 49

HSL 49.3, 0.62%, 0.5%

LAB 73.01, -3.06, 65.02

 

CMYK 0 / 14 / 76 / 45

HEX #8B7821

RGB 139 120 33

HSL 49.25, 0.62%, 0.34%

LAB 50.72, -2.41, 47.56

 

CMYK 77 / 0 / 76 / 45

HEX #208C22

RGB 32 140 34

HSL 121.11, 0.63%, 0.34%

LAB 50.9, -50.25, 45.31

 

CMYK 45 / 77 / 0 / 45

HEX #4D208C

RGB 77 32 140

HSL 265, 0.63%, 0.34%

LAB 25.27, 44.02, -51.7

 

CMYK 0 / 14 / 76 / 45

HEX #8B7821

RGB 139 120 33

HSL 49.25, 0.62%, 0.34%

LAB 50.72, -2.41, 47.56

 

CMYK 77 / 0 / 14 / 45

HEX #208C78

RGB 32 140 120

HSL 168.89, 0.63%, 0.34%

LAB 52.31, -34.43, 2.21

 

CMYK 14 / 77 / 0 / 45

HEX #78208C

RGB 120 32 140

HSL 288.89, 0.63%, 0.34%

LAB 31.62, 52.32, -41.11

 

CMYK 0 / 14 / 76 / 45

HEX #8B7821

RGB 139 120 33

HSL 49.25, 0.62%, 0.34%

LAB 50.72, -2.41, 47.56

 

CMYK 77 / 0 / 76 / 45

HEX #208C22

RGB 32 140 34

HSL 121.11, 0.63%, 0.34%

LAB 50.9, -50.25, 45.31

 

CMYK 77 / 63 / 0 / 45

HEX #20348C

RGB 32 52 140

HSL 228.89, 0.63%, 0.34%

LAB 25.73, 25.19, -51.11

 

CMYK 0 / 77 / 1 / 45

HEX #8C208A

RGB 140 32 138

HSL 301.11, 0.63%, 0.34%

LAB 34.89, 56.26, -34.46

 

CMYK 0 / 14 / 76 / 45

HEX #8B7821

RGB 139 120 33

HSL 49.25, 0.62%, 0.34%

LAB 50.72, -2.41, 47.56

 

CMYK 77 / 0 / 53 / 45

HEX #208C42

RGB 32 140 66

HSL 138.89, 0.63%, 0.34%

LAB 51.22, -46.38, 30.98

 

CMYK 77 / 63 / 0 / 45

HEX #20348C

RGB 32 52 140

HSL 228.89, 0.63%, 0.34%

LAB 25.73, 25.19, -51.11

 

CMYK 0 / 77 / 24 / 45

HEX #8C206A

RGB 140 32 106

HSL 318.89, 0.63%, 0.34%

LAB 33.24, 51.39, -16.95

 

Description

Color code: HEX #8B7821 | qconv.com Color code: HEX #8B7821 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 120 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 120 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 76 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 76% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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