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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B78AF it is the complementary color #748750. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B78AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B78AF shade: #9078AA, #A18ABD, #B29CD0, #C3AEE3 and #D4C0F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B78AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B78AF shade: #8B78AF, #7A669C, #695489, #584276 and #473063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B78AF shade: #8B78AF, #9A78AF, #A978AF, #AF78A7 and #AF7898

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B78AF shade: #8B78AF, #7C78AF and #7878AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B78AF shade matches the following richer shades: #8B78AF, #8566C1, #8055D2, #7B44E3 and #7532F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B78AF shade: #8B78AF, #90899E, #969A8D, #9BAC7B and #A0BD6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B78AF shade: #7883AF, #7B78AF, #8A78AF, #9978AF and #A878AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B78AF shade: #624E86, #755EA0, #8B78AF, #A192BF and #B7ACCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B78AF shade: #8B78AF, #AF7892 and #7BAF78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B78AF shade: #8B78AF, #AF8A78 and #78AF8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B78AF shade: #8B78AF, #AF7892, #9DAF78 and #78AF95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B78AF shade: #8B78AF, #AF7881, #9DAF78 and #78AFA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 31 / 0 / 31

HEX #8B78AF

RGB 139 120 175

HSL 260.73, 0.26%, 0.58%

LAB 54.05, 18.87, -26.52

 

Complementary color

CMYK 14 / 0 / 41 / 47

HEX #748750

RGB 116 135 80

HSL 80.73, 0.26%, 0.42%

LAB 53.62, -16.65, 27.31

 

CMYK 15 / 29 / 0 / 33

HEX #9078AA

RGB 144 120 170

HSL 268.8, 0.23%, 0.57%

LAB 54.31, 19.32, -23.19

 

CMYK 15 / 27 / 0 / 26

HEX #A18ABD

RGB 161 138 189

HSL 267.06, 0.28%, 0.64%

LAB 61.16, 18.75, -23.39

 

CMYK 14 / 25 / 0 / 18

HEX #B29CD0

RGB 178 156 208

HSL 265.38, 0.36%, 0.71%

LAB 67.87, 18.22, -23.6

 

CMYK 14 / 23 / 0 / 11

HEX #C3AEE3

RGB 195 174 227

HSL 263.77, 0.49%, 0.79%

LAB 74.46, 17.74, -23.84

 

CMYK 14 / 22 / 0 / 4

HEX #D4C0F6

RGB 212 192 246

HSL 262.22, 0.75%, 0.86%

LAB 80.93, 17.29, -24.09

 

CMYK 21 / 31 / 0 / 31

HEX #8B78AF

RGB 139 120 175

HSL 260.73, 0.26%, 0.58%

LAB 54.05, 18.87, -26.52

 

CMYK 22 / 35 / 0 / 39

HEX #7A669C

RGB 122 102 156

HSL 262.22, 0.21%, 0.51%

LAB 47.03, 19.54, -26.43

 

CMYK 23 / 39 / 0 / 46

HEX #695489

RGB 105 84 137

HSL 263.77, 0.24%, 0.43%

LAB 39.83, 20.29, -26.38

 

CMYK 25 / 44 / 0 / 54

HEX #584276

RGB 88 66 118

HSL 265.38, 0.28%, 0.36%

LAB 32.43, 21.16, -26.38

 

CMYK 28 / 52 / 0 / 61

HEX #473063

RGB 71 48 99

HSL 267.06, 0.35%, 0.29%

LAB 24.81, 22.15, -26.41

 

CMYK 21 / 31 / 0 / 31

HEX #8B78AF

RGB 139 120 175

HSL 260.73, 0.26%, 0.58%

LAB 54.05, 18.87, -26.52

 

CMYK 12 / 31 / 0 / 31

HEX #9A78AF

RGB 154 120 175

HSL 277.09, 0.26%, 0.58%

LAB 55.48, 23.72, -24.18

 

CMYK 3 / 31 / 0 / 31

HEX #A978AF

RGB 169 120 175

HSL 293.45, 0.26%, 0.58%

LAB 57.04, 28.67, -21.65

 

CMYK 0 / 31 / 5 / 31

HEX #AF78A7

RGB 175 120 167

HSL 308.73, 0.26%, 0.58%

LAB 57.4, 29.15, -16.44

 

CMYK 0 / 31 / 13 / 31

HEX #AF7898

RGB 175 120 152

HSL 325.09, 0.26%, 0.58%

LAB 56.89, 26.47, -8.54

 

CMYK 21 / 31 / 0 / 31

HEX #8B78AF

RGB 139 120 175

HSL 260.73, 0.26%, 0.58%

LAB 54.05, 18.87, -26.52

 

CMYK 29 / 31 / 0 / 31

HEX #7C78AF

RGB 124 120 175

HSL 244.36, 0.26%, 0.58%

LAB 52.74, 14.21, -28.63

 

CMYK 31 / 31 / 0 / 31

HEX #7878AF

RGB 120 120 175

HSL 240, 0.26%, 0.58%

LAB 52.42, 13, -29.16

 

CMYK 21 / 31 / 0 / 31

HEX #8B78AF

RGB 139 120 175

HSL 260.73, 0.26%, 0.58%

LAB 54.05, 18.87, -26.52

 

CMYK 31 / 47 / 0 / 24

HEX #8566C1

RGB 133 102 193

HSL 260.44, 0.42%, 0.58%

LAB 49.91, 32.17, -43.42

 

CMYK 39 / 60 / 0 / 18

HEX #8055D2

RGB 128 85 210

HSL 260.64, 0.58%, 0.58%

LAB 46.63, 45.12, -58.46

 

CMYK 46 / 70 / 0 / 11

HEX #7B44E3

RGB 123 68 227

HSL 260.75, 0.74%, 0.58%

LAB 44.08, 57.52, -72.33

 

CMYK 52 / 80 / 0 / 4

HEX #7532F5

RGB 117 50 245

HSL 260.62, 0.91%, 0.58%

LAB 42.24, 69.15, -85.54

 

CMYK 21 / 31 / 0 / 31

HEX #8B78AF

RGB 139 120 175

HSL 260.73, 0.26%, 0.58%

LAB 54.05, 18.87, -26.52

 

CMYK 9 / 13 / 0 / 38

HEX #90899E

RGB 144 137 158

HSL 260, 0.1%, 0.58%

LAB 58.31, 6.83, -10.2

 

CMYK 3 / 0 / 8 / 40

HEX #969A8D

RGB 150 154 141

HSL 78.46, 0.06%, 0.58%

LAB 62.94, -3.89, 6.32

 

CMYK 10 / 0 / 28 / 33

HEX #9BAC7B

RGB 155 172 123

HSL 80.82, 0.23%, 0.58%

LAB 67.95, -14.58, 23.3

 

CMYK 15 / 0 / 44 / 26

HEX #A0BD6A

RGB 160 189 106

HSL 80.96, 0.39%, 0.58%

LAB 72.83, -23.51, 38.63

 

CMYK 31 / 25 / 0 / 31

HEX #7883AF

RGB 120 131 175

HSL 228, 0.26%, 0.58%

LAB 55.4, 6.5, -24.55

 

CMYK 30 / 31 / 0 / 31

HEX #7B78AF

RGB 123 120 175

HSL 243.27, 0.26%, 0.58%

LAB 52.66, 13.9, -28.77

 

CMYK 21 / 31 / 0 / 31

HEX #8A78AF

RGB 138 120 175

HSL 259.64, 0.26%, 0.58%

LAB 53.95, 18.56, -26.66

 

CMYK 13 / 31 / 0 / 31

HEX #9978AF

RGB 153 120 175

HSL 276, 0.26%, 0.58%

LAB 55.38, 23.39, -24.35

 

CMYK 4 / 31 / 0 / 31

HEX #A878AF

RGB 168 120 175

HSL 292.36, 0.26%, 0.58%

LAB 56.93, 28.34, -21.83

 

CMYK 27 / 42 / 0 / 47

HEX #624E86

RGB 98 78 134

HSL 261.43, 0.26%, 0.42%

LAB 37.42, 21.02, -28.38

 

CMYK 27 / 41 / 0 / 37

HEX #755EA0

RGB 117 94 160

HSL 260.91, 0.26%, 0.5%

LAB 44.7, 23.82, -32.47

 

CMYK 21 / 31 / 0 / 31

HEX #8B78AF

RGB 139 120 175

HSL 260.73, 0.26%, 0.58%

LAB 54.05, 18.87, -26.52

 

CMYK 16 / 24 / 0 / 25

HEX #A192BF

RGB 161 146 191

HSL 260, 0.26%, 0.66%

LAB 63.26, 14.63, -21.3

 

CMYK 11 / 17 / 0 / 19

HEX #B7ACCE

RGB 183 172 206

HSL 259.41, 0.26%, 0.74%

LAB 72.25, 10.53, -15.82

 

CMYK 21 / 31 / 0 / 31

HEX #8B78AF

RGB 139 120 175

HSL 260.73, 0.26%, 0.58%

LAB 54.05, 18.87, -26.52

 

CMYK 0 / 31 / 17 / 31

HEX #AF7892

RGB 175 120 146

HSL 331.64, 0.26%, 0.58%

LAB 56.71, 25.47, -5.35

 

CMYK 30 / 0 / 31 / 31

HEX #7BAF78

RGB 123 175 120

HSL 116.73, 0.26%, 0.58%

LAB 66.69, -28.2, 22.87

 

CMYK 21 / 31 / 0 / 31

HEX #8B78AF

RGB 139 120 175

HSL 260.73, 0.26%, 0.58%

LAB 54.05, 18.87, -26.52

 

CMYK 0 / 21 / 31 / 31

HEX #AF8A78

RGB 175 138 120

HSL 19.64, 0.26%, 0.58%

LAB 60.47, 11.42, 15

 

CMYK 31 / 0 / 21 / 31

HEX #78AF8A

RGB 120 175 138

HSL 139.64, 0.26%, 0.58%

LAB 66.89, -25.94, 13.31

 

CMYK 21 / 31 / 0 / 31

HEX #8B78AF

RGB 139 120 175

HSL 260.73, 0.26%, 0.58%

LAB 54.05, 18.87, -26.52

 

CMYK 0 / 31 / 17 / 31

HEX #AF7892

RGB 175 120 146

HSL 331.64, 0.26%, 0.58%

LAB 56.71, 25.47, -5.35

 

CMYK 10 / 0 / 31 / 31

HEX #9DAF78

RGB 157 175 120

HSL 79.64, 0.26%, 0.58%

LAB 68.88, -15.8, 26.19

 

CMYK 31 / 0 / 15 / 31

HEX #78AF95

RGB 120 175 149

HSL 151.64, 0.26%, 0.58%

LAB 67.14, -23.72, 7.61

 

CMYK 21 / 31 / 0 / 31

HEX #8B78AF

RGB 139 120 175

HSL 260.73, 0.26%, 0.58%

LAB 54.05, 18.87, -26.52

 

CMYK 0 / 31 / 26 / 31

HEX #AF7881

RGB 175 120 129

HSL 350.18, 0.26%, 0.58%

LAB 56.22, 22.81, 3.82

 

CMYK 10 / 0 / 31 / 31

HEX #9DAF78

RGB 157 175 120

HSL 79.64, 0.26%, 0.58%

LAB 68.88, -15.8, 26.19

 

CMYK 31 / 0 / 5 / 31

HEX #78AFA6

RGB 120 175 166

HSL 170.18, 0.26%, 0.58%

LAB 67.58, -19.99, -1.16

 

Description

Color code: HEX #8B78AF | qconv.com Color code: HEX #8B78AF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 120 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 120 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 31 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 31% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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