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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B7018 it is the complementary color #748FE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B7018. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B7018 shade: #907013, #A18226, #B29439, #C3A64C and #D4B85F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B7018. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B7018 shade: #8B7018, #7A5E05, #694C00, #583A00 and #472800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B7018 shade: #8B7017, #8B5117, #8B3117 and #8B1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B7018 shade: #8B7017, #878B17, #688B17, #498B17 and #298B17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B7018 shade matches the following richer shades: #8B7017 and #98770A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B7018 shade: #8B7017, #7E6924, #716232, #635B3F and #56544C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B7018 shade: #8B3017, #8B4F17, #8B6E17, #898B17 and #6A8B17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B7018 shade: #44370B, #685311, #8B7017, #AE8C1D and #D2A923

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B7018 shade: #8B7018, #1D8B17 and #40178B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B7018 shade: #8B7018, #178B6E and #6E178B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B7018 shade: #8B7018, #1D8B17, #17348B and #85178B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B7018 shade: #8B7018, #178B34, #17348B and #8B176E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 83 / 45

HEX #8B7018

RGB 139 112 24

HSL 45.91, 0.71%, 0.32%

LAB 48.44, 1.76, 48.76

 

Complementary color

CMYK 50 / 38 / 0 / 9

HEX #748FE7

RGB 116 143 231

HSL 225.91, 0.71%, 0.68%

LAB 60.89, 14.39, -47.57

 

CMYK 0 / 22 / 87 / 44

HEX #907013

RGB 144 112 19

HSL 44.64, 0.77%, 0.32%

LAB 48.96, 3.96, 51.01

 

CMYK 0 / 19 / 76 / 37

HEX #A18226

RGB 161 130 38

HSL 44.88, 0.62%, 0.39%

LAB 55.77, 2.37, 51.22

 

CMYK 0 / 17 / 68 / 30

HEX #B29439

RGB 178 148 57

HSL 45.12, 0.51%, 0.46%

LAB 62.46, 1.07, 50.54

 

CMYK 0 / 15 / 61 / 24

HEX #C3A64C

RGB 195 166 76

HSL 45.38, 0.5%, 0.53%

LAB 69.04, 0, 49.5

 

CMYK 0 / 13 / 55 / 17

HEX #D4B85F

RGB 212 184 95

HSL 45.64, 0.58%, 0.6%

LAB 75.52, -0.89, 48.3

 

CMYK 0 / 19 / 83 / 45

HEX #8B7018

RGB 139 112 24

HSL 45.91, 0.71%, 0.32%

LAB 48.44, 1.76, 48.76

 

CMYK 0 / 23 / 96 / 52

HEX #7A5E05

RGB 122 94 5

HSL 45.64, 0.92%, 0.25%

LAB 41.46, 3.55, 47.61

 

CMYK 0 / 28 / 100 / 59

HEX #694C00

RGB 105 76 0

HSL 43.43, 1%, 0.21%

LAB 34.34, 5.83, 43.11

 

CMYK 0 / 34 / 100 / 65

HEX #583A00

RGB 88 58 0

HSL 39.55, 1%, 0.17%

LAB 27.02, 8.4, 36.68

 

CMYK 0 / 44 / 100 / 72

HEX #472800

RGB 71 40 0

HSL 33.8, 1%, 0.14%

LAB 19.46, 11.2, 28.2

 

CMYK 0 / 19 / 83 / 45

HEX #8B7017

RGB 139 112 23

HSL 46.03, 0.72%, 0.32%

LAB 48.43, 1.73, 49.09

 

CMYK 0 / 42 / 83 / 45

HEX #8B5117

RGB 139 81 23

HSL 30, 0.72%, 0.32%

LAB 40.3, 19.75, 41.84

 

CMYK 0 / 65 / 83 / 45

HEX #8B3117

RGB 139 49 23

HSL 13.45, 0.72%, 0.32%

LAB 33.45, 36.98, 35.48

 

CMYK 0 / 83 / 83 / 45

HEX #8B1717

RGB 139 23 23

HSL 0, 0.72%, 0.32%

LAB 29.82, 46.95, 31.98

 

CMYK 0 / 19 / 83 / 45

HEX #8B7017

RGB 139 112 23

HSL 46.03, 0.72%, 0.32%

LAB 48.43, 1.73, 49.09

 

CMYK 3 / 0 / 83 / 45

HEX #878B17

RGB 135 139 23

HSL 62.07, 0.72%, 0.32%

LAB 55.76, -15.04, 55.31

 

CMYK 25 / 0 / 83 / 45

HEX #688B17

RGB 104 139 23

HSL 78.1, 0.72%, 0.32%

LAB 53.46, -28.62, 52.4

 

CMYK 47 / 0 / 83 / 45

HEX #498B17

RGB 73 139 23

HSL 94.14, 0.72%, 0.32%

LAB 51.77, -40.36, 50.25

 

CMYK 71 / 0 / 83 / 45

HEX #298B17

RGB 41 139 23

HSL 110.69, 0.72%, 0.32%

LAB 50.69, -49.04, 48.85

 

CMYK 0 / 19 / 83 / 45

HEX #8B7017

RGB 139 112 23

HSL 46.03, 0.72%, 0.32%

LAB 48.43, 1.73, 49.09

 

CMYK 0 / 22 / 93 / 40

HEX #98770A

RGB 152 119 10

HSL 46.06, 0.88%, 0.32%

LAB 51.71, 3.53, 55.72

 

CMYK 0 / 19 / 83 / 45

HEX #8B7017

RGB 139 112 23

HSL 46.03, 0.72%, 0.32%

LAB 48.43, 1.73, 49.09

 

CMYK 0 / 17 / 71 / 51

HEX #7E6924

RGB 126 105 36

HSL 46, 0.56%, 0.32%

LAB 45.17, 0.22, 40.32

 

CMYK 0 / 13 / 56 / 56

HEX #716232

RGB 113 98 50

HSL 45.71, 0.39%, 0.32%

LAB 41.96, -0.74, 29.25

 

CMYK 0 / 8 / 36 / 61

HEX #635B3F

RGB 99 91 63

HSL 46.67, 0.22%, 0.32%

LAB 38.71, -1.51, 17.34

 

CMYK 0 / 2 / 12 / 66

HEX #56544C

RGB 86 84 76

HSL 48, 0.06%, 0.32%

LAB 35.68, -0.8, 4.96

 

CMYK 0 / 65 / 83 / 45

HEX #8B3017

RGB 139 48 23

HSL 12.93, 0.72%, 0.32%

LAB 33.27, 37.46, 35.31

 

CMYK 0 / 43 / 83 / 45

HEX #8B4F17

RGB 139 79 23

HSL 28.97, 0.72%, 0.32%

LAB 39.82, 20.9, 41.4

 

CMYK 0 / 21 / 83 / 45

HEX #8B6E17

RGB 139 110 23

HSL 45, 0.72%, 0.32%

LAB 47.88, 2.88, 48.61

 

CMYK 1 / 0 / 83 / 45

HEX #898B17

RGB 137 139 23

HSL 61.03, 0.72%, 0.32%

LAB 55.93, -14.14, 55.52

 

CMYK 24 / 0 / 83 / 45

HEX #6A8B17

RGB 106 139 23

HSL 77.07, 0.72%, 0.32%

LAB 53.59, -27.78, 52.57

 

CMYK 0 / 19 / 84 / 73

HEX #44370B

RGB 68 55 11

HSL 46.32, 0.72%, 0.15%

LAB 23.62, 0.34, 28.07

 

CMYK 0 / 20 / 84 / 59

HEX #685311

RGB 104 83 17

HSL 45.52, 0.72%, 0.24%

LAB 36.31, 1.61, 38.95

 

CMYK 0 / 19 / 83 / 45

HEX #8B7017

RGB 139 112 23

HSL 46.03, 0.72%, 0.32%

LAB 48.43, 1.73, 49.09

 

CMYK 0 / 20 / 83 / 32

HEX #AE8C1D

RGB 174 140 29

HSL 45.93, 0.71%, 0.4%

LAB 59.75, 2.41, 58.45

 

CMYK 0 / 20 / 83 / 18

HEX #D2A923

RGB 210 169 35

HSL 45.94, 0.71%, 0.48%

LAB 71.01, 2.97, 67.77

 

CMYK 0 / 19 / 83 / 45

HEX #8B7018

RGB 139 112 24

HSL 45.91, 0.71%, 0.32%

LAB 48.44, 1.76, 48.76

 

CMYK 79 / 0 / 83 / 45

HEX #1D8B17

RGB 29 139 23

HSL 116.9, 0.72%, 0.32%

LAB 50.44, -51.17, 48.53

 

CMYK 54 / 83 / 0 / 45

HEX #40178B

RGB 64 23 139

HSL 261.21, 0.72%, 0.32%

LAB 22.18, 45.8, -56.21

 

CMYK 0 / 19 / 83 / 45

HEX #8B7018

RGB 139 112 24

HSL 45.91, 0.71%, 0.32%

LAB 48.44, 1.76, 48.76

 

CMYK 83 / 0 / 21 / 45

HEX #178B6E

RGB 23 139 110

HSL 165, 0.72%, 0.32%

LAB 51.58, -37.7, 6.92

 

CMYK 21 / 83 / 0 / 45

HEX #6E178B

RGB 110 23 139

HSL 285, 0.72%, 0.32%

LAB 28.88, 53.11, -44.99

 

CMYK 0 / 19 / 83 / 45

HEX #8B7018

RGB 139 112 24

HSL 45.91, 0.71%, 0.32%

LAB 48.44, 1.76, 48.76

 

CMYK 79 / 0 / 83 / 45

HEX #1D8B17

RGB 29 139 23

HSL 116.9, 0.72%, 0.32%

LAB 50.44, -51.17, 48.53

 

CMYK 83 / 63 / 0 / 45

HEX #17348B

RGB 23 52 139

HSL 225, 0.72%, 0.32%

LAB 25.27, 23.85, -51.26

 

CMYK 4 / 83 / 0 / 45

HEX #85178B

RGB 133 23 139

HSL 296.9, 0.72%, 0.32%

LAB 32.84, 57.5, -38.42

 

CMYK 0 / 19 / 83 / 45

HEX #8B7018

RGB 139 112 24

HSL 45.91, 0.71%, 0.32%

LAB 48.44, 1.76, 48.76

 

CMYK 83 / 0 / 63 / 45

HEX #178B34

RGB 23 139 52

HSL 135, 0.72%, 0.32%

LAB 50.56, -49.27, 37.17

 

CMYK 83 / 63 / 0 / 45

HEX #17348B

RGB 23 52 139

HSL 225, 0.72%, 0.32%

LAB 25.27, 23.85, -51.26

 

CMYK 0 / 83 / 21 / 45

HEX #8B176E

RGB 139 23 110

HSL 315, 0.72%, 0.32%

LAB 32.32, 54.32, -20.94

 

Description

Color code: HEX #8B7018 | qconv.com Color code: HEX #8B7018 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 112 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 112 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 83 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 83% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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