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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B7FAF it is the complementary color #748050. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B7FAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B7FAF shade: #907FAA, #A191BD, #B2A3D0, #C3B5E3 and #D4C7F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B7FAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B7FAF shade: #8B7FAF, #7A6D9C, #695B89, #584976 and #473763

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B7FAF shade: #8A7EAE, #977EAE, #A47EAE, #AE7EAB and #AE7E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B7FAF shade: #8A7EAE and #7E7EAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B7FAF shade matches the following richer shades: #8A7EAE, #816DBF, #795CD0, #714BE1 and #683AF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B7FAF shade: #8A7EAE, #928F9D, #9BA08C, #A3B17B and #ACC26A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B7FAF shade: #7E8CAE, #7E7FAE, #8A7EAE, #977EAE and #A47EAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B7FAF shade: #605486, #73659E, #8A7EAE, #A197BE and #B8B1CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B7FAF shade: #8B7FAF, #AE7E98 and #85AE7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B7FAF shade: #8B7FAF, #AE8A7E and #7EAE8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B7FAF shade: #8B7FAF, #AE7E98, #A2AE7E and #7EAE94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B7FAF shade: #8B7FAF, #AE7E8A, #A2AE7E and #7EAEA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 27 / 0 / 31

HEX #8B7FAF

RGB 139 127 175

HSL 255, 0.23%, 0.59%

LAB 55.85, 14.77, -23.73

 

Complementary color

CMYK 9 / 0 / 38 / 50

HEX #748050

RGB 116 128 80

HSL 75, 0.23%, 0.41%

LAB 51.53, -12.9, 24.62

 

CMYK 15 / 25 / 0 / 33

HEX #907FAA

RGB 144 127 170

HSL 263.72, 0.2%, 0.58%

LAB 56.1, 15.24, -20.44

 

CMYK 15 / 23 / 0 / 26

HEX #A191BD

RGB 161 145 189

HSL 261.82, 0.25%, 0.65%

LAB 62.93, 14.75, -20.68

 

CMYK 14 / 22 / 0 / 18

HEX #B2A3D0

RGB 178 163 208

HSL 260, 0.32%, 0.73%

LAB 69.62, 14.31, -20.93

 

CMYK 14 / 20 / 0 / 11

HEX #C3B5E3

RGB 195 181 227

HSL 258.26, 0.45%, 0.8%

LAB 76.19, 13.9, -21.2

 

CMYK 14 / 19 / 0 / 4

HEX #D4C7F6

RGB 212 199 246

HSL 256.6, 0.72%, 0.87%

LAB 82.65, 13.53, -21.48

 

CMYK 21 / 27 / 0 / 31

HEX #8B7FAF

RGB 139 127 175

HSL 255, 0.23%, 0.59%

LAB 55.85, 14.77, -23.73

 

CMYK 22 / 30 / 0 / 39

HEX #7A6D9C

RGB 122 109 156

HSL 256.6, 0.19%, 0.52%

LAB 48.85, 15.33, -23.6

 

CMYK 23 / 34 / 0 / 46

HEX #695B89

RGB 105 91 137

HSL 258.26, 0.2%, 0.45%

LAB 41.68, 15.97, -23.51

 

CMYK 25 / 38 / 0 / 54

HEX #584976

RGB 88 73 118

HSL 260, 0.24%, 0.37%

LAB 34.29, 16.71, -23.47

 

CMYK 28 / 44 / 0 / 61

HEX #473763

RGB 71 55 99

HSL 261.82, 0.29%, 0.3%

LAB 26.66, 17.59, -23.49

 

CMYK 21 / 28 / 0 / 32

HEX #8A7EAE

RGB 138 126 174

HSL 255, 0.23%, 0.59%

LAB 55.46, 14.8, -23.76

 

CMYK 13 / 28 / 0 / 32

HEX #977EAE

RGB 151 126 174

HSL 271.25, 0.23%, 0.59%

LAB 56.64, 19.04, -21.85

 

CMYK 6 / 28 / 0 / 32

HEX #A47EAE

RGB 164 126 174

HSL 287.5, 0.23%, 0.59%

LAB 57.91, 23.39, -19.79

 

CMYK 0 / 28 / 2 / 32

HEX #AE7EAB

RGB 174 126 171

HSL 303.75, 0.23%, 0.59%

LAB 58.85, 26.19, -16.56

 

CMYK 0 / 28 / 9 / 32

HEX #AE7E9E

RGB 174 126 158

HSL 320, 0.23%, 0.59%

LAB 58.4, 23.79, -9.76

 

CMYK 21 / 28 / 0 / 32

HEX #8A7EAE

RGB 138 126 174

HSL 255, 0.23%, 0.59%

LAB 55.46, 14.8, -23.76

 

CMYK 28 / 28 / 0 / 32

HEX #7E7EAE

RGB 126 126 174

HSL 240, 0.23%, 0.59%

LAB 54.46, 11.01, -25.38

 

CMYK 21 / 28 / 0 / 32

HEX #8A7EAE

RGB 138 126 174

HSL 255, 0.23%, 0.59%

LAB 55.46, 14.8, -23.76

 

CMYK 32 / 43 / 0 / 25

HEX #816DBF

RGB 129 109 191

HSL 254.63, 0.39%, 0.59%

LAB 51.11, 26.42, -40.39

 

CMYK 42 / 56 / 0 / 18

HEX #795CD0

RGB 121 92 208

HSL 255, 0.55%, 0.59%

LAB 47.33, 39.04, -56.22

 

CMYK 50 / 67 / 0 / 12

HEX #714BE1

RGB 113 75 225

HSL 255.2, 0.71%, 0.59%

LAB 44.2, 51.71, -71.03

 

CMYK 57 / 76 / 0 / 5

HEX #683AF2

RGB 104 58 242

HSL 255, 0.88%, 0.59%

LAB 41.81, 63.5, -84.6

 

CMYK 21 / 28 / 0 / 32

HEX #8A7EAE

RGB 138 126 174

HSL 255, 0.23%, 0.59%

LAB 55.46, 14.8, -23.76

 

CMYK 7 / 9 / 0 / 38

HEX #928F9D

RGB 146 143 157

HSL 252.86, 0.07%, 0.59%

LAB 60.06, 3.9, -7

 

CMYK 3 / 0 / 13 / 37

HEX #9BA08C

RGB 155 160 140

HSL 75, 0.1%, 0.59%

LAB 64.97, -5.48, 9.82

 

CMYK 8 / 0 / 31 / 31

HEX #A3B17B

RGB 163 177 123

HSL 75.56, 0.26%, 0.59%

LAB 69.94, -14.09, 26.07

 

CMYK 11 / 0 / 45 / 24

HEX #ACC26A

RGB 172 194 106

HSL 75, 0.42%, 0.59%

LAB 75.07, -21.31, 41.6

 

CMYK 28 / 20 / 0 / 32

HEX #7E8CAE

RGB 126 140 174

HSL 222.5, 0.23%, 0.59%

LAB 58.27, 2.86, -19.54

 

CMYK 28 / 27 / 0 / 32

HEX #7E7FAE

RGB 126 127 174

HSL 238.75, 0.23%, 0.59%

LAB 54.73, 10.42, -24.97

 

CMYK 21 / 28 / 0 / 32

HEX #8A7EAE

RGB 138 126 174

HSL 255, 0.23%, 0.59%

LAB 55.46, 14.8, -23.76

 

CMYK 13 / 28 / 0 / 32

HEX #977EAE

RGB 151 126 174

HSL 271.25, 0.23%, 0.59%

LAB 56.64, 19.04, -21.85

 

CMYK 6 / 28 / 0 / 32

HEX #A47EAE

RGB 164 126 174

HSL 287.5, 0.23%, 0.59%

LAB 57.91, 23.39, -19.79

 

CMYK 28 / 37 / 0 / 47

HEX #605486

RGB 96 84 134

HSL 254.4, 0.23%, 0.43%

LAB 38.81, 16.64, -26.22

 

CMYK 27 / 36 / 0 / 38

HEX #73659E

RGB 115 101 158

HSL 254.74, 0.23%, 0.51%

LAB 46.21, 18.45, -28.94

 

CMYK 21 / 28 / 0 / 32

HEX #8A7EAE

RGB 138 126 174

HSL 255, 0.23%, 0.59%

LAB 55.46, 14.8, -23.76

 

CMYK 15 / 21 / 0 / 25

HEX #A197BE

RGB 161 151 190

HSL 255.38, 0.23%, 0.67%

LAB 64.51, 11.57, -18.84

 

CMYK 11 / 14 / 0 / 19

HEX #B8B1CE

RGB 184 177 206

HSL 254.48, 0.23%, 0.75%

LAB 73.6, 8.12, -13.77

 

CMYK 21 / 27 / 0 / 31

HEX #8B7FAF

RGB 139 127 175

HSL 255, 0.23%, 0.59%

LAB 55.85, 14.77, -23.73

 

CMYK 0 / 28 / 13 / 32

HEX #AE7E98

RGB 174 126 152

HSL 327.5, 0.23%, 0.59%

LAB 58.21, 22.74, -6.59

 

CMYK 24 / 0 / 28 / 32

HEX #85AE7E

RGB 133 174 126

HSL 111.25, 0.23%, 0.59%

LAB 67.1, -23.24, 20.27

 

CMYK 21 / 27 / 0 / 31

HEX #8B7FAF

RGB 139 127 175

HSL 255, 0.23%, 0.59%

LAB 55.85, 14.77, -23.73

 

CMYK 0 / 21 / 28 / 32

HEX #AE8A7E

RGB 174 138 126

HSL 15, 0.23%, 0.59%

LAB 60.5, 11.86, 11.63

 

CMYK 28 / 0 / 21 / 32

HEX #7EAE8A

RGB 126 174 138

HSL 135, 0.23%, 0.59%

LAB 66.93, -23.48, 13.42

 

CMYK 21 / 27 / 0 / 31

HEX #8B7FAF

RGB 139 127 175

HSL 255, 0.23%, 0.59%

LAB 55.85, 14.77, -23.73

 

CMYK 0 / 28 / 13 / 32

HEX #AE7E98

RGB 174 126 152

HSL 327.5, 0.23%, 0.59%

LAB 58.21, 22.74, -6.59

 

CMYK 7 / 0 / 28 / 32

HEX #A2AE7E

RGB 162 174 126

HSL 75, 0.23%, 0.59%

LAB 69.08, -12.49, 23.3

 

CMYK 28 / 0 / 15 / 32

HEX #7EAE94

RGB 126 174 148

HSL 147.5, 0.23%, 0.59%

LAB 67.16, -21.52, 8.23

 

CMYK 21 / 27 / 0 / 31

HEX #8B7FAF

RGB 139 127 175

HSL 255, 0.23%, 0.59%

LAB 55.85, 14.77, -23.73

 

CMYK 0 / 28 / 21 / 32

HEX #AE7E8A

RGB 174 126 138

HSL 345, 0.23%, 0.59%

LAB 57.8, 20.42, 0.89

 

CMYK 7 / 0 / 28 / 32

HEX #A2AE7E

RGB 162 174 126

HSL 75, 0.23%, 0.59%

LAB 69.08, -12.49, 23.3

 

CMYK 28 / 0 / 7 / 32

HEX #7EAEA2

RGB 126 174 162

HSL 165, 0.23%, 0.59%

LAB 67.51, -18.55, 1

 

Description

Color code: HEX #8B7FAF | qconv.com Color code: HEX #8B7FAF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 127 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 127 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 27 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 27% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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