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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B841F it is the complementary color #747BE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B841F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B841F shade: #90841A, #A1962D, #B2A840, #C3BA53 and #D4CC66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B841F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B841F shade: #8B841F, #7A720C, #696000, #584E00 and #473C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B841F shade: #8A831E, #8A651E, #8A481E, #8A2B1E and #8A1E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B841F shade: #8A831E, #738A1E, #568A1E, #398A1E and #1E8A1F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B841F shade matches the following richer shades: #8A831E, #978E10 and #A59A03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B841F shade: #8A831E, #7C772B, #6E6B39, #615F47 and #535354

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B841F shade: #8A491E, #8A661E, #8A821E, #748A1E and #578A1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B841F shade: #46420F, #686216, #8A831E, #ABA325 and #CDC32D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B841F shade: #8B841F, #1E8A2C and #571E8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B841F shade: #8B841F, #1E8A82 and #821E8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B841F shade: #8B841F, #1E8A2C, #1E258A and #8A1E7B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B841F shade: #8B841F, #1E8A4C, #1E258A and #8A1E5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 78 / 45

HEX #8B841F

RGB 139 132 31

HSL 56.11, 0.64%, 0.33%

LAB 54.12, -9.15, 51.49

 

Complementary color

CMYK 48 / 45 / 0 / 12

HEX #747BE0

RGB 116 123 224

HSL 236.11, 0.64%, 0.67%

LAB 55.34, 24.16, -52.48

 

CMYK 0 / 8 / 82 / 44

HEX #90841A

RGB 144 132 26

HSL 53.9, 0.69%, 0.33%

LAB 54.56, -7.04, 53.7

 

CMYK 0 / 7 / 72 / 37

HEX #A1962D

RGB 161 150 45

HSL 54.31, 0.56%, 0.4%

LAB 61.29, -8.25, 53.84

 

CMYK 0 / 6 / 64 / 30

HEX #B2A840

RGB 178 168 64

HSL 54.74, 0.47%, 0.47%

LAB 67.9, -9.21, 53.24

 

CMYK 0 / 5 / 57 / 24

HEX #C3BA53

RGB 195 186 83

HSL 55.18, 0.48%, 0.55%

LAB 74.41, -9.99, 52.29

 

CMYK 0 / 4 / 52 / 17

HEX #D4CC66

RGB 212 204 102

HSL 55.64, 0.56%, 0.62%

LAB 80.82, -10.64, 51.2

 

CMYK 0 / 5 / 78 / 45

HEX #8B841F

RGB 139 132 31

HSL 56.11, 0.64%, 0.33%

LAB 54.12, -9.15, 51.49

 

CMYK 0 / 7 / 90 / 52

HEX #7A720C

RGB 122 114 12

HSL 55.64, 0.82%, 0.26%

LAB 47.23, -7.81, 50.48

 

CMYK 0 / 9 / 100 / 59

HEX #696000

RGB 105 96 0

HSL 54.86, 1%, 0.21%

LAB 40.2, -6.11, 47.23

 

CMYK 0 / 11 / 100 / 65

HEX #584E00

RGB 88 78 0

HSL 53.18, 1%, 0.17%

LAB 32.97, -4.03, 41.24

 

CMYK 0 / 15 / 100 / 72

HEX #473C00

RGB 71 60 0

HSL 50.7, 1%, 0.14%

LAB 25.48, -1.81, 34.48

 

CMYK 0 / 5 / 78 / 46

HEX #8A831E

RGB 138 131 30

HSL 56.11, 0.64%, 0.33%

LAB 53.74, -9.11, 51.45

 

CMYK 0 / 27 / 78 / 46

HEX #8A651E

RGB 138 101 30

HSL 39.44, 0.64%, 0.33%

LAB 45.37, 7.9, 43.6

 

CMYK 0 / 48 / 78 / 46

HEX #8A481E

RGB 138 72 30

HSL 23.33, 0.64%, 0.33%

LAB 38.08, 24.74, 36.42

 

CMYK 0 / 69 / 78 / 46

HEX #8A2B1E

RGB 138 43 30

HSL 7.22, 0.64%, 0.33%

LAB 32.31, 39.62, 30.42

 

CMYK 0 / 78 / 78 / 46

HEX #8A1E1E

RGB 138 30 30

HSL 0, 0.64%, 0.33%

LAB 30.46, 44.72, 28.42

 

CMYK 0 / 5 / 78 / 46

HEX #8A831E

RGB 138 131 30

HSL 56.11, 0.64%, 0.33%

LAB 53.74, -9.11, 51.45

 

CMYK 17 / 0 / 78 / 46

HEX #738A1E

RGB 115 138 30

HSL 72.78, 0.64%, 0.33%

LAB 53.94, -23.13, 50.95

 

CMYK 38 / 0 / 78 / 46

HEX #568A1E

RGB 86 138 30

HSL 88.89, 0.64%, 0.33%

LAB 52.12, -34.94, 48.59

 

CMYK 59 / 0 / 78 / 46

HEX #398A1E

RGB 57 138 30

HSL 105, 0.64%, 0.33%

LAB 50.85, -44.41, 46.93

 

CMYK 78 / 0 / 78 / 46

HEX #1E8A1F

RGB 30 138 31

HSL 120.56, 0.64%, 0.33%

LAB 50.16, -50.14, 45.66

 

CMYK 0 / 5 / 78 / 46

HEX #8A831E

RGB 138 131 30

HSL 56.11, 0.64%, 0.33%

LAB 53.74, -9.11, 51.45

 

CMYK 0 / 6 / 89 / 41

HEX #978E10

RGB 151 142 16

HSL 56, 0.81%, 0.33%

LAB 58, -9.54, 59.41

 

CMYK 0 / 7 / 98 / 35

HEX #A59A03

RGB 165 154 3

HSL 55.93, 0.96%, 0.33%

LAB 62.61, -9.78, 65.55

 

CMYK 0 / 5 / 78 / 46

HEX #8A831E

RGB 138 131 30

HSL 56.11, 0.64%, 0.33%

LAB 53.74, -9.11, 51.45

 

CMYK 0 / 4 / 65 / 51

HEX #7C772B

RGB 124 119 43

HSL 56.3, 0.49%, 0.33%

LAB 49.07, -8.23, 41.13

 

CMYK 0 / 3 / 48 / 57

HEX #6E6B39

RGB 110 107 57

HSL 56.6, 0.32%, 0.33%

LAB 44.41, -6.63, 28.3

 

CMYK 0 / 2 / 27 / 62

HEX #615F47

RGB 97 95 71

HSL 55.38, 0.15%, 0.33%

LAB 39.88, -3.59, 14.06

 

CMYK 1 / 1 / 0 / 67

HEX #535354

RGB 83 83 84

HSL 240, 0.01%, 0.33%

LAB 35.33, 0.22, -0.59

 

CMYK 0 / 47 / 78 / 46

HEX #8A491E

RGB 138 73 30

HSL 23.89, 0.64%, 0.33%

LAB 38.31, 24.17, 36.65

 

CMYK 0 / 26 / 78 / 46

HEX #8A661E

RGB 138 102 30

HSL 40, 0.64%, 0.33%

LAB 45.63, 7.31, 43.86

 

CMYK 0 / 6 / 78 / 46

HEX #8A821E

RGB 138 130 30

HSL 55.56, 0.64%, 0.33%

LAB 53.45, -8.56, 51.19

 

CMYK 16 / 0 / 78 / 46

HEX #748A1E

RGB 116 138 30

HSL 72.22, 0.64%, 0.33%

LAB 54.01, -22.7, 51.05

 

CMYK 37 / 0 / 78 / 46

HEX #578A1E

RGB 87 138 30

HSL 88.33, 0.64%, 0.33%

LAB 52.17, -34.56, 48.66

 

CMYK 0 / 6 / 79 / 73

HEX #46420F

RGB 70 66 15

HSL 55.64, 0.65%, 0.17%

LAB 27.39, -5.33, 30.03

 

CMYK 0 / 6 / 79 / 59

HEX #686216

RGB 104 98 22

HSL 55.61, 0.65%, 0.25%

LAB 40.79, -7.03, 41.18

 

CMYK 0 / 5 / 78 / 46

HEX #8A831E

RGB 138 131 30

HSL 56.11, 0.64%, 0.33%

LAB 53.74, -9.11, 51.45

 

CMYK 0 / 5 / 78 / 33

HEX #ABA325

RGB 171 163 37

HSL 56.42, 0.64%, 0.41%

LAB 65.74, -11.03, 61.15

 

CMYK 0 / 5 / 78 / 20

HEX #CDC32D

RGB 205 195 45

HSL 56.25, 0.64%, 0.49%

LAB 77.4, -12.41, 70.27

 

CMYK 0 / 5 / 78 / 45

HEX #8B841F

RGB 139 132 31

HSL 56.11, 0.64%, 0.33%

LAB 54.12, -9.15, 51.49

 

CMYK 78 / 0 / 68 / 46

HEX #1E8A2C

RGB 30 138 44

HSL 127.78, 0.64%, 0.33%

LAB 50.26, -48.93, 40.54

 

CMYK 37 / 78 / 0 / 46

HEX #571E8A

RGB 87 30 138

HSL 271.67, 0.64%, 0.33%

LAB 26.13, 46.16, -49.01

 

CMYK 0 / 5 / 78 / 45

HEX #8B841F

RGB 139 132 31

HSL 56.11, 0.64%, 0.33%

LAB 54.12, -9.15, 51.49

 

CMYK 78 / 0 / 6 / 46

HEX #1E8A82

RGB 30 138 130

HSL 175.56, 0.64%, 0.33%

LAB 51.91, -30.86, -4.18

 

CMYK 6 / 78 / 0 / 46

HEX #821E8A

RGB 130 30 138

HSL 295.56, 0.64%, 0.33%

LAB 32.94, 54.72, -37.67

 

CMYK 0 / 5 / 78 / 45

HEX #8B841F

RGB 139 132 31

HSL 56.11, 0.64%, 0.33%

LAB 54.12, -9.15, 51.49

 

CMYK 78 / 0 / 68 / 46

HEX #1E8A2C

RGB 30 138 44

HSL 127.78, 0.64%, 0.33%

LAB 50.26, -48.93, 40.54

 

CMYK 78 / 73 / 0 / 46

HEX #1E258A

RGB 30 37 138

HSL 236.11, 0.64%, 0.33%

LAB 21.7, 34.15, -56.48

 

CMYK 0 / 78 / 11 / 46

HEX #8A1E7B

RGB 138 30 123

HSL 308.33, 0.64%, 0.33%

LAB 33.48, 54.01, -27.37

 

CMYK 0 / 5 / 78 / 45

HEX #8B841F

RGB 139 132 31

HSL 56.11, 0.64%, 0.33%

LAB 54.12, -9.15, 51.49

 

CMYK 78 / 0 / 45 / 46

HEX #1E8A4C

RGB 30 138 76

HSL 145.56, 0.64%, 0.33%

LAB 50.66, -44.19, 24.92

 

CMYK 78 / 73 / 0 / 46

HEX #1E258A

RGB 30 37 138

HSL 236.11, 0.64%, 0.33%

LAB 21.7, 34.15, -56.48

 

CMYK 0 / 78 / 34 / 46

HEX #8A1E5B

RGB 138 30 91

HSL 326.11, 0.64%, 0.33%

LAB 32, 49.6, -9.21

 

Description

Color code: HEX #8B841F | qconv.com Color code: HEX #8B841F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 132 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 132 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 78 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 78% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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