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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B84D7 it is the complementary color #747B28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B84D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B84D7 shade: #9084D2, #A196E5, #B2A8F8, #C3BAFF and #D4CCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B84D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B84D7 shade: #8B84D7, #7A72C4, #6960B1, #584E9E and #473C8B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B84D7 shade: #8A83D7, #A183D7, #B783D7, #CE83D7 and #D783C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B84D7 shade: #8A83D7 and #8383D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B84D7 shade matches the following richer shades: #8A83D7, #7F76E4, #7469F1 and #695CFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B84D7 shade: #8A83D7, #9590C9, #A09EBC, #ABABAF and #B6B8A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B84D7 shade: #83A9D7, #8393D7, #8A83D7, #A083D7 and #B783D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B84D7 shade: #5045C2, #6D64CC, #8A83D7, #A8A2E1 and #C5C2EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B84D7 shade: #8B84D7, #D783BF and #9ED783

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B84D7 shade: #8B84D7, #D78A83 and #83D78A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B84D7 shade: #8B84D7, #D783BF, #D0D783 and #83D79B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B84D7 shade: #8B84D7, #D783A6, #D0D783 and #83D7B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 39 / 0 / 16

HEX #8B84D7

RGB 139 132 215

HSL 245.06, 0.51%, 0.68%

LAB 58.88, 22.02, -41.72

Complementary color

CMYK 6 / 0 / 67 / 52

HEX #747B28

RGB 116 123 40

HSL 65.06, 0.51%, 0.32%

LAB 49.54, -14.28, 42.76

 

CMYK 31 / 37 / 0 / 18

HEX #9084D2

RGB 144 132 210

HSL 249.23, 0.46%, 0.67%

LAB 59.05, 22.09, -38.61

 

CMYK 30 / 34 / 0 / 10

HEX #A196E5

RGB 161 150 229

HSL 248.35, 0.6%, 0.74%

LAB 65.79, 21.38, -38.55

 

CMYK 28 / 32 / 0 / 3

HEX #B2A8F8

RGB 178 168 248

HSL 247.5, 0.85%, 0.82%

LAB 72.39, 20.74, -38.54

 

CMYK 24 / 27 / 0 / 0

HEX #C3BAFF

RGB 195 186 255

HSL 247.83, 1%, 0.86%

LAB 78.43, 17.37, -32.86

 

CMYK 17 / 20 / 0 / 0

HEX #D4CCFF

RGB 212 204 255

HSL 249.41, 1%, 0.9%

LAB 84.18, 12.74, -23.94

 

CMYK 35 / 39 / 0 / 16

HEX #8B84D7

RGB 139 132 215

HSL 245.06, 0.51%, 0.68%

LAB 58.88, 22.02, -41.72

HEX #8B84D7

CMYK 38 / 42 / 0 / 23

HEX #7A72C4

RGB 122 114 196

HSL 245.85, 0.41%, 0.61%

LAB 52.02, 22.89, -41.87

HEX #7A72C4

CMYK 41 / 46 / 0 / 31

HEX #6960B1

RGB 105 96 177

HSL 246.67, 0.34%, 0.54%

LAB 45, 23.9, -42.08

HEX #6960B1

CMYK 44 / 51 / 0 / 38

HEX #584E9E

RGB 88 78 158

HSL 247.5, 0.34%, 0.46%

LAB 37.83, 25.07, -42.34

HEX #584E9E

CMYK 49 / 57 / 0 / 45

HEX #473C8B

RGB 71 60 139

HSL 248.35, 0.4%, 0.39%

LAB 30.49, 26.47, -42.65

HEX #473C8B

CMYK 36 / 39 / 0 / 16

HEX #8A83D7

RGB 138 131 215

HSL 245, 0.51%, 0.68%

LAB 58.55, 22.34, -42.24

 

CMYK 25 / 39 / 0 / 16

HEX #A183D7

RGB 161 131 215

HSL 261.43, 0.51%, 0.68%

LAB 60.53, 28.78, -38.99

 

CMYK 15 / 39 / 0 / 16

HEX #B783D7

RGB 183 131 215

HSL 277.14, 0.51%, 0.68%

LAB 62.68, 35.27, -35.47

 

CMYK 4 / 39 / 0 / 16

HEX #CE83D7

RGB 206 131 215

HSL 293.57, 0.51%, 0.68%

LAB 65.17, 42.23, -31.41

 

CMYK 0 / 39 / 7 / 16

HEX #D783C9

RGB 215 131 201

HSL 310, 0.51%, 0.68%

LAB 65.67, 42.48, -22.74

 

CMYK 36 / 39 / 0 / 16

HEX #8A83D7

RGB 138 131 215

HSL 245, 0.51%, 0.68%

LAB 58.55, 22.34, -42.24

 

CMYK 39 / 39 / 0 / 16

HEX #8383D7

RGB 131 131 215

HSL 240, 0.51%, 0.68%

LAB 58, 20.48, -43.14

 

CMYK 36 / 39 / 0 / 16

HEX #8A83D7

RGB 138 131 215

HSL 245, 0.51%, 0.68%

LAB 58.55, 22.34, -42.24

 

CMYK 44 / 48 / 0 / 11

HEX #7F76E4

RGB 127 118 228

HSL 244.91, 0.67%, 0.68%

LAB 55.14, 30.85, -54.99

 

CMYK 52 / 56 / 0 / 5

HEX #7469F1

RGB 116 105 241

HSL 244.85, 0.83%, 0.68%

LAB 52.03, 40, -67.32

 

CMYK 59 / 64 / 0 / 0

HEX #695CFE

RGB 105 92 254

HSL 244.81, 0.99%, 0.68%

LAB 49.27, 49.54, -79.08

 

CMYK 36 / 39 / 0 / 16

HEX #8A83D7

RGB 138 131 215

HSL 245, 0.51%, 0.68%

LAB 58.55, 22.34, -42.24

 

CMYK 26 / 28 / 0 / 21

HEX #9590C9

RGB 149 144 201

HSL 245.26, 0.35%, 0.68%

LAB 62.13, 14.34, -28.74

 

CMYK 15 / 16 / 0 / 26

HEX #A09EBC

RGB 160 158 188

HSL 244, 0.18%, 0.68%

LAB 66.18, 6.87, -15.19

 

CMYK 2 / 2 / 0 / 31

HEX #ABABAF

RGB 171 171 175

HSL 240, 0.02%, 0.68%

LAB 70.09, 0.77, -2.06

 

CMYK 1 / 0 / 12 / 28

HEX #B6B8A2

RGB 182 184 162

HSL 65.45, 0.13%, 0.68%

LAB 74.08, -4.59, 10.94

 

CMYK 39 / 21 / 0 / 16

HEX #83A9D7

RGB 131 169 215

HSL 212.86, 0.51%, 0.68%

LAB 68.1, -1.36, -27.42

 

CMYK 39 / 32 / 0 / 16

HEX #8393D7

RGB 131 147 215

HSL 228.57, 0.51%, 0.68%

LAB 62.17, 11.12, -36.61

 

CMYK 36 / 39 / 0 / 16

HEX #8A83D7

RGB 138 131 215

HSL 245, 0.51%, 0.68%

LAB 58.55, 22.34, -42.24

 

CMYK 26 / 39 / 0 / 16

HEX #A083D7

RGB 160 131 215

HSL 260.71, 0.51%, 0.68%

LAB 60.44, 28.5, -39.14

 

CMYK 15 / 39 / 0 / 16

HEX #B783D7

RGB 183 131 215

HSL 277.14, 0.51%, 0.68%

LAB 62.68, 35.27, -35.47

 

CMYK 59 / 64 / 0 / 24

HEX #5045C2

RGB 80 69 194

HSL 245.28, 0.51%, 0.52%

LAB 37.58, 40.28, -64.09

 

CMYK 47 / 51 / 0 / 20

HEX #6D64CC

RGB 109 100 204

HSL 245.19, 0.5%, 0.6%

LAB 47.91, 30.41, -53.05

 

CMYK 36 / 39 / 0 / 16

HEX #8A83D7

RGB 138 131 215

HSL 245, 0.51%, 0.68%

LAB 58.55, 22.34, -42.24

 

CMYK 25 / 28 / 0 / 12

HEX #A8A2E1

RGB 168 162 225

HSL 245.71, 0.51%, 0.76%

LAB 69.18, 15.64, -31.03

 

CMYK 16 / 17 / 0 / 8

HEX #C5C2EB

RGB 197 194 235

HSL 244.39, 0.51%, 0.84%

LAB 79.87, 9.18, -19.92

 

CMYK 35 / 39 / 0 / 16

HEX #8B84D7

RGB 139 132 215

HSL 245.06, 0.51%, 0.68%

LAB 58.88, 22.02, -41.72

HEX #8B84D7

CMYK 0 / 39 / 11 / 16

HEX #D783BF

RGB 215 131 191

HSL 317.14, 0.51%, 0.68%

LAB 65.31, 40.78, -17.66

HEX #D783BF

CMYK 27 / 0 / 39 / 16

HEX #9ED783

RGB 158 215 131

HSL 100.71, 0.51%, 0.68%

LAB 80.46, -33.46, 35.7

HEX #9ED783

CMYK 35 / 39 / 0 / 16

HEX #8B84D7

RGB 139 132 215

HSL 245.06, 0.51%, 0.68%

LAB 58.88, 22.02, -41.72

HEX #8B84D7

CMYK 0 / 36 / 39 / 16

HEX #D78A83

RGB 215 138 131

HSL 5, 0.51%, 0.68%

LAB 65.17, 28.56, 16.01

HEX #D78A83

CMYK 39 / 0 / 36 / 16

HEX #83D78A

RGB 131 215 138

HSL 125, 0.51%, 0.68%

LAB 79.19, -41.17, 30.2

HEX #83D78A

CMYK 35 / 39 / 0 / 16

HEX #8B84D7

RGB 139 132 215

HSL 245.06, 0.51%, 0.68%

LAB 58.88, 22.02, -41.72

HEX #8B84D7

CMYK 0 / 39 / 11 / 16

HEX #D783BF

RGB 215 131 191

HSL 317.14, 0.51%, 0.68%

LAB 65.31, 40.78, -17.66

HEX #D783BF

CMYK 3 / 0 / 39 / 16

HEX #D0D783

RGB 208 215 131

HSL 65, 0.51%, 0.68%

LAB 83.78, -14.94, 40.62

HEX #D0D783

CMYK 39 / 0 / 28 / 16

HEX #83D79B

RGB 131 215 155

HSL 137.14, 0.51%, 0.68%

LAB 79.5, -38.25, 21.77

HEX #83D79B

CMYK 35 / 39 / 0 / 16

HEX #8B84D7

RGB 139 132 215

HSL 245.06, 0.51%, 0.68%

LAB 58.88, 22.02, -41.72

HEX #8B84D7

CMYK 0 / 39 / 23 / 16

HEX #D783A6

RGB 215 131 166

HSL 335, 0.51%, 0.68%

LAB 64.51, 36.88, -4.74

HEX #D783A6

CMYK 3 / 0 / 39 / 16

HEX #D0D783

RGB 208 215 131

HSL 65, 0.51%, 0.68%

LAB 83.78, -14.94, 40.62

HEX #D0D783

CMYK 39 / 0 / 16 / 16

HEX #83D7B4

RGB 131 215 180

HSL 155, 0.51%, 0.68%

LAB 80.02, -33.36, 9.31

HEX #83D7B4

Description

Color code: HEX #8B84D7 | qconv.com Color code: HEX #8B84D7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 132 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 132 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 39 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 39% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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