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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B8696 it is the complementary color #747969. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B8696. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B8696 shade: #908691, #A198A4, #B2AAB7, #C3BCCA and #D4CEDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B8696. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B8696 shade: #8B8696, #7A7483, #696270, #58505D and #473E4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B8696 shade: #8B8696, #908696, #948696, #968694 and #968690

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B8696 shade: #8B8696, #878696 and #868696

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B8696 shade matches the following richer shades: #8B8696, #8574A8, #7E62BA, #7750CD and #703EDF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B8696 shade: #8B8696, #929984, #99AB72, #A0BD60 and #A7CF4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B8696 shade: #868A96, #878696, #8B8696, #8F8696 and #948696

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B8696 shade: #625E6C, #767182, #8B8696, #A19DA9 and #B6B3BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B8696 shade: #8B8696, #96868E and #889686

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B8696 shade: #8B8696, #968B86 and #86968B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B8696 shade: #8B8696, #96868E, #919686 and #86968E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B8696 shade: #8B8696, #96868A, #919686 and #869693

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 11 / 0 / 41

HEX #8B8696

RGB 139 134 150

HSL 258.75, 0.07%, 0.56%

LAB 56.82, 5.09, -7.87

 

Complementary color

CMYK 4 / 0 / 13 / 53

HEX #747969

RGB 116 121 105

HSL 78.75, 0.07%, 0.44%

LAB 49.99, -5, 8.14

 

CMYK 1 / 8 / 0 / 43

HEX #908691

RGB 144 134 145

HSL 294.55, 0.05%, 0.55%

LAB 57.1, 5.87, -4.53

 

CMYK 2 / 7 / 0 / 36

HEX #A198A4

RGB 161 152 164

HSL 285, 0.06%, 0.62%

LAB 63.93, 5.57, -5.09

 

CMYK 3 / 7 / 0 / 28

HEX #B2AAB7

RGB 178 170 183

HSL 276.92, 0.08%, 0.69%

LAB 70.62, 5.3, -5.64

 

CMYK 3 / 7 / 0 / 21

HEX #C3BCCA

RGB 195 188 202

HSL 270, 0.12%, 0.76%

LAB 77.18, 5.06, -6.16

 

CMYK 4 / 7 / 0 / 13

HEX #D4CEDD

RGB 212 206 221

HSL 264, 0.18%, 0.84%

LAB 83.63, 4.82, -6.68

 

CMYK 7 / 11 / 0 / 41

HEX #8B8696

RGB 139 134 150

HSL 258.75, 0.07%, 0.56%

LAB 56.82, 5.09, -7.87

 

CMYK 7 / 11 / 0 / 49

HEX #7A7483

RGB 122 116 131

HSL 264, 0.06%, 0.48%

LAB 49.82, 5.38, -7.38

 

CMYK 6 / 13 / 0 / 56

HEX #696270

RGB 105 98 112

HSL 270, 0.07%, 0.41%

LAB 42.63, 5.7, -6.89

 

CMYK 5 / 14 / 0 / 64

HEX #58505D

RGB 88 80 93

HSL 276.92, 0.08%, 0.34%

LAB 35.21, 6.06, -6.38

 

CMYK 4 / 16 / 0 / 71

HEX #473E4A

RGB 71 62 74

HSL 285, 0.09%, 0.27%

LAB 27.52, 6.49, -5.87

 

CMYK 7 / 11 / 0 / 41

HEX #8B8696

RGB 139 134 150

HSL 258.75, 0.07%, 0.56%

LAB 56.82, 5.09, -7.87

 

CMYK 4 / 11 / 0 / 41

HEX #908696

RGB 144 134 150

HSL 277.5, 0.07%, 0.56%

LAB 57.25, 6.87, -7.18

 

CMYK 1 / 11 / 0 / 41

HEX #948696

RGB 148 134 150

HSL 292.5, 0.07%, 0.56%

LAB 57.61, 8.32, -6.62

 

CMYK 0 / 11 / 1 / 41

HEX #968694

RGB 150 134 148

HSL 307.5, 0.07%, 0.56%

LAB 57.72, 8.65, -5.27

 

CMYK 0 / 11 / 4 / 41

HEX #968690

RGB 150 134 144

HSL 322.5, 0.07%, 0.56%

LAB 57.61, 7.88, -3.15

 

CMYK 7 / 11 / 0 / 41

HEX #8B8696

RGB 139 134 150

HSL 258.75, 0.07%, 0.56%

LAB 56.82, 5.09, -7.87

 

CMYK 10 / 11 / 0 / 41

HEX #878696

RGB 135 134 150

HSL 243.75, 0.07%, 0.56%

LAB 56.49, 3.67, -8.4

 

CMYK 11 / 11 / 0 / 41

HEX #868696

RGB 134 134 150

HSL 240, 0.07%, 0.56%

LAB 56.41, 3.32, -8.53

 

CMYK 7 / 11 / 0 / 41

HEX #8B8696

RGB 139 134 150

HSL 258.75, 0.07%, 0.56%

LAB 56.82, 5.09, -7.87

 

CMYK 21 / 31 / 0 / 34

HEX #8574A8

RGB 133 116 168

HSL 259.62, 0.23%, 0.56%

LAB 52.18, 17.64, -25.39

 

CMYK 32 / 47 / 0 / 27

HEX #7E62BA

RGB 126 98 186

HSL 259.09, 0.39%, 0.56%

LAB 47.9, 30.79, -42.6

 

CMYK 42 / 61 / 0 / 20

HEX #7750CD

RGB 119 80 205

HSL 258.72, 0.56%, 0.56%

LAB 44.33, 44.59, -59.35

 

CMYK 50 / 72 / 0 / 13

HEX #703EDF

RGB 112 62 223

HSL 258.63, 0.72%, 0.56%

LAB 41.56, 57.6, -74.21

 

CMYK 7 / 11 / 0 / 41

HEX #8B8696

RGB 139 134 150

HSL 258.75, 0.07%, 0.56%

LAB 56.82, 5.09, -7.87

 

CMYK 5 / 0 / 14 / 40

HEX #929984

RGB 146 153 132

HSL 80, 0.09%, 0.56%

LAB 62.13, -6.44, 10.18

 

CMYK 11 / 0 / 33 / 33

HEX #99AB72

RGB 153 171 114

HSL 78.95, 0.25%, 0.56%

LAB 67.36, -16.12, 27.33

 

CMYK 15 / 0 / 49 / 26

HEX #A0BD60

RGB 160 189 96

HSL 78.71, 0.41%, 0.56%

LAB 72.7, -24.62, 43.45

 

CMYK 19 / 0 / 62 / 19

HEX #A7CF4E

RGB 167 207 78

HSL 78.6, 0.57%, 0.56%

LAB 78.11, -32.11, 57.99

 

CMYK 11 / 8 / 0 / 41

HEX #868A96

RGB 134 138 150

HSL 225, 0.07%, 0.56%

LAB 57.51, 1.04, -6.89

 

CMYK 10 / 11 / 0 / 41

HEX #878696

RGB 135 134 150

HSL 243.75, 0.07%, 0.56%

LAB 56.49, 3.67, -8.4

 

CMYK 7 / 11 / 0 / 41

HEX #8B8696

RGB 139 134 150

HSL 258.75, 0.07%, 0.56%

LAB 56.82, 5.09, -7.87

 

CMYK 5 / 11 / 0 / 41

HEX #8F8696

RGB 143 134 150

HSL 273.75, 0.07%, 0.56%

LAB 57.16, 6.51, -7.32

 

CMYK 1 / 11 / 0 / 41

HEX #948696

RGB 148 134 150

HSL 292.5, 0.07%, 0.56%

LAB 57.61, 8.32, -6.62

 

CMYK 9 / 13 / 0 / 58

HEX #625E6C

RGB 98 94 108

HSL 257.14, 0.07%, 0.4%

LAB 40.71, 4.61, -7.37

 

CMYK 9 / 13 / 0 / 49

HEX #767182

RGB 118 113 130

HSL 257.65, 0.07%, 0.48%

LAB 48.6, 5.48, -8.64

 

CMYK 7 / 11 / 0 / 41

HEX #8B8696

RGB 139 134 150

HSL 258.75, 0.07%, 0.56%

LAB 56.82, 5.09, -7.87

 

CMYK 5 / 7 / 0 / 34

HEX #A19DA9

RGB 161 157 169

HSL 260, 0.07%, 0.64%

LAB 65.4, 3.78, -5.72

 

CMYK 4 / 5 / 0 / 26

HEX #B6B3BD

RGB 182 179 189

HSL 258, 0.07%, 0.72%

LAB 73.45, 2.95, -4.71

 

CMYK 7 / 11 / 0 / 41

HEX #8B8696

RGB 139 134 150

HSL 258.75, 0.07%, 0.56%

LAB 56.82, 5.09, -7.87

 

CMYK 0 / 11 / 5 / 41

HEX #96868E

RGB 150 134 142

HSL 330, 0.07%, 0.56%

LAB 57.55, 7.5, -2.08

 

CMYK 9 / 0 / 11 / 41

HEX #889686

RGB 136 150 134

HSL 112.5, 0.07%, 0.56%

LAB 60.58, -8.17, 6.74

 

CMYK 7 / 11 / 0 / 41

HEX #8B8696

RGB 139 134 150

HSL 258.75, 0.07%, 0.56%

LAB 56.82, 5.09, -7.87

 

CMYK 0 / 7 / 11 / 41

HEX #968B86

RGB 150 139 134

HSL 18.75, 0.07%, 0.56%

LAB 58.67, 3.2, 4.14

 

CMYK 11 / 0 / 7 / 41

HEX #86968B

RGB 134 150 139

HSL 138.75, 0.07%, 0.56%

LAB 60.56, -7.93, 3.85

 

CMYK 7 / 11 / 0 / 41

HEX #8B8696

RGB 139 134 150

HSL 258.75, 0.07%, 0.56%

LAB 56.82, 5.09, -7.87

 

CMYK 0 / 11 / 5 / 41

HEX #96868E

RGB 150 134 142

HSL 330, 0.07%, 0.56%

LAB 57.55, 7.5, -2.08

 

CMYK 3 / 0 / 11 / 41

HEX #919686

RGB 145 150 134

HSL 78.75, 0.07%, 0.56%

LAB 61.27, -4.83, 7.81

 

CMYK 11 / 0 / 5 / 41

HEX #86968E

RGB 134 150 142

HSL 150, 0.07%, 0.56%

LAB 60.63, -7.34, 2.27

 

CMYK 7 / 11 / 0 / 41

HEX #8B8696

RGB 139 134 150

HSL 258.75, 0.07%, 0.56%

LAB 56.82, 5.09, -7.87

 

CMYK 0 / 11 / 8 / 41

HEX #96868A

RGB 150 134 138

HSL 345, 0.07%, 0.56%

LAB 57.43, 6.76, 0.05

 

CMYK 3 / 0 / 11 / 41

HEX #919686

RGB 145 150 134

HSL 78.75, 0.07%, 0.56%

LAB 61.27, -4.83, 7.81

 

CMYK 11 / 0 / 2 / 41

HEX #869693

RGB 134 150 147

HSL 168.75, 0.07%, 0.56%

LAB 60.77, -6.32, -0.37

 

Description

Color code: HEX #8B8696 | qconv.com Color code: HEX #8B8696 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 134 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 134 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 11 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 11% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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