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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B899C it is the complementary color #747663. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B899C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B899C shade: #908997, #A19BAA, #B2ADBD, #C3BFD0 and #D4D1E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B899C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B899C shade: #8B899C, #7A7789, #696576, #585363 and #474150

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B899C shade: #89879B, #8E879B, #94879B, #99879B and #9B8797

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B899C shade: #89879B and #87879B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B899C shade matches the following richer shades: #89879B, #7B75AC, #6D63BE, #5F52D0 and #5140E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B899C shade: #89879B, #979989, #A5AA77, #B3BC65 and #C1CE54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B899C shade: #87909B, #878A9B, #89879B, #8E879B and #93879B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B899C shade: #605E71, #737187, #89879B, #9F9DAD and #B5B4C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B899C shade: #8B899C, #9B8795 and #8D9B87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B899C shade: #8B899C, #9B8987 and #879B89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B899C shade: #8B899C, #9B8795, #999B87 and #879B8D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B899C shade: #8B899C, #9B878F, #999B87 and #879B93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 12 / 0 / 39

HEX #8B899C

RGB 139 137 156

HSL 246.32, 0.09%, 0.57%

LAB 57.83, 4.65, -9.82

 

Complementary color

CMYK 2 / 0 / 16 / 54

HEX #747663

RGB 116 118 99

HSL 66.32, 0.09%, 0.43%

LAB 48.97, -4.36, 10.23

 

CMYK 5 / 9 / 0 / 41

HEX #908997

RGB 144 137 151

HSL 270, 0.06%, 0.56%

LAB 58.09, 5.36, -6.51

 

CMYK 5 / 9 / 0 / 33

HEX #A19BAA

RGB 161 155 170

HSL 264, 0.08%, 0.64%

LAB 64.9, 5.09, -7.03

 

CMYK 6 / 8 / 0 / 26

HEX #B2ADBD

RGB 178 173 189

HSL 258.75, 0.11%, 0.71%

LAB 71.57, 4.84, -7.53

 

CMYK 6 / 8 / 0 / 18

HEX #C3BFD0

RGB 195 191 208

HSL 254.12, 0.15%, 0.78%

LAB 78.12, 4.61, -8.02

 

CMYK 7 / 8 / 0 / 11

HEX #D4D1E3

RGB 212 209 227

HSL 250, 0.24%, 0.85%

LAB 84.56, 4.39, -8.5

 

CMYK 11 / 12 / 0 / 39

HEX #8B899C

RGB 139 137 156

HSL 246.32, 0.09%, 0.57%

LAB 57.83, 4.65, -9.82

 

CMYK 11 / 13 / 0 / 46

HEX #7A7789

RGB 122 119 137

HSL 250, 0.07%, 0.5%

LAB 50.85, 4.92, -9.38

 

CMYK 11 / 14 / 0 / 54

HEX #696576

RGB 105 101 118

HSL 254.12, 0.08%, 0.43%

LAB 43.68, 5.23, -8.95

 

CMYK 11 / 16 / 0 / 61

HEX #585363

RGB 88 83 99

HSL 258.75, 0.09%, 0.36%

LAB 36.29, 5.57, -8.52

 

CMYK 11 / 19 / 0 / 69

HEX #474150

RGB 71 65 80

HSL 264, 0.1%, 0.28%

LAB 28.64, 5.97, -8.09

 

CMYK 12 / 13 / 0 / 39

HEX #89879B

RGB 137 135 155

HSL 246, 0.09%, 0.57%

LAB 57.09, 4.88, -10.37

 

CMYK 8 / 13 / 0 / 39

HEX #8E879B

RGB 142 135 155

HSL 261, 0.09%, 0.57%

LAB 57.51, 6.63, -9.7

 

CMYK 5 / 13 / 0 / 39

HEX #94879B

RGB 148 135 155

HSL 279, 0.09%, 0.57%

LAB 58.03, 8.76, -8.87

 

CMYK 1 / 13 / 0 / 39

HEX #99879B

RGB 153 135 155

HSL 294, 0.09%, 0.57%

LAB 58.48, 10.55, -8.15

 

CMYK 0 / 13 / 3 / 39

HEX #9B8797

RGB 155 135 151

HSL 312, 0.09%, 0.57%

LAB 58.54, 10.49, -5.74

 

CMYK 12 / 13 / 0 / 39

HEX #89879B

RGB 137 135 155

HSL 246, 0.09%, 0.57%

LAB 57.09, 4.88, -10.37

 

CMYK 13 / 13 / 0 / 39

HEX #87879B

RGB 135 135 155

HSL 240, 0.09%, 0.57%

LAB 56.92, 4.19, -10.63

 

CMYK 12 / 13 / 0 / 39

HEX #89879B

RGB 137 135 155

HSL 246, 0.09%, 0.57%

LAB 57.09, 4.88, -10.37

 

CMYK 28 / 32 / 0 / 33

HEX #7B75AC

RGB 123 117 172

HSL 246.55, 0.25%, 0.57%

LAB 51.74, 14.91, -28.47

 

CMYK 43 / 48 / 0 / 25

HEX #6D63BE

RGB 109 99 190

HSL 246.59, 0.41%, 0.57%

LAB 46.83, 26.87, -46.71

 

CMYK 54 / 61 / 0 / 18

HEX #5F52D0

RGB 95 82 208

HSL 246.19, 0.57%, 0.57%

LAB 42.8, 39.55, -63.66

 

CMYK 64 / 72 / 0 / 11

HEX #5140E2

RGB 81 64 226

HSL 246.3, 0.74%, 0.57%

LAB 39.42, 53.22, -79.53

 

CMYK 12 / 13 / 0 / 39

HEX #89879B

RGB 137 135 155

HSL 246, 0.09%, 0.57%

LAB 57.09, 4.88, -10.37

 

CMYK 1 / 0 / 10 / 40

HEX #979989

RGB 151 153 137

HSL 67.5, 0.07%, 0.57%

LAB 62.65, -3.68, 8.16

 

CMYK 3 / 0 / 30 / 33

HEX #A5AA77

RGB 165 170 119

HSL 65.88, 0.23%, 0.57%

LAB 68.08, -10.21, 25.76

 

CMYK 5 / 0 / 46 / 26

HEX #B3BC65

RGB 179 188 101

HSL 66.21, 0.39%, 0.57%

LAB 73.86, -16.04, 42.72

 

CMYK 6 / 0 / 59 / 19

HEX #C1CE54

RGB 193 206 84

HSL 66.39, 0.55%, 0.57%

LAB 79.68, -20.82, 57.67

 

CMYK 13 / 7 / 0 / 39

HEX #87909B

RGB 135 144 155

HSL 213, 0.09%, 0.57%

LAB 59.4, -0.93, -6.93

 

CMYK 13 / 11 / 0 / 39

HEX #878A9B

RGB 135 138 155

HSL 231, 0.09%, 0.57%

LAB 57.75, 2.47, -9.4

 

CMYK 12 / 13 / 0 / 39

HEX #89879B

RGB 137 135 155

HSL 246, 0.09%, 0.57%

LAB 57.09, 4.88, -10.37

 

CMYK 8 / 13 / 0 / 39

HEX #8E879B

RGB 142 135 155

HSL 261, 0.09%, 0.57%

LAB 57.51, 6.63, -9.7

 

CMYK 5 / 13 / 0 / 39

HEX #93879B

RGB 147 135 155

HSL 276, 0.09%, 0.57%

LAB 57.94, 8.4, -9.01

 

CMYK 15 / 17 / 0 / 56

HEX #605E71

RGB 96 94 113

HSL 246.32, 0.09%, 0.41%

LAB 40.71, 5.04, -10.46

 

CMYK 15 / 16 / 0 / 47

HEX #737187

RGB 115 113 135

HSL 245.45, 0.09%, 0.49%

LAB 48.52, 5.54, -11.77

 

CMYK 12 / 13 / 0 / 39

HEX #89879B

RGB 137 135 155

HSL 246, 0.09%, 0.57%

LAB 57.09, 4.88, -10.37

 

CMYK 8 / 9 / 0 / 32

HEX #9F9DAD

RGB 159 157 173

HSL 247.5, 0.09%, 0.65%

LAB 65.36, 3.89, -8.04

 

CMYK 6 / 6 / 0 / 25

HEX #B5B4C0

RGB 181 180 192

HSL 245, 0.09%, 0.73%

LAB 73.72, 2.65, -5.96

 

CMYK 11 / 12 / 0 / 39

HEX #8B899C

RGB 139 137 156

HSL 246.32, 0.09%, 0.57%

LAB 57.83, 4.65, -9.82

 

CMYK 0 / 13 / 4 / 39

HEX #9B8795

RGB 155 135 149

HSL 318, 0.09%, 0.57%

LAB 58.48, 10.1, -4.68

 

CMYK 9 / 0 / 13 / 39

HEX #8D9B87

RGB 141 155 135

HSL 102, 0.09%, 0.57%

LAB 62.38, -8.86, 8.8

 

CMYK 11 / 12 / 0 / 39

HEX #8B899C

RGB 139 137 156

HSL 246.32, 0.09%, 0.57%

LAB 57.83, 4.65, -9.82

 

CMYK 0 / 12 / 13 / 39

HEX #9B8987

RGB 155 137 135

HSL 6, 0.09%, 0.57%

LAB 58.61, 6.42, 3.54

 

CMYK 13 / 0 / 12 / 39

HEX #879B89

RGB 135 155 137

HSL 126, 0.09%, 0.57%

LAB 62, -10.67, 7.07

 

CMYK 11 / 12 / 0 / 39

HEX #8B899C

RGB 139 137 156

HSL 246.32, 0.09%, 0.57%

LAB 57.83, 4.65, -9.82

 

CMYK 0 / 13 / 4 / 39

HEX #9B8795

RGB 155 135 149

HSL 318, 0.09%, 0.57%

LAB 58.48, 10.1, -4.68

 

CMYK 1 / 0 / 13 / 39

HEX #999B87

RGB 153 155 135

HSL 66, 0.09%, 0.57%

LAB 63.31, -4.37, 10.25

 

CMYK 13 / 0 / 9 / 39

HEX #879B8D

RGB 135 155 141

HSL 138, 0.09%, 0.57%

LAB 62.1, -9.9, 4.96

 

CMYK 11 / 12 / 0 / 39

HEX #8B899C

RGB 139 137 156

HSL 246.32, 0.09%, 0.57%

LAB 57.83, 4.65, -9.82

 

CMYK 0 / 13 / 8 / 39

HEX #9B878F

RGB 155 135 143

HSL 336, 0.09%, 0.57%

LAB 58.3, 8.98, -1.5

 

CMYK 1 / 0 / 13 / 39

HEX #999B87

RGB 153 155 135

HSL 66, 0.09%, 0.57%

LAB 63.31, -4.37, 10.25

 

CMYK 13 / 0 / 5 / 39

HEX #879B93

RGB 135 155 147

HSL 156, 0.09%, 0.57%

LAB 62.25, -8.7, 1.8

 

Description

Color code: HEX #8B899C | qconv.com Color code: HEX #8B899C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 137 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 137 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 12 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 12% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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