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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B817D it is the complementary color #747E82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B817D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B817D shade: #908178, #A1938B, #B2A59E, #C3B7B1 and #D4C9C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B817D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B817D shade: #8B817D, #7A6F6A, #695D57, #584B44 and #473931

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B817D shade: #8B817D, #8B7D7D and #8B7D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B817D shade: #8B817D, #8B857D, #8B897D, #8A8B7D and #868B7D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B817D shade matches the following richer shades: #8B817D, #9F7869, #B37055, #C76741 and #DB5F2E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B817D shade: #8B817D, #788991, #6492A4, #509AB8 and #3CA3CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B817D shade: #8B7D80, #8B7D7D, #8B817D, #8B857D and #8B897D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B817D shade: #605855, #766D69, #8B817D, #9F9693 and #B2ABA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B817D shade: #8B817D, #848B7D and #7D7E8B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B817D shade: #8B817D, #7D8B81 and #817D8B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B817D shade: #8B817D, #848B7D, #7D878B and #847D8B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B817D shade: #8B817D, #808B7D, #7D878B and #887D8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 10 / 45

HEX #8B817D

RGB 139 129 125

HSL 17.14, 0.06%, 0.52%

LAB 54.73, 3.04, 3.52

 

Complementary color

CMYK 11 / 3 / 0 / 49

HEX #747E82

RGB 116 126 130

HSL 197.14, 0.06%, 0.48%

LAB 52.11, -2.83, -3.44

 

CMYK 0 / 10 / 17 / 44

HEX #908178

RGB 144 129 120

HSL 22.5, 0.1%, 0.52%

LAB 55.06, 4.12, 6.95

 

CMYK 0 / 9 / 14 / 37

HEX #A1938B

RGB 161 147 139

HSL 21.82, 0.1%, 0.59%

LAB 61.92, 3.78, 6.1

 

CMYK 0 / 7 / 11 / 30

HEX #B2A59E

RGB 178 165 158

HSL 21, 0.11%, 0.66%

LAB 68.64, 3.48, 5.31

 

CMYK 0 / 6 / 9 / 24

HEX #C3B7B1

RGB 195 183 177

HSL 20, 0.13%, 0.73%

LAB 75.23, 3.21, 4.56

 

CMYK 0 / 5 / 8 / 17

HEX #D4C9C4

RGB 212 201 196

HSL 18.75, 0.16%, 0.8%

LAB 81.71, 2.96, 3.85

 

CMYK 0 / 7 / 10 / 45

HEX #8B817D

RGB 139 129 125

HSL 17.14, 0.06%, 0.52%

LAB 54.73, 3.04, 3.52

 

CMYK 0 / 9 / 13 / 52

HEX #7A6F6A

RGB 122 111 106

HSL 18.75, 0.07%, 0.45%

LAB 47.68, 3.36, 4.33

 

CMYK 0 / 11 / 17 / 59

HEX #695D57

RGB 105 93 87

HSL 20, 0.09%, 0.38%

LAB 40.44, 3.73, 5.21

 

CMYK 0 / 15 / 23 / 65

HEX #584B44

RGB 88 75 68

HSL 21, 0.13%, 0.31%

LAB 32.97, 4.17, 6.18

 

CMYK 0 / 20 / 31 / 72

HEX #473931

RGB 71 57 49

HSL 21.82, 0.18%, 0.24%

LAB 25.22, 4.74, 7.31

 

CMYK 0 / 7 / 10 / 45

HEX #8B817D

RGB 139 129 125

HSL 17.14, 0.06%, 0.52%

LAB 54.73, 3.04, 3.52

 

CMYK 0 / 10 / 10 / 45

HEX #8B7D7D

RGB 139 125 125

HSL 0, 0.06%, 0.52%

LAB 53.64, 5.34, 1.94

 

CMYK 0 / 10 / 10 / 45

HEX #8B7D7D

RGB 139 125 125

HSL 0, 0.06%, 0.52%

LAB 53.64, 5.34, 1.94

 

CMYK 0 / 7 / 10 / 45

HEX #8B817D

RGB 139 129 125

HSL 17.14, 0.06%, 0.52%

LAB 54.73, 3.04, 3.52

 

CMYK 0 / 4 / 10 / 45

HEX #8B857D

RGB 139 133 125

HSL 34.29, 0.06%, 0.52%

LAB 55.83, 0.77, 5.1

 

CMYK 0 / 1 / 10 / 45

HEX #8B897D

RGB 139 137 125

HSL 51.43, 0.06%, 0.52%

LAB 56.94, -1.49, 6.69

 

CMYK 1 / 0 / 10 / 45

HEX #8A8B7D

RGB 138 139 125

HSL 64.29, 0.06%, 0.52%

LAB 57.41, -3, 7.36

 

CMYK 4 / 0 / 10 / 45

HEX #868B7D

RGB 134 139 125

HSL 81.43, 0.06%, 0.52%

LAB 57.09, -4.52, 6.85

 

CMYK 0 / 7 / 10 / 45

HEX #8B817D

RGB 139 129 125

HSL 17.14, 0.06%, 0.52%

LAB 54.73, 3.04, 3.52

 

CMYK 0 / 25 / 34 / 38

HEX #9F7869

RGB 159 120 105

HSL 16.67, 0.22%, 0.52%

LAB 53.84, 13.07, 14.14

 

CMYK 0 / 37 / 53 / 30

HEX #B37055

RGB 179 112 85

HSL 17.23, 0.38%, 0.52%

LAB 53.84, 23.62, 26.06

 

CMYK 0 / 48 / 67 / 22

HEX #C76741

RGB 199 103 65

HSL 17.01, 0.54%, 0.52%

LAB 54.26, 35.12, 38.28

 

CMYK 0 / 57 / 79 / 14

HEX #DB5F2E

RGB 219 95 46

HSL 16.99, 0.71%, 0.52%

LAB 55.52, 45.94, 50.16

 

CMYK 0 / 7 / 10 / 45

HEX #8B817D

RGB 139 129 125

HSL 17.14, 0.06%, 0.52%

LAB 54.73, 3.04, 3.52

 

CMYK 17 / 6 / 0 / 43

HEX #788991

RGB 120 137 145

HSL 199.2, 0.1%, 0.52%

LAB 56.02, -4.34, -6.35

 

CMYK 39 / 11 / 0 / 36

HEX #6492A4

RGB 100 146 164

HSL 196.88, 0.26%, 0.52%

LAB 57.99, -10.82, -14.42

 

CMYK 57 / 16 / 0 / 28

HEX #509AB8

RGB 80 154 184

HSL 197.31, 0.42%, 0.52%

LAB 60.14, -14.29, -22.58

 

CMYK 71 / 20 / 0 / 20

HEX #3CA3CC

RGB 60 163 204

HSL 197.08, 0.59%, 0.52%

LAB 62.94, -16.27, -29.53

 

CMYK 0 / 10 / 8 / 45

HEX #8B7D80

RGB 139 125 128

HSL 347.14, 0.06%, 0.52%

LAB 53.72, 5.89, 0.31

 

CMYK 0 / 10 / 10 / 45

HEX #8B7D7D

RGB 139 125 125

HSL 0, 0.06%, 0.52%

LAB 53.64, 5.34, 1.94

 

CMYK 0 / 7 / 10 / 45

HEX #8B817D

RGB 139 129 125

HSL 17.14, 0.06%, 0.52%

LAB 54.73, 3.04, 3.52

 

CMYK 0 / 4 / 10 / 45

HEX #8B857D

RGB 139 133 125

HSL 34.29, 0.06%, 0.52%

LAB 55.83, 0.77, 5.1

 

CMYK 0 / 1 / 10 / 45

HEX #8B897D

RGB 139 137 125

HSL 51.43, 0.06%, 0.52%

LAB 56.94, -1.49, 6.69

 

CMYK 0 / 8 / 11 / 62

HEX #605855

RGB 96 88 85

HSL 16.36, 0.06%, 0.35%

LAB 38.06, 2.65, 2.9

 

CMYK 0 / 8 / 11 / 54

HEX #766D69

RGB 118 109 105

HSL 18.46, 0.06%, 0.44%

LAB 46.72, 2.75, 3.49

 

CMYK 0 / 7 / 10 / 45

HEX #8B817D

RGB 139 129 125

HSL 17.14, 0.06%, 0.52%

LAB 54.73, 3.04, 3.52

 

CMYK 0 / 6 / 8 / 38

HEX #9F9693

RGB 159 150 147

HSL 15, 0.06%, 0.6%

LAB 62.75, 2.76, 2.76

 

CMYK 0 / 4 / 6 / 30

HEX #B2ABA8

RGB 178 171 168

HSL 18, 0.06%, 0.68%

LAB 70.47, 1.96, 2.42

 

CMYK 0 / 7 / 10 / 45

HEX #8B817D

RGB 139 129 125

HSL 17.14, 0.06%, 0.52%

LAB 54.73, 3.04, 3.52

 

CMYK 5 / 0 / 10 / 45

HEX #848B7D

RGB 132 139 125

HSL 90, 0.06%, 0.52%

LAB 56.93, -5.28, 6.6

 

CMYK 10 / 9 / 0 / 45

HEX #7D7E8B

RGB 125 126 139

HSL 235.71, 0.06%, 0.52%

LAB 53.11, 2.35, -7.15

 

CMYK 0 / 7 / 10 / 45

HEX #8B817D

RGB 139 129 125

HSL 17.14, 0.06%, 0.52%

LAB 54.73, 3.04, 3.52

 

CMYK 10 / 0 / 7 / 45

HEX #7D8B81

RGB 125 139 129

HSL 137.14, 0.06%, 0.52%

LAB 56.5, -7.11, 3.61

 

CMYK 7 / 10 / 0 / 45

HEX #817D8B

RGB 129 125 139

HSL 257.14, 0.06%, 0.52%

LAB 53.17, 4.37, -7.03

 

CMYK 0 / 7 / 10 / 45

HEX #8B817D

RGB 139 129 125

HSL 17.14, 0.06%, 0.52%

LAB 54.73, 3.04, 3.52

 

CMYK 5 / 0 / 10 / 45

HEX #848B7D

RGB 132 139 125

HSL 90, 0.06%, 0.52%

LAB 56.93, -5.28, 6.6

 

CMYK 10 / 3 / 0 / 45

HEX #7D878B

RGB 125 135 139

HSL 197.14, 0.06%, 0.52%

LAB 55.64, -2.8, -3.41

 

CMYK 5 / 10 / 0 / 45

HEX #847D8B

RGB 132 125 139

HSL 270, 0.06%, 0.52%

LAB 53.42, 5.45, -6.62

 

CMYK 0 / 7 / 10 / 45

HEX #8B817D

RGB 139 129 125

HSL 17.14, 0.06%, 0.52%

LAB 54.73, 3.04, 3.52

 

CMYK 8 / 0 / 10 / 45

HEX #808B7D

RGB 128 139 125

HSL 107.14, 0.06%, 0.52%

LAB 56.62, -6.78, 6.12

 

CMYK 10 / 3 / 0 / 45

HEX #7D878B

RGB 125 135 139

HSL 197.14, 0.06%, 0.52%

LAB 55.64, -2.8, -3.41

 

CMYK 2 / 10 / 0 / 45

HEX #887D8B

RGB 136 125 139

HSL 287.14, 0.06%, 0.52%

LAB 53.78, 6.91, -6.05

 

Description

Color code: HEX #8B817D | qconv.com Color code: HEX #8B817D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 129 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 129 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 10 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 10% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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