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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B952B it is the complementary color #746AD4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B952B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B952B shade: #909526, #A1A739, #B2B94C, #C3CB5F and #D4DD72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B952B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B952B shade: #8B952B, #7A8318, #697105, #585F00 and #474D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B952B shade: #8C962B, #96832B, #96662B, #964A2B and #962D2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B952B shade: #8C962B, #6F962B, #52962B, #35962B and #2B963E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B952B shade matches the following richer shades: #8C962B, #98A51B and #A5B50C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B952B shade: #8C962B, #7F863B, #72764A, #65675A and #59576A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B952B shade: #96662B, #96822B, #8D962B, #70962B and #54962B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B952B shade: #505619, #6E7622, #8C962B, #A9B634 and #BECA49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B952B shade: #8B952B, #2B9649 and #742B96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B952B shade: #8B952B, #2B8D96 and #962B8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B952B shade: #8B952B, #2B9649, #342B96 and #962B77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B952B shade: #8B952B, #2B9669, #342B96 and #962B58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 71 / 42

HEX #8B952B

RGB 139 149 43

HSL 65.66, 0.55%, 0.38%

LAB 59.12, -17.59, 51.85

 

Complementary color

CMYK 45 / 50 / 0 / 17

HEX #746AD4

RGB 116 106 212

HSL 245.66, 0.55%, 0.62%

LAB 50.42, 30.78, -53.56

 

CMYK 3 / 0 / 74 / 42

HEX #909526

RGB 144 149 38

HSL 62.7, 0.59%, 0.37%

LAB 59.49, -15.64, 54.21

 

CMYK 4 / 0 / 66 / 35

HEX #A1A739

RGB 161 167 57

HSL 63.27, 0.49%, 0.44%

LAB 66.14, -16.48, 53.92

 

CMYK 4 / 0 / 59 / 27

HEX #B2B94C

RGB 178 185 76

HSL 63.85, 0.44%, 0.51%

LAB 72.68, -17.13, 53.15

 

CMYK 4 / 0 / 53 / 20

HEX #C3CB5F

RGB 195 203 95

HSL 64.44, 0.51%, 0.58%

LAB 79.12, -17.65, 52.15

 

CMYK 4 / 0 / 48 / 13

HEX #D4DD72

RGB 212 221 114

HSL 65.05, 0.61%, 0.66%

LAB 85.47, -18.07, 51.05

 

CMYK 7 / 0 / 71 / 42

HEX #8B952B

RGB 139 149 43

HSL 65.66, 0.55%, 0.38%

LAB 59.12, -17.59, 51.85

 

CMYK 7 / 0 / 82 / 49

HEX #7A8318

RGB 122 131 24

HSL 65.05, 0.69%, 0.3%

LAB 52.33, -16.68, 51.6

 

CMYK 7 / 0 / 96 / 56

HEX #697105

RGB 105 113 5

HSL 64.44, 0.92%, 0.23%

LAB 45.39, -15.49, 49.89

 

CMYK 7 / 0 / 100 / 63

HEX #585F00

RGB 88 95 0

HSL 64.42, 1%, 0.19%

LAB 38.3, -13.88, 45.13

 

CMYK 8 / 0 / 100 / 70

HEX #474D00

RGB 71 77 0

HSL 64.68, 1%, 0.15%

LAB 30.99, -12.1, 39.05

 

CMYK 7 / 0 / 71 / 41

HEX #8C962B

RGB 140 150 43

HSL 65.61, 0.55%, 0.38%

LAB 59.49, -17.67, 52.24

 

CMYK 0 / 13 / 71 / 41

HEX #96832B

RGB 150 131 43

HSL 49.35, 0.55%, 0.38%

LAB 54.96, -2.97, 48.01

 

CMYK 0 / 32 / 71 / 41

HEX #96662B

RGB 150 102 43

HSL 33.08, 0.55%, 0.38%

LAB 47.19, 13.53, 39.95

 

CMYK 0 / 51 / 71 / 41

HEX #964A2B

RGB 150 74 43

HSL 17.38, 0.55%, 0.38%

LAB 40.5, 29.41, 32.63

 

CMYK 0 / 70 / 71 / 41

HEX #962D2B

RGB 150 45 43

HSL 1.12, 0.55%, 0.38%

LAB 35.07, 43.61, 26.35

 

CMYK 7 / 0 / 71 / 41

HEX #8C962B

RGB 140 150 43

HSL 65.61, 0.55%, 0.38%

LAB 59.49, -17.67, 52.24

 

CMYK 26 / 0 / 71 / 41

HEX #6F962B

RGB 111 150 43

HSL 81.87, 0.55%, 0.38%

LAB 57.43, -29.92, 49.5

 

CMYK 45 / 0 / 71 / 41

HEX #52962B

RGB 82 150 43

HSL 98.13, 0.55%, 0.38%

LAB 55.87, -40.65, 47.41

 

CMYK 65 / 0 / 71 / 41

HEX #35962B

RGB 53 150 43

HSL 114.39, 0.55%, 0.38%

LAB 54.81, -48.85, 45.97

 

CMYK 71 / 0 / 59 / 41

HEX #2B963E

RGB 43 150 62

HSL 130.65, 0.55%, 0.38%

LAB 54.74, -48.79, 37.29

 

CMYK 7 / 0 / 71 / 41

HEX #8C962B

RGB 140 150 43

HSL 65.61, 0.55%, 0.38%

LAB 59.49, -17.67, 52.24

 

CMYK 8 / 0 / 84 / 35

HEX #98A51B

RGB 152 165 27

HSL 65.65, 0.72%, 0.38%

LAB 64.7, -20.77, 62.47

 

CMYK 9 / 0 / 93 / 29

HEX #A5B50C

RGB 165 181 12

HSL 65.68, 0.88%, 0.38%

LAB 70.23, -23.45, 70.17

 

CMYK 7 / 0 / 71 / 41

HEX #8C962B

RGB 140 150 43

HSL 65.61, 0.55%, 0.38%

LAB 59.49, -17.67, 52.24

 

CMYK 5 / 0 / 56 / 47

HEX #7F863B

RGB 127 134 59

HSL 65.6, 0.39%, 0.38%

LAB 53.9, -13.79, 38.86

 

CMYK 3 / 0 / 37 / 54

HEX #72764A

RGB 114 118 74

HSL 65.45, 0.23%, 0.38%

LAB 48.3, -9.03, 23.76

 

CMYK 2 / 0 / 13 / 60

HEX #65675A

RGB 101 103 90

HSL 69.23, 0.07%, 0.38%

LAB 43.07, -3.35, 7.07

 

CMYK 16 / 18 / 0 / 58

HEX #59576A

RGB 89 87 106

HSL 246.32, 0.1%, 0.38%

LAB 37.81, 5.13, -10.59

 

CMYK 0 / 32 / 71 / 41

HEX #96662B

RGB 150 102 43

HSL 33.08, 0.55%, 0.38%

LAB 47.19, 13.53, 39.95

 

CMYK 0 / 13 / 71 / 41

HEX #96822B

RGB 150 130 43

HSL 48.79, 0.55%, 0.38%

LAB 54.68, -2.41, 47.73

 

CMYK 6 / 0 / 71 / 41

HEX #8D962B

RGB 141 150 43

HSL 65.05, 0.55%, 0.38%

LAB 59.57, -17.23, 52.35

 

CMYK 25 / 0 / 71 / 41

HEX #70962B

RGB 112 150 43

HSL 81.31, 0.55%, 0.38%

LAB 57.49, -29.52, 49.59

 

CMYK 44 / 0 / 71 / 41

HEX #54962B

RGB 84 150 43

HSL 97.01, 0.55%, 0.38%

LAB 55.96, -39.98, 47.53

 

CMYK 7 / 0 / 71 / 66

HEX #505619

RGB 80 86 25

HSL 65.9, 0.55%, 0.22%

LAB 34.87, -11.56, 33.32

 

CMYK 7 / 0 / 71 / 54

HEX #6E7622

RGB 110 118 34

HSL 65.71, 0.55%, 0.3%

LAB 47.48, -14.7, 43.07

 

CMYK 7 / 0 / 71 / 41

HEX #8C962B

RGB 140 150 43

HSL 65.61, 0.55%, 0.38%

LAB 59.49, -17.67, 52.24

 

CMYK 7 / 0 / 71 / 29

HEX #A9B634

RGB 169 182 52

HSL 66, 0.56%, 0.46%

LAB 70.97, -20.93, 60.91

 

CMYK 6 / 0 / 64 / 21

HEX #BECA49

RGB 190 202 73

HSL 65.58, 0.55%, 0.54%

LAB 78.27, -20.84, 60.71

 

CMYK 7 / 0 / 71 / 42

HEX #8B952B

RGB 139 149 43

HSL 65.66, 0.55%, 0.38%

LAB 59.12, -17.59, 51.85

 

CMYK 71 / 0 / 51 / 41

HEX #2B9649

RGB 43 150 73

HSL 136.82, 0.55%, 0.38%

LAB 54.87, -47.18, 31.92

 

CMYK 23 / 71 / 0 / 41

HEX #742B96

RGB 116 43 150

HSL 280.93, 0.55%, 0.38%

LAB 33.23, 49.15, -44.71

 

CMYK 7 / 0 / 71 / 42

HEX #8B952B

RGB 139 149 43

HSL 65.66, 0.55%, 0.38%

LAB 59.12, -17.59, 51.85

 

CMYK 71 / 6 / 0 / 41

HEX #2B8D96

RGB 43 141 150

HSL 185.05, 0.55%, 0.38%

LAB 53.78, -24.54, -12.96

 

CMYK 0 / 71 / 6 / 41

HEX #962B8D

RGB 150 43 141

HSL 305.05, 0.55%, 0.38%

LAB 38.08, 55.33, -31.14

 

CMYK 7 / 0 / 71 / 42

HEX #8B952B

RGB 139 149 43

HSL 65.66, 0.55%, 0.38%

LAB 59.12, -17.59, 51.85

 

CMYK 71 / 0 / 51 / 41

HEX #2B9649

RGB 43 150 73

HSL 136.82, 0.55%, 0.38%

LAB 54.87, -47.18, 31.92

 

CMYK 65 / 71 / 0 / 41

HEX #342B96

RGB 52 43 150

HSL 245.05, 0.55%, 0.38%

LAB 25.74, 37.22, -57.21

 

CMYK 0 / 71 / 21 / 41

HEX #962B77

RGB 150 43 119

HSL 317.38, 0.55%, 0.38%

LAB 37.01, 51.95, -19.2

 

CMYK 7 / 0 / 71 / 42

HEX #8B952B

RGB 139 149 43

HSL 65.66, 0.55%, 0.38%

LAB 59.12, -17.59, 51.85

 

CMYK 71 / 0 / 30 / 41

HEX #2B9669

RGB 43 150 105

HSL 154.77, 0.55%, 0.38%

LAB 55.43, -41, 15.23

 

CMYK 65 / 71 / 0 / 41

HEX #342B96

RGB 52 43 150

HSL 245.05, 0.55%, 0.38%

LAB 25.74, 37.22, -57.21

 

CMYK 0 / 71 / 41 / 41

HEX #962B58

RGB 150 43 88

HSL 334.77, 0.55%, 0.38%

LAB 35.82, 48.04, -1.34

 

Description

Color code: HEX #8B952B | qconv.com Color code: HEX #8B952B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 149 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 149 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 71 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 71% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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