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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8BA7CA it is the complementary color #745835. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8BA7CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8BA7CA shade: #90A7C5, #A1B9D8, #B2CBEB, #C3DDFE and #D4EFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8BA7CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8BA7CA shade: #8BA7CA, #7A95B7, #6983A4, #587191 and #475F7E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8BA7CA shade: #8BA7C9, #8B96C9, #918BC9, #A28BC9 and #B38BC9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8BA7CA shade: #8BA7C9, #8B96C9 and #8B8BC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8BA7CA shade matches the following richer shades: #8BA7C9, #7EA5D7, #70A4E5 and #62A2F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8BA7CA shade: #8BA7C9, #99A8BC, #A6AAAE, #B4ABA1 and #C2AD93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8BA7CA shade: #8BC8C9, #8BB8C9, #8BA7C9, #8B97C9 and #908BC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8BA7CA shade: #537CAF, #6F91BC, #8BA7C9, #A7BCD6 and #C4D2E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8BA7CA shade: #8BA7CA, #BA8BC9 and #C0C98B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8BA7CA shade: #8BA7CA, #C98BA7 and #A7C98B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8BA7CA shade: #8BA7CA, #BA8BC9, #C9AD8B and #9BC98B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8BA7CA shade: #8BA7CA, #C98BC6, #C9AD8B and #8BC98E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 17 / 0 / 21

HEX #8BA7CA

RGB 139 167 202

HSL 213.33, 0.37%, 0.67%

LAB 67.57, -1.4, -21.01

 

Complementary color

CMYK 0 / 24 / 54 / 55

HEX #745835

RGB 116 88 53

HSL 33.33, 0.37%, 0.33%

LAB 39.5, 6.91, 24.62

 

CMYK 27 / 15 / 0 / 23

HEX #90A7C5

RGB 144 167 197

HSL 213.96, 0.31%, 0.67%

LAB 67.72, -1.14, -17.98

 

CMYK 25 / 14 / 0 / 15

HEX #A1B9D8

RGB 161 185 216

HSL 213.82, 0.41%, 0.74%

LAB 74.34, -1.31, -18.28

 

CMYK 24 / 14 / 0 / 8

HEX #B2CBEB

RGB 178 203 235

HSL 213.68, 0.59%, 0.81%

LAB 80.84, -1.47, -18.59

 

CMYK 23 / 13 / 0 / 0

HEX #C3DDFE

RGB 195 221 254

HSL 213.56, 0.97%, 0.88%

LAB 87.23, -1.62, -18.91

 

CMYK 17 / 6 / 0 / 0

HEX #D4EFFF

RGB 212 239 255

HSL 202.33, 1%, 0.92%

LAB 92.99, -5.58, -10.68

 

CMYK 31 / 17 / 0 / 21

HEX #8BA7CA

RGB 139 167 202

HSL 213.33, 0.37%, 0.67%

LAB 67.57, -1.4, -21.01

 

CMYK 33 / 19 / 0 / 28

HEX #7A95B7

RGB 122 149 183

HSL 213.44, 0.3%, 0.6%

LAB 60.83, -1.17, -20.77

 

CMYK 36 / 20 / 0 / 36

HEX #6983A4

RGB 105 131 164

HSL 213.56, 0.24%, 0.53%

LAB 53.94, -0.91, -20.55

 

CMYK 39 / 22 / 0 / 43

HEX #587191

RGB 88 113 145

HSL 213.68, 0.24%, 0.46%

LAB 46.88, -0.6, -20.37

 

CMYK 44 / 25 / 0 / 51

HEX #475F7E

RGB 71 95 126

HSL 213.82, 0.28%, 0.39%

LAB 39.63, -0.21, -20.21

 

CMYK 31 / 17 / 0 / 21

HEX #8BA7C9

RGB 139 167 201

HSL 212.9, 0.36%, 0.67%

LAB 67.53, -1.65, -20.51

 

CMYK 31 / 25 / 0 / 21

HEX #8B96C9

RGB 139 150 201

HSL 229.35, 0.36%, 0.67%

LAB 62.94, 7.91, -27.54

 

CMYK 28 / 31 / 0 / 21

HEX #918BC9

RGB 145 139 201

HSL 245.81, 0.36%, 0.67%

LAB 60.52, 16.02, -31.25

 

CMYK 19 / 31 / 0 / 21

HEX #A28BC9

RGB 162 139 201

HSL 262.26, 0.36%, 0.67%

LAB 61.97, 21.21, -28.9

 

CMYK 11 / 31 / 0 / 21

HEX #B38BC9

RGB 179 139 201

HSL 278.71, 0.36%, 0.67%

LAB 63.56, 26.58, -26.3

 

CMYK 31 / 17 / 0 / 21

HEX #8BA7C9

RGB 139 167 201

HSL 212.9, 0.36%, 0.67%

LAB 67.53, -1.65, -20.51

 

CMYK 31 / 25 / 0 / 21

HEX #8B96C9

RGB 139 150 201

HSL 229.35, 0.36%, 0.67%

LAB 62.94, 7.91, -27.54

 

CMYK 31 / 31 / 0 / 21

HEX #8B8BC9

RGB 139 139 201

HSL 240, 0.36%, 0.67%

LAB 60.04, 14.25, -32.03

 

CMYK 31 / 17 / 0 / 21

HEX #8BA7C9

RGB 139 167 201

HSL 212.9, 0.36%, 0.67%

LAB 67.53, -1.65, -20.51

 

CMYK 41 / 23 / 0 / 16

HEX #7EA5D7

RGB 126 165 215

HSL 213.71, 0.53%, 0.67%

LAB 66.71, -0.45, -29.58

 

CMYK 51 / 28 / 0 / 10

HEX #70A4E5

RGB 112 164 229

HSL 213.33, 0.69%, 0.67%

LAB 66.25, 0.74, -38.06

 

CMYK 60 / 33 / 0 / 5

HEX #62A2F2

RGB 98 162 242

HSL 213.33, 0.85%, 0.67%

LAB 65.63, 3.03, -46.22

 

CMYK 31 / 17 / 0 / 21

HEX #8BA7C9

RGB 139 167 201

HSL 212.9, 0.36%, 0.67%

LAB 67.53, -1.65, -20.51

 

CMYK 19 / 11 / 0 / 26

HEX #99A8BC

RGB 153 168 188

HSL 214.29, 0.21%, 0.67%

LAB 68.32, -0.96, -12.03

 

CMYK 5 / 2 / 0 / 32

HEX #A6AAAE

RGB 166 170 174

HSL 210, 0.05%, 0.67%

LAB 69.41, -0.63, -2.55

 

CMYK 0 / 5 / 11 / 29

HEX #B4ABA1

RGB 180 171 161

HSL 31.58, 0.11%, 0.67%

LAB 70.46, 1.47, 6.29

 

CMYK 0 / 11 / 24 / 24

HEX #C2AD93

RGB 194 173 147

HSL 33.19, 0.28%, 0.67%

LAB 71.87, 3.48, 16.14

 

CMYK 31 / 0 / 0 / 21

HEX #8BC8C9

RGB 139 200 201

HSL 180.97, 0.36%, 0.67%

LAB 76.69, -19.15, -6.76

 

CMYK 31 / 8 / 0 / 21

HEX #8BB8C9

RGB 139 184 201

HSL 196.45, 0.36%, 0.67%

LAB 72.22, -10.85, -13.42

 

CMYK 31 / 17 / 0 / 21

HEX #8BA7C9

RGB 139 167 201

HSL 212.9, 0.36%, 0.67%

LAB 67.53, -1.65, -20.51

 

CMYK 31 / 25 / 0 / 21

HEX #8B97C9

RGB 139 151 201

HSL 228.39, 0.36%, 0.67%

LAB 63.21, 7.34, -27.13

 

CMYK 28 / 31 / 0 / 21

HEX #908BC9

RGB 144 139 201

HSL 244.84, 0.36%, 0.67%

LAB 60.44, 15.72, -31.39

 

CMYK 53 / 29 / 0 / 31

HEX #537CAF

RGB 83 124 175

HSL 213.26, 0.37%, 0.51%

LAB 51.09, 0.64, -31.42

 

CMYK 41 / 23 / 0 / 26

HEX #6F91BC

RGB 111 145 188

HSL 213.51, 0.36%, 0.59%

LAB 59.22, -0.64, -26.13

 

CMYK 31 / 17 / 0 / 21

HEX #8BA7C9

RGB 139 167 201

HSL 212.9, 0.36%, 0.67%

LAB 67.53, -1.65, -20.51

 

CMYK 22 / 12 / 0 / 16

HEX #A7BCD6

RGB 167 188 214

HSL 213.19, 0.36%, 0.75%

LAB 75.47, -1.56, -15.44

HEX #A7BCD6

CMYK 14 / 7 / 0 / 11

HEX #C4D2E3

RGB 196 210 227

HSL 212.9, 0.36%, 0.83%

LAB 83.64, -1.33, -9.99

HEX #C4D2E3

CMYK 31 / 17 / 0 / 21

HEX #8BA7CA

RGB 139 167 202

HSL 213.33, 0.37%, 0.67%

LAB 67.57, -1.4, -21.01

 

CMYK 7 / 31 / 0 / 21

HEX #BA8BC9

RGB 186 139 201

HSL 285.48, 0.36%, 0.67%

LAB 64.26, 28.83, -25.17

 

CMYK 4 / 0 / 31 / 21

HEX #C0C98B

RGB 192 201 139

HSL 68.71, 0.36%, 0.67%

LAB 78.95, -13.09, 30.02

 

CMYK 31 / 17 / 0 / 21

HEX #8BA7CA

RGB 139 167 202

HSL 213.33, 0.37%, 0.67%

LAB 67.57, -1.4, -21.01

 

CMYK 0 / 31 / 17 / 21

HEX #C98BA7

RGB 201 139 167

HSL 332.9, 0.36%, 0.67%

LAB 64.7, 27.76, -5.21

 

CMYK 17 / 0 / 31 / 21

HEX #A7C98B

RGB 167 201 139

HSL 92.9, 0.36%, 0.67%

LAB 77.19, -22.42, 27.36

 

CMYK 31 / 17 / 0 / 21

HEX #8BA7CA

RGB 139 167 202

HSL 213.33, 0.37%, 0.67%

LAB 67.57, -1.4, -21.01

 

CMYK 7 / 31 / 0 / 21

HEX #BA8BC9

RGB 186 139 201

HSL 285.48, 0.36%, 0.67%

LAB 64.26, 28.83, -25.17

 

CMYK 0 / 14 / 31 / 21

HEX #C9AD8B

RGB 201 173 139

HSL 32.9, 0.36%, 0.67%

LAB 72.34, 5.1, 21.24

 

CMYK 23 / 0 / 31 / 21

HEX #9BC98B

RGB 155 201 139

HSL 104.52, 0.36%, 0.67%

LAB 76.44, -26.7, 26.22

 

CMYK 31 / 17 / 0 / 21

HEX #8BA7CA

RGB 139 167 202

HSL 213.33, 0.37%, 0.67%

LAB 67.57, -1.4, -21.01

 

CMYK 0 / 31 / 1 / 21

HEX #C98BC6

RGB 201 139 198

HSL 302.9, 0.36%, 0.67%

LAB 65.72, 33.13, -21.12

 

CMYK 0 / 14 / 31 / 21

HEX #C9AD8B

RGB 201 173 139

HSL 32.9, 0.36%, 0.67%

LAB 72.34, 5.1, 21.24

 

CMYK 31 / 0 / 29 / 21

HEX #8BC98E

RGB 139 201 142

HSL 122.9, 0.36%, 0.67%

LAB 75.59, -31.61, 23.33

 

Description

Color code: HEX #8BA7CA | qconv.com Color code: HEX #8BA7CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 167 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 167 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 17 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 17% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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