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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8BA8F2 it is the complementary color #74570D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8BA8F2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8BA8F2 shade: #90A8ED, #A1BAFF, #B2CCFF, #C3DEFF and #D4F0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8BA8F2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8BA8F2 shade: #8BA8F2, #7A96DF, #6984CC, #5872B9 and #4760A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8BA8F2 shade: #8CA8F2, #8C8DF2, #A68CF2, #C28CF2 and #DD8CF2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8BA8F2 shade: #8CA8F2, #8C8DF2 and #8C8CF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8BA8F2 shade matches the following richer shades: #8CA8F2 and #81A4FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8BA8F2 shade: #8CA8F2, #96ADE7, #A0B1DD, #ABB6D3 and #B5BAC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8BA8F2 shade: #8CDFF2, #8CC4F2, #8CA9F2, #8C8DF2 and #A58CF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8BA8F2 shade: #4171E9, #678DEE, #8CA8F2, #B1C4F6 and #D6E0FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8BA8F2 shade: #8BA8F2, #E98CF2 and #D1F28C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8BA8F2 shade: #8BA8F2, #F28CA9 and #A9F28C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8BA8F2 shade: #8BA8F2, #E98CF2, #F2D58C and #94F28C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8BA8F2 shade: #8BA8F2, #F28CDC, #F2D58C and #8CF2A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 31 / 0 / 5

HEX #8BA8F2

RGB 139 168 242

HSL 223.11, 0.8%, 0.75%

LAB 69.4, 8.69, -40.15

 

Complementary color

CMYK 0 / 25 / 89 / 55

HEX #74570D

RGB 116 87 13

HSL 43.11, 0.8%, 0.25%

LAB 38.83, 4.98, 43.06

 

CMYK 39 / 29 / 0 / 7

HEX #90A8ED

RGB 144 168 237

HSL 224.52, 0.72%, 0.75%

LAB 69.5, 8.59, -37.24

 

CMYK 37 / 27 / 0 / 0

HEX #A1BAFF

RGB 161 186 255

HSL 224.04, 1%, 0.82%

LAB 76.02, 7.83, -36.78

 

CMYK 30 / 20 / 0 / 0

HEX #B2CCFF

RGB 178 204 255

HSL 219.74, 1%, 0.85%

LAB 81.77, 2.69, -27.83

 

CMYK 24 / 13 / 0 / 0

HEX #C3DEFF

RGB 195 222 255

HSL 213, 1%, 0.88%

LAB 87.52, -1.92, -19

 

CMYK 17 / 6 / 0 / 0

HEX #D4F0FF

RGB 212 240 255

HSL 200.93, 1%, 0.92%

LAB 93.25, -6.08, -10.3

 

CMYK 43 / 31 / 0 / 5

HEX #8BA8F2

RGB 139 168 242

HSL 223.11, 0.8%, 0.75%

LAB 69.4, 8.69, -40.15

 

CMYK 45 / 33 / 0 / 13

HEX #7A96DF

RGB 122 150 223

HSL 223.37, 0.61%, 0.68%

LAB 62.74, 9.34, -40.2

 

CMYK 49 / 35 / 0 / 20

HEX #6984CC

RGB 105 132 204

HSL 223.64, 0.49%, 0.61%

LAB 55.95, 10.12, -40.29

 

CMYK 52 / 38 / 0 / 27

HEX #5872B9

RGB 88 114 185

HSL 223.92, 0.41%, 0.54%

LAB 49.02, 11.05, -40.43

 

CMYK 57 / 42 / 0 / 35

HEX #4760A6

RGB 71 96 166

HSL 224.21, 0.4%, 0.46%

LAB 41.94, 12.21, -40.63

 

CMYK 42 / 31 / 0 / 5

HEX #8CA8F2

RGB 140 168 242

HSL 223.53, 0.8%, 0.75%

LAB 69.46, 8.94, -40.05

 

CMYK 42 / 42 / 0 / 5

HEX #8C8DF2

RGB 140 141 242

HSL 239.41, 0.8%, 0.75%

LAB 62.54, 24.46, -50.94

 

CMYK 31 / 42 / 0 / 5

HEX #A68CF2

RGB 166 140 242

HSL 255.29, 0.8%, 0.75%

LAB 64.38, 31.72, -47.89

 

CMYK 20 / 42 / 0 / 5

HEX #C28CF2

RGB 194 140 242

HSL 271.76, 0.8%, 0.75%

LAB 67, 39.44, -43.58

 

CMYK 9 / 42 / 0 / 5

HEX #DD8CF2

RGB 221 140 242

HSL 287.65, 0.8%, 0.75%

LAB 69.85, 47.17, -38.92

 

CMYK 42 / 31 / 0 / 5

HEX #8CA8F2

RGB 140 168 242

HSL 223.53, 0.8%, 0.75%

LAB 69.46, 8.94, -40.05

 

CMYK 42 / 42 / 0 / 5

HEX #8C8DF2

RGB 140 141 242

HSL 239.41, 0.8%, 0.75%

LAB 62.54, 24.46, -50.94

 

CMYK 42 / 42 / 0 / 5

HEX #8C8CF2

RGB 140 140 242

HSL 240, 0.8%, 0.75%

LAB 62.29, 25.04, -51.33

 

CMYK 42 / 31 / 0 / 5

HEX #8CA8F2

RGB 140 168 242

HSL 223.53, 0.8%, 0.75%

LAB 69.46, 8.94, -40.05

 

CMYK 49 / 35 / 0 / 1

HEX #81A4FC

RGB 129 164 252

HSL 222.93, 0.95%, 0.75%

LAB 68.2, 11.44, -47.51

 

CMYK 42 / 31 / 0 / 5

HEX #8CA8F2

RGB 140 168 242

HSL 223.53, 0.8%, 0.75%

LAB 69.46, 8.94, -40.05

 

CMYK 35 / 25 / 0 / 9

HEX #96ADE7

RGB 150 173 231

HSL 222.96, 0.63%, 0.75%

LAB 70.97, 5.81, -31.67

 

CMYK 28 / 20 / 0 / 13

HEX #A0B1DD

RGB 160 177 221

HSL 223.28, 0.47%, 0.75%

LAB 72.32, 3.95, -24.07

 

CMYK 19 / 14 / 0 / 17

HEX #ABB6D3

RGB 171 182 211

HSL 223.5, 0.31%, 0.75%

LAB 74.07, 2.26, -15.89

 

CMYK 10 / 7 / 0 / 22

HEX #B5BAC8

RGB 181 186 200

HSL 224.21, 0.15%, 0.75%

LAB 75.52, 1.01, -7.66

 

CMYK 42 / 8 / 0 / 5

HEX #8CDFF2

RGB 140 223 242

HSL 191.18, 0.8%, 0.75%

LAB 84.36, -20.45, -17.2

 

CMYK 42 / 19 / 0 / 5

HEX #8CC4F2

RGB 140 196 242

HSL 207.06, 0.8%, 0.75%

LAB 76.96, -6.48, -28.45

 

CMYK 42 / 30 / 0 / 5

HEX #8CA9F2

RGB 140 169 242

HSL 222.94, 0.8%, 0.75%

LAB 69.73, 8.37, -39.64

 

CMYK 42 / 42 / 0 / 5

HEX #8C8DF2

RGB 140 141 242

HSL 239.41, 0.8%, 0.75%

LAB 62.54, 24.46, -50.94

 

CMYK 32 / 42 / 0 / 5

HEX #A58CF2

RGB 165 140 242

HSL 254.71, 0.8%, 0.75%

LAB 64.3, 31.45, -48.03

 

CMYK 72 / 52 / 0 / 9

HEX #4171E9

RGB 65 113 233

HSL 222.86, 0.79%, 0.58%

LAB 50.47, 24.12, -65.5

 

CMYK 57 / 41 / 0 / 7

HEX #678DEE

RGB 103 141 238

HSL 223.11, 0.8%, 0.67%

LAB 59.98, 14.98, -52.93

 

CMYK 42 / 31 / 0 / 5

HEX #8CA8F2

RGB 140 168 242

HSL 223.53, 0.8%, 0.75%

LAB 69.46, 8.94, -40.05

 

CMYK 28 / 20 / 0 / 4

HEX #B1C4F6

RGB 177 196 246

HSL 223.48, 0.79%, 0.83%

LAB 79.32, 4.55, -26.79

 

CMYK 14 / 10 / 0 / 2

HEX #D6E0FA

RGB 214 224 250

HSL 223.33, 0.78%, 0.91%

LAB 89.16, 1.75, -13.77

 

CMYK 43 / 31 / 0 / 5

HEX #8BA8F2

RGB 139 168 242

HSL 223.11, 0.8%, 0.75%

LAB 69.4, 8.69, -40.15

 

CMYK 4 / 42 / 0 / 5

HEX #E98CF2

RGB 233 140 242

HSL 294.71, 0.8%, 0.75%

LAB 71.21, 50.65, -36.71

 

CMYK 14 / 0 / 42 / 5

HEX #D1F28C

RGB 209 242 140

HSL 79.41, 0.8%, 0.75%

LAB 91.21, -26.68, 45.61

 

CMYK 43 / 31 / 0 / 5

HEX #8BA8F2

RGB 139 168 242

HSL 223.11, 0.8%, 0.75%

LAB 69.4, 8.69, -40.15

 

CMYK 0 / 42 / 30 / 5

HEX #F28CA9

RGB 242 140 169

HSL 342.94, 0.8%, 0.75%

LAB 69.82, 42.03, 1.75

 

CMYK 30 / 0 / 42 / 5

HEX #A9F28C

RGB 169 242 140

HSL 102.94, 0.8%, 0.75%

LAB 88.84, -40.76, 42.11

 

CMYK 43 / 31 / 0 / 5

HEX #8BA8F2

RGB 139 168 242

HSL 223.11, 0.8%, 0.75%

LAB 69.4, 8.69, -40.15

 

CMYK 4 / 42 / 0 / 5

HEX #E98CF2

RGB 233 140 242

HSL 294.71, 0.8%, 0.75%

LAB 71.21, 50.65, -36.71

 

CMYK 0 / 12 / 42 / 5

HEX #F2D58C

RGB 242 213 140

HSL 42.94, 0.8%, 0.75%

LAB 86.19, 0.39, 39.74

 

CMYK 39 / 0 / 42 / 5

HEX #94F28C

RGB 148 242 140

HSL 115.29, 0.8%, 0.75%

LAB 87.82, -47.41, 40.6

 

CMYK 43 / 31 / 0 / 5

HEX #8BA8F2

RGB 139 168 242

HSL 223.11, 0.8%, 0.75%

LAB 69.4, 8.69, -40.15

 

CMYK 0 / 42 / 9 / 5

HEX #F28CDC

RGB 242 140 220

HSL 312.94, 0.8%, 0.75%

LAB 71.42, 49.51, -24.22

 

CMYK 0 / 12 / 42 / 5

HEX #F2D58C

RGB 242 213 140

HSL 42.94, 0.8%, 0.75%

LAB 86.19, 0.39, 39.74

 

CMYK 42 / 0 / 33 / 5

HEX #8CF2A2

RGB 140 242 162

HSL 132.94, 0.8%, 0.75%

LAB 87.82, -46.33, 29.55

 

Description

Color code: HEX #8BA8F2 | qconv.com Color code: HEX #8BA8F2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 168 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 168 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 31 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 31% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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