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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8BAA0C it is the complementary color #7455F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8BAA0C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8BAA0C shade: #90AA07, #A1BC1A, #B2CE2D, #C3E040 and #D4F253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8BAA0C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8BAA0C shade: #8BAA0C, #7A9800, #698600, #587400 and #476200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8BAA0C shade: #8CAB0B, #AB9F0B, #AB740B, #AB490B and #AB1E0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8BAA0C shade: #8CAB0B, #61AB0B, #36AB0B, #0BAB0C and #0BAB37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8BAA0C shade matches the following richer shades: #8CAB0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8BAA0C shade: #8CAB0B, #839C1A, #7A8D29, #717F38 and #687047

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8BAA0C shade: #AB730B, #AB9E0B, #8EAB0B, #63AB0B and #39AB0B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8BAA0C shade: #4D5E06, #6C8509, #8CAB0B, #ABD20E and #C5EF1A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8BAA0C shade: #8BAA0C, #0BAB49 and #890BAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8BAA0C shade: #8BAA0C, #0B8EAB and #AB0B8E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8BAA0C shade: #8BAA0C, #0BAB49, #290BAB and #AB0B6E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8BAA0C shade: #8BAA0C, #0BAB79, #290BAB and #AB0B3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 93 / 33

HEX #8BAA0C

RGB 139 170 12

HSL 71.77, 0.87%, 0.36%

LAB 65.17, -29.14, 65.4

 

Complementary color

CMYK 52 / 65 / 0 / 5

HEX #7455F3

RGB 116 85 243

HSL 251.77, 0.87%, 0.64%

LAB 47.86, 51.93, -75.21

 

CMYK 15 / 0 / 96 / 33

HEX #90AA07

RGB 144 170 7

HSL 69.57, 0.92%, 0.35%

LAB 65.51, -27.12, 66.46

 

CMYK 14 / 0 / 86 / 26

HEX #A1BC1A

RGB 161 188 26

HSL 70, 0.76%, 0.42%

LAB 71.97, -28.24, 69.1

 

CMYK 14 / 0 / 78 / 19

HEX #B2CE2D

RGB 178 206 45

HSL 70.43, 0.64%, 0.49%

LAB 78.34, -29.15, 70.34

 

CMYK 13 / 0 / 71 / 12

HEX #C3E040

RGB 195 224 64

HSL 70.88, 0.72%, 0.56%

LAB 84.63, -29.89, 70.64

 

CMYK 12 / 0 / 66 / 5

HEX #D4F253

RGB 212 242 83

HSL 71.32, 0.86%, 0.64%

LAB 90.84, -30.48, 70.37

 

CMYK 18 / 0 / 93 / 33

HEX #8BAA0C

RGB 139 170 12

HSL 71.77, 0.87%, 0.36%

LAB 65.17, -29.14, 65.4

 

CMYK 20 / 0 / 100 / 40

HEX #7A9800

RGB 122 152 0

HSL 71.84, 1%, 0.3%

LAB 58.6, -27.89, 61.48

 

CMYK 22 / 0 / 100 / 47

HEX #698600

RGB 105 134 0

HSL 72.99, 1%, 0.26%

LAB 51.9, -26.42, 55.9

 

CMYK 24 / 0 / 100 / 55

HEX #587400

RGB 88 116 0

HSL 74.48, 1%, 0.23%

LAB 45.03, -24.93, 50.18

 

CMYK 28 / 0 / 100 / 62

HEX #476200

RGB 71 98 0

HSL 76.53, 1%, 0.19%

LAB 37.98, -23.41, 44.31

 

CMYK 18 / 0 / 94 / 33

HEX #8CAB0B

RGB 140 171 11

HSL 71.63, 0.88%, 0.36%

LAB 65.53, -29.22, 65.85

 

CMYK 0 / 7 / 94 / 33

HEX #AB9F0B

RGB 171 159 11

HSL 55.5, 0.88%, 0.36%

LAB 64.55, -9.6, 66.14

 

CMYK 0 / 32 / 94 / 33

HEX #AB740B

RGB 171 116 11

HSL 39.38, 0.88%, 0.36%

LAB 53.14, 14.02, 57.57

 

CMYK 0 / 57 / 94 / 33

HEX #AB490B

RGB 171 73 11

HSL 23.25, 0.88%, 0.36%

LAB 43.43, 37.41, 50.61

 

CMYK 0 / 82 / 94 / 33

HEX #AB1E0B

RGB 171 30 11

HSL 7.13, 0.88%, 0.36%

LAB 37.13, 54.44, 46.39

 

CMYK 18 / 0 / 94 / 33

HEX #8CAB0B

RGB 140 171 11

HSL 71.63, 0.88%, 0.36%

LAB 65.53, -29.22, 65.85

 

CMYK 43 / 0 / 94 / 33

HEX #61AB0B

RGB 97 171 11

HSL 87.75, 0.88%, 0.36%

LAB 63.09, -45.73, 62.86

 

CMYK 68 / 0 / 94 / 33

HEX #36AB0B

RGB 54 171 11

HSL 103.88, 0.88%, 0.36%

LAB 61.6, -57.57, 61.02

 

CMYK 94 / 0 / 93 / 33

HEX #0BAB0C

RGB 11 171 12

HSL 120.38, 0.88%, 0.36%

LAB 60.98, -63.01, 60.11

 

CMYK 94 / 0 / 68 / 33

HEX #0BAB37

RGB 11 171 55

HSL 136.5, 0.88%, 0.36%

LAB 61.2, -60.22, 47.65

 

CMYK 18 / 0 / 94 / 33

HEX #8CAB0B

RGB 140 171 11

HSL 71.63, 0.88%, 0.36%

LAB 65.53, -29.22, 65.85

 

CMYK 18 / 0 / 94 / 33

HEX #8CAB0B

RGB 140 171 11

HSL 71.63, 0.88%, 0.36%

LAB 65.53, -29.22, 65.85

 

CMYK 16 / 0 / 83 / 39

HEX #839C1A

RGB 131 156 26

HSL 71.54, 0.71%, 0.36%

LAB 60.5, -25.38, 58.49

 

CMYK 13 / 0 / 71 / 45

HEX #7A8D29

RGB 122 141 41

HSL 71.4, 0.55%, 0.36%

LAB 55.43, -21.01, 48.52

 

CMYK 11 / 0 / 56 / 50

HEX #717F38

RGB 113 127 56

HSL 71.83, 0.39%, 0.36%

LAB 50.66, -16.44, 36.33

 

CMYK 7 / 0 / 37 / 56

HEX #687047

RGB 104 112 71

HSL 71.71, 0.22%, 0.36%

LAB 45.62, -10.37, 21.82

 

CMYK 0 / 33 / 94 / 33

HEX #AB730B

RGB 171 115 11

HSL 39, 0.88%, 0.36%

LAB 52.89, 14.58, 57.39

 

CMYK 0 / 8 / 94 / 33

HEX #AB9E0B

RGB 171 158 11

HSL 55.13, 0.88%, 0.36%

LAB 64.27, -9.07, 65.93

 

CMYK 17 / 0 / 94 / 33

HEX #8EAB0B

RGB 142 171 11

HSL 70.88, 0.88%, 0.36%

LAB 65.67, -28.38, 66.02

 

CMYK 42 / 0 / 94 / 33

HEX #63AB0B

RGB 99 171 11

HSL 87, 0.88%, 0.36%

LAB 63.18, -45.05, 62.98

 

CMYK 67 / 0 / 94 / 33

HEX #39AB0B

RGB 57 171 11

HSL 102.75, 0.88%, 0.36%

LAB 61.67, -56.94, 61.12

 

CMYK 18 / 0 / 94 / 63

HEX #4D5E06

RGB 77 94 6

HSL 71.59, 0.88%, 0.2%

LAB 37.11, -18.38, 42.07

 

CMYK 19 / 0 / 93 / 48

HEX #6C8509

RGB 108 133 9

HSL 72.1, 0.87%, 0.28%

LAB 51.82, -24.41, 54.29

 

CMYK 18 / 0 / 94 / 33

HEX #8CAB0B

RGB 140 171 11

HSL 71.63, 0.88%, 0.36%

LAB 65.53, -29.22, 65.85

 

CMYK 19 / 0 / 93 / 18

HEX #ABD20E

RGB 171 210 14

HSL 71.94, 0.88%, 0.44%

LAB 78.92, -34.67, 76.9

 

CMYK 18 / 0 / 89 / 6

HEX #C5EF1A

RGB 197 239 26

HSL 71.83, 0.87%, 0.52%

LAB 88.77, -37.28, 83.83

 

CMYK 18 / 0 / 93 / 33

HEX #8BAA0C

RGB 139 170 12

HSL 71.77, 0.87%, 0.36%

LAB 65.17, -29.14, 65.4

 

CMYK 94 / 0 / 57 / 33

HEX #0BAB49

RGB 11 171 73

HSL 143.25, 0.88%, 0.36%

LAB 61.38, -57.99, 39.71

 

CMYK 20 / 94 / 0 / 33

HEX #890BAB

RGB 137 11 171

HSL 287.25, 0.88%, 0.36%

LAB 35, 66.17, -54.39

 

CMYK 18 / 0 / 93 / 33

HEX #8BAA0C

RGB 139 170 12

HSL 71.77, 0.87%, 0.36%

LAB 65.17, -29.14, 65.4

 

CMYK 94 / 17 / 0 / 33

HEX #0B8EAB

RGB 11 142 171

HSL 190.88, 0.88%, 0.36%

LAB 54.4, -20.86, -24.13

 

CMYK 0 / 94 / 17 / 33

HEX #AB0B8E

RGB 171 11 142

HSL 310.88, 0.88%, 0.36%

LAB 39.33, 67.57, -29.54

 

CMYK 18 / 0 / 93 / 33

HEX #8BAA0C

RGB 139 170 12

HSL 71.77, 0.87%, 0.36%

LAB 65.17, -29.14, 65.4

 

CMYK 94 / 0 / 57 / 33

HEX #0BAB49

RGB 11 171 73

HSL 143.25, 0.88%, 0.36%

LAB 61.38, -57.99, 39.71

 

CMYK 76 / 94 / 0 / 33

HEX #290BAB

RGB 41 11 171

HSL 251.25, 0.88%, 0.36%

LAB 22.48, 56.71, -75.43

 

CMYK 0 / 94 / 36 / 33

HEX #AB0B6E

RGB 171 11 110

HSL 322.88, 0.88%, 0.36%

LAB 37.88, 63.79, -11.85

 

CMYK 18 / 0 / 93 / 33

HEX #8BAA0C

RGB 139 170 12

HSL 71.77, 0.87%, 0.36%

LAB 65.17, -29.14, 65.4

 

CMYK 94 / 0 / 29 / 33

HEX #0BAB79

RGB 11 171 121

HSL 161.25, 0.88%, 0.36%

LAB 62.15, -48.91, 15.57

 

CMYK 76 / 94 / 0 / 33

HEX #290BAB

RGB 41 11 171

HSL 251.25, 0.88%, 0.36%

LAB 22.48, 56.71, -75.43

 

CMYK 0 / 94 / 64 / 33

HEX #AB0B3E

RGB 171 11 62

HSL 340.88, 0.88%, 0.36%

LAB 36.45, 59.89, 16.93

 

Description

Color code: HEX #8BAA0C | qconv.com Color code: HEX #8BAA0C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 170 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 170 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 93 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 93% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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