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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8BAD2E it is the complementary color #7452D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8BAD2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8BAD2E shade: #90AD29, #A1BF3C, #B2D14F, #C3E362 and #D4F575

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8BAD2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8BAD2E shade: #8BAD2E, #7A9B1B, #698908, #587700 and #476500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8BAD2E shade: #8BAD2E, #ADAC2E, #AD8A2E, #AD682E and #AD462E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8BAD2E shade: #8BAD2E, #68AD2E, #46AD2E, #2EAD37 and #2EAD5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8BAD2E shade matches the following richer shades: #8BAD2E, #93BE1C and #9BD00A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8BAD2E shade: #8BAD2E, #829B3F, #7A8951, #727863 and #6A6675

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8BAD2E shade: #AD8B2E, #ADAD2E, #8BAD2E, #69AD2E and #47AD2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8BAD2E shade: #566C1C, #718C25, #8BAD2E, #A3CA39 and #B2D35A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8BAD2E shade: #8BAD2E, #2EAD69 and #9C2EAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8BAD2E shade: #8BAD2E, #2E8BAD and #AD2E8B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8BAD2E shade: #8BAD2E, #2EAD69, #4F2EAD and #AD2E71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8BAD2E shade: #8BAD2E, #2EAD8F, #4F2EAD and #AD2E4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 73 / 32

HEX #8BAD2E

RGB 139 173 46

HSL 76.06, 0.58%, 0.43%

LAB 66.19, -29.35, 57.68

 

Complementary color

CMYK 44 / 61 / 0 / 18

HEX #7452D1

RGB 116 82 209

HSL 256.06, 0.58%, 0.57%

LAB 44.73, 43.95, -61.01

 

CMYK 17 / 0 / 76 / 32

HEX #90AD29

RGB 144 173 41

HSL 73.18, 0.62%, 0.42%

LAB 66.5, -27.56, 59.8

 

CMYK 16 / 0 / 69 / 25

HEX #A1BF3C

RGB 161 191 60

HSL 73.74, 0.52%, 0.49%

LAB 73, -28.18, 59.76

 

CMYK 15 / 0 / 62 / 18

HEX #B2D14F

RGB 178 209 79

HSL 74.31, 0.59%, 0.56%

LAB 79.4, -28.66, 59.19

 

CMYK 14 / 0 / 57 / 11

HEX #C3E362

RGB 195 227 98

HSL 74.88, 0.7%, 0.64%

LAB 85.72, -29.03, 58.34

 

CMYK 13 / 0 / 52 / 4

HEX #D4F575

RGB 212 245 117

HSL 75.47, 0.86%, 0.71%

LAB 91.95, -29.31, 57.34

 

CMYK 20 / 0 / 73 / 32

HEX #8BAD2E

RGB 139 173 46

HSL 76.06, 0.58%, 0.43%

LAB 66.19, -29.35, 57.68

 

CMYK 21 / 0 / 83 / 39

HEX #7A9B1B

RGB 122 155 27

HSL 75.47, 0.7%, 0.36%

LAB 59.58, -28.65, 57.17

 

CMYK 23 / 0 / 94 / 46

HEX #698908

RGB 105 137 8

HSL 74.88, 0.89%, 0.28%

LAB 52.85, -27.69, 55.21

 

CMYK 26 / 0 / 100 / 53

HEX #587700

RGB 88 119 0

HSL 75.63, 1%, 0.23%

LAB 46, -26.41, 50.92

 

CMYK 30 / 0 / 100 / 60

HEX #476500

RGB 71 101 0

HSL 77.82, 1%, 0.2%

LAB 38.98, -24.91, 45.07

 

CMYK 20 / 0 / 73 / 32

HEX #8BAD2E

RGB 139 173 46

HSL 76.06, 0.58%, 0.43%

LAB 66.19, -29.35, 57.68

 

CMYK 0 / 1 / 73 / 32

HEX #ADAC2E

RGB 173 172 46

HSL 59.53, 0.58%, 0.43%

LAB 68.45, -14.45, 60.73

 

CMYK 0 / 20 / 73 / 32

HEX #AD8A2E

RGB 173 138 46

HSL 43.46, 0.58%, 0.43%

LAB 59.21, 3.74, 51.78

 

CMYK 0 / 40 / 73 / 32

HEX #AD682E

RGB 173 104 46

HSL 27.4, 0.58%, 0.43%

LAB 50.67, 22.76, 43.07

 

CMYK 0 / 60 / 73 / 32

HEX #AD462E

RGB 173 70 46

HSL 11.34, 0.58%, 0.43%

LAB 43.45, 40.73, 35.28

 

CMYK 20 / 0 / 73 / 32

HEX #8BAD2E

RGB 139 173 46

HSL 76.06, 0.58%, 0.43%

LAB 66.19, -29.35, 57.68

 

CMYK 40 / 0 / 73 / 32

HEX #68AD2E

RGB 104 173 46

HSL 92.6, 0.58%, 0.43%

LAB 64.18, -42.65, 55.02

 

CMYK 60 / 0 / 73 / 32

HEX #46AD2E

RGB 70 173 46

HSL 108.66, 0.58%, 0.43%

LAB 62.83, -52.86, 53.23

 

CMYK 73 / 0 / 68 / 32

HEX #2EAD37

RGB 46 173 55

HSL 124.25, 0.58%, 0.43%

LAB 62.29, -57.08, 48.96

 

CMYK 73 / 0 / 48 / 32

HEX #2EAD5A

RGB 46 173 90

HSL 140.79, 0.58%, 0.43%

LAB 62.68, -52.46, 32.94

 

CMYK 20 / 0 / 73 / 32

HEX #8BAD2E

RGB 139 173 46

HSL 76.06, 0.58%, 0.43%

LAB 66.19, -29.35, 57.68

 

CMYK 23 / 0 / 85 / 25

HEX #93BE1C

RGB 147 190 28

HSL 75.93, 0.74%, 0.43%

LAB 71.63, -34.83, 68.01

 

CMYK 25 / 0 / 95 / 18

HEX #9BD00A

RGB 155 208 10

HSL 76.06, 0.91%, 0.43%

LAB 77.34, -40.14, 75.66

 

CMYK 20 / 0 / 73 / 32

HEX #8BAD2E

RGB 139 173 46

HSL 76.06, 0.58%, 0.43%

LAB 66.19, -29.35, 57.68

 

CMYK 16 / 0 / 59 / 39

HEX #829B3F

RGB 130 155 63

HSL 76.3, 0.42%, 0.43%

LAB 60.38, -23.05, 44.37

 

CMYK 11 / 0 / 41 / 46

HEX #7A8951

RGB 122 137 81

HSL 76.07, 0.26%, 0.43%

LAB 54.68, -15.12, 28.22

 

CMYK 5 / 0 / 18 / 53

HEX #727863

RGB 114 120 99

HSL 77.14, 0.1%, 0.43%

LAB 49.39, -6.3, 10.79

 

CMYK 9 / 13 / 0 / 54

HEX #6A6675

RGB 106 102 117

HSL 256, 0.07%, 0.43%

LAB 44.02, 4.76, -7.83

 

CMYK 0 / 20 / 73 / 32

HEX #AD8B2E

RGB 173 139 46

HSL 43.94, 0.58%, 0.43%

LAB 59.48, 3.19, 52.04

 

CMYK 0 / 0 / 73 / 32

HEX #ADAD2E

RGB 173 173 46

HSL 60, 0.58%, 0.43%

LAB 68.73, -14.96, 61

 

CMYK 20 / 0 / 73 / 32

HEX #8BAD2E

RGB 139 173 46

HSL 76.06, 0.58%, 0.43%

LAB 66.19, -29.35, 57.68

 

CMYK 39 / 0 / 73 / 32

HEX #69AD2E

RGB 105 173 46

HSL 92.13, 0.58%, 0.43%

LAB 64.23, -42.3, 55.09

 

CMYK 59 / 0 / 73 / 32

HEX #47AD2E

RGB 71 173 46

HSL 108.19, 0.58%, 0.43%

LAB 62.86, -52.61, 53.27

 

CMYK 20 / 0 / 74 / 58

HEX #566C1C

RGB 86 108 28

HSL 76.5, 0.59%, 0.27%

LAB 42.44, -20.6, 39.88

 

CMYK 19 / 0 / 74 / 45

HEX #718C25

RGB 113 140 37

HSL 75.73, 0.58%, 0.35%

LAB 54.45, -24.61, 48.89

 

CMYK 20 / 0 / 73 / 32

HEX #8BAD2E

RGB 139 173 46

HSL 76.06, 0.58%, 0.43%

LAB 66.19, -29.35, 57.68

 

CMYK 19 / 0 / 72 / 21

HEX #A3CA39

RGB 163 202 57

HSL 76.14, 0.58%, 0.51%

LAB 76.27, -32.74, 64.17

 

CMYK 16 / 0 / 57 / 17

HEX #B2D35A

RGB 178 211 90

HSL 76.36, 0.58%, 0.59%

LAB 80.06, -28.74, 55.17

 

CMYK 20 / 0 / 73 / 32

HEX #8BAD2E

RGB 139 173 46

HSL 76.06, 0.58%, 0.43%

LAB 66.19, -29.35, 57.68

 

CMYK 73 / 0 / 39 / 32

HEX #2EAD69

RGB 46 173 105

HSL 147.87, 0.58%, 0.43%

LAB 62.92, -49.77, 25.37

 

CMYK 10 / 73 / 0 / 32

HEX #9C2EAD

RGB 156 46 173

HSL 291.97, 0.58%, 0.43%

LAB 41.28, 61.17, -45.3

 

CMYK 20 / 0 / 73 / 32

HEX #8BAD2E

RGB 139 173 46

HSL 76.06, 0.58%, 0.43%

LAB 66.19, -29.35, 57.68

 

CMYK 73 / 20 / 0 / 32

HEX #2E8BAD

RGB 46 139 173

HSL 196.06, 0.58%, 0.43%

LAB 54.09, -15.52, -25.71

 

CMYK 0 / 73 / 20 / 32

HEX #AD2E8B

RGB 173 46 139

HSL 316.06, 0.58%, 0.43%

LAB 42.31, 59.65, -23.02

 

CMYK 20 / 0 / 73 / 32

HEX #8BAD2E

RGB 139 173 46

HSL 76.06, 0.58%, 0.43%

LAB 66.19, -29.35, 57.68

 

CMYK 73 / 0 / 39 / 32

HEX #2EAD69

RGB 46 173 105

HSL 147.87, 0.58%, 0.43%

LAB 62.92, -49.77, 25.37

 

CMYK 54 / 73 / 0 / 32

HEX #4F2EAD

RGB 79 46 173

HSL 255.59, 0.58%, 0.43%

LAB 30.96, 46.64, -62.51

 

CMYK 0 / 73 / 35 / 32

HEX #AD2E71

RGB 173 46 113

HSL 328.35, 0.58%, 0.43%

LAB 41.26, 56.36, -8.6

 

CMYK 20 / 0 / 73 / 32

HEX #8BAD2E

RGB 139 173 46

HSL 76.06, 0.58%, 0.43%

LAB 66.19, -29.35, 57.68

 

CMYK 73 / 0 / 17 / 32

HEX #2EAD8F

RGB 46 173 143

HSL 165.83, 0.58%, 0.43%

LAB 63.71, -41.19, 5.67

 

CMYK 54 / 73 / 0 / 32

HEX #4F2EAD

RGB 79 46 173

HSL 255.59, 0.58%, 0.43%

LAB 30.96, 46.64, -62.51

 

CMYK 0 / 73 / 57 / 32

HEX #AD2E4B

RGB 173 46 75

HSL 346.3, 0.58%, 0.43%

LAB 40.16, 52.74, 13.69

 

Description

Color code: HEX #8BAD2E | qconv.com Color code: HEX #8BAD2E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 173 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 173 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 73 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 73% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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