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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8BB0FD it is the complementary color #744F02. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8BB0FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8BB0FD shade: #90B0F8, #A1C2FF, #B2D4FF, #C3E6FF and #D4F8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8BB0FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8BB0FD shade: #8BB0FD, #7A9EEA, #698CD7, #587AC4 and #4768B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8BB0FD shade: #8BB0FD, #8B91FD, #A38BFD, #C28BFD and #E18BFD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8BB0FD shade: #8BB0FD, #8B91FD and #8B8BFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8BB0FD shade matches the following richer shades: #8BB0FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8BB0FD shade: #8BB0FD, #94B3F3, #9EB7EA, #A7BAE0 and #B1BDD7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8BB0FD shade: #8BEEFD, #8BCFFD, #8BB1FD, #8B93FD and #A28BFD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8BB0FD shade: #3A79FC, #6294FC, #8BB0FD, #B4CCFD and #DCE7FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8BB0FD shade: #8BB0FD, #EE8BFD and #DEFD8B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8BB0FD shade: #8BB0FD, #FD8BB1 and #B1FD8B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8BB0FD shade: #8BB0FD, #EE8BFD, #FDD78B and #9AFD8B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8BB0FD shade: #8BB0FD, #FD8BEA, #FDD78B and #8BFD9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 30 / 0 / 1

HEX #8BB0FD

RGB 139 176 253

HSL 220.53, 0.97%, 0.77%

LAB 71.98, 7.27, -42.09

 

Complementary color

CMYK 0 / 32 / 98 / 55

HEX #744F02

RGB 116 79 2

HSL 40.53, 0.97%, 0.23%

LAB 36.57, 9.51, 44.62

 

CMYK 42 / 29 / 0 / 3

HEX #90B0F8

RGB 144 176 248

HSL 221.54, 0.88%, 0.77%

LAB 72.07, 7.11, -39.23

 

CMYK 37 / 24 / 0 / 0

HEX #A1C2FF

RGB 161 194 255

HSL 218.94, 1%, 0.82%

LAB 78.1, 3.44, -33.56

 

CMYK 30 / 17 / 0 / 0

HEX #B2D4FF

RGB 178 212 255

HSL 213.51, 1%, 0.85%

LAB 83.85, -1.57, -24.66

 

CMYK 24 / 10 / 0 / 0

HEX #C3E6FF

RGB 195 230 255

HSL 205, 1%, 0.88%

LAB 89.59, -6.07, -15.88

 

CMYK 17 / 3 / 0 / 0

HEX #D4F8FF

RGB 212 248 255

HSL 189.77, 1%, 0.92%

LAB 95.31, -10.13, -7.24

 

CMYK 45 / 30 / 0 / 1

HEX #8BB0FD

RGB 139 176 253

HSL 220.53, 0.97%, 0.77%

LAB 71.98, 7.27, -42.09

 

CMYK 48 / 32 / 0 / 8

HEX #7A9EEA

RGB 122 158 234

HSL 220.71, 0.73%, 0.7%

LAB 65.38, 7.95, -42.13

 

CMYK 51 / 35 / 0 / 16

HEX #698CD7

RGB 105 140 215

HSL 220.91, 0.58%, 0.63%

LAB 58.66, 8.75, -42.21

 

CMYK 55 / 38 / 0 / 23

HEX #587AC4

RGB 88 122 196

HSL 221.11, 0.48%, 0.56%

LAB 51.81, 9.72, -42.34

 

CMYK 60 / 41 / 0 / 31

HEX #4768B1

RGB 71 104 177

HSL 221.32, 0.43%, 0.49%

LAB 44.82, 10.92, -42.51

 

CMYK 45 / 30 / 0 / 1

HEX #8BB0FD

RGB 139 176 253

HSL 220.53, 0.97%, 0.77%

LAB 71.98, 7.27, -42.09

 

CMYK 45 / 43 / 0 / 1

HEX #8B91FD

RGB 139 145 253

HSL 236.84, 0.97%, 0.77%

LAB 64.02, 25.03, -54.63

 

CMYK 36 / 45 / 0 / 1

HEX #A38BFD

RGB 163 139 253

HSL 252.63, 0.97%, 0.77%

LAB 64.44, 34.32, -53.85

 

CMYK 23 / 45 / 0 / 1

HEX #C28BFD

RGB 194 139 253

HSL 268.95, 0.97%, 0.77%

LAB 67.3, 42.45, -49.15

 

CMYK 11 / 45 / 0 / 1

HEX #E18BFD

RGB 225 139 253

HSL 285.26, 0.97%, 0.77%

LAB 70.57, 50.99, -43.77

 

CMYK 45 / 30 / 0 / 1

HEX #8BB0FD

RGB 139 176 253

HSL 220.53, 0.97%, 0.77%

LAB 71.98, 7.27, -42.09

 

CMYK 45 / 43 / 0 / 1

HEX #8B91FD

RGB 139 145 253

HSL 236.84, 0.97%, 0.77%

LAB 64.02, 25.03, -54.63

 

CMYK 45 / 45 / 0 / 1

HEX #8B8BFD

RGB 139 139 253

HSL 240, 0.97%, 0.77%

LAB 62.55, 28.51, -56.98

 

CMYK 45 / 30 / 0 / 1

HEX #8BB0FD

RGB 139 176 253

HSL 220.53, 0.97%, 0.77%

LAB 71.98, 7.27, -42.09

 

CMYK 45 / 30 / 0 / 1

HEX #8BB0FD

RGB 139 176 253

HSL 220.53, 0.97%, 0.77%

LAB 71.98, 7.27, -42.09

 

CMYK 39 / 26 / 0 / 5

HEX #94B3F3

RGB 148 179 243

HSL 220.42, 0.8%, 0.77%

LAB 72.9, 5.1, -35.21

 

CMYK 32 / 22 / 0 / 8

HEX #9EB7EA

RGB 158 183 234

HSL 220.26, 0.64%, 0.77%

LAB 74.24, 3.28, -28.22

 

CMYK 25 / 17 / 0 / 12

HEX #A7BAE0

RGB 167 186 224

HSL 220, 0.48%, 0.77%

LAB 75.27, 1.83, -21.16

 

CMYK 18 / 12 / 0 / 16

HEX #B1BDD7

RGB 177 189 215

HSL 221.05, 0.32%, 0.77%

LAB 76.47, 1.25, -14.42

 

CMYK 45 / 6 / 0 / 1

HEX #8BEEFD

RGB 139 238 253

HSL 187.89, 0.97%, 0.77%

LAB 88.79, -25.3, -16.32

 

CMYK 45 / 18 / 0 / 1

HEX #8BCFFD

RGB 139 207 253

HSL 204.21, 0.97%, 0.77%

LAB 80.3, -9.59, -29.22

 

CMYK 45 / 30 / 0 / 1

HEX #8BB1FD

RGB 139 177 253

HSL 220, 0.97%, 0.77%

LAB 72.25, 6.71, -41.68

 

CMYK 45 / 42 / 0 / 1

HEX #8B93FD

RGB 139 147 253

HSL 235.79, 0.97%, 0.77%

LAB 64.52, 23.87, -53.83

 

CMYK 36 / 45 / 0 / 1

HEX #A28BFD

RGB 162 139 253

HSL 252.11, 0.97%, 0.77%

LAB 64.35, 34.07, -53.99

 

CMYK 77 / 52 / 0 / 1

HEX #3A79FC

RGB 58 121 252

HSL 220.52, 0.97%, 0.61%

LAB 53.6, 25.2, -71.03

 

CMYK 61 / 41 / 0 / 1

HEX #6294FC

RGB 98 148 252

HSL 220.52, 0.96%, 0.69%

LAB 62.34, 14.44, -56.9

 

CMYK 45 / 30 / 0 / 1

HEX #8BB0FD

RGB 139 176 253

HSL 220.53, 0.97%, 0.77%

LAB 71.98, 7.27, -42.09

 

CMYK 29 / 19 / 0 / 1

HEX #B4CCFD

RGB 180 204 253

HSL 220.27, 0.95%, 0.85%

LAB 81.83, 2.78, -26.67

 

CMYK 13 / 9 / 0 / 0

HEX #DCE7FE

RGB 220 231 254

HSL 220.59, 0.94%, 0.93%

LAB 91.47, 0.81, -12.37

 

CMYK 45 / 30 / 0 / 1

HEX #8BB0FD

RGB 139 176 253

HSL 220.53, 0.97%, 0.77%

LAB 71.98, 7.27, -42.09

 

CMYK 6 / 45 / 0 / 1

HEX #EE8BFD

RGB 238 139 253

HSL 292.11, 0.97%, 0.77%

LAB 72.05, 54.62, -41.35

 

CMYK 12 / 0 / 45 / 1

HEX #DEFD8B

RGB 222 253 139

HSL 76.32, 0.97%, 0.77%

LAB 95.01, -27.16, 51.01

 

CMYK 45 / 30 / 0 / 1

HEX #8BB0FD

RGB 139 176 253

HSL 220.53, 0.97%, 0.77%

LAB 71.98, 7.27, -42.09

 

CMYK 0 / 45 / 30 / 1

HEX #FD8BB1

RGB 253 139 177

HSL 340, 0.97%, 0.77%

LAB 71.23, 47.32, -0.5

 

CMYK 30 / 0 / 45 / 1

HEX #B1FD8B

RGB 177 253 139

HSL 100, 0.97%, 0.77%

LAB 92.34, -43.07, 47.1

 

CMYK 45 / 30 / 0 / 1

HEX #8BB0FD

RGB 139 176 253

HSL 220.53, 0.97%, 0.77%

LAB 71.98, 7.27, -42.09

 

CMYK 6 / 45 / 0 / 1

HEX #EE8BFD

RGB 238 139 253

HSL 292.11, 0.97%, 0.77%

LAB 72.05, 54.62, -41.35

 

CMYK 0 / 15 / 45 / 1

HEX #FDD78B

RGB 253 215 139

HSL 40, 0.97%, 0.77%

LAB 87.65, 3.61, 42.32

 

CMYK 39 / 0 / 45 / 1

HEX #9AFD8B

RGB 154 253 139

HSL 112.11, 0.97%, 0.77%

LAB 91.23, -50.35, 45.47

 

CMYK 45 / 30 / 0 / 1

HEX #8BB0FD

RGB 139 176 253

HSL 220.53, 0.97%, 0.77%

LAB 71.98, 7.27, -42.09

 

CMYK 0 / 45 / 8 / 1

HEX #FD8BEA

RGB 253 139 234

HSL 310, 0.97%, 0.77%

LAB 73.08, 55.62, -29.24

 

CMYK 0 / 15 / 45 / 1

HEX #FDD78B

RGB 253 215 139

HSL 40, 0.97%, 0.77%

LAB 87.65, 3.61, 42.32

 

CMYK 45 / 0 / 38 / 1

HEX #8BFD9E

RGB 139 253 158

HSL 130, 0.97%, 0.77%

LAB 90.87, -51.87, 35.62

 

Description

Color code: HEX #8BB0FD | qconv.com Color code: HEX #8BB0FD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 176 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 176 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 30 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 30% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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