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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8BDB89 it is the complementary color #742476. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8BDB89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8BDB89 shade: #90DB84, #A1ED97, #B2FFAA, #C3FFBD and #D4FFD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8BDB89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8BDB89 shade: #8BDB89, #7AC976, #69B763, #58A550 and #47933D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8BDB89 shade: #8BDB89, #A1DB89, #B7DB89, #CDDB89 and #DBD289

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8BDB89 shade: #8BDB89, #89DB9D, #89DBB3, #89DBC9 and #89D6DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8BDB89 shade matches the following richer shades: #8BDB89, #80E77D and #74F371

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8BDB89 shade: #8BDB89, #97CE96, #A3C2A2, #AFB5AF and #BBA9BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8BDB89 shade: #B7DB89, #A2DB89, #8CDB89, #89DB9C and #89DBB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8BDB89 shade: #4DC74A, #6CD16A, #8BDB89, #AAE4A9 and #C9EEC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8BDB89 shade: #8BDB89, #89CDDB and #DB89AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8BDB89 shade: #8BDB89, #898CDB and #DB898C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8BDB89 shade: #8BDB89, #89CDDB, #D889DB and #DB9789

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8BDB89 shade: #8BDB89, #89B5DB, #D889DB and #DBAF89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 37 / 14

HEX #8BDB89

RGB 139 219 137

HSL 118.54, 0.53%, 0.7%

LAB 80.72, -40.65, 32.79

 

Complementary color

CMYK 2 / 69 / 0 / 54

HEX #742476

RGB 116 36 118

HSL 298.54, 0.53%, 0.3%

LAB 30.11, 45.65, -29.78

 

CMYK 34 / 0 / 40 / 14

HEX #90DB84

RGB 144 219 132

HSL 111.72, 0.55%, 0.69%

LAB 80.88, -39.81, 35.59

 

CMYK 32 / 0 / 36 / 7

HEX #A1ED97

RGB 161 237 151

HSL 113.02, 0.7%, 0.76%

LAB 87.18, -39.6, 34.43

 

CMYK 30 / 0 / 33 / 0

HEX #B2FFAA

RGB 178 255 170

HSL 114.35, 1%, 0.83%

LAB 93.4, -39.39, 33.31

 

CMYK 24 / 0 / 26 / 0

HEX #C3FFBD

RGB 195 255 189

HSL 114.55, 1%, 0.87%

LAB 94.65, -30.96, 25.6

 

CMYK 17 / 0 / 18 / 0

HEX #D4FFD0

RGB 212 255 208

HSL 114.89, 1%, 0.91%

LAB 96.03, -22.28, 17.99

 

CMYK 37 / 0 / 37 / 14

HEX #8BDB89

RGB 139 219 137

HSL 118.54, 0.53%, 0.7%

LAB 80.72, -40.65, 32.79

 

CMYK 39 / 0 / 41 / 21

HEX #7AC976

RGB 122 201 118

HSL 117.11, 0.43%, 0.63%

LAB 74.33, -40.86, 34

 

CMYK 43 / 0 / 46 / 28

HEX #69B763

RGB 105 183 99

HSL 115.71, 0.37%, 0.55%

LAB 67.85, -41.02, 35.26

 

CMYK 47 / 0 / 52 / 35

HEX #58A550

RGB 88 165 80

HSL 114.35, 0.35%, 0.48%

LAB 61.28, -41.11, 36.56

 

CMYK 52 / 0 / 59 / 42

HEX #47933D

RGB 71 147 61

HSL 113.02, 0.41%, 0.41%

LAB 54.6, -41.04, 37.83

 

CMYK 37 / 0 / 37 / 14

HEX #8BDB89

RGB 139 219 137

HSL 118.54, 0.53%, 0.7%

LAB 80.72, -40.65, 32.79

 

CMYK 26 / 0 / 37 / 14

HEX #A1DB89

RGB 161 219 137

HSL 102.44, 0.53%, 0.7%

LAB 81.86, -33.45, 34.51

 

CMYK 16 / 0 / 37 / 14

HEX #B7DB89

RGB 183 219 137

HSL 86.34, 0.53%, 0.7%

LAB 83.2, -25.64, 36.5

 

CMYK 6 / 0 / 37 / 14

HEX #CDDB89

RGB 205 219 137

HSL 70.24, 0.53%, 0.7%

LAB 84.71, -17.4, 38.76

 

CMYK 0 / 4 / 37 / 14

HEX #DBD289

RGB 219 210 137

HSL 53.41, 0.53%, 0.7%

LAB 83.42, -7.45, 37.31

 

CMYK 37 / 0 / 37 / 14

HEX #8BDB89

RGB 139 219 137

HSL 118.54, 0.53%, 0.7%

LAB 80.72, -40.65, 32.79

 

CMYK 37 / 0 / 28 / 14

HEX #89DB9D

RGB 137 219 157

HSL 134.63, 0.53%, 0.7%

LAB 80.97, -37.94, 22.8

 

CMYK 37 / 0 / 18 / 14

HEX #89DBB3

RGB 137 219 179

HSL 150.73, 0.53%, 0.7%

LAB 81.42, -33.76, 11.86

 

CMYK 37 / 0 / 8 / 14

HEX #89DBC9

RGB 137 219 201

HSL 166.83, 0.53%, 0.7%

LAB 81.95, -29.08, 0.95

 

CMYK 37 / 2 / 0 / 14

HEX #89D6DB

RGB 137 214 219

HSL 183.66, 0.53%, 0.7%

LAB 81.03, -22.43, -9.98

 

CMYK 37 / 0 / 37 / 14

HEX #8BDB89

RGB 139 219 137

HSL 118.54, 0.53%, 0.7%

LAB 80.72, -40.65, 32.79

 

CMYK 45 / 0 / 46 / 9

HEX #80E77D

RGB 128 231 125

HSL 118.3, 0.69%, 0.7%

LAB 83.56, -50.79, 42.33

 

CMYK 52 / 0 / 53 / 5

HEX #74F371

RGB 116 243 113

HSL 118.62, 0.84%, 0.7%

LAB 86.51, -60.3, 51.53

 

CMYK 37 / 0 / 37 / 14

HEX #8BDB89

RGB 139 219 137

HSL 118.54, 0.53%, 0.7%

LAB 80.72, -40.65, 32.79

 

CMYK 27 / 0 / 27 / 19

HEX #97CE96

RGB 151 206 150

HSL 118.93, 0.36%, 0.7%

LAB 77.83, -28.69, 22.28

 

CMYK 16 / 0 / 16 / 24

HEX #A3C2A2

RGB 163 194 162

HSL 118.13, 0.21%, 0.7%

LAB 75.44, -16.59, 12.67

 

CMYK 3 / 0 / 3 / 29

HEX #AFB5AF

RGB 175 181 175

HSL 120, 0.04%, 0.7%

LAB 73.06, -3.22, 2.31

 

CMYK 0 / 10 / 0 / 27

HEX #BBA9BB

RGB 187 169 187

HSL 300, 0.12%, 0.7%

LAB 71.23, 9.76, -6.85

 

CMYK 16 / 0 / 37 / 14

HEX #B7DB89

RGB 183 219 137

HSL 86.34, 0.53%, 0.7%

LAB 83.2, -25.64, 36.5

 

CMYK 26 / 0 / 37 / 14

HEX #A2DB89

RGB 162 219 137

HSL 101.71, 0.53%, 0.7%

LAB 81.92, -33.1, 34.6

 

CMYK 36 / 0 / 37 / 14

HEX #8CDB89

RGB 140 219 137

HSL 117.8, 0.53%, 0.7%

LAB 80.76, -40.33, 32.86

 

CMYK 37 / 0 / 29 / 14

HEX #89DB9C

RGB 137 219 156

HSL 133.9, 0.53%, 0.7%

LAB 80.95, -38.12, 23.29

 

CMYK 37 / 0 / 19 / 14

HEX #89DBB2

RGB 137 219 178

HSL 150, 0.53%, 0.7%

LAB 81.4, -33.96, 12.36

 

CMYK 61 / 0 / 63 / 22

HEX #4DC74A

RGB 77 199 74

HSL 118.56, 0.53%, 0.54%

LAB 71.5, -58, 51.23

 

CMYK 48 / 0 / 49 / 18

HEX #6CD16A

RGB 108 209 106

HSL 118.83, 0.53%, 0.62%

LAB 75.96, -50.07, 41.94

 

CMYK 37 / 0 / 37 / 14

HEX #8BDB89

RGB 139 219 137

HSL 118.54, 0.53%, 0.7%

LAB 80.72, -40.65, 32.79

 

CMYK 25 / 0 / 26 / 11

HEX #AAE4A9

RGB 170 228 169

HSL 118.98, 0.52%, 0.78%

LAB 85.45, -29.72, 22.98

 

CMYK 16 / 0 / 16 / 7

HEX #C9EEC9

RGB 201 238 201

HSL 120, 0.52%, 0.86%

LAB 90.68, -18.85, 13.96

 

CMYK 37 / 0 / 37 / 14

HEX #8BDB89

RGB 139 219 137

HSL 118.54, 0.53%, 0.7%

LAB 80.72, -40.65, 32.79

 

CMYK 37 / 6 / 0 / 14

HEX #89CDDB

RGB 137 205 219

HSL 190.24, 0.53%, 0.7%

LAB 78.52, -17.9, -13.74

 

CMYK 0 / 37 / 21 / 14

HEX #DB89AD

RGB 219 137 173

HSL 333.66, 0.53%, 0.7%

LAB 66.5, 36.13, -5.71

 

CMYK 37 / 0 / 37 / 14

HEX #8BDB89

RGB 139 219 137

HSL 118.54, 0.53%, 0.7%

LAB 80.72, -40.65, 32.79

 

CMYK 37 / 36 / 0 / 14

HEX #898CDB

RGB 137 140 219

HSL 237.8, 0.53%, 0.7%

LAB 60.95, 17.9, -40.71

 

CMYK 0 / 37 / 36 / 14

HEX #DB898C

RGB 219 137 140

HSL 357.8, 0.53%, 0.7%

LAB 65.63, 31.67, 11.65

 

CMYK 37 / 0 / 37 / 14

HEX #8BDB89

RGB 139 219 137

HSL 118.54, 0.53%, 0.7%

LAB 80.72, -40.65, 32.79

 

CMYK 37 / 6 / 0 / 14

HEX #89CDDB

RGB 137 205 219

HSL 190.24, 0.53%, 0.7%

LAB 78.52, -17.9, -13.74

 

CMYK 1 / 37 / 0 / 14

HEX #D889DB

RGB 216 137 219

HSL 297.8, 0.53%, 0.7%

LAB 67.73, 42.87, -29.59

 

CMYK 0 / 31 / 37 / 14

HEX #DB9789

RGB 219 151 137

HSL 10.24, 0.53%, 0.7%

LAB 68.75, 23.8, 17.69

 

CMYK 37 / 0 / 37 / 14

HEX #8BDB89

RGB 139 219 137

HSL 118.54, 0.53%, 0.7%

LAB 80.72, -40.65, 32.79

 

CMYK 37 / 17 / 0 / 14

HEX #89B5DB

RGB 137 181 219

HSL 207.8, 0.53%, 0.7%

LAB 71.88, -5.27, -23.79

 

CMYK 1 / 37 / 0 / 14

HEX #D889DB

RGB 216 137 219

HSL 297.8, 0.53%, 0.7%

LAB 67.73, 42.87, -29.59

 

CMYK 0 / 20 / 37 / 14

HEX #DBAF89

RGB 219 175 137

HSL 27.8, 0.53%, 0.7%

LAB 74.53, 10.88, 25.57

 

Description

Color code: HEX #8BDB89 | qconv.com Color code: HEX #8BDB89 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 219 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 219 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 37 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 37% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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