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Color name
HEX #8BDF53

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8BDF53 it is the complementary color #7420AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8BDF53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8BDF53 shade: #90DF4E, #A1F161, #B2FF74, #C3FF87 and #D4FF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8BDF53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8BDF53 shade: #8BDF53, #7ACD40, #69BB2D, #58A91A and #479707

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8BDF53 shade: #8ADF52, #B0DF52, #D6DF52, #DFC152 and #DF9C52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8BDF53 shade: #8ADF52, #64DF52, #52DF66, #52DF8C and #52DFB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8BDF53 shade matches the following richer shades: #8ADF52 and #87EF42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8BDF53 shade: #8ADF52, #8ECE63, #91BE73, #94AD84 and #989D94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8BDF53 shade: #D5DF52, #B0DF52, #8ADF52, #65DF52 and #52DF65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8BDF53 shade: #60BC22, #73D82F, #8ADF52, #A2E575 and #B9EC98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8BDF53 shade: #8BDF53, #52DFC3 and #DF52C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8BDF53 shade: #8BDF53, #528ADF and #DF528A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8BDF53 shade: #8BDF53, #52DFC3, #A752DF and #DF526E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8BDF53 shade: #8BDF53, #52D1DF, #A752DF and #DF6052

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 63 / 13

HEX #8BDF53

RGB 139 223 83

HSL 96, 0.69%, 0.6%

LAB 81.23, -48.84, 58.87

 

Complementary color

CMYK 33 / 81 / 0 / 33

HEX #7420AC

RGB 116 32 172

HSL 276, 0.69%, 0.4%

LAB 33.4, 58.25, -57.73

 

CMYK 35 / 0 / 65 / 13

HEX #90DF4E

RGB 144 223 78

HSL 92.69, 0.69%, 0.59%

LAB 81.43, -47.58, 61.19

 

CMYK 33 / 0 / 60 / 5

HEX #A1F161

RGB 161 241 97

HSL 93.33, 0.84%, 0.66%

LAB 87.66, -47.76, 60.41

 

CMYK 30 / 0 / 55 / 0

HEX #B2FF74

RGB 178 255 116

HSL 93.24, 1%, 0.73%

LAB 92.68, -46.14, 58.15

 

CMYK 24 / 0 / 47 / 0

HEX #C3FF87

RGB 195 255 135

HSL 90, 1%, 0.76%

LAB 93.83, -38.28, 51.06

 

CMYK 17 / 0 / 40 / 0

HEX #D4FF9A

RGB 212 255 154

HSL 85.54, 1%, 0.8%

LAB 95.1, -30.05, 43.79

 

CMYK 38 / 0 / 63 / 13

HEX #8BDF53

RGB 139 223 83

HSL 96, 0.69%, 0.6%

LAB 81.23, -48.84, 58.87

 

CMYK 40 / 0 / 69 / 20

HEX #7ACD40

RGB 122 205 64

HSL 95.32, 0.59%, 0.53%

LAB 74.93, -48.58, 59.51

 

CMYK 44 / 0 / 76 / 27

HEX #69BB2D

RGB 105 187 45

HSL 94.65, 0.61%, 0.45%

LAB 68.56, -48.14, 59.68

 

CMYK 48 / 0 / 85 / 34

HEX #58A91A

RGB 88 169 26

HSL 93.99, 0.73%, 0.38%

LAB 62.1, -47.42, 58.98

 

CMYK 53 / 0 / 95 / 41

HEX #479707

RGB 71 151 7

HSL 93.33, 0.91%, 0.31%

LAB 55.57, -46.32, 56.84

 

CMYK 38 / 0 / 63 / 13

HEX #8ADF52

RGB 138 223 82

HSL 96.17, 0.69%, 0.6%

LAB 81.17, -49.25, 59.21

 

CMYK 21 / 0 / 63 / 13

HEX #B0DF52

RGB 176 223 82

HSL 80, 0.69%, 0.6%

LAB 83.24, -35.72, 62.04

 

CMYK 4 / 0 / 63 / 13

HEX #D6DF52

RGB 214 223 82

HSL 63.83, 0.69%, 0.6%

LAB 85.85, -20.72, 65.6

 

CMYK 0 / 13 / 63 / 13

HEX #DFC152

RGB 223 193 82

HSL 47.23, 0.69%, 0.6%

LAB 78.72, -1.89, 58.2

 

CMYK 0 / 30 / 63 / 13

HEX #DF9C52

RGB 223 156 82

HSL 31.49, 0.69%, 0.6%

LAB 69.52, 17.7, 47.95

 

CMYK 38 / 0 / 63 / 13

HEX #8ADF52

RGB 138 223 82

HSL 96.17, 0.69%, 0.6%

LAB 81.17, -49.25, 59.21

 

CMYK 55 / 0 / 63 / 13

HEX #64DF52

RGB 100 223 82

HSL 112.34, 0.69%, 0.6%

LAB 79.67, -60.35, 57.12

 

CMYK 63 / 0 / 54 / 13

HEX #52DF66

RGB 82 223 102

HSL 128.51, 0.69%, 0.6%

LAB 79.34, -62.17, 47.77

 

CMYK 63 / 0 / 37 / 13

HEX #52DF8C

RGB 82 223 140

HSL 144.68, 0.69%, 0.6%

LAB 79.88, -56.25, 29.77

 

CMYK 63 / 0 / 20 / 13

HEX #52DFB2

RGB 82 223 178

HSL 160.85, 0.69%, 0.6%

LAB 80.62, -48.43, 10.98

 

CMYK 38 / 0 / 63 / 13

HEX #8ADF52

RGB 138 223 82

HSL 96.17, 0.69%, 0.6%

LAB 81.17, -49.25, 59.21

 

CMYK 44 / 0 / 72 / 6

HEX #87EF42

RGB 135 239 66

HSL 96.07, 0.84%, 0.6%

LAB 85.64, -57.76, 69.85

 

CMYK 38 / 0 / 63 / 13

HEX #8ADF52

RGB 138 223 82

HSL 96.17, 0.69%, 0.6%

LAB 81.17, -49.25, 59.21

 

CMYK 31 / 0 / 52 / 19

HEX #8ECE63

RGB 142 206 99

HSL 95.89, 0.52%, 0.6%

LAB 76.55, -38.93, 46.38

 

CMYK 24 / 0 / 39 / 25

HEX #91BE73

RGB 145 190 115

HSL 96, 0.37%, 0.6%

LAB 72.28, -28.46, 33.14

 

CMYK 14 / 0 / 24 / 32

HEX #94AD84

RGB 148 173 132

HSL 96.59, 0.2%, 0.6%

LAB 67.91, -16.32, 18.27

 

CMYK 3 / 0 / 6 / 38

HEX #989D94

RGB 152 157 148

HSL 93.33, 0.04%, 0.6%

LAB 64.1, -3.51, 4.07

 

CMYK 4 / 0 / 63 / 13

HEX #D5DF52

RGB 213 223 82

HSL 64.26, 0.69%, 0.6%

LAB 85.77, -21.13, 65.5

 

CMYK 21 / 0 / 63 / 13

HEX #B0DF52

RGB 176 223 82

HSL 80, 0.69%, 0.6%

LAB 83.24, -35.72, 62.04

 

CMYK 38 / 0 / 63 / 13

HEX #8ADF52

RGB 138 223 82

HSL 96.17, 0.69%, 0.6%

LAB 81.17, -49.25, 59.21

 

CMYK 55 / 0 / 63 / 13

HEX #65DF52

RGB 101 223 82

HSL 111.91, 0.69%, 0.6%

LAB 79.7, -60.1, 57.16

 

CMYK 63 / 0 / 55 / 13

HEX #52DF65

RGB 82 223 101

HSL 128.09, 0.69%, 0.6%

LAB 79.33, -62.3, 48.22

 

CMYK 49 / 0 / 82 / 26

HEX #60BC22

RGB 96 188 34

HSL 95.84, 0.69%, 0.44%

LAB 68.44, -51.95, 62.73

 

CMYK 47 / 0 / 78 / 15

HEX #73D82F

RGB 115 216 47

HSL 95.86, 0.68%, 0.52%

LAB 77.85, -56.2, 68.05

 

CMYK 38 / 0 / 63 / 13

HEX #8ADF52

RGB 138 223 82

HSL 96.17, 0.69%, 0.6%

LAB 81.17, -49.25, 59.21

 

CMYK 29 / 0 / 49 / 10

HEX #A2E575

RGB 162 229 117

HSL 95.89, 0.68%, 0.68%

LAB 84.49, -40.19, 47.69

 

CMYK 22 / 0 / 36 / 7

HEX #B9EC98

RGB 185 236 152

HSL 96.43, 0.69%, 0.76%

LAB 88.24, -30.98, 35.57

 

CMYK 38 / 0 / 63 / 13

HEX #8BDF53

RGB 139 223 83

HSL 96, 0.69%, 0.6%

LAB 81.23, -48.84, 58.87

 

CMYK 63 / 0 / 13 / 13

HEX #52DFC3

RGB 82 223 195

HSL 168.09, 0.69%, 0.6%

LAB 81.02, -44.38, 2.56

 

CMYK 0 / 63 / 13 / 13

HEX #DF52C3

RGB 223 82 195

HSL 311.91, 0.69%, 0.6%

LAB 57.72, 66.99, -31.51

 

CMYK 38 / 0 / 63 / 13

HEX #8BDF53

RGB 139 223 83

HSL 96, 0.69%, 0.6%

LAB 81.23, -48.84, 58.87

 

CMYK 63 / 38 / 0 / 13

HEX #528ADF

RGB 82 138 223

HSL 216.17, 0.69%, 0.6%

LAB 57.37, 7.88, -48.82

 

CMYK 0 / 63 / 38 / 13

HEX #DF528A

RGB 223 82 138

HSL 336.17, 0.69%, 0.6%

LAB 55.64, 59.66, -1.49

 

CMYK 38 / 0 / 63 / 13

HEX #8BDF53

RGB 139 223 83

HSL 96, 0.69%, 0.6%

LAB 81.23, -48.84, 58.87

 

CMYK 63 / 0 / 13 / 13

HEX #52DFC3

RGB 82 223 195

HSL 168.09, 0.69%, 0.6%

LAB 81.02, -44.38, 2.56

 

CMYK 25 / 63 / 0 / 13

HEX #A752DF

RGB 167 82 223

HSL 276.17, 0.69%, 0.6%

LAB 51.36, 58.49, -58.02

 

CMYK 0 / 63 / 51 / 13

HEX #DF526E

RGB 223 82 110

HSL 348.09, 0.69%, 0.6%

LAB 54.92, 56.97, 14.05

 

CMYK 38 / 0 / 63 / 13

HEX #8BDF53

RGB 139 223 83

HSL 96, 0.69%, 0.6%

LAB 81.23, -48.84, 58.87

 

CMYK 63 / 6 / 0 / 13

HEX #52D1DF

RGB 82 209 223

HSL 185.96, 0.69%, 0.6%

LAB 77.71, -30.49, -17.31

 

CMYK 25 / 63 / 0 / 13

HEX #A752DF

RGB 167 82 223

HSL 276.17, 0.69%, 0.6%

LAB 51.36, 58.49, -58.02

 

CMYK 0 / 57 / 63 / 13

HEX #DF6052

RGB 223 96 82

HSL 5.96, 0.69%, 0.6%

LAB 56.75, 48.66, 32.73

 

Description

Color code: HEX #8BDF53 | qconv.com Color code: HEX #8BDF53 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 223 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 223 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 63 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 63% 13% C M Y K

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Provide designers and agencies with accurate color values.

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