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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C1B61 it is the complementary color #73E49E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C1B61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C1B61 shade: #911B5C, #A22D6F, #B33F82, #C45195 and #D563A8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C1B61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C1B61 shade: #8C1B61, #7B094E, #6A003B, #590028 and #480015

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C1B61 shade: #8D1A61, #8D1A42, #8D1A24 and #8D1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C1B61 shade: #8D1A61, #8D1A80, #7B1A8D, #5C1A8D and #3D1A8D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C1B61 shade matches the following richer shades: #8D1A61 and #9A0D65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C1B61 shade: #8D1A61, #7F285E, #72365B, #644358 and #565154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C1B61 shade: #7A1A8D, #8D1A81, #8D1A63, #8D1A44 and #8D1A26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C1B61 shade: #480D31, #6A1449, #8D1A61, #B02179 and #D22891

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C1B61 shade: #8C1B61, #8D5B1A and #1A8D89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C1B61 shade: #8C1B61, #638D1A and #1A638D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C1B61 shade: #8C1B61, #8D5B1A, #1A8D44 and #1A4C8D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C1B61 shade: #8C1B61, #8D7E1A, #1A8D44 and #1A2A8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 31 / 45

HEX #8C1B61

RGB 140 27 97

HSL 322.83, 0.68%, 0.33%

LAB 32.31, 51.78, -12.6

 

Complementary color

CMYK 50 / 0 / 31 / 11

HEX #73E49E

RGB 115 228 158

HSL 142.83, 0.68%, 0.67%

LAB 82.7, -47.69, 24.5

 

CMYK 0 / 81 / 37 / 43

HEX #911B5C

RGB 145 27 92

HSL 326.95, 0.69%, 0.34%

LAB 33.08, 52.49, -8.09

 

CMYK 0 / 72 / 31 / 36

HEX #A22D6F

RGB 162 45 111

HSL 326.15, 0.57%, 0.41%

LAB 39.08, 53.43, -10.84

 

CMYK 0 / 65 / 27 / 30

HEX #B33F82

RGB 179 63 130

HSL 325.34, 0.48%, 0.47%

LAB 45.29, 53.58, -12.88

 

CMYK 0 / 59 / 24 / 23

HEX #C45195

RGB 196 81 149

HSL 324.52, 0.49%, 0.54%

LAB 51.6, 53.28, -14.47

 

CMYK 0 / 54 / 21 / 16

HEX #D563A8

RGB 213 99 168

HSL 323.68, 0.58%, 0.61%

LAB 57.94, 52.75, -15.75

 

CMYK 0 / 81 / 31 / 45

HEX #8C1B61

RGB 140 27 97

HSL 322.83, 0.68%, 0.33%

LAB 32.31, 51.78, -12.6

 

CMYK 0 / 93 / 37 / 52

HEX #7B094E

RGB 123 9 78

HSL 323.68, 0.86%, 0.26%

LAB 26.61, 49.52, -9.08

 

CMYK 0 / 100 / 44 / 58

HEX #6A003B

RGB 106 0 59

HSL 326.6, 1%, 0.21%

LAB 21.51, 45.23, -4.15

 

CMYK 0 / 100 / 55 / 65

HEX #590028

RGB 89 0 40

HSL 333.03, 1%, 0.17%

LAB 16.88, 39.2, 2.13

 

CMYK 0 / 100 / 71 / 72

HEX #480015

RGB 72 0 21

HSL 342.5, 1%, 0.14%

LAB 12.17, 33.15, 9

 

CMYK 0 / 82 / 31 / 45

HEX #8D1A61

RGB 141 26 97

HSL 322.96, 0.69%, 0.33%

LAB 32.4, 52.32, -12.44

 

CMYK 0 / 82 / 53 / 45

HEX #8D1A42

RGB 141 26 66

HSL 339.13, 0.69%, 0.33%

LAB 31.34, 49.13, 6.29

 

CMYK 0 / 82 / 74 / 45

HEX #8D1A24

RGB 141 26 36

HSL 354.78, 0.69%, 0.33%

LAB 30.71, 47.2, 25.13

 

CMYK 0 / 82 / 82 / 45

HEX #8D1A1A

RGB 141 26 26

HSL 0, 0.69%, 0.33%

LAB 30.58, 46.8, 31.13

 

CMYK 0 / 82 / 31 / 45

HEX #8D1A61

RGB 141 26 97

HSL 322.96, 0.69%, 0.33%

LAB 32.4, 52.32, -12.44

 

CMYK 0 / 82 / 9 / 45

HEX #8D1A80

RGB 141 26 128

HSL 306.78, 0.69%, 0.33%

LAB 33.9, 56.61, -29.8

 

CMYK 13 / 82 / 0 / 45

HEX #7B1A8D

RGB 123 26 141

HSL 290.61, 0.69%, 0.33%

LAB 31.52, 55.07, -41.87

 

CMYK 35 / 82 / 0 / 45

HEX #5C1A8D

RGB 92 26 141

HSL 274.43, 0.69%, 0.33%

LAB 26.56, 49.35, -50.14

 

CMYK 57 / 82 / 0 / 45

HEX #3D1A8D

RGB 61 26 141

HSL 258.26, 0.69%, 0.33%

LAB 22.49, 44.67, -56.96

 

CMYK 0 / 82 / 31 / 45

HEX #8D1A61

RGB 141 26 97

HSL 322.96, 0.69%, 0.33%

LAB 32.4, 52.32, -12.44

 

CMYK 0 / 92 / 34 / 40

HEX #9A0D65

RGB 154 13 101

HSL 322.55, 0.84%, 0.33%

LAB 34.19, 58.72, -12.06

 

CMYK 0 / 82 / 31 / 45

HEX #8D1A61

RGB 141 26 97

HSL 322.96, 0.69%, 0.33%

LAB 32.4, 52.32, -12.44

 

CMYK 0 / 69 / 26 / 50

HEX #7F285E

RGB 127 40 94

HSL 322.76, 0.52%, 0.33%

LAB 31.43, 43.07, -12.21

 

CMYK 0 / 53 / 20 / 55

HEX #72365B

RGB 114 54 91

HSL 323, 0.36%, 0.33%

LAB 31.74, 31.41, -10.01

 

CMYK 0 / 33 / 12 / 61

HEX #644358

RGB 100 67 88

HSL 321.82, 0.2%, 0.33%

LAB 32.76, 17.92, -6.73

 

CMYK 0 / 6 / 2 / 66

HEX #565154

RGB 86 81 84

HSL 324, 0.03%, 0.33%

LAB 35.01, 2.67, -1.03

 

CMYK 13 / 82 / 0 / 45

HEX #7A1A8D

RGB 122 26 141

HSL 290.09, 0.69%, 0.33%

LAB 31.35, 54.87, -42.16

 

CMYK 0 / 82 / 9 / 45

HEX #8D1A81

RGB 141 26 129

HSL 306.26, 0.69%, 0.33%

LAB 33.95, 56.77, -30.34

 

CMYK 0 / 82 / 30 / 45

HEX #8D1A63

RGB 141 26 99

HSL 321.91, 0.69%, 0.33%

LAB 32.49, 52.57, -13.6

 

CMYK 0 / 82 / 52 / 45

HEX #8D1A44

RGB 141 26 68

HSL 338.09, 0.69%, 0.33%

LAB 31.39, 49.3, 5.05

 

CMYK 0 / 82 / 73 / 45

HEX #8D1A26

RGB 141 26 38

HSL 353.74, 0.69%, 0.33%

LAB 30.74, 47.29, 23.9

 

CMYK 0 / 82 / 32 / 72

HEX #480D31

RGB 72 13 49

HSL 323.39, 0.69%, 0.17%

LAB 14.88, 31.15, -7.77

 

CMYK 0 / 81 / 31 / 58

HEX #6A1449

RGB 106 20 73

HSL 323.02, 0.68%, 0.25%

LAB 23.82, 41.83, -10.28

 

CMYK 0 / 82 / 31 / 45

HEX #8D1A61

RGB 141 26 97

HSL 322.96, 0.69%, 0.33%

LAB 32.4, 52.32, -12.44

 

CMYK 0 / 81 / 31 / 31

HEX #B02179

RGB 176 33 121

HSL 323.08, 0.68%, 0.41%

LAB 40.73, 61.99, -14.32

 

CMYK 0 / 81 / 31 / 18

HEX #D22891

RGB 210 40 145

HSL 322.94, 0.68%, 0.49%

LAB 48.59, 71.04, -16.44

 

CMYK 0 / 81 / 31 / 45

HEX #8C1B61

RGB 140 27 97

HSL 322.83, 0.68%, 0.33%

LAB 32.31, 51.78, -12.6

 

CMYK 0 / 35 / 82 / 45

HEX #8D5B1A

RGB 141 91 26

HSL 33.91, 0.69%, 0.33%

LAB 43.09, 14.96, 43.25

 

CMYK 82 / 0 / 3 / 45

HEX #1A8D89

RGB 26 141 137

HSL 177.91, 0.69%, 0.33%

LAB 53.03, -30.59, -6.59

 

CMYK 0 / 81 / 31 / 45

HEX #8C1B61

RGB 140 27 97

HSL 322.83, 0.68%, 0.33%

LAB 32.31, 51.78, -12.6

 

CMYK 30 / 0 / 82 / 45

HEX #638D1A

RGB 99 141 26

HSL 81.91, 0.69%, 0.33%

LAB 53.79, -31.48, 51.71

 

CMYK 82 / 30 / 0 / 45

HEX #1A638D

RGB 26 99 141

HSL 201.91, 0.69%, 0.33%

LAB 39.69, -6.43, -29.36

 

CMYK 0 / 81 / 31 / 45

HEX #8C1B61

RGB 140 27 97

HSL 322.83, 0.68%, 0.33%

LAB 32.31, 51.78, -12.6

 

CMYK 0 / 35 / 82 / 45

HEX #8D5B1A

RGB 141 91 26

HSL 33.91, 0.69%, 0.33%

LAB 43.09, 14.96, 43.25

 

CMYK 82 / 0 / 52 / 45

HEX #1A8D44

RGB 26 141 68

HSL 141.91, 0.69%, 0.33%

LAB 51.48, -47.25, 30.24

 

CMYK 82 / 46 / 0 / 45

HEX #1A4C8D

RGB 26 76 141

HSL 213.91, 0.69%, 0.33%

LAB 32.51, 8.37, -40.76

 

CMYK 0 / 81 / 31 / 45

HEX #8C1B61

RGB 140 27 97

HSL 322.83, 0.68%, 0.33%

LAB 32.31, 51.78, -12.6

 

CMYK 0 / 11 / 82 / 45

HEX #8D7E1A

RGB 141 126 26

HSL 52.17, 0.69%, 0.33%

LAB 52.57, -5.13, 51.84

 

CMYK 82 / 0 / 52 / 45

HEX #1A8D44

RGB 26 141 68

HSL 141.91, 0.69%, 0.33%

LAB 51.48, -47.25, 30.24

 

CMYK 82 / 70 / 0 / 45

HEX #1A2A8D

RGB 26 42 141

HSL 231.65, 0.69%, 0.33%

LAB 22.99, 31.69, -56.23

 

Description

Color code: HEX #8C1B61 | qconv.com Color code: HEX #8C1B61 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 27 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 27 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 31 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 31% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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