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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C4753 it is the complementary color #73B8AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C4753. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C4753 shade: #91474E, #A25961, #B36B74, #C47D87 and #D58F9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C4753. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C4753 shade: #8C4753, #7B3540, #6A232D, #59111A and #480007

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C4753 shade: #8B4652 and #8B4646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C4753 shade: #8B4652, #8B4664, #8B4677, #8B4689 and #79468B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C4753 shade matches the following richer shades: #8B4652, #9B3547, #AC243B, #BD1330 and #CE0225

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C4753 shade: #8B4652, #7A565D, #696768, #587873 and #47897E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C4753 shade: #8B4677, #8B4665, #8B4652, #8B4B46 and #8B5E46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C4753 shade: #542A31, #6F3841, #8B4652, #A65362 and #B56D7A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C4753 shade: #8C4753, #898B46 and #466E8B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C4753 shade: #8C4753, #528B46 and #46528B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C4753 shade: #8C4753, #898B46, #468B7E and #47468B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C4753 shade: #8C4753, #758B46, #468B7E and #5B468B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 41 / 45

HEX #8C4753

RGB 140 71 83

HSL 349.57, 0.33%, 0.41%

LAB 39.08, 30.54, 6.33

 

Complementary color

CMYK 38 / 0 / 7 / 28

HEX #73B8AC

RGB 115 184 172

HSL 169.57, 0.33%, 0.59%

LAB 70.11, -24.57, -0.79

 

CMYK 0 / 51 / 46 / 43

HEX #91474E

RGB 145 71 78

HSL 354.32, 0.34%, 0.42%

LAB 39.71, 31.9, 10.44

 

CMYK 0 / 45 / 40 / 36

HEX #A25961

RGB 162 89 97

HSL 353.42, 0.29%, 0.49%

LAB 46.56, 30.81, 8.76

 

CMYK 0 / 40 / 35 / 30

HEX #B36B74

RGB 179 107 116

HSL 352.5, 0.32%, 0.56%

LAB 53.34, 29.8, 7.36

 

CMYK 0 / 36 / 31 / 23

HEX #C47D87

RGB 196 125 135

HSL 351.55, 0.38%, 0.63%

LAB 60.03, 28.87, 6.15

 

CMYK 0 / 33 / 28 / 16

HEX #D58F9A

RGB 213 143 154

HSL 350.57, 0.45%, 0.7%

LAB 66.61, 28.02, 5.08

 

CMYK 0 / 49 / 41 / 45

HEX #8C4753

RGB 140 71 83

HSL 349.57, 0.33%, 0.41%

LAB 39.08, 30.54, 6.33

 

CMYK 0 / 57 / 48 / 52

HEX #7B3540

RGB 123 53 64

HSL 350.57, 0.4%, 0.35%

LAB 32.1, 31.59, 8.19

 

CMYK 0 / 67 / 58 / 58

HEX #6A232D

RGB 106 35 45

HSL 351.55, 0.5%, 0.28%

LAB 25.12, 32.51, 10.68

 

CMYK 0 / 81 / 71 / 65

HEX #59111A

RGB 89 17 26

HSL 352.5, 0.68%, 0.21%

LAB 18.36, 32.86, 14.23

 

CMYK 0 / 100 / 90 / 72

HEX #480007

RGB 72 0 7

HSL 354.17, 1%, 0.14%

LAB 11.91, 32.46, 15.86

 

CMYK 0 / 50 / 41 / 45

HEX #8B4652

RGB 139 70 82

HSL 349.57, 0.33%, 0.41%

LAB 38.69, 30.58, 6.37

 

CMYK 0 / 50 / 50 / 45

HEX #8B4646

RGB 139 70 70

HSL 0, 0.33%, 0.41%

LAB 38.4, 29.24, 13.48

 

CMYK 0 / 50 / 41 / 45

HEX #8B4652

RGB 139 70 82

HSL 349.57, 0.33%, 0.41%

LAB 38.69, 30.58, 6.37

 

CMYK 0 / 50 / 28 / 45

HEX #8B4664

RGB 139 70 100

HSL 333.91, 0.33%, 0.41%

LAB 39.22, 32.99, -4.12

 

CMYK 0 / 50 / 14 / 45

HEX #8B4677

RGB 139 70 119

HSL 317.39, 0.33%, 0.41%

LAB 39.92, 36.01, -14.89

 

CMYK 0 / 50 / 1 / 45

HEX #8B4689

RGB 139 70 137

HSL 301.74, 0.33%, 0.41%

LAB 40.7, 39.27, -24.73

 

CMYK 13 / 50 / 0 / 45

HEX #79468B

RGB 121 70 139

HSL 284.35, 0.33%, 0.41%

LAB 38.39, 34.16, -29.72

 

CMYK 0 / 50 / 41 / 45

HEX #8B4652

RGB 139 70 82

HSL 349.57, 0.33%, 0.41%

LAB 38.69, 30.58, 6.37

 

CMYK 0 / 66 / 54 / 39

HEX #9B3547

RGB 155 53 71

HSL 349.41, 0.49%, 0.41%

LAB 37.79, 43.82, 12.44

 

CMYK 0 / 79 / 66 / 33

HEX #AC243B

RGB 172 36 59

HSL 349.85, 0.65%, 0.41%

LAB 38.46, 54.68, 21.5

 

CMYK 0 / 90 / 75 / 26

HEX #BD1330

RGB 189 19 48

HSL 349.76, 0.82%, 0.41%

LAB 40.41, 62.71, 31.5

 

CMYK 0 / 99 / 82 / 19

HEX #CE0225

RGB 206 2 37

HSL 349.71, 0.98%, 0.41%

LAB 43.21, 68.56, 41.97

 

CMYK 0 / 50 / 41 / 45

HEX #8B4652

RGB 139 70 82

HSL 349.57, 0.33%, 0.41%

LAB 38.69, 30.58, 6.37

 

CMYK 0 / 30 / 24 / 52

HEX #7A565D

RGB 122 86 93

HSL 348.33, 0.17%, 0.41%

LAB 40.55, 16.04, 1.9

 

CMYK 0 / 2 / 1 / 59

HEX #696768

RGB 105 103 104

HSL 330, 0.01%, 0.41%

LAB 43.8, 0.99, -0.29

 

CMYK 27 / 0 / 4 / 53

HEX #587873

RGB 88 120 115

HSL 170.63, 0.15%, 0.41%

LAB 47.94, -12.57, -0.98

 

CMYK 48 / 0 / 8 / 46

HEX #47897E

RGB 71 137 126

HSL 170, 0.32%, 0.41%

LAB 52.66, -23.9, -0.62

 

CMYK 0 / 50 / 14 / 45

HEX #8B4677

RGB 139 70 119

HSL 317.39, 0.33%, 0.41%

LAB 39.92, 36.01, -14.89

 

CMYK 0 / 50 / 27 / 45

HEX #8B4665

RGB 139 70 101

HSL 333.04, 0.33%, 0.41%

LAB 39.26, 33.14, -4.7

 

CMYK 0 / 50 / 41 / 45

HEX #8B4652

RGB 139 70 82

HSL 349.57, 0.33%, 0.41%

LAB 38.69, 30.58, 6.37

 

CMYK 0 / 46 / 50 / 45

HEX #8B4B46

RGB 139 75 70

HSL 4.35, 0.33%, 0.41%

LAB 39.52, 26.43, 15

 

CMYK 0 / 32 / 50 / 45

HEX #8B5E46

RGB 139 94 70

HSL 20.87, 0.33%, 0.41%

LAB 44.14, 15.43, 21.15

 

CMYK 0 / 50 / 42 / 67

HEX #542A31

RGB 84 42 49

HSL 350, 0.33%, 0.25%

LAB 22.87, 20.28, 4.25

 

CMYK 0 / 50 / 41 / 56

HEX #6F3841

RGB 111 56 65

HSL 350.18, 0.33%, 0.33%

LAB 30.85, 25.3, 5.52

 

CMYK 0 / 50 / 41 / 45

HEX #8B4652

RGB 139 70 82

HSL 349.57, 0.33%, 0.41%

LAB 38.69, 30.58, 6.37

 

CMYK 0 / 50 / 41 / 35

HEX #A65362

RGB 166 83 98

HSL 349.16, 0.33%, 0.49%

LAB 45.87, 35.69, 7.25

 

CMYK 0 / 40 / 33 / 29

HEX #B56D7A

RGB 181 109 122

HSL 349.17, 0.33%, 0.57%

LAB 54.2, 30.24, 5.1

 

CMYK 0 / 49 / 41 / 45

HEX #8C4753

RGB 140 71 83

HSL 349.57, 0.33%, 0.41%

LAB 39.08, 30.54, 6.33

 

CMYK 1 / 0 / 50 / 45

HEX #898B46

RGB 137 139 70

HSL 61.74, 0.33%, 0.41%

LAB 56.31, -11.09, 36.34

 

CMYK 50 / 21 / 0 / 45

HEX #466E8B

RGB 70 110 139

HSL 205.22, 0.33%, 0.41%

LAB 44.69, -5.54, -20.27

 

CMYK 0 / 49 / 41 / 45

HEX #8C4753

RGB 140 71 83

HSL 349.57, 0.33%, 0.41%

LAB 39.08, 30.54, 6.33

 

CMYK 41 / 0 / 50 / 45

HEX #528B46

RGB 82 139 70

HSL 109.57, 0.33%, 0.41%

LAB 52.62, -32.87, 30.99

 

CMYK 50 / 41 / 0 / 45

HEX #46528B

RGB 70 82 139

HSL 229.57, 0.33%, 0.41%

LAB 36.37, 11.91, -33.25

 

CMYK 0 / 49 / 41 / 45

HEX #8C4753

RGB 140 71 83

HSL 349.57, 0.33%, 0.41%

LAB 39.08, 30.54, 6.33

 

CMYK 1 / 0 / 50 / 45

HEX #898B46

RGB 137 139 70

HSL 61.74, 0.33%, 0.41%

LAB 56.31, -11.09, 36.34

 

CMYK 50 / 0 / 9 / 45

HEX #468B7E

RGB 70 139 126

HSL 168.7, 0.33%, 0.41%

LAB 53.25, -25.17, 0.24

 

CMYK 49 / 50 / 0 / 45

HEX #47468B

RGB 71 70 139

HSL 240.87, 0.33%, 0.41%

LAB 33.1, 19.98, -38.45

 

CMYK 0 / 49 / 41 / 45

HEX #8C4753

RGB 140 71 83

HSL 349.57, 0.33%, 0.41%

LAB 39.08, 30.54, 6.33

 

CMYK 16 / 0 / 50 / 45

HEX #758B46

RGB 117 139 70

HSL 79.13, 0.33%, 0.41%

LAB 54.75, -19.57, 34.09

 

CMYK 50 / 0 / 9 / 45

HEX #468B7E

RGB 70 139 126

HSL 168.7, 0.33%, 0.41%

LAB 53.25, -25.17, 0.24

 

CMYK 35 / 50 / 0 / 45

HEX #5B468B

RGB 91 70 139

HSL 258.26, 0.33%, 0.41%

LAB 34.94, 25.3, -35.41

 

Description

Color code: HEX #8C4753 | qconv.com Color code: HEX #8C4753 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 71 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 71 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 41 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 41% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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