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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C478D it is the complementary color #73B872. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C478D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C478D shade: #914788, #A2599B, #B36BAE, #C47DC1 and #D58FD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C478D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C478D shade: #8C478D, #7B357A, #6A2367, #591154 and #480041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C478D shade: #8D478E, #8E477C, #8E4769, #8E4756 and #8E4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C478D shade: #8D478E, #7A478E, #67478E, #54478E and #47478E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C478D shade matches the following richer shades: #8D478E, #9E369F, #AF25B1, #BF13C2 and #D002D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C478D shade: #8D478E, #7C597D, #6B6A6B, #5A7B5A and #4A8D49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C478D shade: #67478E, #7A478E, #8D478E, #8E477C and #8E4769

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C478D shade: #562C57, #723973, #8D478E, #A855A9 and #B671B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C478D shade: #8C478D, #8E5447 and #478E70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C478D shade: #8C478D, #8E8D47 and #478E8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C478D shade: #8C478D, #8E5447, #488E47 and #47818E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C478D shade: #8C478D, #8E6947, #488E47 and #476C8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 50 / 0 / 45

HEX #8C478D

RGB 140 71 141

HSL 299.14, 0.33%, 0.42%

LAB 41.22, 39.82, -26.32

 

Complementary color

CMYK 38 / 0 / 38 / 28

HEX #73B872

RGB 115 184 114

HSL 119.14, 0.33%, 0.58%

LAB 68.85, -36.06, 28.87

 

CMYK 0 / 51 / 6 / 43

HEX #914788

RGB 145 71 136

HSL 307.3, 0.34%, 0.42%

LAB 41.69, 40.42, -22.5

 

CMYK 0 / 45 / 4 / 36

HEX #A2599B

RGB 162 89 155

HSL 305.75, 0.29%, 0.49%

LAB 48.5, 39.7, -23.19

 

CMYK 0 / 40 / 3 / 30

HEX #B36BAE

RGB 179 107 174

HSL 304.17, 0.32%, 0.56%

LAB 55.23, 38.94, -23.76

 

CMYK 0 / 36 / 2 / 23

HEX #C47DC1

RGB 196 125 193

HSL 302.54, 0.38%, 0.63%

LAB 61.87, 38.18, -24.24

 

CMYK 0 / 33 / 0 / 16

HEX #D58FD4

RGB 213 143 212

HSL 300.86, 0.45%, 0.7%

LAB 68.42, 37.44, -24.68

 

CMYK 1 / 50 / 0 / 45

HEX #8C478D

RGB 140 71 141

HSL 299.14, 0.33%, 0.42%

LAB 41.22, 39.82, -26.32

 

CMYK 0 / 57 / 1 / 52

HEX #7B357A

RGB 123 53 122

HSL 300.86, 0.4%, 0.35%

LAB 34.32, 40.42, -25.6

 

CMYK 0 / 67 / 3 / 58

HEX #6A2367

RGB 106 35 103

HSL 302.54, 0.5%, 0.28%

LAB 27.42, 40.67, -24.54

 

CMYK 0 / 81 / 6 / 65

HEX #591154

RGB 89 17 84

HSL 304.17, 0.68%, 0.21%

LAB 20.69, 40.05, -22.83

 

CMYK 0 / 100 / 10 / 72

HEX #480041

RGB 72 0 65

HSL 305.83, 1%, 0.14%

LAB 14.17, 38.28, -20.31

 

CMYK 1 / 50 / 0 / 44

HEX #8D478E

RGB 141 71 142

HSL 299.15, 0.33%, 0.42%

LAB 41.41, 40.31, -26.63

 

CMYK 0 / 50 / 13 / 44

HEX #8E477C

RGB 142 71 124

HSL 315.21, 0.33%, 0.42%

LAB 40.76, 37.33, -16.65

 

CMYK 0 / 50 / 26 / 44

HEX #8E4769

RGB 142 71 105

HSL 331.27, 0.33%, 0.42%

LAB 40.04, 34.27, -5.97

 

CMYK 0 / 50 / 39 / 44

HEX #8E4756

RGB 142 71 86

HSL 347.32, 0.33%, 0.42%

LAB 39.46, 31.67, 5.03

 

CMYK 0 / 50 / 50 / 44

HEX #8E4747

RGB 142 71 71

HSL 0, 0.33%, 0.42%

LAB 39.09, 29.98, 13.88

 

CMYK 1 / 50 / 0 / 44

HEX #8D478E

RGB 141 71 142

HSL 299.15, 0.33%, 0.42%

LAB 41.41, 40.31, -26.63

 

CMYK 14 / 50 / 0 / 44

HEX #7A478E

RGB 122 71 142

HSL 283.1, 0.33%, 0.42%

LAB 38.89, 34.56, -30.75

 

CMYK 27 / 50 / 0 / 44

HEX #67478E

RGB 103 71 142

HSL 267.04, 0.33%, 0.42%

LAB 36.64, 28.93, -34.47

 

CMYK 41 / 50 / 0 / 44

HEX #54478E

RGB 84 71 142

HSL 250.99, 0.33%, 0.42%

LAB 34.69, 23.62, -37.68

 

CMYK 50 / 50 / 0 / 44

HEX #47478E

RGB 71 71 142

HSL 240, 0.33%, 0.42%

LAB 33.56, 20.31, -39.55

 

CMYK 1 / 50 / 0 / 44

HEX #8D478E

RGB 141 71 142

HSL 299.15, 0.33%, 0.42%

LAB 41.41, 40.31, -26.63

 

CMYK 1 / 66 / 0 / 38

HEX #9E369F

RGB 158 54 159

HSL 299.43, 0.49%, 0.42%

LAB 41.86, 56.09, -36

 

CMYK 1 / 79 / 0 / 31

HEX #AF25B1

RGB 175 37 177

HSL 299.14, 0.65%, 0.42%

LAB 43.67, 68.52, -43.67

 

CMYK 2 / 90 / 0 / 24

HEX #BF13C2

RGB 191 19 194

HSL 298.97, 0.82%, 0.42%

LAB 46.23, 77.63, -49.4

 

CMYK 1 / 99 / 0 / 17

HEX #D002D3

RGB 208 2 211

HSL 299.14, 0.98%, 0.42%

LAB 49.69, 84.54, -53.53

 

CMYK 1 / 50 / 0 / 44

HEX #8D478E

RGB 141 71 142

HSL 299.15, 0.33%, 0.42%

LAB 41.41, 40.31, -26.63

 

CMYK 1 / 29 / 0 / 51

HEX #7C597D

RGB 124 89 125

HSL 298.33, 0.17%, 0.42%

LAB 42.63, 20.97, -14.6

 

CMYK 0 / 1 / 0 / 58

HEX #6B6A6B

RGB 107 106 107

HSL 300, 0%, 0.42%

LAB 44.94, 0.59, -0.43

 

CMYK 27 / 0 / 27 / 52

HEX #5A7B5A

RGB 90 123 90

HSL 120, 0.15%, 0.42%

LAB 48.36, -18.84, 14.34

 

CMYK 48 / 0 / 48 / 45

HEX #4A8D49

RGB 74 141 73

HSL 119.12, 0.32%, 0.42%

LAB 52.93, -35.93, 29.71

 

CMYK 27 / 50 / 0 / 44

HEX #67478E

RGB 103 71 142

HSL 267.04, 0.33%, 0.42%

LAB 36.64, 28.93, -34.47

 

CMYK 14 / 50 / 0 / 44

HEX #7A478E

RGB 122 71 142

HSL 283.1, 0.33%, 0.42%

LAB 38.89, 34.56, -30.75

 

CMYK 1 / 50 / 0 / 44

HEX #8D478E

RGB 141 71 142

HSL 299.15, 0.33%, 0.42%

LAB 41.41, 40.31, -26.63

 

CMYK 0 / 50 / 13 / 44

HEX #8E477C

RGB 142 71 124

HSL 315.21, 0.33%, 0.42%

LAB 40.76, 37.33, -16.65

 

CMYK 0 / 50 / 26 / 44

HEX #8E4769

RGB 142 71 105

HSL 331.27, 0.33%, 0.42%

LAB 40.04, 34.27, -5.97

 

CMYK 1 / 49 / 0 / 66

HEX #562C57

RGB 86 44 87

HSL 298.6, 0.33%, 0.26%

LAB 25.16, 26.61, -17.86

 

CMYK 1 / 50 / 0 / 55

HEX #723973

RGB 114 57 115

HSL 298.97, 0.34%, 0.34%

LAB 33.44, 34.18, -22.68

 

CMYK 1 / 50 / 0 / 44

HEX #8D478E

RGB 141 71 142

HSL 299.15, 0.33%, 0.42%

LAB 41.41, 40.31, -26.63

 

CMYK 1 / 50 / 0 / 34

HEX #A855A9

RGB 168 85 169

HSL 299.29, 0.33%, 0.5%

LAB 49.11, 46.22, -30.44

 

CMYK 1 / 38 / 0 / 28

HEX #B671B7

RGB 182 113 183

HSL 299.14, 0.33%, 0.58%

LAB 57.24, 38.33, -25.8

 

CMYK 1 / 50 / 0 / 45

HEX #8C478D

RGB 140 71 141

HSL 299.14, 0.33%, 0.42%

LAB 41.22, 39.82, -26.32

 

CMYK 0 / 41 / 50 / 44

HEX #8E5447

RGB 142 84 71

HSL 10.99, 0.33%, 0.42%

LAB 42.07, 22.64, 17.89

 

CMYK 50 / 0 / 21 / 44

HEX #478E70

RGB 71 142 112

HSL 154.65, 0.33%, 0.42%

LAB 53.87, -29.8, 9.21

 

CMYK 1 / 50 / 0 / 45

HEX #8C478D

RGB 140 71 141

HSL 299.14, 0.33%, 0.42%

LAB 41.22, 39.82, -26.32

 

CMYK 0 / 1 / 50 / 44

HEX #8E8D47

RGB 142 141 71

HSL 59.15, 0.33%, 0.42%

LAB 57.32, -9.91, 37.14

 

CMYK 50 / 0 / 1 / 44

HEX #478E8D

RGB 71 142 141

HSL 179.15, 0.33%, 0.42%

LAB 54.67, -22.45, -6.34

 

CMYK 1 / 50 / 0 / 45

HEX #8C478D

RGB 140 71 141

HSL 299.14, 0.33%, 0.42%

LAB 41.22, 39.82, -26.32

 

CMYK 0 / 41 / 50 / 44

HEX #8E5447

RGB 142 84 71

HSL 10.99, 0.33%, 0.42%

LAB 42.07, 22.64, 17.89

 

CMYK 49 / 0 / 50 / 44

HEX #488E47

RGB 72 142 71

HSL 119.15, 0.33%, 0.42%

LAB 53.14, -37.27, 31.01

 

CMYK 50 / 9 / 0 / 44

HEX #47818E

RGB 71 129 142

HSL 190.99, 0.33%, 0.42%

LAB 50.68, -15.23, -12.9

 

CMYK 1 / 50 / 0 / 45

HEX #8C478D

RGB 140 71 141

HSL 299.14, 0.33%, 0.42%

LAB 41.22, 39.82, -26.32

 

CMYK 0 / 26 / 50 / 44

HEX #8E6947

RGB 142 105 71

HSL 28.73, 0.33%, 0.42%

LAB 47.38, 10.42, 24.83

 

CMYK 49 / 0 / 50 / 44

HEX #488E47

RGB 72 142 71

HSL 119.15, 0.33%, 0.42%

LAB 53.14, -37.27, 31.01

 

CMYK 50 / 24 / 0 / 44

HEX #476C8E

RGB 71 108 142

HSL 208.73, 0.33%, 0.42%

LAB 44.26, -3.16, -22.71

 

Description

Color code: HEX #8C478D | qconv.com Color code: HEX #8C478D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 71 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 71 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 50 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 50% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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