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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C4F3B it is the complementary color #73B0C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C4F3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C4F3B shade: #914F36, #A26149, #B3735C, #C4856F and #D59782

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C4F3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C4F3B shade: #8C4F3B, #7B3D28, #6A2B15, #591902 and #480700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C4F3B shade: #8C4E3A and #8C3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C4F3B shade: #8C4E3A, #8C643A, #8C7A3A, #878C3A and #718C3A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C4F3B shade matches the following richer shades: #8C4E3A, #9C462A, #AC3E1A and #BC360A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C4F3B shade: #8C4E3A, #7C564A, #6C5F5A, #5B676A and #4B6F7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C4F3B shade: #8C3A53, #8C3A3D, #8C4D3A, #8C633A and #8C793A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C4F3B shade: #522E22, #6F3E2E, #8C4E3A, #A95F46 and #BB745D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C4F3B shade: #8C4F3B, #688C3A and #3A488C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C4F3B shade: #8C4F3B, #3A8C4D and #4D3A8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C4F3B shade: #8C4F3B, #688C3A, #3A798C and #5E3A8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C4F3B shade: #8C4F3B, #508C3A, #3A798C and #763A8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 58 / 45

HEX #8C4F3B

RGB 140 79 59

HSL 14.81, 0.41%, 0.39%

LAB 40.38, 23.52, 22.86

 

Complementary color

CMYK 41 / 10 / 0 / 23

HEX #73B0C4

RGB 115 176 196

HSL 194.81, 0.41%, 0.61%

LAB 68.52, -14.46, -16.38

 

CMYK 0 / 46 / 63 / 43

HEX #914F36

RGB 145 79 54

HSL 16.48, 0.46%, 0.39%

LAB 41.02, 25.25, 26.77

 

CMYK 0 / 40 / 55 / 36

HEX #A26149

RGB 162 97 73

HSL 16.18, 0.38%, 0.46%

LAB 47.89, 23.85, 24.84

 

CMYK 0 / 36 / 49 / 30

HEX #B3735C

RGB 179 115 92

HSL 15.86, 0.36%, 0.53%

LAB 54.68, 22.63, 23.16

 

CMYK 0 / 32 / 43 / 23

HEX #C4856F

RGB 196 133 111

HSL 15.53, 0.42%, 0.6%

LAB 61.36, 21.57, 21.67

 

CMYK 0 / 29 / 39 / 16

HEX #D59782

RGB 213 151 130

HSL 15.18, 0.5%, 0.67%

LAB 67.94, 20.64, 20.34

 

CMYK 0 / 44 / 58 / 45

HEX #8C4F3B

RGB 140 79 59

HSL 14.81, 0.41%, 0.39%

LAB 40.38, 23.52, 22.86

 

CMYK 0 / 50 / 67 / 52

HEX #7B3D28

RGB 123 61 40

HSL 15.18, 0.51%, 0.32%

LAB 33.35, 25.03, 24.99

 

CMYK 0 / 59 / 80 / 58

HEX #6A2B15

RGB 106 43 21

HSL 15.53, 0.67%, 0.25%

LAB 26.29, 26.72, 27.45

 

CMYK 0 / 72 / 98 / 65

HEX #591902

RGB 89 25 2

HSL 15.86, 0.96%, 0.18%

LAB 19.32, 28.34, 28.07

 

CMYK 0 / 90 / 100 / 72

HEX #480700

RGB 72 7 0

HSL 5.83, 1%, 0.14%

LAB 12.8, 29.35, 19.91

 

CMYK 0 / 44 / 59 / 45

HEX #8C4E3A

RGB 140 78 58

HSL 14.63, 0.41%, 0.39%

LAB 40.13, 24.01, 23.13

 

CMYK 0 / 59 / 59 / 45

HEX #8C3A3A

RGB 140 58 58

HSL 0, 0.41%, 0.39%

LAB 35.8, 34.93, 17.55

 

CMYK 0 / 44 / 59 / 45

HEX #8C4E3A

RGB 140 78 58

HSL 14.63, 0.41%, 0.39%

LAB 40.13, 24.01, 23.13

 

CMYK 0 / 29 / 59 / 45

HEX #8C643A

RGB 140 100 58

HSL 30.73, 0.41%, 0.39%

LAB 45.63, 11.22, 29.95

 

CMYK 0 / 13 / 59 / 45

HEX #8C7A3A

RGB 140 122 58

HSL 46.83, 0.41%, 0.39%

LAB 51.61, -1.46, 37.03

 

CMYK 4 / 0 / 59 / 45

HEX #878C3A

RGB 135 140 58

HSL 63.66, 0.41%, 0.39%

LAB 56.3, -13.58, 42.25

 

CMYK 19 / 0 / 59 / 45

HEX #718C3A

RGB 113 140 58

HSL 79.76, 0.41%, 0.39%

LAB 54.63, -22.99, 39.91

 

CMYK 0 / 44 / 59 / 45

HEX #8C4E3A

RGB 140 78 58

HSL 14.63, 0.41%, 0.39%

LAB 40.13, 24.01, 23.13

 

CMYK 0 / 55 / 73 / 39

HEX #9C462A

RGB 156 70 42

HSL 14.74, 0.58%, 0.39%

LAB 40.6, 33.94, 33.56

 

CMYK 0 / 64 / 85 / 33

HEX #AC3E1A

RGB 172 62 26

HSL 14.79, 0.74%, 0.39%

LAB 41.67, 43.36, 43.74

 

CMYK 0 / 71 / 95 / 26

HEX #BC360A

RGB 188 54 10

HSL 14.83, 0.9%, 0.39%

LAB 43.29, 51.97, 52.25

 

CMYK 0 / 44 / 59 / 45

HEX #8C4E3A

RGB 140 78 58

HSL 14.63, 0.41%, 0.39%

LAB 40.13, 24.01, 23.13

 

CMYK 0 / 31 / 40 / 51

HEX #7C564A

RGB 124 86 74

HSL 14.4, 0.25%, 0.39%

LAB 40.3, 14.1, 13.28

 

CMYK 0 / 12 / 17 / 58

HEX #6C5F5A

RGB 108 95 90

HSL 16.67, 0.09%, 0.39%

LAB 41.39, 4.3, 4.77

 

CMYK 14 / 3 / 0 / 58

HEX #5B676A

RGB 91 103 106

HSL 192, 0.08%, 0.39%

LAB 42.71, -3.87, -3.24

 

CMYK 39 / 10 / 0 / 52

HEX #4B6F7B

RGB 75 111 123

HSL 195, 0.24%, 0.39%

LAB 44.65, -9.48, -10.72

 

CMYK 0 / 59 / 41 / 45

HEX #8C3A53

RGB 140 58 83

HSL 341.71, 0.41%, 0.39%

LAB 36.42, 37.43, 2.51

 

CMYK 0 / 59 / 56 / 45

HEX #8C3A3D

RGB 140 58 61

HSL 357.8, 0.41%, 0.39%

LAB 35.87, 35.18, 15.73

 

CMYK 0 / 45 / 59 / 45

HEX #8C4D3A

RGB 140 77 58

HSL 13.9, 0.41%, 0.39%

LAB 39.9, 24.58, 22.84

 

CMYK 0 / 29 / 59 / 45

HEX #8C633A

RGB 140 99 58

HSL 30, 0.41%, 0.39%

LAB 45.37, 11.81, 29.63

 

CMYK 0 / 14 / 59 / 45

HEX #8C793A

RGB 140 121 58

HSL 46.1, 0.41%, 0.39%

LAB 51.33, -0.89, 36.71

 

CMYK 0 / 44 / 59 / 68

HEX #522E22

RGB 82 46 34

HSL 15, 0.41%, 0.23%

LAB 23.21, 15.08, 14.76

 

CMYK 0 / 44 / 59 / 56

HEX #6F3E2E

RGB 111 62 46

HSL 14.77, 0.41%, 0.31%

LAB 31.86, 19.67, 19.05

 

CMYK 0 / 44 / 59 / 45

HEX #8C4E3A

RGB 140 78 58

HSL 14.63, 0.41%, 0.39%

LAB 40.13, 24.01, 23.13

 

CMYK 0 / 44 / 59 / 34

HEX #A95F46

RGB 169 95 70

HSL 15.15, 0.41%, 0.47%

LAB 48.34, 27.62, 27.33

 

CMYK 0 / 38 / 50 / 27

HEX #BB745D

RGB 187 116 93

HSL 14.68, 0.41%, 0.55%

LAB 55.93, 25.44, 24.43

 

CMYK 0 / 44 / 58 / 45

HEX #8C4F3B

RGB 140 79 59

HSL 14.81, 0.41%, 0.39%

LAB 40.38, 23.52, 22.86

 

CMYK 26 / 0 / 59 / 45

HEX #688C3A

RGB 104 140 58

HSL 86.34, 0.41%, 0.39%

LAB 54.03, -26.65, 39.07

 

CMYK 59 / 49 / 0 / 45

HEX #3A488C

RGB 58 72 140

HSL 229.76, 0.41%, 0.39%

LAB 32.76, 15.98, -39.66

 

CMYK 0 / 44 / 58 / 45

HEX #8C4F3B

RGB 140 79 59

HSL 14.81, 0.41%, 0.39%

LAB 40.38, 23.52, 22.86

 

CMYK 59 / 0 / 45 / 45

HEX #3A8C4D

RGB 58 140 77

HSL 133.9, 0.41%, 0.39%

LAB 52.05, -39.32, 26.32

 

CMYK 45 / 59 / 0 / 45

HEX #4D3A8C

RGB 77 58 140

HSL 253.9, 0.41%, 0.39%

LAB 30.63, 29.45, -43

 

CMYK 0 / 44 / 58 / 45

HEX #8C4F3B

RGB 140 79 59

HSL 14.81, 0.41%, 0.39%

LAB 40.38, 23.52, 22.86

 

CMYK 26 / 0 / 59 / 45

HEX #688C3A

RGB 104 140 58

HSL 86.34, 0.41%, 0.39%

LAB 54.03, -26.65, 39.07

 

CMYK 59 / 14 / 0 / 45

HEX #3A798C

RGB 58 121 140

HSL 193.9, 0.41%, 0.39%

LAB 47.58, -14.38, -16.47

 

CMYK 33 / 59 / 0 / 45

HEX #5E3A8C

RGB 94 58 140

HSL 266.34, 0.41%, 0.39%

LAB 32.48, 33.68, -39.93

 

CMYK 0 / 44 / 58 / 45

HEX #8C4F3B

RGB 140 79 59

HSL 14.81, 0.41%, 0.39%

LAB 40.38, 23.52, 22.86

 

CMYK 43 / 0 / 59 / 45

HEX #508C3A

RGB 80 140 58

HSL 103.9, 0.41%, 0.39%

LAB 52.69, -35.54, 37.18

 

CMYK 59 / 14 / 0 / 45

HEX #3A798C

RGB 58 121 140

HSL 193.9, 0.41%, 0.39%

LAB 47.58, -14.38, -16.47

 

CMYK 16 / 59 / 0 / 45

HEX #763A8C

RGB 118 58 140

HSL 283.9, 0.41%, 0.39%

LAB 35.54, 40.12, -34.87

 

Description

Color code: HEX #8C4F3B | qconv.com Color code: HEX #8C4F3B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 79 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 79 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 58 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 58% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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