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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C59B0 it is the complementary color #73A64F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C59B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C59B0 shade: #9159AB, #A26BBE, #B37DD1, #C48FE4 and #D5A1F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C59B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C59B0 shade: #8C59B0, #7B479D, #6A358A, #592377 and #481164

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C59B0 shade: #8C58B0, #A358B0, #B058A5, #B0588D and #B05876

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C59B0 shade: #8C58B0, #7458B0, #5C58B0 and #5858B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C59B0 shade matches the following richer shades: #8C58B0, #8F44C4, #9330D8 and #961DEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C59B0 shade: #8C58B0, #886C9C, #858089, #819375 and #7EA761

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C59B0 shade: #5C58B0, #7458B0, #8B58B0, #A358B0 and #B058A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C59B0 shade: #613A7C, #764798, #8C58B0, #9F74BD and #B290CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C59B0 shade: #8C59B0, #B0586B and #58B068

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C59B0 shade: #8C59B0, #B08B58 and #58B08B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C59B0 shade: #8C59B0, #B0586B, #7DB058 and #58B09D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C59B0 shade: #8C59B0, #B05F58, #7DB058 and #58A9B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 49 / 0 / 31

HEX #8C59B0

RGB 140 89 176

HSL 275.17, 0.36%, 0.52%

LAB 46.78, 37.42, -38.45

 

Complementary color

CMYK 31 / 0 / 52 / 35

HEX #73A64F

RGB 115 166 79

HSL 95.17, 0.36%, 0.48%

LAB 62.91, -32.6, 39.35

 

CMYK 15 / 48 / 0 / 33

HEX #9159AB

RGB 145 89 171

HSL 280.98, 0.33%, 0.51%

LAB 47.11, 37.73, -34.96

 

CMYK 15 / 44 / 0 / 25

HEX #A26BBE

RGB 162 107 190

HSL 279.76, 0.39%, 0.58%

LAB 53.94, 36.9, -35.14

 

CMYK 14 / 40 / 0 / 18

HEX #B37DD1

RGB 179 125 209

HSL 278.57, 0.48%, 0.65%

LAB 60.65, 36.1, -35.3

 

CMYK 14 / 37 / 0 / 11

HEX #C48FE4

RGB 196 143 228

HSL 277.41, 0.61%, 0.73%

LAB 67.26, 35.34, -35.46

 

CMYK 14 / 35 / 0 / 3

HEX #D5A1F7

RGB 213 161 247

HSL 276.28, 0.84%, 0.8%

LAB 73.77, 34.63, -35.62

 

CMYK 20 / 49 / 0 / 31

HEX #8C59B0

RGB 140 89 176

HSL 275.17, 0.36%, 0.52%

LAB 46.78, 37.42, -38.45

 

CMYK 22 / 55 / 0 / 38

HEX #7B479D

RGB 123 71 157

HSL 276.28, 0.38%, 0.45%

LAB 39.83, 38.3, -38.32

 

CMYK 23 / 62 / 0 / 46

HEX #6A358A

RGB 106 53 138

HSL 277.41, 0.45%, 0.37%

LAB 32.8, 39.12, -38.1

 

CMYK 25 / 71 / 0 / 53

HEX #592377

RGB 89 35 119

HSL 278.57, 0.55%, 0.3%

LAB 25.74, 39.68, -37.66

 

CMYK 28 / 83 / 0 / 61

HEX #481164

RGB 72 17 100

HSL 279.76, 0.71%, 0.23%

LAB 18.79, 39.51, -36.7

 

CMYK 20 / 50 / 0 / 31

HEX #8C58B0

RGB 140 88 176

HSL 275.45, 0.36%, 0.52%

LAB 46.56, 37.98, -38.79

 

CMYK 7 / 50 / 0 / 31

HEX #A358B0

RGB 163 88 176

HSL 291.14, 0.36%, 0.52%

LAB 49.38, 44.57, -34.17

 

CMYK 0 / 50 / 6 / 31

HEX #B058A5

RGB 176 88 165

HSL 307.5, 0.36%, 0.52%

LAB 50.6, 46.35, -25.69

 

CMYK 0 / 50 / 20 / 31

HEX #B0588D

RGB 176 88 141

HSL 323.86, 0.36%, 0.52%

LAB 49.66, 42.41, -12.94

 

CMYK 0 / 50 / 33 / 31

HEX #B05876

RGB 176 88 118

HSL 339.55, 0.36%, 0.52%

LAB 48.91, 39.15, -0.29

 

CMYK 20 / 50 / 0 / 31

HEX #8C58B0

RGB 140 88 176

HSL 275.45, 0.36%, 0.52%

LAB 46.56, 37.98, -38.79

 

CMYK 34 / 50 / 0 / 31

HEX #7458B0

RGB 116 88 176

HSL 259.09, 0.36%, 0.52%

LAB 43.98, 31.36, -43.05

 

CMYK 48 / 50 / 0 / 31

HEX #5C58B0

RGB 92 88 176

HSL 242.73, 0.36%, 0.52%

LAB 41.83, 25.31, -46.62

 

CMYK 50 / 50 / 0 / 31

HEX #5858B0

RGB 88 88 176

HSL 240, 0.36%, 0.52%

LAB 41.51, 24.38, -47.14

 

CMYK 20 / 50 / 0 / 31

HEX #8C58B0

RGB 140 88 176

HSL 275.45, 0.36%, 0.52%

LAB 46.56, 37.98, -38.79

 

CMYK 27 / 65 / 0 / 23

HEX #8F44C4

RGB 143 68 196

HSL 275.16, 0.52%, 0.52%

LAB 44.17, 53.82, -54.25

 

CMYK 32 / 78 / 0 / 15

HEX #9330D8

RGB 147 48 216

HSL 275.36, 0.68%, 0.52%

LAB 43.17, 67.35, -67.39

 

CMYK 36 / 88 / 0 / 7

HEX #961DEC

RGB 150 29 236

HSL 275.07, 0.84%, 0.52%

LAB 43.39, 77.33, -78.43

 

CMYK 20 / 50 / 0 / 31

HEX #8C58B0

RGB 140 88 176

HSL 275.45, 0.36%, 0.52%

LAB 46.56, 37.98, -38.79

 

CMYK 13 / 31 / 0 / 39

HEX #886C9C

RGB 136 108 156

HSL 275, 0.2%, 0.52%

LAB 49.93, 20.55, -21.83

 

CMYK 3 / 7 / 0 / 46

HEX #858089

RGB 133 128 137

HSL 273.33, 0.04%, 0.52%

LAB 54.27, 3.67, -4.19

 

CMYK 12 / 0 / 20 / 42

HEX #819375

RGB 129 147 117

HSL 96, 0.12%, 0.52%

LAB 58.81, -12.23, 13.77

 

CMYK 25 / 0 / 42 / 35

HEX #7EA761

RGB 126 167 97

HSL 95.14, 0.28%, 0.52%

LAB 64.11, -26.74, 31.77

 

CMYK 48 / 50 / 0 / 31

HEX #5C58B0

RGB 92 88 176

HSL 242.73, 0.36%, 0.52%

LAB 41.83, 25.31, -46.62

 

CMYK 34 / 50 / 0 / 31

HEX #7458B0

RGB 116 88 176

HSL 259.09, 0.36%, 0.52%

LAB 43.98, 31.36, -43.05

 

CMYK 21 / 50 / 0 / 31

HEX #8B58B0

RGB 139 88 176

HSL 274.77, 0.36%, 0.52%

LAB 46.45, 37.69, -38.98

 

CMYK 7 / 50 / 0 / 31

HEX #A358B0

RGB 163 88 176

HSL 291.14, 0.36%, 0.52%

LAB 49.38, 44.57, -34.17

 

CMYK 0 / 50 / 6 / 31

HEX #B058A6

RGB 176 88 166

HSL 306.82, 0.36%, 0.52%

LAB 50.64, 46.53, -26.21

 

CMYK 22 / 53 / 0 / 51

HEX #613A7C

RGB 97 58 124

HSL 275.45, 0.36%, 0.36%

LAB 31.86, 30.39, -30.97

 

CMYK 22 / 53 / 0 / 40

HEX #764798

RGB 118 71 152

HSL 274.81, 0.36%, 0.44%

LAB 38.94, 35.72, -36.77

 

CMYK 20 / 50 / 0 / 31

HEX #8C58B0

RGB 140 88 176

HSL 275.45, 0.36%, 0.52%

LAB 46.56, 37.98, -38.79

 

CMYK 16 / 39 / 0 / 26

HEX #9F74BD

RGB 159 116 189

HSL 275.34, 0.36%, 0.6%

LAB 55.62, 30.7, -31.96

 

CMYK 12 / 29 / 0 / 20

HEX #B290CB

RGB 178 144 203

HSL 274.58, 0.36%, 0.68%

LAB 64.74, 23.88, -25.62

 

CMYK 20 / 49 / 0 / 31

HEX #8C59B0

RGB 140 89 176

HSL 275.17, 0.36%, 0.52%

LAB 46.78, 37.42, -38.45

 

CMYK 0 / 50 / 39 / 31

HEX #B0586B

RGB 176 88 107

HSL 347.05, 0.36%, 0.52%

LAB 48.6, 37.79, 5.89

 

CMYK 50 / 0 / 41 / 31

HEX #58B068

RGB 88 176 104

HSL 130.91, 0.36%, 0.52%

LAB 65.06, -42.18, 28.95

 

CMYK 20 / 49 / 0 / 31

HEX #8C59B0

RGB 140 89 176

HSL 275.17, 0.36%, 0.52%

LAB 46.78, 37.42, -38.45

 

CMYK 0 / 21 / 50 / 31

HEX #B08B58

RGB 176 139 88

HSL 34.77, 0.36%, 0.52%

LAB 60.25, 7.56, 32.5

 

CMYK 50 / 0 / 21 / 31

HEX #58B08B

RGB 88 176 139

HSL 154.77, 0.36%, 0.52%

LAB 65.74, -35.38, 10.93

 

CMYK 20 / 49 / 0 / 31

HEX #8C59B0

RGB 140 89 176

HSL 275.17, 0.36%, 0.52%

LAB 46.78, 37.42, -38.45

 

CMYK 0 / 50 / 39 / 31

HEX #B0586B

RGB 176 88 107

HSL 347.05, 0.36%, 0.52%

LAB 48.6, 37.79, 5.89

 

CMYK 29 / 0 / 50 / 31

HEX #7DB058

RGB 125 176 88

HSL 94.77, 0.36%, 0.52%

LAB 66.61, -32.56, 39.49

 

CMYK 50 / 0 / 11 / 31

HEX #58B09D

RGB 88 176 157

HSL 167.05, 0.36%, 0.52%

LAB 66.18, -31.18, 1.61

 

CMYK 20 / 49 / 0 / 31

HEX #8C59B0

RGB 140 89 176

HSL 275.17, 0.36%, 0.52%

LAB 46.78, 37.42, -38.45

 

CMYK 0 / 46 / 50 / 31

HEX #B05F58

RGB 176 95 88

HSL 4.77, 0.36%, 0.52%

LAB 49.64, 32.03, 18.7

 

CMYK 29 / 0 / 50 / 31

HEX #7DB058

RGB 125 176 88

HSL 94.77, 0.36%, 0.52%

LAB 66.61, -32.56, 39.49

 

CMYK 50 / 4 / 0 / 31

HEX #58A9B0

RGB 88 169 176

HSL 184.77, 0.36%, 0.52%

LAB 64.63, -22.77, -11.25

 

Description

Color code: HEX #8C59B0 | qconv.com Color code: HEX #8C59B0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 89 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 89 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 49 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 49% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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