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Color name
HEX #8C672A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C672A it is the complementary color #7398D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C672A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C672A shade: #916725, #A27938, #B38B4B, #C49D5E and #D5AF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C672A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C672A shade: #8C672A, #7B5517, #6A4304, #593100 and #481F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C672A shade: #8D672A, #8D4D2A, #8D322A and #8D2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C672A shade: #8D672A, #8D822A, #7D8D2A, #628D2A and #478D2A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C672A shade matches the following richer shades: #8D672A, #9C6B1B and #AB6F0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C672A shade: #8D672A, #7E6439, #6F6047, #605D56 and #515965

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C672A shade: #8D322A, #8D4C2A, #8D672A, #8D812A and #7E8D2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C672A shade: #4D3917, #6D5020, #8D672A, #AD7F33 and #C69543

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C672A shade: #8C672A, #3C8D2A and #3F2A8D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C672A shade: #8C672A, #2A8D67 and #672A8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C672A shade: #8C672A, #3C8D2A, #2A508D and #7B2A8D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C672A shade: #8C672A, #2A8D35, #2A508D and #8D2A81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 70 / 45

HEX #8C672A

RGB 140 103 42

HSL 37.35, 0.54%, 0.36%

LAB 46.24, 8.3, 39.07

 

Complementary color

CMYK 46 / 29 / 0 / 16

HEX #7398D5

RGB 115 152 213

HSL 217.35, 0.54%, 0.64%

LAB 62.43, 3.55, -35.16

 

CMYK 0 / 29 / 74 / 43

HEX #916725

RGB 145 103 37

HSL 36.67, 0.59%, 0.36%

LAB 46.78, 10.33, 42.2

 

CMYK 0 / 25 / 65 / 36

HEX #A27938

RGB 162 121 56

HSL 36.79, 0.49%, 0.43%

LAB 53.64, 8.89, 40.98

 

CMYK 0 / 22 / 58 / 30

HEX #B38B4B

RGB 179 139 75

HSL 36.92, 0.41%, 0.5%

LAB 60.39, 7.71, 39.6

 

CMYK 0 / 20 / 52 / 23

HEX #C49D5E

RGB 196 157 94

HSL 37.06, 0.46%, 0.57%

LAB 67.02, 6.72, 38.21

 

CMYK 0 / 18 / 47 / 16

HEX #D5AF71

RGB 213 175 113

HSL 37.2, 0.54%, 0.64%

LAB 73.54, 5.89, 36.87

 

CMYK 0 / 26 / 70 / 45

HEX #8C672A

RGB 140 103 42

HSL 37.35, 0.54%, 0.36%

LAB 46.24, 8.3, 39.07

 

CMYK 0 / 31 / 81 / 52

HEX #7B5517

RGB 123 85 23

HSL 37.2, 0.68%, 0.29%

LAB 39.19, 9.92, 40.03

 

CMYK 0 / 37 / 96 / 58

HEX #6A4304

RGB 106 67 4

HSL 37.06, 0.93%, 0.22%

LAB 32, 11.96, 40.03

 

CMYK 0 / 45 / 100 / 65

HEX #593100

RGB 89 49 0

HSL 33.03, 1%, 0.17%

LAB 24.7, 14.59, 34.6

 

CMYK 0 / 57 / 100 / 72

HEX #481F00

RGB 72 31 0

HSL 25.83, 1%, 0.14%

LAB 17.26, 17.44, 25.64

 

CMYK 0 / 27 / 70 / 45

HEX #8D672A

RGB 141 103 42

HSL 36.97, 0.54%, 0.36%

LAB 46.35, 8.76, 39.23

 

CMYK 0 / 45 / 70 / 45

HEX #8D4D2A

RGB 141 77 42

HSL 21.21, 0.54%, 0.36%

LAB 39.81, 23.85, 32.04

 

CMYK 0 / 65 / 70 / 45

HEX #8D322A

RGB 141 50 42

HSL 4.85, 0.54%, 0.36%

LAB 34.21, 38.12, 25.54

 

CMYK 0 / 70 / 70 / 45

HEX #8D2A2A

RGB 141 42 42

HSL 0, 0.54%, 0.36%

LAB 32.89, 41.7, 23.95

 

CMYK 0 / 27 / 70 / 45

HEX #8D672A

RGB 141 103 42

HSL 36.97, 0.54%, 0.36%

LAB 46.35, 8.76, 39.23

 

CMYK 0 / 8 / 70 / 45

HEX #8D822A

RGB 141 130 42

HSL 53.33, 0.54%, 0.36%

LAB 53.81, -6.59, 46.99

 

CMYK 11 / 0 / 70 / 45

HEX #7D8D2A

RGB 125 141 42

HSL 69.7, 0.54%, 0.36%

LAB 55.66, -19.64, 48.43

 

CMYK 30 / 0 / 70 / 45

HEX #628D2A

RGB 98 141 42

HSL 86.06, 0.54%, 0.36%

LAB 53.83, -30.91, 45.97

 

CMYK 50 / 0 / 70 / 45

HEX #478D2A

RGB 71 141 42

HSL 102.42, 0.54%, 0.36%

LAB 52.46, -40.54, 44.12

 

CMYK 0 / 27 / 70 / 45

HEX #8D672A

RGB 141 103 42

HSL 36.97, 0.54%, 0.36%

LAB 46.35, 8.76, 39.23

 

CMYK 0 / 31 / 83 / 39

HEX #9C6B1B

RGB 156 107 27

HSL 37.21, 0.7%, 0.36%

LAB 49.08, 12.67, 49.01

 

CMYK 0 / 35 / 93 / 33

HEX #AB6F0C

RGB 171 111 12

HSL 37.36, 0.87%, 0.36%

LAB 51.9, 16.85, 56.46

 

CMYK 0 / 27 / 70 / 45

HEX #8D672A

RGB 141 103 42

HSL 36.97, 0.54%, 0.36%

LAB 46.35, 8.76, 39.23

 

CMYK 0 / 21 / 55 / 51

HEX #7E6439

RGB 126 100 57

HSL 37.39, 0.38%, 0.36%

LAB 44.01, 4.76, 28.17

 

CMYK 0 / 14 / 36 / 56

HEX #6F6047

RGB 111 96 71

HSL 37.5, 0.22%, 0.36%

LAB 41.53, 1.98, 16.52

 

CMYK 0 / 3 / 10 / 62

HEX #605D56

RGB 96 93 86

HSL 42, 0.05%, 0.36%

LAB 39.56, -0.19, 4.44

 

CMYK 20 / 12 / 0 / 60

HEX #515965

RGB 81 89 101

HSL 216, 0.11%, 0.36%

LAB 37.54, -0.26, -7.95

 

CMYK 0 / 65 / 70 / 45

HEX #8D322A

RGB 141 50 42

HSL 4.85, 0.54%, 0.36%

LAB 34.21, 38.12, 25.54

 

CMYK 0 / 46 / 70 / 45

HEX #8D4C2A

RGB 141 76 42

HSL 20.61, 0.54%, 0.36%

LAB 39.58, 24.41, 31.77

 

CMYK 0 / 27 / 70 / 45

HEX #8D672A

RGB 141 103 42

HSL 36.97, 0.54%, 0.36%

LAB 46.35, 8.76, 39.23

 

CMYK 0 / 9 / 70 / 45

HEX #8D812A

RGB 141 129 42

HSL 52.73, 0.54%, 0.36%

LAB 53.53, -6.03, 46.7

 

CMYK 11 / 0 / 70 / 45

HEX #7E8D2A

RGB 126 141 42

HSL 69.09, 0.54%, 0.36%

LAB 55.74, -19.21, 48.53

 

CMYK 0 / 26 / 70 / 70

HEX #4D3917

RGB 77 57 23

HSL 37.78, 0.54%, 0.2%

LAB 25.46, 4.53, 24.13

 

CMYK 0 / 27 / 71 / 57

HEX #6D5020

RGB 109 80 32

HSL 37.4, 0.55%, 0.28%

LAB 36.16, 6.68, 32.16

 

CMYK 0 / 27 / 70 / 45

HEX #8D672A

RGB 141 103 42

HSL 36.97, 0.54%, 0.36%

LAB 46.35, 8.76, 39.23

 

CMYK 0 / 27 / 71 / 32

HEX #AD7F33

RGB 173 127 51

HSL 37.38, 0.54%, 0.44%

LAB 56.39, 10.12, 46.71

 

CMYK 0 / 25 / 66 / 22

HEX #C69543

RGB 198 149 67

HSL 37.56, 0.53%, 0.52%

LAB 64.89, 9.9, 49.2

 

CMYK 0 / 26 / 70 / 45

HEX #8C672A

RGB 140 103 42

HSL 37.35, 0.54%, 0.36%

LAB 46.24, 8.3, 39.07

 

CMYK 57 / 0 / 70 / 45

HEX #3C8D2A

RGB 60 141 42

HSL 109.09, 0.54%, 0.36%

LAB 52.04, -43.79, 43.54

 

CMYK 55 / 70 / 0 / 45

HEX #3F2A8D

RGB 63 42 141

HSL 252.73, 0.54%, 0.36%

LAB 25.67, 36.6, -51.74

 

CMYK 0 / 26 / 70 / 45

HEX #8C672A

RGB 140 103 42

HSL 37.35, 0.54%, 0.36%

LAB 46.24, 8.3, 39.07

 

CMYK 70 / 0 / 27 / 45

HEX #2A8D67

RGB 42 141 103

HSL 156.97, 0.54%, 0.36%

LAB 52.42, -37.78, 12.18

 

CMYK 27 / 70 / 0 / 45

HEX #672A8D

RGB 103 42 141

HSL 276.97, 0.54%, 0.36%

LAB 30.55, 44.69, -43.59

 

CMYK 0 / 26 / 70 / 45

HEX #8C672A

RGB 140 103 42

HSL 37.35, 0.54%, 0.36%

LAB 46.24, 8.3, 39.07

 

CMYK 57 / 0 / 70 / 45

HEX #3C8D2A

RGB 60 141 42

HSL 109.09, 0.54%, 0.36%

LAB 52.04, -43.79, 43.54

 

CMYK 70 / 43 / 0 / 45

HEX #2A508D

RGB 42 80 141

HSL 216.97, 0.54%, 0.36%

LAB 34.3, 7.94, -37.86

 

CMYK 13 / 70 / 0 / 45

HEX #7B2A8D

RGB 123 42 141

HSL 289.09, 0.54%, 0.36%

LAB 33.54, 49.28, -38.62

 

CMYK 0 / 26 / 70 / 45

HEX #8C672A

RGB 140 103 42

HSL 37.35, 0.54%, 0.36%

LAB 46.24, 8.3, 39.07

 

CMYK 70 / 0 / 62 / 45

HEX #2A8D35

RGB 42 141 53

HSL 126.67, 0.54%, 0.36%

LAB 51.61, -46.86, 37.99

 

CMYK 70 / 43 / 0 / 45

HEX #2A508D

RGB 42 80 141

HSL 216.97, 0.54%, 0.36%

LAB 34.3, 7.94, -37.86

 

CMYK 0 / 70 / 9 / 45

HEX #8D2A81

RGB 141 42 129

HSL 307.27, 0.54%, 0.36%

LAB 35.8, 51.51, -27.44

 

Description

Color code: HEX #8C672A | qconv.com Color code: HEX #8C672A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 103 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 103 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 70 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 70% 45% C M Y K

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Provide designers and agencies with accurate color values.

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