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Color name
HEX #8C692F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C692F it is the complementary color #7396D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C692F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C692F shade: #91692A, #A27B3D, #B38D50, #C49F63 and #D5B176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C692F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C692F shade: #8C692F, #7B571C, #6A4509, #593300 and #482100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C692F shade: #8D6A2F, #8D502F, #8D372F and #8D2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C692F shade: #8D6A2F, #8D832F, #7E8D2F, #648D2F and #4B8D2F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C692F shade matches the following richer shades: #8D6A2F, #9C6D1F, #AC7110 and #BB7501

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C692F shade: #8D6A2F, #7E663E, #6E624D, #5F5E5C and #505A6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C692F shade: #8D372F, #8D502F, #8D692F, #8D822F and #7F8D2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C692F shade: #4F3B1A, #6E5224, #8D6A2F, #AC8139 and #C3964B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C692F shade: #8C692F, #408D2F and #432F8D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C692F shade: #8C692F, #2F8D69 and #692F8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C692F shade: #8C692F, #408D2F, #2F538D and #7C2F8D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C692F shade: #8C692F, #2F8D3A, #2F538D and #8D2F82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 66 / 45

HEX #8C692F

RGB 140 105 47

HSL 37.42, 0.5%, 0.37%

LAB 46.82, 7.46, 37.21

 

Complementary color

CMYK 45 / 28 / 0 / 18

HEX #7396D0

RGB 115 150 208

HSL 217.42, 0.5%, 0.63%

LAB 61.66, 3.24, -33.56

 

CMYK 0 / 28 / 71 / 43

HEX #91692A

RGB 145 105 42

HSL 36.7, 0.55%, 0.37%

LAB 47.35, 9.45, 40.44

 

CMYK 0 / 24 / 62 / 36

HEX #A27B3D

RGB 162 123 61

HSL 36.83, 0.45%, 0.44%

LAB 54.22, 8.11, 39.11

 

CMYK 0 / 21 / 55 / 30

HEX #B38D50

RGB 179 141 80

HSL 36.97, 0.39%, 0.51%

LAB 60.97, 7.01, 37.7

 

CMYK 0 / 19 / 49 / 23

HEX #C49F63

RGB 196 159 99

HSL 37.11, 0.45%, 0.58%

LAB 67.6, 6.1, 36.32

 

CMYK 0 / 17 / 45 / 16

HEX #D5B176

RGB 213 177 118

HSL 37.26, 0.53%, 0.65%

LAB 74.12, 5.32, 35

HEX #D5B176

CMYK 0 / 25 / 66 / 45

HEX #8C692F

RGB 140 105 47

HSL 37.42, 0.5%, 0.37%

LAB 46.82, 7.46, 37.21

 

CMYK 0 / 29 / 77 / 52

HEX #7B571C

RGB 123 87 28

HSL 37.26, 0.63%, 0.3%

LAB 39.77, 8.96, 38.39

 

CMYK 0 / 35 / 92 / 58

HEX #6A4509

RGB 106 69 9

HSL 37.11, 0.84%, 0.23%

LAB 32.57, 10.88, 38.66

 

CMYK 0 / 43 / 100 / 65

HEX #593300

RGB 89 51 0

HSL 34.38, 1%, 0.17%

LAB 25.23, 13.33, 35.1

 

CMYK 0 / 54 / 100 / 72

HEX #482100

RGB 72 33 0

HSL 27.5, 1%, 0.14%

LAB 17.76, 16.2, 26.24

 

CMYK 0 / 25 / 67 / 45

HEX #8D6A2F

RGB 141 106 47

HSL 37.66, 0.5%, 0.37%

LAB 47.2, 7.34, 37.67

 

CMYK 0 / 43 / 67 / 45

HEX #8D502F

RGB 141 80 47

HSL 21.06, 0.5%, 0.37%

LAB 40.58, 22.45, 30.13

 

CMYK 0 / 61 / 67 / 45

HEX #8D372F

RGB 141 55 47

HSL 5.11, 0.5%, 0.37%

LAB 35.2, 36.01, 23.67

 

CMYK 0 / 67 / 67 / 45

HEX #8D2F2F

RGB 141 47 47

HSL 0, 0.5%, 0.37%

LAB 33.78, 39.81, 21.9

 

CMYK 0 / 25 / 67 / 45

HEX #8D6A2F

RGB 141 106 47

HSL 37.66, 0.5%, 0.37%

LAB 47.2, 7.34, 37.67

 

CMYK 0 / 7 / 67 / 45

HEX #8D832F

RGB 141 131 47

HSL 53.62, 0.5%, 0.37%

LAB 54.13, -6.83, 45.15

 

CMYK 11 / 0 / 67 / 45

HEX #7E8D2F

RGB 126 141 47

HSL 69.57, 0.5%, 0.37%

LAB 55.78, -18.88, 46.48

 

CMYK 29 / 0 / 67 / 45

HEX #648D2F

RGB 100 141 47

HSL 86.17, 0.5%, 0.37%

LAB 53.99, -29.72, 44.05

 

CMYK 47 / 0 / 67 / 45

HEX #4B8D2F

RGB 75 141 47

HSL 102.13, 0.5%, 0.37%

LAB 52.68, -38.8, 42.25

 

CMYK 0 / 25 / 67 / 45

HEX #8D6A2F

RGB 141 106 47

HSL 37.66, 0.5%, 0.37%

LAB 47.2, 7.34, 37.67

 

CMYK 0 / 30 / 80 / 39

HEX #9C6D1F

RGB 156 109 31

HSL 37.44, 0.67%, 0.37%

LAB 49.62, 11.67, 47.97

 

CMYK 0 / 34 / 91 / 33

HEX #AC7110

RGB 172 113 16

HSL 37.31, 0.83%, 0.37%

LAB 52.53, 16.25, 56.07

 

CMYK 0 / 37 / 99 / 27

HEX #BB7501

RGB 187 117 1

HSL 37.42, 0.99%, 0.37%

LAB 55.37, 20.49, 61.93

 

CMYK 0 / 25 / 67 / 45

HEX #8D6A2F

RGB 141 106 47

HSL 37.66, 0.5%, 0.37%

LAB 47.2, 7.34, 37.67

 

CMYK 0 / 19 / 51 / 51

HEX #7E663E

RGB 126 102 62

HSL 37.5, 0.34%, 0.37%

LAB 44.64, 4.08, 26.13

 

CMYK 0 / 11 / 30 / 57

HEX #6E624D

RGB 110 98 77

HSL 38.18, 0.18%, 0.37%

LAB 42.13, 1.21, 13.72

 

CMYK 0 / 1 / 3 / 63

HEX #5F5E5C

RGB 95 94 92

HSL 40, 0.02%, 0.37%

LAB 39.93, -0.01, 1.28

 

CMYK 26 / 17 / 0 / 58

HEX #505A6C

RGB 80 90 108

HSL 218.57, 0.15%, 0.37%

LAB 38.02, 0.57, -11.57

 

CMYK 0 / 61 / 67 / 45

HEX #8D372F

RGB 141 55 47

HSL 5.11, 0.5%, 0.37%

LAB 35.2, 36.01, 23.67

 

CMYK 0 / 43 / 67 / 45

HEX #8D502F

RGB 141 80 47

HSL 21.06, 0.5%, 0.37%

LAB 40.58, 22.45, 30.13

 

CMYK 0 / 26 / 67 / 45

HEX #8D692F

RGB 141 105 47

HSL 37.02, 0.5%, 0.37%

LAB 46.94, 7.92, 37.37

 

CMYK 0 / 8 / 67 / 45

HEX #8D822F

RGB 141 130 47

HSL 52.98, 0.5%, 0.37%

LAB 53.85, -6.28, 44.85

 

CMYK 10 / 0 / 67 / 45

HEX #7F8D2F

RGB 127 141 47

HSL 68.94, 0.5%, 0.37%

LAB 55.85, -18.44, 46.59

 

CMYK 0 / 25 / 67 / 69

HEX #4F3B1A

RGB 79 59 26

HSL 37.36, 0.5%, 0.21%

LAB 26.35, 4.51, 23.48

 

CMYK 0 / 25 / 67 / 57

HEX #6E5224

RGB 110 82 36

HSL 37.3, 0.51%, 0.29%

LAB 36.89, 6.23, 30.89

 

CMYK 0 / 25 / 67 / 45

HEX #8D6A2F

RGB 141 106 47

HSL 37.66, 0.5%, 0.37%

LAB 47.2, 7.34, 37.67

 

CMYK 0 / 25 / 67 / 33

HEX #AC8139

RGB 172 129 57

HSL 37.57, 0.5%, 0.45%

LAB 56.85, 8.91, 44.34

 

CMYK 0 / 23 / 62 / 24

HEX #C3964B

RGB 195 150 75

HSL 37.5, 0.5%, 0.53%

LAB 64.9, 8.58, 45.29

 

CMYK 0 / 25 / 66 / 45

HEX #8C692F

RGB 140 105 47

HSL 37.42, 0.5%, 0.37%

LAB 46.82, 7.46, 37.21

 

CMYK 55 / 0 / 67 / 45

HEX #408D2F

RGB 64 141 47

HSL 109.15, 0.5%, 0.37%

LAB 52.23, -42.18, 41.62

 

CMYK 52 / 67 / 0 / 45

HEX #432F8D

RGB 67 47 141

HSL 252.77, 0.5%, 0.37%

LAB 27.16, 34.37, -49.3

 

CMYK 0 / 25 / 66 / 45

HEX #8C692F

RGB 140 105 47

HSL 37.42, 0.5%, 0.37%

LAB 46.82, 7.46, 37.21

 

CMYK 67 / 0 / 26 / 45

HEX #2F8D69

RGB 47 141 105

HSL 157.02, 0.5%, 0.37%

LAB 52.59, -36.41, 11.3

 

CMYK 26 / 67 / 0 / 45

HEX #692F8D

RGB 105 47 141

HSL 277.02, 0.5%, 0.37%

LAB 31.71, 42.7, -41.7

 

CMYK 0 / 25 / 66 / 45

HEX #8C692F

RGB 140 105 47

HSL 37.42, 0.5%, 0.37%

LAB 46.82, 7.46, 37.21

 

CMYK 55 / 0 / 67 / 45

HEX #408D2F

RGB 64 141 47

HSL 109.15, 0.5%, 0.37%

LAB 52.23, -42.18, 41.62

 

CMYK 67 / 41 / 0 / 45

HEX #2F538D

RGB 47 83 141

HSL 217.02, 0.5%, 0.37%

LAB 35.43, 6.84, -36.05

 

CMYK 12 / 67 / 0 / 45

HEX #7C2F8D

RGB 124 47 141

HSL 289.15, 0.5%, 0.37%

LAB 34.48, 47.33, -37.12

 

CMYK 0 / 25 / 66 / 45

HEX #8C692F

RGB 140 105 47

HSL 37.42, 0.5%, 0.37%

LAB 46.82, 7.46, 37.21

 

CMYK 67 / 0 / 59 / 45

HEX #2F8D3A

RGB 47 141 58

HSL 127.02, 0.5%, 0.37%

LAB 51.79, -45.19, 35.81

 

CMYK 67 / 41 / 0 / 45

HEX #2F538D

RGB 47 83 141

HSL 217.02, 0.5%, 0.37%

LAB 35.43, 6.84, -36.05

 

CMYK 0 / 67 / 8 / 45

HEX #8D2F82

RGB 141 47 130

HSL 307.02, 0.5%, 0.37%

LAB 36.57, 49.66, -26.85

 

Description

Color code: HEX #8C692F | qconv.com Color code: HEX #8C692F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 105 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 105 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 66 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 66% 45% C M Y K

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Provide designers and agencies with accurate color values.

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