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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C6297 it is the complementary color #739D68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C6297. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C6297 shade: #916292, #A274A5, #B386B8, #C498CB and #D5AADE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C6297. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C6297 shade: #8C6297, #7B5084, #6A3E71, #592C5E and #481A4B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C6297 shade: #8C6297, #976293, #976285, #976277 and #976269

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C6297 shade: #8C6297, #7E6297, #6F6297 and #626297

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C6297 shade matches the following richer shades: #8C6297, #984EAB, #A33ABF, #AF26D3 and #BB11E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C6297 shade: #8C6297, #807682, #748B6E, #689F5A and #5CB346

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C6297 shade: #6F6297, #7D6297, #8B6297, #976294 and #976286

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C6297 shade: #5D4265, #75527E, #8C6297, #9F7AA8 and #B193B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C6297 shade: #8C6297, #976263 and #629776

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C6297 shade: #8C6297, #978B62 and #62978B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C6297 shade: #8C6297, #976263, #6E9762 and #629796

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C6297 shade: #8C6297, #977162, #6E9762 and #628897

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 35 / 0 / 41

HEX #8C6297

RGB 140 98 151

HSL 287.55, 0.21%, 0.49%

LAB 47.68, 26.67, -22.31

 

Complementary color

CMYK 27 / 0 / 34 / 38

HEX #739D68

RGB 115 157 104

HSL 107.55, 0.21%, 0.51%

LAB 60.57, -24.79, 23.26

 

CMYK 1 / 33 / 0 / 43

HEX #916292

RGB 145 98 146

HSL 298.75, 0.2%, 0.48%

LAB 48.05, 27.33, -18.73

 

CMYK 2 / 30 / 0 / 35

HEX #A274A5

RGB 162 116 165

HSL 296.33, 0.21%, 0.55%

LAB 54.96, 26.59, -19.14

 

CMYK 3 / 27 / 0 / 28

HEX #B386B8

RGB 179 134 184

HSL 294, 0.26%, 0.62%

LAB 61.74, 25.91, -19.52

 

CMYK 3 / 25 / 0 / 20

HEX #C498CB

RGB 196 152 203

HSL 291.76, 0.33%, 0.7%

LAB 68.39, 25.29, -19.89

 

CMYK 4 / 23 / 0 / 13

HEX #D5AADE

RGB 213 170 222

HSL 289.62, 0.44%, 0.77%

LAB 74.93, 24.71, -20.25

 

CMYK 7 / 35 / 0 / 41

HEX #8C6297

RGB 140 98 151

HSL 287.55, 0.21%, 0.49%

LAB 47.68, 26.67, -22.31

 

CMYK 7 / 39 / 0 / 48

HEX #7B5084

RGB 123 80 132

HSL 289.62, 0.25%, 0.42%

LAB 40.6, 27.46, -22

 

CMYK 6 / 45 / 0 / 56

HEX #6A3E71

RGB 106 62 113

HSL 291.76, 0.29%, 0.34%

LAB 33.35, 28.3, -21.64

 

CMYK 5 / 53 / 0 / 63

HEX #592C5E

RGB 89 44 94

HSL 294, 0.36%, 0.27%

LAB 25.96, 29.12, -21.17

 

CMYK 4 / 65 / 0 / 71

HEX #481A4B

RGB 72 26 75

HSL 296.33, 0.49%, 0.2%

LAB 18.47, 29.74, -20.44

 

CMYK 7 / 35 / 0 / 41

HEX #8C6297

RGB 140 98 151

HSL 287.55, 0.21%, 0.49%

LAB 47.68, 26.67, -22.31

 

CMYK 0 / 35 / 3 / 41

HEX #976293

RGB 151 98 147

HSL 304.53, 0.21%, 0.49%

LAB 48.79, 29.58, -18.13

 

CMYK 0 / 35 / 12 / 41

HEX #976285

RGB 151 98 133

HSL 320.38, 0.21%, 0.49%

LAB 48.27, 26.98, -10.58

 

CMYK 0 / 35 / 21 / 41

HEX #976277

RGB 151 98 119

HSL 336.23, 0.21%, 0.49%

LAB 47.81, 24.61, -2.88

 

CMYK 0 / 35 / 30 / 41

HEX #976269

RGB 151 98 105

HSL 352.08, 0.21%, 0.49%

LAB 47.41, 22.48, 4.94

 

CMYK 7 / 35 / 0 / 41

HEX #8C6297

RGB 140 98 151

HSL 287.55, 0.21%, 0.49%

LAB 47.68, 26.67, -22.31

 

CMYK 17 / 35 / 0 / 41

HEX #7E6297

RGB 126 98 151

HSL 271.7, 0.21%, 0.49%

LAB 46.18, 22.03, -24.74

 

CMYK 26 / 35 / 0 / 41

HEX #6F6297

RGB 111 98 151

HSL 254.72, 0.21%, 0.49%

LAB 44.73, 17.21, -27.12

 

CMYK 35 / 35 / 0 / 41

HEX #626297

RGB 98 98 151

HSL 240, 0.21%, 0.49%

LAB 43.6, 13.23, -28.96

 

CMYK 7 / 35 / 0 / 41

HEX #8C6297

RGB 140 98 151

HSL 287.55, 0.21%, 0.49%

LAB 47.68, 26.67, -22.31

 

CMYK 11 / 54 / 0 / 33

HEX #984EAB

RGB 152 78 171

HSL 287.74, 0.37%, 0.49%

LAB 45.72, 45.64, -37.09

 

CMYK 15 / 70 / 0 / 25

HEX #A33ABF

RGB 163 58 191

HSL 287.37, 0.53%, 0.49%

LAB 45.05, 61.54, -49.8

 

CMYK 17 / 82 / 0 / 17

HEX #AF26D3

RGB 175 38 211

HSL 287.51, 0.69%, 0.49%

LAB 45.91, 74.06, -59.89

 

CMYK 19 / 93 / 0 / 9

HEX #BB11E8

RGB 187 17 232

HSL 287.44, 0.86%, 0.49%

LAB 48, 83.42, -68.41

 

CMYK 7 / 35 / 0 / 41

HEX #8C6297

RGB 140 98 151

HSL 287.55, 0.21%, 0.49%

LAB 47.68, 26.67, -22.31

 

CMYK 2 / 9 / 0 / 49

HEX #807682

RGB 128 118 130

HSL 290, 0.05%, 0.49%

LAB 50.87, 6.2, -5.17

 

CMYK 17 / 0 / 21 / 45

HEX #748B6E

RGB 116 139 110

HSL 107.59, 0.12%, 0.49%

LAB 55.38, -14.06, 12.83

 

CMYK 35 / 0 / 43 / 38

HEX #689F5A

RGB 104 159 90

HSL 107.83, 0.28%, 0.49%

LAB 60.32, -31.8, 30.35

 

CMYK 49 / 0 / 61 / 30

HEX #5CB346

RGB 92 179 70

HSL 107.89, 0.44%, 0.49%

LAB 65.72, -46.92, 46.62

 

CMYK 26 / 35 / 0 / 41

HEX #6F6297

RGB 111 98 151

HSL 254.72, 0.21%, 0.49%

LAB 44.73, 17.21, -27.12

 

CMYK 17 / 35 / 0 / 41

HEX #7D6297

RGB 125 98 151

HSL 270.57, 0.21%, 0.49%

LAB 46.08, 21.7, -24.91

 

CMYK 8 / 35 / 0 / 41

HEX #8B6297

RGB 139 98 151

HSL 286.42, 0.21%, 0.49%

LAB 47.57, 26.33, -22.49

 

CMYK 0 / 35 / 2 / 41

HEX #976294

RGB 151 98 148

HSL 303.4, 0.21%, 0.49%

LAB 48.83, 29.77, -18.66

 

CMYK 0 / 35 / 11 / 41

HEX #976286

RGB 151 98 134

HSL 319.25, 0.21%, 0.49%

LAB 48.31, 27.16, -11.13

 

CMYK 8 / 35 / 0 / 60

HEX #5D4265

RGB 93 66 101

HSL 286.29, 0.21%, 0.33%

LAB 32.18, 18.64, -16

 

CMYK 7 / 35 / 0 / 51

HEX #75527E

RGB 117 82 126

HSL 287.73, 0.21%, 0.41%

LAB 40.12, 22.91, -19.13

 

CMYK 7 / 35 / 0 / 41

HEX #8C6297

RGB 140 98 151

HSL 287.55, 0.21%, 0.49%

LAB 47.68, 26.67, -22.31

 

CMYK 5 / 27 / 0 / 34

HEX #9F7AA8

RGB 159 122 168

HSL 288.26, 0.21%, 0.57%

LAB 56.2, 22.75, -19

 

CMYK 4 / 20 / 0 / 28

HEX #B193B8

RGB 177 147 184

HSL 288.65, 0.21%, 0.65%

LAB 64.7, 17.93, -15.04

 

CMYK 7 / 35 / 0 / 41

HEX #8C6297

RGB 140 98 151

HSL 287.55, 0.21%, 0.49%

LAB 47.68, 26.67, -22.31

 

CMYK 0 / 35 / 34 / 41

HEX #976263

RGB 151 98 99

HSL 358.87, 0.21%, 0.49%

LAB 47.26, 21.65, 8.33

 

CMYK 35 / 0 / 22 / 41

HEX #629776

RGB 98 151 118

HSL 142.64, 0.21%, 0.49%

LAB 58.07, -25.02, 11.89

 

CMYK 7 / 35 / 0 / 41

HEX #8C6297

RGB 140 98 151

HSL 287.55, 0.21%, 0.49%

LAB 47.68, 26.67, -22.31

 

CMYK 0 / 8 / 35 / 41

HEX #978B62

RGB 151 139 98

HSL 46.42, 0.21%, 0.49%

LAB 57.97, -1.92, 23.59

 

CMYK 35 / 0 / 8 / 41

HEX #62978B

RGB 98 151 139

HSL 166.42, 0.21%, 0.49%

LAB 58.6, -20.4, 0.73

 

CMYK 7 / 35 / 0 / 41

HEX #8C6297

RGB 140 98 151

HSL 287.55, 0.21%, 0.49%

LAB 47.68, 26.67, -22.31

 

CMYK 0 / 35 / 34 / 41

HEX #976263

RGB 151 98 99

HSL 358.87, 0.21%, 0.49%

LAB 47.26, 21.65, 8.33

 

CMYK 27 / 0 / 35 / 41

HEX #6E9762

RGB 110 151 98

HSL 106.42, 0.21%, 0.49%

LAB 58.35, -24.56, 23.54

 

CMYK 35 / 0 / 1 / 41

HEX #629796

RGB 98 151 150

HSL 178.87, 0.21%, 0.49%

LAB 58.91, -17.73, -5.07

 

CMYK 7 / 35 / 0 / 41

HEX #8C6297

RGB 140 98 151

HSL 287.55, 0.21%, 0.49%

LAB 47.68, 26.67, -22.31

 

CMYK 0 / 25 / 35 / 41

HEX #977162

RGB 151 113 98

HSL 16.98, 0.21%, 0.49%

LAB 51, 12.85, 14.16

 

CMYK 27 / 0 / 35 / 41

HEX #6E9762

RGB 110 151 98

HSL 106.42, 0.21%, 0.49%

LAB 58.35, -24.56, 23.54

 

CMYK 35 / 10 / 0 / 41

HEX #628897

RGB 98 136 151

HSL 196.98, 0.21%, 0.49%

LAB 54.49, -9.31, -12.24

 

Description

Color code: HEX #8C6297 | qconv.com Color code: HEX #8C6297 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 98 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 98 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 35 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 35% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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