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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C6345 it is the complementary color #739CBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C6345. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C6345 shade: #916340, #A27553, #B38766, #C49979 and #D5AB8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C6345. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C6345 shade: #8C6345, #7B5132, #6A3F1F, #592D0C and #481B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C6345 shade: #8C6345, #8C4F45 and #8C4545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C6345 shade: #8C6345, #8C7645, #8C8945, #7B8C45 and #688C45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C6345 shade matches the following richer shades: #8C6345, #9D6034, #AD5D23, #BE5B12 and #CF5801

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C6345 shade: #8C6345, #7B6555, #6A6866, #596A77 and #486D88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C6345 shade: #8C454D, #8C4F45, #8C6245, #8C7545 and #8C8845

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C6345 shade: #543B29, #704F37, #8C6345, #A77652 and #B68C6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C6345 shade: #8C6345, #608C45 and #46458C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C6345 shade: #8C6345, #458C62 and #62458C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C6345 shade: #8C6345, #608C45, #456E8C and #70458C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C6345 shade: #8C6345, #4A8C45, #456E8C and #86458C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 51 / 45

HEX #8C6345

RGB 140 99 69

HSL 25.35, 0.34%, 0.41%

LAB 45.54, 12.84, 23.57

 

Complementary color

CMYK 38 / 16 / 0 / 27

HEX #739CBA

RGB 115 156 186

HSL 205.35, 0.34%, 0.59%

LAB 62.48, -6.29, -19.98

 

CMYK 0 / 32 / 56 / 43

HEX #916340

RGB 145 99 64

HSL 25.93, 0.39%, 0.41%

LAB 46.06, 14.56, 27.24

 

CMYK 0 / 28 / 49 / 36

HEX #A27553

RGB 162 117 83

HSL 25.82, 0.32%, 0.48%

LAB 52.98, 13.45, 25.67

 

CMYK 0 / 25 / 43 / 30

HEX #B38766

RGB 179 135 102

HSL 25.71, 0.34%, 0.55%

LAB 59.77, 12.51, 24.26

 

CMYK 0 / 22 / 38 / 23

HEX #C49979

RGB 196 153 121

HSL 25.6, 0.39%, 0.62%

LAB 66.44, 11.71, 22.97

 

CMYK 0 / 20 / 34 / 16

HEX #D5AB8C

RGB 213 171 140

HSL 25.48, 0.46%, 0.69%

LAB 73, 11.03, 21.78

 

CMYK 0 / 29 / 51 / 45

HEX #8C6345

RGB 140 99 69

HSL 25.35, 0.34%, 0.41%

LAB 45.54, 12.84, 23.57

 

CMYK 0 / 34 / 59 / 52

HEX #7B5132

RGB 123 81 50

HSL 25.48, 0.42%, 0.34%

LAB 38.42, 14.05, 25.22

 

CMYK 0 / 41 / 71 / 58

HEX #6A3F1F

RGB 106 63 31

HSL 25.6, 0.55%, 0.27%

LAB 31.16, 15.58, 27.05

 

CMYK 0 / 49 / 87 / 65

HEX #592D0C

RGB 89 45 12

HSL 25.71, 0.76%, 0.2%

LAB 23.76, 17.51, 28.74

 

CMYK 0 / 63 / 100 / 72

HEX #481B00

RGB 72 27 0

HSL 22.5, 1%, 0.14%

LAB 16.31, 19.86, 24.47

 

CMYK 0 / 29 / 51 / 45

HEX #8C6345

RGB 140 99 69

HSL 25.35, 0.34%, 0.41%

LAB 45.54, 12.84, 23.57

 

CMYK 0 / 44 / 51 / 45

HEX #8C4F45

RGB 140 79 69

HSL 8.45, 0.34%, 0.41%

LAB 40.57, 24.47, 17.05

 

CMYK 0 / 51 / 51 / 45

HEX #8C4545

RGB 140 69 69

HSL 0, 0.34%, 0.41%

LAB 38.31, 30.08, 14

 

CMYK 0 / 29 / 51 / 45

HEX #8C6345

RGB 140 99 69

HSL 25.35, 0.34%, 0.41%

LAB 45.54, 12.84, 23.57

 

CMYK 0 / 16 / 51 / 45

HEX #8C7645

RGB 140 118 69

HSL 41.41, 0.34%, 0.41%

LAB 50.64, 1.82, 30.02

 

CMYK 0 / 2 / 51 / 45

HEX #8C8945

RGB 140 137 69

HSL 57.46, 0.34%, 0.41%

LAB 55.98, -8.8, 36.52

 

CMYK 12 / 0 / 51 / 45

HEX #7B8C45

RGB 123 140 69

HSL 74.37, 0.34%, 0.41%

LAB 55.48, -17.7, 35.59

 

CMYK 26 / 0 / 51 / 45

HEX #688C45

RGB 104 140 69

HSL 90.42, 0.34%, 0.41%

LAB 54.16, -25.43, 33.69

 

CMYK 0 / 29 / 51 / 45

HEX #8C6345

RGB 140 99 69

HSL 25.35, 0.34%, 0.41%

LAB 45.54, 12.84, 23.57

 

CMYK 0 / 39 / 67 / 38

HEX #9D6034

RGB 157 96 52

HSL 25.14, 0.5%, 0.41%

LAB 46.69, 20.64, 35.01

 

CMYK 0 / 46 / 80 / 32

HEX #AD5D23

RGB 173 93 35

HSL 25.22, 0.66%, 0.41%

LAB 48.05, 28.34, 45.6

 

CMYK 0 / 52 / 91 / 25

HEX #BE5B12

RGB 190 91 18

HSL 25.47, 0.83%, 0.41%

LAB 50.06, 35.96, 54.76

 

CMYK 0 / 57 / 100 / 19

HEX #CF5801

RGB 207 88 1

HSL 25.34, 0.99%, 0.41%

LAB 52.12, 43.88, 61.39

 

CMYK 0 / 29 / 51 / 45

HEX #8C6345

RGB 140 99 69

HSL 25.35, 0.34%, 0.41%

LAB 45.54, 12.84, 23.57

 

CMYK 0 / 18 / 31 / 52

HEX #7B6555

RGB 123 101 85

HSL 25.26, 0.18%, 0.41%

LAB 44.48, 6.23, 12.37

 

CMYK 0 / 2 / 4 / 58

HEX #6A6866

RGB 106 104 102

HSL 30, 0.02%, 0.41%

LAB 44.12, 0.38, 1.39

 

CMYK 25 / 11 / 0 / 53

HEX #596A77

RGB 89 106 119

HSL 206, 0.14%, 0.41%

LAB 43.89, -3.19, -9.37

 

CMYK 47 / 20 / 0 / 47

HEX #486D88

RGB 72 109 136

HSL 205.31, 0.31%, 0.41%

LAB 44.37, -5.35, -18.96

 

CMYK 0 / 51 / 45 / 45

HEX #8C454D

RGB 140 69 77

HSL 353.24, 0.34%, 0.41%

LAB 38.49, 30.94, 9.26

 

CMYK 0 / 44 / 51 / 45

HEX #8C4F45

RGB 140 79 69

HSL 8.45, 0.34%, 0.41%

LAB 40.57, 24.47, 17.05

 

CMYK 0 / 30 / 51 / 45

HEX #8C6245

RGB 140 98 69

HSL 24.51, 0.34%, 0.41%

LAB 45.28, 13.42, 23.24

 

CMYK 0 / 16 / 51 / 45

HEX #8C7545

RGB 140 117 69

HSL 40.56, 0.34%, 0.41%

LAB 50.37, 2.39, 29.68

 

CMYK 0 / 3 / 51 / 45

HEX #8C8845

RGB 140 136 69

HSL 56.62, 0.34%, 0.41%

LAB 55.7, -8.25, 36.18

 

CMYK 0 / 30 / 51 / 67

HEX #543B29

RGB 84 59 41

HSL 25.12, 0.34%, 0.25%

LAB 27.22, 8.5, 15.49

 

CMYK 0 / 29 / 51 / 56

HEX #704F37

RGB 112 79 55

HSL 25.26, 0.34%, 0.33%

LAB 36.58, 10.72, 19.63

 

CMYK 0 / 29 / 51 / 45

HEX #8C6345

RGB 140 99 69

HSL 25.35, 0.34%, 0.41%

LAB 45.54, 12.84, 23.57

 

CMYK 0 / 29 / 51 / 35

HEX #A77652

RGB 167 118 82

HSL 25.41, 0.34%, 0.49%

LAB 53.79, 14.92, 27.4

 

CMYK 0 / 23 / 41 / 29

HEX #B68C6C

RGB 182 140 108

HSL 25.95, 0.34%, 0.57%

LAB 61.47, 11.65, 23.23

 

CMYK 0 / 29 / 51 / 45

HEX #8C6345

RGB 140 99 69

HSL 25.35, 0.34%, 0.41%

LAB 45.54, 12.84, 23.57

 

CMYK 31 / 0 / 51 / 45

HEX #608C45

RGB 96 140 69

HSL 97.18, 0.34%, 0.41%

LAB 53.68, -28.49, 32.99

 

CMYK 50 / 51 / 0 / 45

HEX #46458C

RGB 70 69 140

HSL 240.85, 0.34%, 0.41%

LAB 32.81, 20.72, -39.53

 

CMYK 0 / 29 / 51 / 45

HEX #8C6345

RGB 140 99 69

HSL 25.35, 0.34%, 0.41%

LAB 45.54, 12.84, 23.57

 

CMYK 51 / 0 / 30 / 45

HEX #458C62

RGB 69 140 98

HSL 144.51, 0.34%, 0.41%

LAB 52.84, -32.45, 15.75

 

CMYK 30 / 51 / 0 / 45

HEX #62458C

RGB 98 69 140

HSL 264.51, 0.34%, 0.41%

LAB 35.49, 28.18, -35.1

 

CMYK 0 / 29 / 51 / 45

HEX #8C6345

RGB 140 99 69

HSL 25.35, 0.34%, 0.41%

LAB 45.54, 12.84, 23.57

 

CMYK 31 / 0 / 51 / 45

HEX #608C45

RGB 96 140 69

HSL 97.18, 0.34%, 0.41%

LAB 53.68, -28.49, 32.99

 

CMYK 51 / 21 / 0 / 45

HEX #456E8C

RGB 69 110 140

HSL 205.35, 0.34%, 0.41%

LAB 44.68, -5.48, -20.88

 

CMYK 20 / 51 / 0 / 45

HEX #70458C

RGB 112 69 140

HSL 276.34, 0.34%, 0.41%

LAB 37.1, 32.26, -32.44

 

CMYK 0 / 29 / 51 / 45

HEX #8C6345

RGB 140 99 69

HSL 25.35, 0.34%, 0.41%

LAB 45.54, 12.84, 23.57

 

CMYK 47 / 0 / 51 / 45

HEX #4A8C45

RGB 74 140 69

HSL 115.77, 0.34%, 0.41%

LAB 52.56, -36.07, 31.35

 

CMYK 51 / 21 / 0 / 45

HEX #456E8C

RGB 69 110 140

HSL 205.35, 0.34%, 0.41%

LAB 44.68, -5.48, -20.88

 

CMYK 4 / 51 / 0 / 45

HEX #86458C

RGB 134 69 140

HSL 294.93, 0.34%, 0.41%

LAB 39.95, 38.86, -27.78

 

Description

Color code: HEX #8C6345 | qconv.com Color code: HEX #8C6345 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 99 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 99 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 51 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 51% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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