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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C6C2B it is the complementary color #7393D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C6C2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C6C2B shade: #916C26, #A27E39, #B3904C, #C4A25F and #D5B472

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C6C2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C6C2B shade: #8C6C2B, #7B5A18, #6A4805, #593600 and #482400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C6C2B shade: #8C6C2B, #8C522B, #8C372B and #8C2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C6C2B shade: #8C6C2B, #8C862B, #788C2B, #5D8C2B and #438C2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C6C2B shade matches the following richer shades: #8C6C2B, #9B711C and #AA760D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C6C2B shade: #8C6C2B, #7D6739, #6E6248, #5F5D57 and #515866

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C6C2B shade: #8C382B, #8C522B, #8C6C2B, #8C852B and #788C2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C6C2B shade: #4D3B17, #6C5421, #8C6C2B, #AC8434 and #C59B44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C6C2B shade: #8C6C2B, #388C2B and #452B8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C6C2B shade: #8C6C2B, #2B8C6C and #6C2B8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C6C2B shade: #8C6C2B, #388C2B, #2B4B8C and #7F2B8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C6C2B shade: #8C6C2B, #2B8C3B, #2B4B8C and #8C2B7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 69 / 45

HEX #8C6C2B

RGB 140 108 43

HSL 40.21, 0.53%, 0.36%

LAB 47.59, 5.46, 40.04

 

Complementary color

CMYK 46 / 31 / 0 / 17

HEX #7393D4

RGB 115 147 212

HSL 220.21, 0.53%, 0.64%

LAB 61.02, 6.14, -36.81

 

CMYK 0 / 26 / 74 / 43

HEX #916C26

RGB 145 108 38

HSL 39.25, 0.58%, 0.36%

LAB 48.11, 7.49, 43.09

 

CMYK 0 / 22 / 65 / 36

HEX #A27E39

RGB 162 126 57

HSL 39.43, 0.48%, 0.43%

LAB 54.97, 6.13, 41.96

 

CMYK 0 / 20 / 58 / 30

HEX #B3904C

RGB 179 144 76

HSL 39.61, 0.4%, 0.5%

LAB 61.7, 5.02, 40.64

 

CMYK 0 / 17 / 52 / 23

HEX #C4A25F

RGB 196 162 95

HSL 39.8, 0.46%, 0.57%

LAB 68.32, 4.1, 39.29

 

CMYK 0 / 15 / 46 / 16

HEX #D5B472

RGB 213 180 114

HSL 40, 0.54%, 0.64%

LAB 74.83, 3.33, 37.98

 

CMYK 0 / 23 / 69 / 45

HEX #8C6C2B

RGB 140 108 43

HSL 40.21, 0.53%, 0.36%

LAB 47.59, 5.46, 40.04

 

CMYK 0 / 27 / 80 / 52

HEX #7B5A18

RGB 123 90 24

HSL 40, 0.67%, 0.29%

LAB 40.56, 6.98, 40.9

 

CMYK 0 / 32 / 95 / 58

HEX #6A4805

RGB 106 72 5

HSL 39.8, 0.91%, 0.22%

LAB 33.37, 8.92, 40.68

 

CMYK 0 / 39 / 100 / 65

HEX #593600

RGB 89 54 0

HSL 36.4, 1%, 0.17%

LAB 26.05, 11.44, 35.86

 

CMYK 0 / 50 / 100 / 72

HEX #482400

RGB 72 36 0

HSL 30, 1%, 0.14%

LAB 18.54, 14.3, 27.17

 

CMYK 0 / 23 / 69 / 45

HEX #8C6C2B

RGB 140 108 43

HSL 40.21, 0.53%, 0.36%

LAB 47.59, 5.46, 40.04

 

CMYK 0 / 41 / 69 / 45

HEX #8C522B

RGB 140 82 43

HSL 24.12, 0.53%, 0.36%

LAB 40.87, 20.6, 32.65

 

CMYK 0 / 61 / 69 / 45

HEX #8C372B

RGB 140 55 43

HSL 7.42, 0.53%, 0.36%

LAB 34.97, 35.37, 25.79

 

CMYK 0 / 69 / 69 / 45

HEX #8C2B2B

RGB 140 43 43

HSL 0, 0.53%, 0.36%

LAB 32.87, 40.98, 23.25

 

CMYK 0 / 23 / 69 / 45

HEX #8C6C2B

RGB 140 108 43

HSL 40.21, 0.53%, 0.36%

LAB 47.59, 5.46, 40.04

 

CMYK 0 / 4 / 69 / 45

HEX #8C862B

RGB 140 134 43

HSL 56.29, 0.53%, 0.36%

LAB 54.87, -9.17, 47.61

 

CMYK 14 / 0 / 69 / 45

HEX #788C2B

RGB 120 140 43

HSL 72.37, 0.53%, 0.36%

LAB 54.99, -21.23, 47.22

 

CMYK 34 / 0 / 69 / 45

HEX #5D8C2B

RGB 93 140 43

HSL 89.07, 0.53%, 0.36%

LAB 53.23, -32.3, 44.84

 

CMYK 52 / 0 / 69 / 45

HEX #438C2B

RGB 67 140 43

HSL 105.15, 0.53%, 0.36%

LAB 51.98, -41.28, 43.13

 

CMYK 0 / 23 / 69 / 45

HEX #8C6C2B

RGB 140 108 43

HSL 40.21, 0.53%, 0.36%

LAB 47.59, 5.46, 40.04

 

CMYK 0 / 27 / 82 / 39

HEX #9B711C

RGB 155 113 28

HSL 40.16, 0.69%, 0.36%

LAB 50.53, 8.81, 49.89

 

CMYK 0 / 31 / 92 / 33

HEX #AA760D

RGB 170 118 13

HSL 40.13, 0.86%, 0.36%

LAB 53.53, 12.47, 57.41

 

CMYK 0 / 23 / 69 / 45

HEX #8C6C2B

RGB 140 108 43

HSL 40.21, 0.53%, 0.36%

LAB 47.59, 5.46, 40.04

 

CMYK 0 / 18 / 54 / 51

HEX #7D6739

RGB 125 103 57

HSL 40.59, 0.37%, 0.36%

LAB 44.74, 2.54, 29.03

 

CMYK 0 / 11 / 35 / 57

HEX #6E6248

RGB 110 98 72

HSL 41.05, 0.21%, 0.36%

LAB 42.03, 0.49, 16.57

 

CMYK 0 / 2 / 8 / 63

HEX #5F5D57

RGB 95 93 87

HSL 45, 0.04%, 0.36%

LAB 39.5, -0.41, 3.72

 

CMYK 21 / 14 / 0 / 60

HEX #515866

RGB 81 88 102

HSL 220, 0.11%, 0.36%

LAB 37.28, 0.61, -8.97

 

CMYK 0 / 60 / 69 / 45

HEX #8C382B

RGB 140 56 43

HSL 8.04, 0.53%, 0.36%

LAB 35.16, 34.87, 26.02

 

CMYK 0 / 41 / 69 / 45

HEX #8C522B

RGB 140 82 43

HSL 24.12, 0.53%, 0.36%

LAB 40.87, 20.6, 32.65

 

CMYK 0 / 23 / 69 / 45

HEX #8C6C2B

RGB 140 108 43

HSL 40.21, 0.53%, 0.36%

LAB 47.59, 5.46, 40.04

 

CMYK 0 / 5 / 69 / 45

HEX #8C852B

RGB 140 133 43

HSL 55.67, 0.53%, 0.36%

LAB 54.58, -8.63, 47.32

 

CMYK 14 / 0 / 69 / 45

HEX #788C2B

RGB 120 140 43

HSL 72.37, 0.53%, 0.36%

LAB 54.99, -21.23, 47.22

 

CMYK 0 / 23 / 70 / 70

HEX #4D3B17

RGB 77 59 23

HSL 40, 0.54%, 0.2%

LAB 26.06, 3.25, 24.8

 

CMYK 0 / 22 / 69 / 58

HEX #6C5421

RGB 108 84 33

HSL 40.8, 0.53%, 0.28%

LAB 37.19, 3.84, 32.72

 

CMYK 0 / 23 / 69 / 45

HEX #8C6C2B

RGB 140 108 43

HSL 40.21, 0.53%, 0.36%

LAB 47.59, 5.46, 40.04

 

CMYK 0 / 23 / 70 / 33

HEX #AC8434

RGB 172 132 52

HSL 40, 0.54%, 0.44%

LAB 57.58, 6.94, 47.47

 

CMYK 0 / 21 / 65 / 23

HEX #C59B44

RGB 197 155 68

HSL 40.47, 0.53%, 0.52%

LAB 66.31, 6.26, 50.27

 

CMYK 0 / 23 / 69 / 45

HEX #8C6C2B

RGB 140 108 43

HSL 40.21, 0.53%, 0.36%

LAB 47.59, 5.46, 40.04

 

CMYK 60 / 0 / 69 / 45

HEX #388C2B

RGB 56 140 43

HSL 111.96, 0.53%, 0.36%

LAB 51.58, -44.38, 42.59

 

CMYK 51 / 69 / 0 / 45

HEX #452B8C

RGB 69 43 140

HSL 256.08, 0.53%, 0.36%

LAB 26.41, 36.8, -49.89

 

CMYK 0 / 23 / 69 / 45

HEX #8C6C2B

RGB 140 108 43

HSL 40.21, 0.53%, 0.36%

LAB 47.59, 5.46, 40.04

 

CMYK 69 / 0 / 23 / 45

HEX #2B8C6C

RGB 43 140 108

HSL 160.21, 0.53%, 0.36%

LAB 52.23, -35.96, 9.06

 

CMYK 23 / 69 / 0 / 45

HEX #6C2B8C

RGB 108 43 140

HSL 280.21, 0.53%, 0.36%

LAB 31.37, 45.13, -41.62

 

CMYK 0 / 23 / 69 / 45

HEX #8C6C2B

RGB 140 108 43

HSL 40.21, 0.53%, 0.36%

LAB 47.59, 5.46, 40.04

 

CMYK 60 / 0 / 69 / 45

HEX #388C2B

RGB 56 140 43

HSL 111.96, 0.53%, 0.36%

LAB 51.58, -44.38, 42.59

 

CMYK 69 / 46 / 0 / 45

HEX #2B4B8C

RGB 43 75 140

HSL 220.21, 0.53%, 0.36%

LAB 32.79, 11.06, -39.67

 

CMYK 9 / 69 / 0 / 45

HEX #7F2B8C

RGB 127 43 140

HSL 291.96, 0.53%, 0.36%

LAB 34.26, 49.61, -36.83

 

CMYK 0 / 23 / 69 / 45

HEX #8C6C2B

RGB 140 108 43

HSL 40.21, 0.53%, 0.36%

LAB 47.59, 5.46, 40.04

 

CMYK 69 / 0 / 58 / 45

HEX #2B8C3B

RGB 43 140 59

HSL 129.9, 0.53%, 0.36%

LAB 51.37, -45.5, 34.79

 

CMYK 69 / 46 / 0 / 45

HEX #2B4B8C

RGB 43 75 140

HSL 220.21, 0.53%, 0.36%

LAB 32.79, 11.06, -39.67

 

CMYK 0 / 69 / 11 / 45

HEX #8C2B7C

RGB 140 43 124

HSL 309.9, 0.53%, 0.36%

LAB 35.51, 50.05, -24.78

 

Description

Color code: HEX #8C6C2B | qconv.com Color code: HEX #8C6C2B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 108 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 108 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 69 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 69% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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