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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C6C72 it is the complementary color #73938D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C6C72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C6C72 shade: #916C6D, #A27E80, #B39093, #C4A2A6 and #D5B4B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C6C72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C6C72 shade: #8C6C72, #7B5A5F, #6A484C, #593639 and #482426

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C6C72 shade: #8D6C72 and #8D6C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C6C72 shade: #8D6C72, #8D6C7B, #8D6C84, #8D6C8D and #846C8D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C6C72 shade matches the following richer shades: #8D6C72, #A15866, #B54459, #C9304C and #DE1B40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C6C72 shade: #8D6C72, #78807F, #64958C, #50A998 and #3CBDA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C6C72 shade: #8D6C84, #8D6C7B, #8D6C73, #8D6E6C and #8D776C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C6C72 shade: #5E484C, #755A5F, #8D6C72, #9F8388 and #B19A9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C6C72 shade: #8C6C72, #8D8D6C and #6C808D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C6C72 shade: #8C6C72, #738D6C and #6C738D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C6C72 shade: #8C6C72, #8D8D6C, #6C8D86 and #6C6C8D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C6C72 shade: #8C6C72, #838D6C, #6C8D86 and #766C8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 19 / 45

HEX #8C6C72

RGB 140 108 114

HSL 348.75, 0.13%, 0.49%

LAB 48.9, 13.7, 1.55

 

Complementary color

CMYK 22 / 0 / 4 / 42

HEX #73938D

RGB 115 147 141

HSL 168.75, 0.13%, 0.51%

LAB 58.45, -12.46, -0.51

 

CMYK 0 / 26 / 25 / 43

HEX #916C6D

RGB 145 108 109

HSL 358.38, 0.15%, 0.5%

LAB 49.31, 14.88, 5.19

 

CMYK 0 / 22 / 21 / 36

HEX #A27E80

RGB 162 126 128

HSL 356.67, 0.16%, 0.56%

LAB 56.25, 14.22, 4.26

 

CMYK 0 / 20 / 18 / 30

HEX #B39093

RGB 179 144 147

HSL 354.86, 0.19%, 0.63%

LAB 63.04, 13.65, 3.41

 

CMYK 0 / 17 / 15 / 23

HEX #C4A2A6

RGB 196 162 166

HSL 352.94, 0.22%, 0.7%

LAB 69.7, 13.14, 2.62

 

CMYK 0 / 15 / 13 / 16

HEX #D5B4B9

RGB 213 180 185

HSL 350.91, 0.28%, 0.77%

LAB 76.25, 12.67, 1.88

 

CMYK 0 / 23 / 19 / 45

HEX #8C6C72

RGB 140 108 114

HSL 348.75, 0.13%, 0.49%

LAB 48.9, 13.7, 1.55

 

CMYK 0 / 27 / 23 / 52

HEX #7B5A5F

RGB 123 90 95

HSL 350.91, 0.15%, 0.42%

LAB 41.77, 14.37, 2.45

 

CMYK 0 / 32 / 28 / 58

HEX #6A484C

RGB 106 72 76

HSL 352.94, 0.19%, 0.35%

LAB 34.44, 15.17, 3.48

 

CMYK 0 / 39 / 36 / 65

HEX #593639

RGB 89 54 57

HSL 354.86, 0.24%, 0.28%

LAB 26.9, 16.12, 4.7

 

CMYK 0 / 50 / 47 / 72

HEX #482426

RGB 72 36 38

HSL 356.67, 0.33%, 0.21%

LAB 19.14, 17.28, 6.29

 

CMYK 0 / 23 / 19 / 45

HEX #8D6C72

RGB 141 108 114

HSL 349.09, 0.13%, 0.49%

LAB 49.01, 14.09, 1.72

 

CMYK 0 / 23 / 23 / 45

HEX #8D6C6C

RGB 141 108 108

HSL 0, 0.13%, 0.49%

LAB 48.85, 13.11, 5.06

 

CMYK 0 / 23 / 19 / 45

HEX #8D6C72

RGB 141 108 114

HSL 349.09, 0.13%, 0.49%

LAB 49.01, 14.09, 1.72

 

CMYK 0 / 23 / 13 / 45

HEX #8D6C7B

RGB 141 108 123

HSL 332.73, 0.13%, 0.49%

LAB 49.27, 15.65, -3.25

 

CMYK 0 / 23 / 6 / 45

HEX #8D6C84

RGB 141 108 132

HSL 316.36, 0.13%, 0.49%

LAB 49.56, 17.32, -8.17

 

CMYK 0 / 23 / 0 / 45

HEX #8D6C8D

RGB 141 108 141

HSL 300, 0.13%, 0.49%

LAB 49.87, 19.09, -13.03

 

CMYK 6 / 23 / 0 / 45

HEX #846C8D

RGB 132 108 141

HSL 283.64, 0.13%, 0.49%

LAB 48.95, 15.87, -14.51

 

CMYK 0 / 23 / 19 / 45

HEX #8D6C72

RGB 141 108 114

HSL 349.09, 0.13%, 0.49%

LAB 49.01, 14.09, 1.72

 

CMYK 0 / 45 / 37 / 37

HEX #A15866

RGB 161 88 102

HSL 348.49, 0.29%, 0.49%

LAB 46.33, 31.6, 5.38

 

CMYK 0 / 62 / 51 / 29

HEX #B54459

RGB 181 68 89

HSL 348.85, 0.45%, 0.49%

LAB 45.19, 47.49, 12.14

 

CMYK 0 / 76 / 62 / 21

HEX #C9304C

RGB 201 48 76

HSL 349.02, 0.61%, 0.49%

LAB 45.71, 60.45, 21.42

 

CMYK 0 / 88 / 71 / 13

HEX #DE1B40

RGB 222 27 64

HSL 348.62, 0.78%, 0.49%

LAB 47.86, 70.55, 32.28

 

CMYK 0 / 23 / 19 / 45

HEX #8D6C72

RGB 141 108 114

HSL 349.09, 0.13%, 0.49%

LAB 49.01, 14.09, 1.72

 

CMYK 6 / 0 / 1 / 50

HEX #78807F

RGB 120 128 127

HSL 172.5, 0.03%, 0.49%

LAB 52.91, -3.16, -0.49

 

CMYK 33 / 0 / 6 / 42

HEX #64958C

RGB 100 149 140

HSL 168.98, 0.2%, 0.49%

LAB 58.13, -18.52, -0.51

 

CMYK 53 / 0 / 10 / 34

HEX #50A998

RGB 80 169 152

HSL 168.54, 0.36%, 0.49%

LAB 63.63, -30.92, 0.64

 

CMYK 68 / 0 / 13 / 26

HEX #3CBDA5

RGB 60 189 165

HSL 168.84, 0.52%, 0.49%

LAB 69.52, -40.54, 1.96

 

CMYK 0 / 23 / 6 / 45

HEX #8D6C84

RGB 141 108 132

HSL 316.36, 0.13%, 0.49%

LAB 49.56, 17.32, -8.17

 

CMYK 0 / 23 / 13 / 45

HEX #8D6C7B

RGB 141 108 123

HSL 332.73, 0.13%, 0.49%

LAB 49.27, 15.65, -3.25

 

CMYK 0 / 23 / 18 / 45

HEX #8D6C73

RGB 141 108 115

HSL 347.27, 0.13%, 0.49%

LAB 49.04, 14.26, 1.17

 

CMYK 0 / 22 / 23 / 45

HEX #8D6E6C

RGB 141 110 108

HSL 3.64, 0.13%, 0.49%

LAB 49.37, 11.94, 5.81

 

CMYK 0 / 16 / 23 / 45

HEX #8D776C

RGB 141 119 108

HSL 20, 0.13%, 0.49%

LAB 51.77, 6.71, 9.22

 

CMYK 0 / 23 / 19 / 63

HEX #5E484C

RGB 94 72 76

HSL 349.09, 0.13%, 0.33%

LAB 33, 10.08, 1.21

 

CMYK 0 / 23 / 19 / 54

HEX #755A5F

RGB 117 90 95

HSL 348.89, 0.13%, 0.41%

LAB 41.09, 11.92, 1.39

 

CMYK 0 / 23 / 19 / 45

HEX #8D6C72

RGB 141 108 114

HSL 349.09, 0.13%, 0.49%

LAB 49.01, 14.09, 1.72

 

CMYK 0 / 18 / 14 / 38

HEX #9F8388

RGB 159 131 136

HSL 349.29, 0.13%, 0.57%

LAB 57.44, 11.54, 1.33

 

CMYK 0 / 13 / 11 / 31

HEX #B19A9E

RGB 177 154 158

HSL 349.57, 0.13%, 0.65%

LAB 65.69, 9.17, 1.03

 

CMYK 0 / 23 / 19 / 45

HEX #8C6C72

RGB 140 108 114

HSL 348.75, 0.13%, 0.49%

LAB 48.9, 13.7, 1.55

 

CMYK 0 / 0 / 23 / 45

HEX #8D8D6C

RGB 141 141 108

HSL 60, 0.13%, 0.49%

LAB 57.84, -5.73, 17.66

 

CMYK 23 / 9 / 0 / 45

HEX #6C808D

RGB 108 128 141

HSL 203.64, 0.13%, 0.49%

LAB 52.45, -4.19, -9.43

 

CMYK 0 / 23 / 19 / 45

HEX #8C6C72

RGB 140 108 114

HSL 348.75, 0.13%, 0.49%

LAB 48.9, 13.7, 1.55

 

CMYK 18 / 0 / 23 / 45

HEX #738D6C

RGB 115 141 108

HSL 107.27, 0.13%, 0.49%

LAB 55.86, -15.87, 14.63

 

CMYK 23 / 18 / 0 / 45

HEX #6C738D

RGB 108 115 141

HSL 227.27, 0.13%, 0.49%

LAB 48.73, 3.4, -15.05

 

CMYK 0 / 23 / 19 / 45

HEX #8C6C72

RGB 140 108 114

HSL 348.75, 0.13%, 0.49%

LAB 48.9, 13.7, 1.55

 

CMYK 0 / 0 / 23 / 45

HEX #8D8D6C

RGB 141 141 108

HSL 60, 0.13%, 0.49%

LAB 57.84, -5.73, 17.66

 

CMYK 23 / 0 / 5 / 45

HEX #6C8D86

RGB 108 141 134

HSL 167.27, 0.13%, 0.49%

LAB 56.05, -13.09, -0.06

 

CMYK 23 / 23 / 0 / 45

HEX #6C6C8D

RGB 108 108 141

HSL 240, 0.13%, 0.49%

LAB 46.76, 7.59, -18.05

 

CMYK 0 / 23 / 19 / 45

HEX #8C6C72

RGB 140 108 114

HSL 348.75, 0.13%, 0.49%

LAB 48.9, 13.7, 1.55

 

CMYK 7 / 0 / 23 / 45

HEX #838D6C

RGB 131 141 108

HSL 78.18, 0.13%, 0.49%

LAB 57.03, -9.72, 16.43

 

CMYK 23 / 0 / 5 / 45

HEX #6C8D86

RGB 108 141 134

HSL 167.27, 0.13%, 0.49%

LAB 56.05, -13.09, -0.06

 

CMYK 16 / 23 / 0 / 45

HEX #766C8D

RGB 118 108 141

HSL 258.18, 0.13%, 0.49%

LAB 47.62, 10.97, -16.66

 

Description

Color code: HEX #8C6C72 | qconv.com Color code: HEX #8C6C72 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 108 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 108 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 19 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 19% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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