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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C75A9 it is the complementary color #738A56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C75A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C75A9 shade: #9175A4, #A287B7, #B399CA, #C4ABDD and #D5BDF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C75A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C75A9 shade: #8C75A9, #7B6396, #6A5183, #593F70 and #482D5D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C75A9 shade: #8B74A8, #9974A8, #A774A8, #A8749B and #A8748D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C75A9 shade: #8B74A8, #7D74A8 and #7474A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C75A9 shade matches the following richer shades: #8B74A8, #8962BA, #8750CC, #853EDF and #832CF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C75A9 shade: #8B74A8, #8D8796, #909984, #92AB72 and #94BD5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C75A9 shade: #747AA8, #7D74A8, #8B74A8, #9974A8 and #A674A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C75A9 shade: #624E7C, #765E96, #8B74A8, #A18EB8 and #B6A7C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C75A9 shade: #8C75A9, #A87487 and #74A876

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C75A9 shade: #8C75A9, #A88B74 and #74A88B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C75A9 shade: #8C75A9, #A87487, #92A874 and #74A895

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C75A9 shade: #8C75A9, #A87478, #92A874 and #74A8A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 31 / 0 / 34

HEX #8C75A9

RGB 140 117 169

HSL 266.54, 0.23%, 0.56%

LAB 53.13, 19.54, -24.46

 

Complementary color

CMYK 17 / 0 / 38 / 46

HEX #738A56

RGB 115 138 86

HSL 86.54, 0.23%, 0.44%

LAB 54.55, -17.81, 25.2

 

CMYK 12 / 29 / 0 / 36

HEX #9175A4

RGB 145 117 164

HSL 275.74, 0.21%, 0.55%

LAB 53.41, 20.06, -21.08

 

CMYK 11 / 26 / 0 / 28

HEX #A287B7

RGB 162 135 183

HSL 273.75, 0.25%, 0.62%

LAB 60.27, 19.47, -21.33

 

CMYK 11 / 24 / 0 / 21

HEX #B399CA

RGB 179 153 202

HSL 271.84, 0.32%, 0.7%

LAB 67, 18.94, -21.6

 

CMYK 11 / 23 / 0 / 13

HEX #C4ABDD

RGB 196 171 221

HSL 270, 0.42%, 0.77%

LAB 73.6, 18.44, -21.87

 

CMYK 11 / 21 / 0 / 6

HEX #D5BDF0

RGB 213 189 240

HSL 268.24, 0.63%, 0.84%

LAB 80.09, 17.99, -22.15

 

CMYK 17 / 31 / 0 / 34

HEX #8C75A9

RGB 140 117 169

HSL 266.54, 0.23%, 0.56%

LAB 53.13, 19.54, -24.46

 

CMYK 18 / 34 / 0 / 41

HEX #7B6396

RGB 123 99 150

HSL 268.24, 0.2%, 0.49%

LAB 46.09, 20.21, -24.32

 

CMYK 19 / 38 / 0 / 49

HEX #6A5183

RGB 106 81 131

HSL 270, 0.24%, 0.42%

LAB 38.88, 20.96, -24.2

 

CMYK 21 / 44 / 0 / 56

HEX #593F70

RGB 89 63 112

HSL 271.84, 0.28%, 0.34%

LAB 31.46, 21.81, -24.12

 

CMYK 23 / 52 / 0 / 64

HEX #482D5D

RGB 72 45 93

HSL 273.75, 0.35%, 0.27%

LAB 23.82, 22.77, -24.05

 

CMYK 17 / 31 / 0 / 34

HEX #8B74A8

RGB 139 116 168

HSL 266.54, 0.23%, 0.56%

LAB 52.74, 19.57, -24.49

 

CMYK 9 / 31 / 0 / 34

HEX #9974A8

RGB 153 116 168

HSL 282.69, 0.23%, 0.56%

LAB 54.12, 24.18, -22.24

 

CMYK 1 / 31 / 0 / 34

HEX #A774A8

RGB 167 116 168

HSL 298.85, 0.23%, 0.56%

LAB 55.62, 28.87, -19.82

 

CMYK 0 / 31 / 8 / 34

HEX #A8749B

RGB 168 116 155

HSL 315, 0.23%, 0.56%

LAB 55.26, 26.76, -12.82

 

CMYK 0 / 31 / 16 / 34

HEX #A8748D

RGB 168 116 141

HSL 331.15, 0.23%, 0.56%

LAB 54.8, 24.32, -5.34

 

CMYK 17 / 31 / 0 / 34

HEX #8B74A8

RGB 139 116 168

HSL 266.54, 0.23%, 0.56%

LAB 52.74, 19.57, -24.49

 

CMYK 26 / 31 / 0 / 34

HEX #7D74A8

RGB 125 116 168

HSL 250.38, 0.23%, 0.56%

LAB 51.47, 15.1, -26.55

 

CMYK 31 / 31 / 0 / 34

HEX #7474A8

RGB 116 116 168

HSL 240, 0.23%, 0.56%

LAB 50.72, 12.33, -27.77

 

CMYK 17 / 31 / 0 / 34

HEX #8B74A8

RGB 139 116 168

HSL 266.54, 0.23%, 0.56%

LAB 52.74, 19.57, -24.49

 

CMYK 26 / 47 / 0 / 27

HEX #8962BA

RGB 137 98 186

HSL 266.59, 0.39%, 0.56%

LAB 49.01, 33.83, -40.78

 

CMYK 34 / 61 / 0 / 20

HEX #8750CC

RGB 135 80 204

HSL 266.61, 0.55%, 0.56%

LAB 45.97, 47.85, -56.04

 

CMYK 40 / 72 / 0 / 13

HEX #853EDF

RGB 133 62 223

HSL 266.46, 0.72%, 0.56%

LAB 43.89, 61.01, -70.31

 

CMYK 46 / 82 / 0 / 5

HEX #832CF1

RGB 131 44 241

HSL 266.5, 0.88%, 0.56%

LAB 42.73, 72, -82.42

 

CMYK 17 / 31 / 0 / 34

HEX #8B74A8

RGB 139 116 168

HSL 266.54, 0.23%, 0.56%

LAB 52.74, 19.57, -24.49

 

CMYK 6 / 10 / 0 / 41

HEX #8D8796

RGB 141 135 150

HSL 264, 0.07%, 0.56%

LAB 57.26, 5.23, -7.2

 

CMYK 6 / 0 / 14 / 40

HEX #909984

RGB 144 153 132

HSL 85.71, 0.09%, 0.56%

LAB 61.98, -7.2, 9.94

 

CMYK 15 / 0 / 33 / 33

HEX #92AB72

RGB 146 171 114

HSL 86.32, 0.25%, 0.56%

LAB 66.86, -18.82, 26.58

 

CMYK 22 / 0 / 50 / 26

HEX #94BD5F

RGB 148 189 95

HSL 86.17, 0.42%, 0.56%

LAB 71.9, -29.35, 42.79

 

CMYK 31 / 27 / 0 / 34

HEX #747AA8

RGB 116 122 168

HSL 233.08, 0.23%, 0.56%

LAB 52.35, 8.75, -25.24

 

CMYK 26 / 31 / 0 / 34

HEX #7D74A8

RGB 125 116 168

HSL 250.38, 0.23%, 0.56%

LAB 51.47, 15.1, -26.55

 

CMYK 17 / 31 / 0 / 34

HEX #8B74A8

RGB 139 116 168

HSL 266.54, 0.23%, 0.56%

LAB 52.74, 19.57, -24.49

 

CMYK 9 / 31 / 0 / 34

HEX #9974A8

RGB 153 116 168

HSL 282.69, 0.23%, 0.56%

LAB 54.12, 24.18, -22.24

 

CMYK 1 / 31 / 0 / 34

HEX #A674A8

RGB 166 116 168

HSL 297.69, 0.23%, 0.56%

LAB 55.51, 28.54, -19.99

 

CMYK 21 / 37 / 0 / 51

HEX #624E7C

RGB 98 78 124

HSL 266.09, 0.23%, 0.4%

LAB 36.93, 18.43, -23

 

CMYK 21 / 37 / 0 / 41

HEX #765E96

RGB 118 94 150

HSL 265.71, 0.23%, 0.48%

LAB 44.32, 21.61, -27.11

 

CMYK 17 / 31 / 0 / 34

HEX #8B74A8

RGB 139 116 168

HSL 266.54, 0.23%, 0.56%

LAB 52.74, 19.57, -24.49

 

CMYK 13 / 23 / 0 / 28

HEX #A18EB8

RGB 161 142 184

HSL 267.14, 0.23%, 0.64%

LAB 61.98, 15.36, -19.3

 

CMYK 9 / 17 / 0 / 22

HEX #B6A7C8

RGB 182 167 200

HSL 267.27, 0.23%, 0.72%

LAB 70.7, 11.72, -14.86

 

CMYK 17 / 31 / 0 / 34

HEX #8C75A9

RGB 140 117 169

HSL 266.54, 0.23%, 0.56%

LAB 53.13, 19.54, -24.46

 

CMYK 0 / 31 / 20 / 34

HEX #A87487

RGB 168 116 135

HSL 338.08, 0.23%, 0.56%

LAB 54.62, 23.33, -2.11

 

CMYK 31 / 0 / 30 / 34

HEX #74A876

RGB 116 168 118

HSL 122.31, 0.23%, 0.56%

LAB 64.18, -27.51, 20.49

 

CMYK 17 / 31 / 0 / 34

HEX #8C75A9

RGB 140 117 169

HSL 266.54, 0.23%, 0.56%

LAB 53.13, 19.54, -24.46

 

CMYK 0 / 17 / 31 / 34

HEX #A88B74

RGB 168 139 116

HSL 26.54, 0.23%, 0.56%

LAB 59.93, 7.49, 16.42

 

CMYK 31 / 0 / 17 / 34

HEX #74A88B

RGB 116 168 139

HSL 146.54, 0.23%, 0.56%

LAB 64.63, -23.53, 9.54

 

CMYK 17 / 31 / 0 / 34

HEX #8C75A9

RGB 140 117 169

HSL 266.54, 0.23%, 0.56%

LAB 53.13, 19.54, -24.46

 

CMYK 0 / 31 / 20 / 34

HEX #A87487

RGB 168 116 135

HSL 338.08, 0.23%, 0.56%

LAB 54.62, 23.33, -2.11

 

CMYK 13 / 0 / 31 / 34

HEX #92A874

RGB 146 168 116

HSL 85.38, 0.23%, 0.56%

LAB 66.04, -16.98, 24.41

 

CMYK 31 / 0 / 11 / 34

HEX #74A895

RGB 116 168 149

HSL 158.08, 0.23%, 0.56%

LAB 64.87, -21.42, 4.32

 

CMYK 17 / 31 / 0 / 34

HEX #8C75A9

RGB 140 117 169

HSL 266.54, 0.23%, 0.56%

LAB 53.13, 19.54, -24.46

 

CMYK 0 / 31 / 29 / 34

HEX #A87478

RGB 168 116 120

HSL 355.38, 0.23%, 0.56%

LAB 54.21, 21.05, 6.07

 

CMYK 13 / 0 / 31 / 34

HEX #92A874

RGB 146 168 116

HSL 85.38, 0.23%, 0.56%

LAB 66.04, -16.98, 24.41

 

CMYK 31 / 0 / 2 / 34

HEX #74A8A5

RGB 116 168 165

HSL 176.54, 0.23%, 0.56%

LAB 65.31, -17.78, -3.97

 

Description

Color code: HEX #8C75A9 | qconv.com Color code: HEX #8C75A9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 117 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 117 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 31 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 31% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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