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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C776E it is the complementary color #738891. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C776E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C776E shade: #917769, #A2897C, #B39B8F, #C4ADA2 and #D5BFB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C776E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C776E shade: #8C776E, #7B655B, #6A5348, #594135 and #482F22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C776E shade: #8B766D, #8B6E6D and #8B6D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C776E shade: #8B766D, #8B7F6D, #8B876D, #888B6D and #808B6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C776E shade matches the following richer shades: #8B766D, #A06E59, #B46645, #C85E31 and #DC561D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C776E shade: #8B766D, #777F82, #638796, #4F8FAA and #3B97BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C776E shade: #8B6D74, #8B6E6D, #8B766D, #8B7E6D and #8B866D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C776E shade: #5D4F49, #74635B, #8B766D, #9E8C84 and #B0A19B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C776E shade: #8C776E, #7C8B6D and #6D708B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C776E shade: #8C776E, #6D8B76 and #766D8B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C776E shade: #8C776E, #7C8B6D, #6D828B and #7C6D8B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C776E shade: #8C776E, #738B6D, #6D828B and #856D8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 21 / 45

HEX #8C776E

RGB 140 119 110

HSL 18, 0.12%, 0.49%

LAB 51.72, 6.63, 7.96

 

Complementary color

CMYK 21 / 6 / 0 / 43

HEX #738891

RGB 115 136 145

HSL 198, 0.12%, 0.51%

LAB 55.38, -5.46, -7.34

 

CMYK 0 / 18 / 28 / 43

HEX #917769

RGB 145 119 105

HSL 21, 0.16%, 0.49%

LAB 52.1, 7.89, 11.5

 

CMYK 0 / 15 / 23 / 36

HEX #A2897C

RGB 162 137 124

HSL 20.53, 0.17%, 0.56%

LAB 59, 7.36, 10.48

 

CMYK 0 / 13 / 20 / 30

HEX #B39B8F

RGB 179 155 143

HSL 20, 0.19%, 0.63%

LAB 65.76, 6.9, 9.55

 

CMYK 0 / 12 / 17 / 23

HEX #C4ADA2

RGB 196 173 162

HSL 19.41, 0.22%, 0.7%

LAB 72.38, 6.5, 8.68

 

CMYK 0 / 10 / 15 / 16

HEX #D5BFB5

RGB 213 191 181

HSL 18.75, 0.28%, 0.77%

LAB 78.89, 6.14, 7.87

 

CMYK 0 / 15 / 21 / 45

HEX #8C776E

RGB 140 119 110

HSL 18, 0.12%, 0.49%

LAB 51.72, 6.63, 7.96

 

CMYK 0 / 18 / 26 / 52

HEX #7B655B

RGB 123 101 91

HSL 18.75, 0.15%, 0.42%

LAB 44.62, 7.15, 8.96

 

CMYK 0 / 22 / 32 / 58

HEX #6A5348

RGB 106 83 72

HSL 19.41, 0.19%, 0.35%

LAB 37.33, 7.78, 10.08

 

CMYK 0 / 27 / 40 / 65

HEX #594135

RGB 89 65 53

HSL 20, 0.25%, 0.28%

LAB 29.82, 8.57, 11.38

 

CMYK 0 / 35 / 53 / 72

HEX #482F22

RGB 72 47 34

HSL 20.53, 0.36%, 0.21%

LAB 22.04, 9.63, 12.95

 

CMYK 0 / 15 / 22 / 45

HEX #8B766D

RGB 139 118 109

HSL 18, 0.12%, 0.49%

LAB 51.32, 6.64, 7.98

 

CMYK 0 / 21 / 22 / 45

HEX #8B6E6D

RGB 139 110 109

HSL 2, 0.12%, 0.49%

LAB 49.19, 11.3, 4.92

 

CMYK 0 / 22 / 22 / 45

HEX #8B6D6D

RGB 139 109 109

HSL 0, 0.12%, 0.49%

LAB 48.92, 11.88, 4.54

 

CMYK 0 / 15 / 22 / 45

HEX #8B766D

RGB 139 118 109

HSL 18, 0.12%, 0.49%

LAB 51.32, 6.64, 7.98

 

CMYK 0 / 9 / 22 / 45

HEX #8B7F6D

RGB 139 127 109

HSL 36, 0.12%, 0.49%

LAB 53.78, 1.46, 11.45

 

CMYK 0 / 3 / 22 / 45

HEX #8B876D

RGB 139 135 109

HSL 52, 0.12%, 0.49%

LAB 56.01, -3.05, 14.55

 

CMYK 2 / 0 / 22 / 45

HEX #888B6D

RGB 136 139 109

HSL 66, 0.12%, 0.49%

LAB 56.88, -6.48, 15.72

 

CMYK 8 / 0 / 22 / 45

HEX #808B6D

RGB 128 139 109

HSL 82, 0.12%, 0.49%

LAB 56.25, -9.64, 14.74

 

CMYK 0 / 15 / 22 / 45

HEX #8B766D

RGB 139 118 109

HSL 18, 0.12%, 0.49%

LAB 51.32, 6.64, 7.98

 

CMYK 0 / 31 / 44 / 37

HEX #A06E59

RGB 160 110 89

HSL 17.75, 0.29%, 0.49%

LAB 51.09, 17.24, 19.7

 

CMYK 0 / 43 / 62 / 29

HEX #B46645

RGB 180 102 69

HSL 17.84, 0.45%, 0.49%

LAB 51.42, 28.23, 32.06

 

CMYK 0 / 53 / 76 / 22

HEX #C85E31

RGB 200 94 49

HSL 17.88, 0.61%, 0.49%

LAB 52.41, 39.33, 44.6

 

CMYK 0 / 61 / 87 / 14

HEX #DC561D

RGB 220 86 29

HSL 17.91, 0.77%, 0.49%

LAB 53.98, 49.99, 56.13

 

CMYK 0 / 15 / 22 / 45

HEX #8B766D

RGB 139 118 109

HSL 18, 0.12%, 0.49%

LAB 51.32, 6.64, 7.98

 

CMYK 8 / 2 / 0 / 49

HEX #777F82

RGB 119 127 130

HSL 196.36, 0.04%, 0.49%

LAB 52.63, -2.32, -2.65

 

CMYK 34 / 10 / 0 / 41

HEX #638796

RGB 99 135 150

HSL 197.65, 0.2%, 0.49%

LAB 54.22, -8.72, -12.07

 

CMYK 54 / 16 / 0 / 33

HEX #4F8FAA

RGB 79 143 170

HSL 197.8, 0.37%, 0.49%

LAB 56.3, -12.74, -20.51

 

CMYK 69 / 21 / 0 / 25

HEX #3B97BE

RGB 59 151 190

HSL 197.86, 0.53%, 0.49%

LAB 58.77, -14.53, -28.13

 

CMYK 0 / 22 / 17 / 45

HEX #8B6D74

RGB 139 109 116

HSL 346, 0.12%, 0.49%

LAB 49.11, 13.06, 0.66

 

CMYK 0 / 21 / 22 / 45

HEX #8B6E6D

RGB 139 110 109

HSL 2, 0.12%, 0.49%

LAB 49.19, 11.3, 4.92

 

CMYK 0 / 15 / 22 / 45

HEX #8B766D

RGB 139 118 109

HSL 18, 0.12%, 0.49%

LAB 51.32, 6.64, 7.98

 

CMYK 0 / 9 / 22 / 45

HEX #8B7E6D

RGB 139 126 109

HSL 34, 0.12%, 0.49%

LAB 53.51, 2.03, 11.06

 

CMYK 0 / 4 / 22 / 45

HEX #8B866D

RGB 139 134 109

HSL 50, 0.12%, 0.49%

LAB 55.73, -2.49, 14.16

 

CMYK 0 / 15 / 22 / 64

HEX #5D4F49

RGB 93 79 73

HSL 18, 0.12%, 0.33%

LAB 34.8, 4.73, 5.69

 

CMYK 0 / 15 / 22 / 55

HEX #74635B

RGB 116 99 91

HSL 19.2, 0.12%, 0.41%

LAB 43.35, 5.4, 7.06

 

CMYK 0 / 15 / 22 / 45

HEX #8B766D

RGB 139 118 109

HSL 18, 0.12%, 0.49%

LAB 51.32, 6.64, 7.98

 

CMYK 0 / 11 / 16 / 38

HEX #9E8C84

RGB 158 140 132

HSL 18.46, 0.12%, 0.57%

LAB 59.61, 5.37, 6.73

 

CMYK 0 / 9 / 12 / 31

HEX #B0A19B

RGB 176 161 155

HSL 17.14, 0.12%, 0.65%

LAB 67.34, 4.42, 5.09

 

CMYK 0 / 15 / 21 / 45

HEX #8C776E

RGB 140 119 110

HSL 18, 0.12%, 0.49%

LAB 51.72, 6.63, 7.96

 

CMYK 11 / 0 / 22 / 45

HEX #7C8B6D

RGB 124 139 109

HSL 90, 0.12%, 0.49%

LAB 55.94, -11.19, 14.27

 

CMYK 22 / 19 / 0 / 45

HEX #6D708B

RGB 109 112 139

HSL 234, 0.12%, 0.49%

LAB 47.88, 5.02, -15.14

 

CMYK 0 / 15 / 21 / 45

HEX #8C776E

RGB 140 119 110

HSL 18, 0.12%, 0.49%

LAB 51.72, 6.63, 7.96

 

CMYK 22 / 0 / 15 / 45

HEX #6D8B76

RGB 109 139 118

HSL 138, 0.12%, 0.49%

LAB 55.1, -15.08, 7.78

 

CMYK 15 / 22 / 0 / 45

HEX #766D8B

RGB 118 109 139

HSL 258, 0.12%, 0.49%

LAB 47.82, 9.9, -15.17

 

CMYK 0 / 15 / 21 / 45

HEX #8C776E

RGB 140 119 110

HSL 18, 0.12%, 0.49%

LAB 51.72, 6.63, 7.96

 

CMYK 11 / 0 / 22 / 45

HEX #7C8B6D

RGB 124 139 109

HSL 90, 0.12%, 0.49%

LAB 55.94, -11.19, 14.27

 

CMYK 22 / 6 / 0 / 45

HEX #6D828B

RGB 109 130 139

HSL 198, 0.12%, 0.49%

LAB 53.04, -5.48, -7.39

 

CMYK 11 / 22 / 0 / 45

HEX #7C6D8B

RGB 124 109 139

HSL 270, 0.12%, 0.49%

LAB 48.37, 12.01, -14.28

 

CMYK 0 / 15 / 21 / 45

HEX #8C776E

RGB 140 119 110

HSL 18, 0.12%, 0.49%

LAB 51.72, 6.63, 7.96

 

CMYK 17 / 0 / 22 / 45

HEX #738B6D

RGB 115 139 109

HSL 108, 0.12%, 0.49%

LAB 55.29, -14.62, 13.27

 

CMYK 22 / 6 / 0 / 45

HEX #6D828B

RGB 109 130 139

HSL 198, 0.12%, 0.49%

LAB 53.04, -5.48, -7.39

 

CMYK 4 / 22 / 0 / 45

HEX #856D8B

RGB 133 109 139

HSL 288, 0.12%, 0.49%

LAB 49.24, 15.21, -12.89

 

Description

Color code: HEX #8C776E | qconv.com Color code: HEX #8C776E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 119 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 119 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 21 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 21% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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