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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C7120 it is the complementary color #738EDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C7120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C7120 shade: #91711B, #A2832E, #B39541, #C4A754 and #D5B967

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C7120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C7120 shade: #8C7120, #7B5F0D, #6A4D00, #593B00 and #482900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C7120 shade: #8D7220, #8D5420, #8D3720 and #8D2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C7120 shade: #8D7220, #8B8D20, #6D8D20, #508D20 and #328D20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C7120 shade matches the following richer shades: #8D7220, #9B7912 and #A98004

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C7120 shade: #8D7220, #7F6A2E, #71633C, #635C4A and #555558

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C7120 shade: #8D3720, #8D5420, #8D7220, #8B8D20 and #6E8D20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C7120 shade: #4A3B10, #6B5618, #8D7220, #AE8D27 and #CFA72F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C7120 shade: #8C7120, #258D20 and #46208D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C7120 shade: #8C7120, #208D72 and #72208D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C7120 shade: #8C7120, #258D20, #203B8D and #87208D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C7120 shade: #8C7120, #208D3B, #203B8D and #8D2072

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 77 / 45

HEX #8C7120

RGB 140 113 32

HSL 45, 0.63%, 0.34%

LAB 48.87, 1.99, 46.22

 

Complementary color

CMYK 48 / 36 / 0 / 13

HEX #738EDF

RGB 115 142 223

HSL 225, 0.63%, 0.66%

LAB 60.18, 12.33, -44.26

 

CMYK 0 / 22 / 81 / 43

HEX #91711B

RGB 145 113 27

HSL 43.73, 0.69%, 0.34%

LAB 49.39, 4.12, 48.8

 

CMYK 0 / 19 / 72 / 36

HEX #A2832E

RGB 162 131 46

HSL 43.97, 0.56%, 0.41%

LAB 56.2, 2.66, 48.38

 

CMYK 0 / 17 / 64 / 30

HEX #B39541

RGB 179 149 65

HSL 44.21, 0.47%, 0.48%

LAB 62.89, 1.47, 47.39

 

CMYK 0 / 15 / 57 / 23

HEX #C4A754

RGB 196 167 84

HSL 44.46, 0.49%, 0.55%

LAB 69.48, 0.49, 46.2

 

CMYK 0 / 13 / 52 / 16

HEX #D5B967

RGB 213 185 103

HSL 44.73, 0.57%, 0.62%

LAB 75.96, -0.33, 44.94

 

CMYK 0 / 19 / 77 / 45

HEX #8C7120

RGB 140 113 32

HSL 45, 0.63%, 0.34%

LAB 48.87, 1.99, 46.22

 

CMYK 0 / 23 / 89 / 52

HEX #7B5F0D

RGB 123 95 13

HSL 44.73, 0.81%, 0.27%

LAB 41.88, 3.64, 45.92

 

CMYK 0 / 27 / 100 / 58

HEX #6A4D00

RGB 106 77 0

HSL 43.58, 1%, 0.21%

LAB 34.75, 5.72, 43.45

 

CMYK 0 / 34 / 100 / 65

HEX #593B00

RGB 89 59 0

HSL 39.78, 1%, 0.17%

LAB 27.44, 8.28, 37.1

 

CMYK 0 / 43 / 100 / 72

HEX #482900

RGB 72 41 0

HSL 34.17, 1%, 0.14%

LAB 19.9, 11.07, 28.74

 

CMYK 0 / 19 / 77 / 45

HEX #8D7220

RGB 141 114 32

HSL 45.14, 0.63%, 0.34%

LAB 49.25, 1.89, 46.62

 

CMYK 0 / 40 / 77 / 45

HEX #8D5420

RGB 141 84 32

HSL 28.62, 0.63%, 0.34%

LAB 41.39, 19.29, 38.92

 

CMYK 0 / 61 / 77 / 45

HEX #8D3720

RGB 141 55 32

HSL 12.66, 0.63%, 0.34%

LAB 35, 35.19, 32.31

 

CMYK 0 / 77 / 77 / 45

HEX #8D2020

RGB 141 32 32

HSL 0, 0.63%, 0.34%

LAB 31.35, 45.08, 28.35

 

CMYK 0 / 19 / 77 / 45

HEX #8D7220

RGB 141 114 32

HSL 45.14, 0.63%, 0.34%

LAB 49.25, 1.89, 46.62

 

CMYK 1 / 0 / 77 / 45

HEX #8B8D20

RGB 139 141 32

HSL 61.1, 0.63%, 0.34%

LAB 56.73, -13.95, 53.55

 

CMYK 23 / 0 / 77 / 45

HEX #6D8D20

RGB 109 141 32

HSL 77.61, 0.63%, 0.34%

LAB 54.45, -27.08, 50.61

 

CMYK 43 / 0 / 77 / 45

HEX #508D20

RGB 80 141 32

HSL 93.58, 0.63%, 0.34%

LAB 52.8, -38.3, 48.44

 

CMYK 65 / 0 / 77 / 45

HEX #328D20

RGB 50 141 32

HSL 110.09, 0.63%, 0.34%

LAB 51.65, -47.18, 46.93

 

CMYK 0 / 19 / 77 / 45

HEX #8D7220

RGB 141 114 32

HSL 45.14, 0.63%, 0.34%

LAB 49.25, 1.89, 46.62

 

CMYK 0 / 22 / 88 / 39

HEX #9B7912

RGB 155 121 18

HSL 45.11, 0.79%, 0.34%

LAB 52.61, 3.97, 54.77

 

CMYK 0 / 24 / 98 / 34

HEX #A98004

RGB 169 128 4

HSL 45.09, 0.95%, 0.34%

LAB 55.97, 6.27, 60.77

 

CMYK 0 / 19 / 77 / 45

HEX #8D7220

RGB 141 114 32

HSL 45.14, 0.63%, 0.34%

LAB 49.25, 1.89, 46.62

 

CMYK 0 / 17 / 64 / 50

HEX #7F6A2E

RGB 127 106 46

HSL 44.44, 0.47%, 0.34%

LAB 45.66, 0.78, 36.03

 

CMYK 0 / 12 / 47 / 56

HEX #71633C

RGB 113 99 60

HSL 44.15, 0.31%, 0.34%

LAB 42.4, -0.28, 24.16

 

CMYK 0 / 7 / 25 / 61

HEX #635C4A

RGB 99 92 74

HSL 43.2, 0.14%, 0.34%

LAB 39.24, -0.45, 11.39

 

CMYK 3 / 3 / 0 / 65

HEX #555558

RGB 85 85 88

HSL 240, 0.02%, 0.34%

LAB 36.24, 0.65, -1.75

 

CMYK 0 / 61 / 77 / 45

HEX #8D3720

RGB 141 55 32

HSL 12.66, 0.63%, 0.34%

LAB 35, 35.19, 32.31

 

CMYK 0 / 40 / 77 / 45

HEX #8D5420

RGB 141 84 32

HSL 28.62, 0.63%, 0.34%

LAB 41.39, 19.29, 38.92

 

CMYK 0 / 19 / 77 / 45

HEX #8D7220

RGB 141 114 32

HSL 45.14, 0.63%, 0.34%

LAB 49.25, 1.89, 46.62

 

CMYK 1 / 0 / 77 / 45

HEX #8B8D20

RGB 139 141 32

HSL 61.1, 0.63%, 0.34%

LAB 56.73, -13.95, 53.55

 

CMYK 22 / 0 / 77 / 45

HEX #6E8D20

RGB 110 141 32

HSL 77.06, 0.63%, 0.34%

LAB 54.52, -26.66, 50.7

 

CMYK 0 / 20 / 78 / 71

HEX #4A3B10

RGB 74 59 16

HSL 44.48, 0.64%, 0.18%

LAB 25.63, 1.21, 27.94

 

CMYK 0 / 20 / 78 / 58

HEX #6B5618

RGB 107 86 24

HSL 44.82, 0.63%, 0.26%

LAB 37.57, 1.6, 37.38

 

CMYK 0 / 19 / 77 / 45

HEX #8D7220

RGB 141 114 32

HSL 45.14, 0.63%, 0.34%

LAB 49.25, 1.89, 46.62

 

CMYK 0 / 19 / 78 / 32

HEX #AE8D27

RGB 174 141 39

HSL 45.33, 0.63%, 0.42%

LAB 60.06, 2.22, 55.38

 

CMYK 0 / 19 / 77 / 19

HEX #CFA72F

RGB 207 167 47

HSL 45, 0.63%, 0.5%

LAB 70.25, 3.12, 63.19

 

CMYK 0 / 19 / 77 / 45

HEX #8C7120

RGB 140 113 32

HSL 45, 0.63%, 0.34%

LAB 48.87, 1.99, 46.22

 

CMYK 74 / 0 / 77 / 45

HEX #258D20

RGB 37 141 32

HSL 117.25, 0.63%, 0.34%

LAB 51.32, -49.9, 46.5

 

CMYK 50 / 77 / 0 / 45

HEX #46208D

RGB 70 32 141

HSL 260.92, 0.63%, 0.34%

LAB 24.51, 43.14, -53.61

 

CMYK 0 / 19 / 77 / 45

HEX #8C7120

RGB 140 113 32

HSL 45, 0.63%, 0.34%

LAB 48.87, 1.99, 46.22

 

CMYK 77 / 0 / 19 / 45

HEX #208D72

RGB 32 141 114

HSL 165.14, 0.63%, 0.34%

LAB 52.48, -36.51, 5.92

 

CMYK 19 / 77 / 0 / 45

HEX #72208D

RGB 114 32 141

HSL 285.14, 0.63%, 0.34%

LAB 30.72, 51.28, -43.23

 

CMYK 0 / 19 / 77 / 45

HEX #8C7120

RGB 140 113 32

HSL 45, 0.63%, 0.34%

LAB 48.87, 1.99, 46.22

 

CMYK 74 / 0 / 77 / 45

HEX #258D20

RGB 37 141 32

HSL 117.25, 0.63%, 0.34%

LAB 51.32, -49.9, 46.5

 

CMYK 77 / 58 / 0 / 45

HEX #203B8D

RGB 32 59 141

HSL 225.14, 0.63%, 0.34%

LAB 27.73, 20.76, -48.47

 

CMYK 4 / 77 / 0 / 45

HEX #87208D

RGB 135 32 141

HSL 296.7, 0.63%, 0.34%

LAB 34.2, 55.69, -37.45

 

CMYK 0 / 19 / 77 / 45

HEX #8C7120

RGB 140 113 32

HSL 45, 0.63%, 0.34%

LAB 48.87, 1.99, 46.22

 

CMYK 77 / 0 / 58 / 45

HEX #208D3B

RGB 32 141 59

HSL 134.86, 0.63%, 0.34%

LAB 51.47, -47.8, 34.85

 

CMYK 77 / 58 / 0 / 45

HEX #203B8D

RGB 32 59 141

HSL 225.14, 0.63%, 0.34%

LAB 27.73, 20.76, -48.47

 

CMYK 0 / 77 / 19 / 45

HEX #8D2072

RGB 141 32 114

HSL 314.86, 0.63%, 0.34%

LAB 33.8, 52.76, -21.16

 

Description

Color code: HEX #8C7120 | qconv.com Color code: HEX #8C7120 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 113 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 113 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 77 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 77% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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