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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C7BC5 it is the complementary color #73843A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C7BC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C7BC5 shade: #917BC0, #A28DD3, #B39FE6, #C4B1F9 and #D5C3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C7BC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C7BC5 shade: #8C7BC5, #7B69B2, #6A579F, #59458C and #483379

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C7BC5 shade: #8C7BC5, #A07BC5, #B47BC5, #C57BC2 and #C57BAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C7BC5 shade: #8C7BC5 and #7B7BC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C7BC5 shade matches the following richer shades: #8C7BC5, #846CD4, #7C5DE3 and #734EF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C7BC5 shade: #8C7BC5, #958BB6, #9D9AA6, #A5A997 and #ADB888

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C7BC5 shade: #7B93C5, #7B7FC5, #8B7BC5, #9F7BC5 and #B37BC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C7BC5 shade: #5E48A5, #735FB8, #8C7BC5, #A598D2 and #BEB5DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C7BC5 shade: #8C7BC5, #C57BA6 and #89C57B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C7BC5 shade: #8C7BC5, #C58B7B and #7BC58B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C7BC5 shade: #8C7BC5, #C57BA6, #B5C57B and #7BC59A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C7BC5 shade: #8C7BC5, #C57B90, #B5C57B and #7BC5B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 38 / 0 / 23

HEX #8C7BC5

RGB 140 123 197

HSL 253.78, 0.39%, 0.63%

LAB 55.86, 22.86, -36.29

 

Complementary color

CMYK 13 / 0 / 56 / 48

HEX #73843A

RGB 115 132 58

HSL 73.78, 0.39%, 0.37%

LAB 52.35, -18.03, 37.33

 

CMYK 24 / 36 / 0 / 25

HEX #917BC0

RGB 145 123 192

HSL 259.13, 0.35%, 0.62%

LAB 56.08, 23.09, -33.06

 

CMYK 23 / 33 / 0 / 17

HEX #A28DD3

RGB 162 141 211

HSL 258, 0.44%, 0.69%

LAB 62.87, 22.41, -33.09

 

CMYK 22 / 31 / 0 / 10

HEX #B39FE6

RGB 179 159 230

HSL 256.9, 0.59%, 0.76%

LAB 69.54, 21.79, -33.16

 

CMYK 21 / 29 / 0 / 2

HEX #C4B1F9

RGB 196 177 249

HSL 255.83, 0.86%, 0.84%

LAB 76.08, 21.23, -33.25

 

CMYK 16 / 24 / 0 / 0

HEX #D5C3FF

RGB 213 195 255

HSL 258, 1%, 0.88%

LAB 82.05, 17.89, -27.17

 

CMYK 29 / 38 / 0 / 23

HEX #8C7BC5

RGB 140 123 197

HSL 253.78, 0.39%, 0.63%

LAB 55.86, 22.86, -36.29

 

CMYK 31 / 41 / 0 / 30

HEX #7B69B2

RGB 123 105 178

HSL 254.79, 0.32%, 0.55%

LAB 48.92, 23.67, -36.36

 

CMYK 33 / 45 / 0 / 38

HEX #6A579F

RGB 106 87 159

HSL 255.83, 0.29%, 0.48%

LAB 41.82, 24.59, -36.49

 

CMYK 36 / 51 / 0 / 45

HEX #59458C

RGB 89 69 140

HSL 256.9, 0.34%, 0.41%

LAB 34.55, 25.65, -36.66

 

CMYK 40 / 58 / 0 / 53

HEX #483379

RGB 72 51 121

HSL 258, 0.41%, 0.34%

LAB 27.09, 26.87, -36.86

 

CMYK 29 / 38 / 0 / 23

HEX #8C7BC5

RGB 140 123 197

HSL 253.78, 0.39%, 0.63%

LAB 55.86, 22.86, -36.29

 

CMYK 19 / 38 / 0 / 23

HEX #A07BC5

RGB 160 123 197

HSL 270, 0.39%, 0.63%

LAB 57.72, 28.82, -33.24

 

CMYK 9 / 38 / 0 / 23

HEX #B47BC5

RGB 180 123 197

HSL 286.22, 0.39%, 0.63%

LAB 59.8, 34.99, -29.85

 

CMYK 0 / 38 / 2 / 23

HEX #C57BC2

RGB 197 123 194

HSL 302.43, 0.39%, 0.63%

LAB 61.59, 39.75, -25.22

 

CMYK 0 / 38 / 12 / 23

HEX #C57BAE

RGB 197 123 174

HSL 318.65, 0.39%, 0.63%

LAB 60.86, 36.22, -14.97

 

CMYK 29 / 38 / 0 / 23

HEX #8C7BC5

RGB 140 123 197

HSL 253.78, 0.39%, 0.63%

LAB 55.86, 22.86, -36.29

 

CMYK 38 / 38 / 0 / 23

HEX #7B7BC5

RGB 123 123 197

HSL 240, 0.39%, 0.63%

LAB 54.46, 18.06, -38.58

 

CMYK 29 / 38 / 0 / 23

HEX #8C7BC5

RGB 140 123 197

HSL 253.78, 0.39%, 0.63%

LAB 55.86, 22.86, -36.29

 

CMYK 38 / 49 / 0 / 17

HEX #846CD4

RGB 132 108 212

HSL 253.85, 0.55%, 0.63%

LAB 52.27, 33.45, -50.53

 

CMYK 45 / 59 / 0 / 11

HEX #7C5DE3

RGB 124 93 227

HSL 253.88, 0.71%, 0.63%

LAB 49.08, 44.43, -64.19

 

CMYK 53 / 68 / 0 / 5

HEX #734EF3

RGB 115 78 243

HSL 253.45, 0.87%, 0.63%

LAB 46.4, 55.5, -77.6

 

CMYK 29 / 38 / 0 / 23

HEX #8C7BC5

RGB 140 123 197

HSL 253.78, 0.39%, 0.63%

LAB 55.86, 22.86, -36.29

 

CMYK 18 / 24 / 0 / 29

HEX #958BB6

RGB 149 139 182

HSL 253.95, 0.23%, 0.63%

LAB 60.1, 12.69, -21.14

 

CMYK 5 / 7 / 0 / 35

HEX #9D9AA6

RGB 157 154 166

HSL 255, 0.06%, 0.63%

LAB 64.19, 3.44, -5.87

 

CMYK 2 / 0 / 11 / 34

HEX #A5A997

RGB 165 169 151

HSL 73.33, 0.09%, 0.63%

LAB 68.47, -4.71, 8.8

 

CMYK 6 / 0 / 26 / 28

HEX #ADB888

RGB 173 184 136

HSL 73.75, 0.25%, 0.63%

LAB 72.85, -12.03, 23.17

 

CMYK 38 / 25 / 0 / 23

HEX #7B93C5

RGB 123 147 197

HSL 220.54, 0.39%, 0.63%

LAB 60.88, 3.99, -28.57

 

CMYK 38 / 36 / 0 / 23

HEX #7B7FC5

RGB 123 127 197

HSL 236.76, 0.39%, 0.63%

LAB 55.5, 15.69, -36.94

 

CMYK 29 / 38 / 0 / 23

HEX #8B7BC5

RGB 139 123 197

HSL 252.97, 0.39%, 0.63%

LAB 55.77, 22.57, -36.43

 

CMYK 19 / 38 / 0 / 23

HEX #9F7BC5

RGB 159 123 197

HSL 269.19, 0.39%, 0.63%

LAB 57.62, 28.52, -33.4

 

CMYK 9 / 38 / 0 / 23

HEX #B37BC5

RGB 179 123 197

HSL 285.41, 0.39%, 0.63%

LAB 59.69, 34.68, -30.03

 

CMYK 43 / 56 / 0 / 35

HEX #5E48A5

RGB 94 72 165

HSL 254.19, 0.39%, 0.46%

LAB 37.36, 32.34, -47.26

 

CMYK 38 / 48 / 0 / 28

HEX #735FB8

RGB 115 95 184

HSL 253.48, 0.39%, 0.55%

LAB 46.03, 29.11, -44.48

 

CMYK 29 / 38 / 0 / 23

HEX #8C7BC5

RGB 140 123 197

HSL 253.78, 0.39%, 0.63%

LAB 55.86, 22.86, -36.29

 

CMYK 21 / 28 / 0 / 18

HEX #A598D2

RGB 165 152 210

HSL 253.45, 0.39%, 0.71%

LAB 65.83, 16.83, -27.94

 

CMYK 14 / 18 / 0 / 13

HEX #BEB5DE

RGB 190 181 222

HSL 253.17, 0.38%, 0.79%

LAB 75.62, 11.25, -19.4

 

CMYK 29 / 38 / 0 / 23

HEX #8C7BC5

RGB 140 123 197

HSL 253.78, 0.39%, 0.63%

LAB 55.86, 22.86, -36.29

 

CMYK 0 / 38 / 16 / 23

HEX #C57BA6

RGB 197 123 166

HSL 325.14, 0.39%, 0.63%

LAB 60.6, 34.9, -10.8

 

CMYK 30 / 0 / 38 / 23

HEX #89C57B

RGB 137 197 123

HSL 108.65, 0.39%, 0.63%

LAB 73.99, -33.43, 31.12

 

CMYK 29 / 38 / 0 / 23

HEX #8C7BC5

RGB 140 123 197

HSL 253.78, 0.39%, 0.63%

LAB 55.86, 22.86, -36.29

 

CMYK 0 / 29 / 38 / 23

HEX #C58B7B

RGB 197 139 123

HSL 12.97, 0.39%, 0.63%

LAB 63.15, 20.05, 17.38

 

CMYK 38 / 0 / 29 / 23

HEX #7BC58B

RGB 123 197 139

HSL 132.97, 0.39%, 0.63%

LAB 73.55, -35.3, 22.01

 

CMYK 29 / 38 / 0 / 23

HEX #8C7BC5

RGB 140 123 197

HSL 253.78, 0.39%, 0.63%

LAB 55.86, 22.86, -36.29

 

CMYK 0 / 38 / 16 / 23

HEX #C57BA6

RGB 197 123 166

HSL 325.14, 0.39%, 0.63%

LAB 60.6, 34.9, -10.8

 

CMYK 8 / 0 / 38 / 23

HEX #B5C57B

RGB 181 197 123

HSL 72.97, 0.39%, 0.63%

LAB 76.79, -17.33, 35.31

 

CMYK 38 / 0 / 22 / 23

HEX #7BC59A

RGB 123 197 154

HSL 145.14, 0.39%, 0.63%

LAB 73.85, -32.48, 14.42

 

CMYK 29 / 38 / 0 / 23

HEX #8C7BC5

RGB 140 123 197

HSL 253.78, 0.39%, 0.63%

LAB 55.86, 22.86, -36.29

 

CMYK 0 / 38 / 27 / 23

HEX #C57B90

RGB 197 123 144

HSL 342.97, 0.39%, 0.63%

LAB 59.93, 31.57, 0.85

 

CMYK 8 / 0 / 38 / 23

HEX #B5C57B

RGB 181 197 123

HSL 72.97, 0.39%, 0.63%

LAB 76.79, -17.33, 35.31

 

CMYK 38 / 0 / 11 / 23

HEX #7BC5B0

RGB 123 197 176

HSL 162.97, 0.39%, 0.63%

LAB 74.37, -27.85, 3.27

 

Description

Color code: HEX #8C7BC5 | qconv.com Color code: HEX #8C7BC5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 123 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 123 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 38 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 38% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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