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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C7CAD it is the complementary color #738352. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C7CAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C7CAD shade: #917CA8, #A28EBB, #B3A0CE, #C4B2E1 and #D5C4F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C7CAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C7CAD shade: #8C7CAD, #7B6A9A, #6A5887, #594674 and #483461

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C7CAD shade: #8B7BAC, #987BAC, #A57BAC, #AC7BA5 and #AC7B98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C7CAD shade: #8B7BAC, #7E7BAC and #7B7BAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C7CAD shade matches the following richer shades: #8B7BAC, #8569BD, #7F58CF, #7947E0 and #7335F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C7CAD shade: #8B7BAC, #918C9B, #979D89, #9DAF78 and #A3C067

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C7CAD shade: #7B85AC, #7D7BAC, #8A7BAC, #987BAC and #A57BAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C7CAD shade: #625283, #75619C, #8B7BAC, #A194BC and #B7AECC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C7CAD shade: #8C7CAD, #AC7B93 and #7FAC7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C7CAD shade: #8C7CAD, #AC8A7B and #7BAC8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C7CAD shade: #8C7CAD, #AC7B93, #9CAC7B and #7BAC94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C7CAD shade: #8C7CAD, #AC7B84, #9CAC7B and #7BACA3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 28 / 0 / 32

HEX #8C7CAD

RGB 140 124 173

HSL 259.59, 0.23%, 0.58%

LAB 55.08, 16.38, -23.76

 

Complementary color

CMYK 12 / 0 / 37 / 49

HEX #738352

RGB 115 131 82

HSL 79.59, 0.23%, 0.42%

LAB 52.38, -14.66, 24.6

 

CMYK 14 / 26 / 0 / 34

HEX #917CA8

RGB 145 124 168

HSL 268.64, 0.2%, 0.57%

LAB 55.34, 16.87, -20.44

 

CMYK 13 / 24 / 0 / 27

HEX #A28EBB

RGB 162 142 187

HSL 266.67, 0.25%, 0.65%

LAB 62.18, 16.35, -20.68

 

CMYK 13 / 22 / 0 / 19

HEX #B3A0CE

RGB 179 160 206

HSL 264.78, 0.32%, 0.72%

LAB 68.88, 15.87, -20.95

 

CMYK 13 / 21 / 0 / 12

HEX #C4B2E1

RGB 196 178 225

HSL 262.98, 0.44%, 0.79%

LAB 75.46, 15.44, -21.22

 

CMYK 13 / 20 / 0 / 4

HEX #D5C4F4

RGB 213 196 244

HSL 261.25, 0.69%, 0.86%

LAB 81.92, 15.04, -21.5

 

CMYK 19 / 28 / 0 / 32

HEX #8C7CAD

RGB 140 124 173

HSL 259.59, 0.23%, 0.58%

LAB 55.08, 16.38, -23.76

 

CMYK 20 / 31 / 0 / 40

HEX #7B6A9A

RGB 123 106 154

HSL 261.25, 0.19%, 0.51%

LAB 48.07, 16.97, -23.62

 

CMYK 21 / 35 / 0 / 47

HEX #6A5887

RGB 106 88 135

HSL 262.98, 0.21%, 0.44%

LAB 40.89, 17.64, -23.52

 

CMYK 23 / 40 / 0 / 55

HEX #594674

RGB 89 70 116

HSL 264.78, 0.25%, 0.36%

LAB 33.49, 18.42, -23.46

 

CMYK 26 / 46 / 0 / 62

HEX #483461

RGB 72 52 97

HSL 266.67, 0.3%, 0.29%

LAB 25.85, 19.33, -23.45

 

CMYK 19 / 28 / 0 / 33

HEX #8B7BAC

RGB 139 123 172

HSL 259.59, 0.23%, 0.58%

LAB 54.69, 16.4, -23.79

 

CMYK 12 / 28 / 0 / 33

HEX #987BAC

RGB 152 123 172

HSL 275.51, 0.23%, 0.58%

LAB 55.91, 20.67, -21.82

 

CMYK 4 / 28 / 0 / 33

HEX #A57BAC

RGB 165 123 172

HSL 291.43, 0.23%, 0.58%

LAB 57.22, 25.02, -19.7

 

CMYK 0 / 28 / 4 / 33

HEX #AC7BA5

RGB 172 123 165

HSL 308.57, 0.23%, 0.58%

LAB 57.71, 26.06, -14.86

 

CMYK 0 / 28 / 12 / 33

HEX #AC7B98

RGB 172 123 152

HSL 324.49, 0.23%, 0.58%

LAB 57.27, 23.7, -8.01

 

CMYK 19 / 28 / 0 / 33

HEX #8B7BAC

RGB 139 123 172

HSL 259.59, 0.23%, 0.58%

LAB 54.69, 16.4, -23.79

 

CMYK 27 / 28 / 0 / 33

HEX #7E7BAC

RGB 126 123 172

HSL 243.67, 0.23%, 0.58%

LAB 53.58, 12.27, -25.6

 

CMYK 28 / 28 / 0 / 33

HEX #7B7BAC

RGB 123 123 172

HSL 240, 0.23%, 0.58%

LAB 53.34, 11.34, -25.99

 

CMYK 19 / 28 / 0 / 33

HEX #8B7BAC

RGB 139 123 172

HSL 259.59, 0.23%, 0.58%

LAB 54.69, 16.4, -23.79

 

CMYK 30 / 44 / 0 / 26

HEX #8569BD

RGB 133 105 189

HSL 260, 0.39%, 0.58%

LAB 50.41, 29.38, -40.32

 

CMYK 39 / 57 / 0 / 19

HEX #7F58CF

RGB 127 88 207

HSL 259.66, 0.55%, 0.58%

LAB 46.97, 42.42, -56.2

 

CMYK 46 / 68 / 0 / 12

HEX #7947E0

RGB 121 71 224

HSL 259.61, 0.71%, 0.58%

LAB 44.17, 54.9, -70.48

 

CMYK 52 / 78 / 0 / 5

HEX #7335F1

RGB 115 53 241

HSL 259.79, 0.87%, 0.58%

LAB 42.06, 66.72, -83.58

 

CMYK 19 / 28 / 0 / 33

HEX #8B7BAC

RGB 139 123 172

HSL 259.59, 0.23%, 0.58%

LAB 54.69, 16.4, -23.79

 

CMYK 6 / 10 / 0 / 39

HEX #918C9B

RGB 145 140 155

HSL 260, 0.07%, 0.58%

LAB 59.11, 4.84, -7.29

 

CMYK 4 / 0 / 13 / 38

HEX #979D89

RGB 151 157 137

HSL 78, 0.09%, 0.58%

LAB 63.75, -5.87, 9.73

 

CMYK 10 / 0 / 31 / 31

HEX #9DAF78

RGB 157 175 120

HSL 79.64, 0.26%, 0.58%

LAB 68.88, -15.8, 26.19

 

CMYK 15 / 0 / 46 / 25

HEX #A3C067

RGB 163 192 103

HSL 79.55, 0.41%, 0.58%

LAB 73.85, -24.16, 41.44

 

CMYK 28 / 23 / 0 / 33

HEX #7B85AC

RGB 123 133 172

HSL 227.76, 0.23%, 0.58%

LAB 56.05, 5.47, -21.81

 

CMYK 27 / 28 / 0 / 33

HEX #7D7BAC

RGB 125 123 172

HSL 242.45, 0.23%, 0.58%

LAB 53.5, 11.96, -25.73

 

CMYK 20 / 28 / 0 / 33

HEX #8A7BAC

RGB 138 123 172

HSL 258.37, 0.23%, 0.58%

LAB 54.6, 16.08, -23.93

 

CMYK 12 / 28 / 0 / 33

HEX #987BAC

RGB 152 123 172

HSL 275.51, 0.23%, 0.58%

LAB 55.91, 20.67, -21.82

 

CMYK 4 / 28 / 0 / 33

HEX #A57BAC

RGB 165 123 172

HSL 291.43, 0.23%, 0.58%

LAB 57.22, 25.02, -19.7

 

CMYK 25 / 37 / 0 / 49

HEX #625283

RGB 98 82 131

HSL 259.59, 0.23%, 0.42%

LAB 38.32, 17.73, -25.13

 

CMYK 25 / 38 / 0 / 39

HEX #75619C

RGB 117 97 156

HSL 260.34, 0.23%, 0.5%

LAB 45.26, 20.98, -29.21

 

CMYK 19 / 28 / 0 / 33

HEX #8B7BAC

RGB 139 123 172

HSL 259.59, 0.23%, 0.58%

LAB 54.69, 16.4, -23.79

 

CMYK 14 / 21 / 0 / 26

HEX #A194BC

RGB 161 148 188

HSL 259.5, 0.23%, 0.66%

LAB 63.66, 12.83, -19

 

CMYK 10 / 15 / 0 / 20

HEX #B7AECC

RGB 183 174 204

HSL 258, 0.23%, 0.74%

LAB 72.69, 9.02, -14.05

 

CMYK 19 / 28 / 0 / 32

HEX #8C7CAD

RGB 140 124 173

HSL 259.59, 0.23%, 0.58%

LAB 55.08, 16.38, -23.76

 

CMYK 0 / 28 / 15 / 33

HEX #AC7B93

RGB 172 123 147

HSL 330.61, 0.23%, 0.58%

LAB 57.12, 22.84, -5.35

 

CMYK 26 / 0 / 28 / 33

HEX #7FAC7B

RGB 127 172 123

HSL 115.1, 0.23%, 0.58%

LAB 66.1, -24.85, 20.47

 

CMYK 19 / 28 / 0 / 32

HEX #8C7CAD

RGB 140 124 173

HSL 259.59, 0.23%, 0.58%

LAB 55.08, 16.38, -23.76

 

CMYK 0 / 20 / 28 / 33

HEX #AC8A7B

RGB 172 138 123

HSL 18.37, 0.23%, 0.58%

LAB 60.23, 10.64, 12.92

 

CMYK 28 / 0 / 20 / 33

HEX #7BAC8A

RGB 123 172 138

HSL 138.37, 0.23%, 0.58%

LAB 66.18, -23.47, 12.33

 

CMYK 19 / 28 / 0 / 32

HEX #8C7CAD

RGB 140 124 173

HSL 259.59, 0.23%, 0.58%

LAB 55.08, 16.38, -23.76

 

CMYK 0 / 28 / 15 / 33

HEX #AC7B93

RGB 172 123 147

HSL 330.61, 0.23%, 0.58%

LAB 57.12, 22.84, -5.35

 

CMYK 9 / 0 / 28 / 33

HEX #9CAC7B

RGB 156 172 123

HSL 79.59, 0.23%, 0.58%

LAB 68.02, -14.19, 23.41

 

CMYK 28 / 0 / 14 / 33

HEX #7BAC94

RGB 123 172 148

HSL 150.61, 0.23%, 0.58%

LAB 66.41, -21.46, 7.14

 

CMYK 19 / 28 / 0 / 32

HEX #8C7CAD

RGB 140 124 173

HSL 259.59, 0.23%, 0.58%

LAB 55.08, 16.38, -23.76

 

CMYK 0 / 28 / 23 / 33

HEX #AC7B84

RGB 172 123 132

HSL 348.98, 0.23%, 0.58%

LAB 56.69, 20.42, 2.71

 

CMYK 9 / 0 / 28 / 33

HEX #9CAC7B

RGB 156 172 123

HSL 79.59, 0.23%, 0.58%

LAB 68.02, -14.19, 23.41

 

CMYK 28 / 0 / 5 / 33

HEX #7BACA3

RGB 123 172 163

HSL 168.98, 0.23%, 0.58%

LAB 66.79, -18.22, -0.62

 

Description

Color code: HEX #8C7CAD | qconv.com Color code: HEX #8C7CAD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 124 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 124 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 28 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 28% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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