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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C827B it is the complementary color #737D84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C827B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C827B shade: #918276, #A29489, #B3A69C, #C4B8AF and #D5CAC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C827B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C827B shade: #8C827B, #7B7068, #6A5E55, #594C42 and #483A2F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C827B shade: #8D837C, #8D7E7C and #8D7C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C827B shade: #8D837C, #8D877C, #8D8C7C, #898D7C and #848D7C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C827B shade matches the following richer shades: #8D837C, #A07F68, #B47C54, #C87840 and #DC752C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C827B shade: #8D837C, #79868F, #658AA3, #518DB7 and #3D91CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C827B shade: #8D7C7E, #8D7E7C, #8D827C, #8D877C and #8D8C7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C827B shade: #615A54, #776E68, #8D837C, #A09792 and #B3ACA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C827B shade: #8C827B, #828D7C and #7C7C8D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C827B shade: #8C827B, #7C8D82 and #827C8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C827B shade: #8C827B, #828D7C, #7C868D and #867C8D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C827B shade: #8C827B, #7D8D7C, #7C868D and #8B7C8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 12 / 45

HEX #8C827B

RGB 140 130 123

HSL 24.71, 0.07%, 0.52%

LAB 55.04, 2.5, 5.14

 

Complementary color

CMYK 13 / 5 / 0 / 48

HEX #737D84

RGB 115 125 132

HSL 204.71, 0.07%, 0.48%

LAB 51.81, -2.17, -5.07

 

CMYK 0 / 10 / 19 / 43

HEX #918276

RGB 145 130 118

HSL 26.67, 0.11%, 0.52%

LAB 55.37, 3.62, 8.56

 

CMYK 0 / 9 / 15 / 36

HEX #A29489

RGB 162 148 137

HSL 26.4, 0.12%, 0.59%

LAB 62.23, 3.27, 7.68

 

CMYK 0 / 7 / 13 / 30

HEX #B3A69C

RGB 179 166 156

HSL 26.09, 0.13%, 0.66%

LAB 68.94, 2.97, 6.86

 

CMYK 0 / 6 / 11 / 23

HEX #C4B8AF

RGB 196 184 175

HSL 25.71, 0.15%, 0.73%

LAB 75.52, 2.7, 6.08

 

CMYK 0 / 5 / 9 / 16

HEX #D5CAC2

RGB 213 202 194

HSL 25.26, 0.18%, 0.8%

LAB 81.99, 2.45, 5.35

 

CMYK 0 / 7 / 12 / 45

HEX #8C827B

RGB 140 130 123

HSL 24.71, 0.07%, 0.52%

LAB 55.04, 2.5, 5.14

 

CMYK 0 / 9 / 15 / 52

HEX #7B7068

RGB 123 112 104

HSL 25.26, 0.08%, 0.45%

LAB 48.01, 2.82, 5.99

 

CMYK 0 / 11 / 20 / 58

HEX #6A5E55

RGB 106 94 85

HSL 25.71, 0.11%, 0.37%

LAB 40.78, 3.19, 6.92

 

CMYK 0 / 15 / 26 / 65

HEX #594C42

RGB 89 76 66

HSL 26.09, 0.15%, 0.3%

LAB 33.32, 3.64, 7.96

 

CMYK 0 / 19 / 35 / 72

HEX #483A2F

RGB 72 58 47

HSL 26.4, 0.21%, 0.23%

LAB 25.59, 4.23, 9.15

 

CMYK 0 / 7 / 12 / 45

HEX #8D837C

RGB 141 131 124

HSL 24.71, 0.07%, 0.52%

LAB 55.43, 2.5, 5.13

 

CMYK 0 / 11 / 12 / 45

HEX #8D7E7C

RGB 141 126 124

HSL 7.06, 0.07%, 0.52%

LAB 54.07, 5.36, 3.17

 

CMYK 0 / 12 / 12 / 45

HEX #8D7C7C

RGB 141 124 124

HSL 0, 0.07%, 0.52%

LAB 53.53, 6.51, 2.38

 

CMYK 0 / 7 / 12 / 45

HEX #8D837C

RGB 141 131 124

HSL 24.71, 0.07%, 0.52%

LAB 55.43, 2.5, 5.13

 

CMYK 0 / 4 / 12 / 45

HEX #8D877C

RGB 141 135 124

HSL 38.82, 0.07%, 0.52%

LAB 56.53, 0.23, 6.71

 

CMYK 0 / 1 / 12 / 45

HEX #8D8C7C

RGB 141 140 124

HSL 56.47, 0.07%, 0.52%

LAB 57.92, -2.58, 8.68

 

CMYK 3 / 0 / 12 / 45

HEX #898D7C

RGB 137 141 124

HSL 74.12, 0.07%, 0.52%

LAB 57.87, -4.67, 8.57

 

CMYK 6 / 0 / 12 / 45

HEX #848D7C

RGB 132 141 124

HSL 91.76, 0.07%, 0.52%

LAB 57.47, -6.57, 7.95

 

CMYK 0 / 7 / 12 / 45

HEX #8D837C

RGB 141 131 124

HSL 24.71, 0.07%, 0.52%

LAB 55.43, 2.5, 5.13

 

CMYK 0 / 21 / 35 / 37

HEX #A07F68

RGB 160 127 104

HSL 24.64, 0.23%, 0.52%

LAB 55.74, 9.36, 17.35

 

CMYK 0 / 31 / 53 / 29

HEX #B47C54

RGB 180 124 84

HSL 25, 0.39%, 0.52%

LAB 56.84, 17.26, 30.47

 

CMYK 0 / 40 / 68 / 22

HEX #C87840

RGB 200 120 64

HSL 24.71, 0.55%, 0.52%

LAB 58.12, 26.41, 43.23

 

CMYK 0 / 47 / 80 / 14

HEX #DC752C

RGB 220 117 44

HSL 24.89, 0.72%, 0.52%

LAB 60, 35.3, 55.37

 

CMYK 0 / 7 / 12 / 45

HEX #8D837C

RGB 141 131 124

HSL 24.71, 0.07%, 0.52%

LAB 55.43, 2.5, 5.13

 

CMYK 15 / 6 / 0 / 44

HEX #79868F

RGB 121 134 143

HSL 204.55, 0.09%, 0.52%

LAB 55.17, -2.75, -6.44

 

CMYK 38 / 15 / 0 / 36

HEX #658AA3

RGB 101 138 163

HSL 204.19, 0.25%, 0.52%

LAB 55.67, -6.35, -17.35

 

CMYK 56 / 23 / 0 / 28

HEX #518DB7

RGB 81 141 183

HSL 204.71, 0.41%, 0.52%

LAB 56.31, -7.17, -27.91

 

CMYK 70 / 29 / 0 / 20

HEX #3D91CB

RGB 61 145 203

HSL 204.51, 0.58%, 0.52%

LAB 57.61, -6.49, -37.26

 

CMYK 0 / 12 / 11 / 45

HEX #8D7C7E

RGB 141 124 126

HSL 352.94, 0.07%, 0.52%

LAB 53.58, 6.87, 1.3

 

CMYK 0 / 11 / 12 / 45

HEX #8D7E7C

RGB 141 126 124

HSL 7.06, 0.07%, 0.52%

LAB 54.07, 5.36, 3.17

 

CMYK 0 / 8 / 12 / 45

HEX #8D827C

RGB 141 130 124

HSL 21.18, 0.07%, 0.52%

LAB 55.16, 3.07, 4.74

 

CMYK 0 / 4 / 12 / 45

HEX #8D877C

RGB 141 135 124

HSL 38.82, 0.07%, 0.52%

LAB 56.53, 0.23, 6.71

 

CMYK 0 / 1 / 12 / 45

HEX #8D8C7C

RGB 141 140 124

HSL 56.47, 0.07%, 0.52%

LAB 57.92, -2.58, 8.68

 

CMYK 0 / 7 / 13 / 62

HEX #615A54

RGB 97 90 84

HSL 27.69, 0.07%, 0.35%

LAB 38.71, 1.66, 4.47

 

CMYK 0 / 8 / 13 / 53

HEX #776E68

RGB 119 110 104

HSL 24, 0.07%, 0.44%

LAB 47.07, 2.38, 4.6

 

CMYK 0 / 7 / 12 / 45

HEX #8D837C

RGB 141 131 124

HSL 24.71, 0.07%, 0.52%

LAB 55.43, 2.5, 5.13

 

CMYK 0 / 6 / 9 / 37

HEX #A09792

RGB 160 151 146

HSL 21.43, 0.07%, 0.6%

LAB 63.08, 2.39, 3.8

 

CMYK 0 / 4 / 6 / 30

HEX #B3ACA8

RGB 179 172 168

HSL 21.82, 0.07%, 0.68%

LAB 70.81, 1.78, 2.94

 

CMYK 0 / 7 / 12 / 45

HEX #8C827B

RGB 140 130 123

HSL 24.71, 0.07%, 0.52%

LAB 55.04, 2.5, 5.14

 

CMYK 8 / 0 / 12 / 45

HEX #828D7C

RGB 130 141 124

HSL 98.82, 0.07%, 0.52%

LAB 57.32, -7.33, 7.71

 

CMYK 12 / 12 / 0 / 45

HEX #7C7C8D

RGB 124 124 141

HSL 240, 0.07%, 0.52%

LAB 52.53, 3.6, -9.18

 

CMYK 0 / 7 / 12 / 45

HEX #8C827B

RGB 140 130 123

HSL 24.71, 0.07%, 0.52%

LAB 55.04, 2.5, 5.14

 

CMYK 12 / 0 / 8 / 45

HEX #7C8D82

RGB 124 141 130

HSL 141.18, 0.07%, 0.52%

LAB 57.02, -8.38, 3.79

 

CMYK 8 / 12 / 0 / 45

HEX #827C8D

RGB 130 124 141

HSL 261.18, 0.07%, 0.52%

LAB 53.04, 5.74, -8.37

 

CMYK 0 / 7 / 12 / 45

HEX #8C827B

RGB 140 130 123

HSL 24.71, 0.07%, 0.52%

LAB 55.04, 2.5, 5.14

 

CMYK 8 / 0 / 12 / 45

HEX #828D7C

RGB 130 141 124

HSL 98.82, 0.07%, 0.52%

LAB 57.32, -7.33, 7.71

 

CMYK 12 / 5 / 0 / 45

HEX #7C868D

RGB 124 134 141

HSL 204.71, 0.07%, 0.52%

LAB 55.34, -2.15, -5.01

 

CMYK 5 / 12 / 0 / 45

HEX #867C8D

RGB 134 124 141

HSL 275.29, 0.07%, 0.52%

LAB 53.39, 7.18, -7.81

 

CMYK 0 / 7 / 12 / 45

HEX #8C827B

RGB 140 130 123

HSL 24.71, 0.07%, 0.52%

LAB 55.04, 2.5, 5.14

 

CMYK 11 / 0 / 12 / 45

HEX #7D8D7C

RGB 125 141 124

HSL 116.47, 0.07%, 0.52%

LAB 56.94, -9.19, 7.12

 

CMYK 12 / 5 / 0 / 45

HEX #7C868D

RGB 124 134 141

HSL 204.71, 0.07%, 0.52%

LAB 55.34, -2.15, -5.01

 

CMYK 1 / 12 / 0 / 45

HEX #8B7C8D

RGB 139 124 141

HSL 292.94, 0.07%, 0.52%

LAB 53.84, 9, -7.09

 

Description

Color code: HEX #8C827B | qconv.com Color code: HEX #8C827B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 130 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 130 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 12 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 12% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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