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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C82EC it is the complementary color #737D13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C82EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C82EC shade: #9182E7, #A294FA, #B3A6FF, #C4B8FF and #D5CAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C82EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C82EC shade: #8C82EC, #7B70D9, #6A5EC6, #594CB3 and #483AA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C82EC shade: #8C82EC, #A982EC, #C582EC, #E282EC and #EC82DA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C82EC shade: #8C82EC and #8282EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C82EC shade matches the following richer shades: #8C82EC and #8377F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C82EC shade: #8C82EC, #968EE0, #9F99D5, #A8A5C9 and #B2B0BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C82EC shade: #82B2EC, #8296EC, #8B82EC, #A782EC and #C382EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C82EC shade: #4A3AE1, #6B5EE7, #8C82EC, #ADA6F1 and #CECAF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C82EC shade: #8C82EC, #EC82CE and #A4EC82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C82EC shade: #8C82EC, #EC8B82 and #82EC8B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C82EC shade: #8C82EC, #EC82CE, #E3EC82 and #82ECA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C82EC shade: #8C82EC, #EC82AE, #E3EC82 and #82ECC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 45 / 0 / 7

HEX #8C82EC

RGB 140 130 236

HSL 245.66, 0.74%, 0.72%

LAB 59.52, 29.19, -52.41

 

Complementary color

CMYK 8 / 0 / 85 / 51

HEX #737D13

RGB 115 125 19

HSL 65.66, 0.74%, 0.28%

LAB 49.93, -16.88, 50.72

 

CMYK 37 / 44 / 0 / 9

HEX #9182E7

RGB 145 130 231

HSL 248.91, 0.68%, 0.71%

LAB 59.67, 29.08, -49.38

 

CMYK 35 / 41 / 0 / 2

HEX #A294FA

RGB 162 148 250

HSL 248.24, 0.91%, 0.78%

LAB 66.34, 28.17, -49.21

 

CMYK 30 / 35 / 0 / 0

HEX #B3A6FF

RGB 179 166 255

HSL 248.76, 1%, 0.83%

LAB 72.28, 23.86, -42.5

 

CMYK 23 / 28 / 0 / 0

HEX #C4B8FF

RGB 196 184 255

HSL 250.14, 1%, 0.86%

LAB 78.01, 18.75, -33.49

 

CMYK 16 / 21 / 0 / 0

HEX #D5CAFF

RGB 213 202 255

HSL 252.45, 1%, 0.9%

LAB 83.76, 14.12, -24.57

 

CMYK 41 / 45 / 0 / 7

HEX #8C82EC

RGB 140 130 236

HSL 245.66, 0.74%, 0.72%

LAB 59.52, 29.19, -52.41

 

CMYK 43 / 48 / 0 / 15

HEX #7B70D9

RGB 123 112 217

HSL 246.29, 0.58%, 0.65%

LAB 52.74, 30.3, -52.66

 

CMYK 46 / 53 / 0 / 22

HEX #6A5EC6

RGB 106 94 198

HSL 246.92, 0.48%, 0.57%

LAB 45.83, 31.56, -52.95

 

CMYK 50 / 58 / 0 / 30

HEX #594CB3

RGB 89 76 179

HSL 247.57, 0.4%, 0.5%

LAB 38.81, 33, -53.26

 

CMYK 55 / 64 / 0 / 37

HEX #483AA0

RGB 72 58 160

HSL 248.24, 0.47%, 0.43%

LAB 31.67, 34.65, -53.55

 

CMYK 41 / 45 / 0 / 7

HEX #8C82EC

RGB 140 130 236

HSL 245.66, 0.74%, 0.72%

LAB 59.52, 29.19, -52.41

 

CMYK 28 / 45 / 0 / 7

HEX #A982EC

RGB 169 130 236

HSL 262.08, 0.74%, 0.72%

LAB 62.05, 36.67, -48.25

 

CMYK 17 / 45 / 0 / 7

HEX #C582EC

RGB 197 130 236

HSL 277.92, 0.74%, 0.72%

LAB 64.88, 44.38, -43.6

 

CMYK 4 / 45 / 0 / 7

HEX #E282EC

RGB 226 130 236

HSL 294.34, 0.74%, 0.72%

LAB 68.16, 52.6, -38.22

 

CMYK 0 / 45 / 8 / 7

HEX #EC82DA

RGB 236 130 218

HSL 310.19, 0.74%, 0.72%

LAB 68.65, 52.37, -27.42

 

CMYK 41 / 45 / 0 / 7

HEX #8C82EC

RGB 140 130 236

HSL 245.66, 0.74%, 0.72%

LAB 59.52, 29.19, -52.41

 

CMYK 45 / 45 / 0 / 7

HEX #8282EC

RGB 130 130 236

HSL 240, 0.74%, 0.72%

LAB 58.76, 26.79, -53.67

 

CMYK 41 / 45 / 0 / 7

HEX #8C82EC

RGB 140 130 236

HSL 245.66, 0.74%, 0.72%

LAB 59.52, 29.19, -52.41

 

CMYK 47 / 52 / 0 / 3

HEX #8377F7

RGB 131 119 247

HSL 245.63, 0.89%, 0.72%

LAB 56.82, 36.65, -62.88

 

CMYK 41 / 45 / 0 / 7

HEX #8C82EC

RGB 140 130 236

HSL 245.66, 0.74%, 0.72%

LAB 59.52, 29.19, -52.41

 

CMYK 33 / 37 / 0 / 12

HEX #968EE0

RGB 150 142 224

HSL 245.85, 0.57%, 0.72%

LAB 62.69, 21.61, -40.7

 

CMYK 25 / 28 / 0 / 16

HEX #9F99D5

RGB 159 153 213

HSL 246, 0.42%, 0.72%

LAB 65.72, 15.15, -29.82

 

CMYK 16 / 18 / 0 / 21

HEX #A8A5C9

RGB 168 165 201

HSL 245, 0.25%, 0.72%

LAB 69.08, 8.44, -17.97

 

CMYK 6 / 7 / 0 / 25

HEX #B2B0BE

RGB 178 176 190

HSL 248.57, 0.1%, 0.72%

LAB 72.38, 3.4, -6.87

 

CMYK 45 / 25 / 0 / 7

HEX #82B2EC

RGB 130 178 236

HSL 212.83, 0.74%, 0.72%

LAB 71.31, -0.82, -33.95

 

CMYK 45 / 36 / 0 / 7

HEX #8296EC

RGB 130 150 236

HSL 228.68, 0.74%, 0.72%

LAB 63.85, 15.07, -45.61

 

CMYK 41 / 45 / 0 / 7

HEX #8B82EC

RGB 139 130 236

HSL 245.09, 0.74%, 0.72%

LAB 59.44, 28.95, -52.54

 

CMYK 29 / 45 / 0 / 7

HEX #A782EC

RGB 167 130 236

HSL 260.94, 0.74%, 0.72%

LAB 61.86, 36.14, -48.56

 

CMYK 17 / 45 / 0 / 7

HEX #C382EC

RGB 195 130 236

HSL 276.79, 0.74%, 0.72%

LAB 64.66, 43.82, -43.95

 

CMYK 67 / 74 / 0 / 12

HEX #4A3AE1

RGB 74 58 225

HSL 245.75, 0.74%, 0.55%

LAB 37.7, 55.3, -81.83

 

CMYK 54 / 59 / 0 / 9

HEX #6B5EE7

RGB 107 94 231

HSL 245.69, 0.74%, 0.64%

LAB 48.13, 41.72, -68.05

 

CMYK 41 / 45 / 0 / 7

HEX #8C82EC

RGB 140 130 236

HSL 245.66, 0.74%, 0.72%

LAB 59.52, 29.19, -52.41

 

CMYK 28 / 31 / 0 / 5

HEX #ADA6F1

RGB 173 166 241

HSL 245.6, 0.73%, 0.8%

LAB 71.22, 18.73, -36.59

 

CMYK 17 / 18 / 0 / 3

HEX #CECAF7

RGB 206 202 247

HSL 245.33, 0.74%, 0.88%

LAB 82.96, 10.26, -21.59

 

CMYK 41 / 45 / 0 / 7

HEX #8C82EC

RGB 140 130 236

HSL 245.66, 0.74%, 0.72%

LAB 59.52, 29.19, -52.41

 

CMYK 0 / 45 / 13 / 7

HEX #EC82CE

RGB 236 130 206

HSL 316.98, 0.74%, 0.72%

LAB 68.21, 50.42, -21.42

 

CMYK 31 / 0 / 45 / 7

HEX #A4EC82

RGB 164 236 130

HSL 100.75, 0.74%, 0.72%

LAB 86.75, -41.05, 44.27

 

CMYK 41 / 45 / 0 / 7

HEX #8C82EC

RGB 140 130 236

HSL 245.66, 0.74%, 0.72%

LAB 59.52, 29.19, -52.41

 

CMYK 0 / 41 / 45 / 7

HEX #EC8B82

RGB 236 139 130

HSL 5.09, 0.74%, 0.72%

LAB 67.95, 35.9, 20.81

 

CMYK 45 / 0 / 41 / 7

HEX #82EC8B

RGB 130 236 139

HSL 125.09, 0.74%, 0.72%

LAB 85.3, -50.26, 37.69

 

CMYK 41 / 45 / 0 / 7

HEX #8C82EC

RGB 140 130 236

HSL 245.66, 0.74%, 0.72%

LAB 59.52, 29.19, -52.41

 

CMYK 0 / 45 / 13 / 7

HEX #EC82CE

RGB 236 130 206

HSL 316.98, 0.74%, 0.72%

LAB 68.21, 50.42, -21.42

 

CMYK 4 / 0 / 45 / 7

HEX #E3EC82

RGB 227 236 130

HSL 65.09, 0.74%, 0.72%

LAB 90.75, -18.03, 50.12

 

CMYK 45 / 0 / 32 / 7

HEX #82ECA0

RGB 130 236 160

HSL 136.98, 0.74%, 0.72%

LAB 85.64, -46.85, 27.56

 

CMYK 41 / 45 / 0 / 7

HEX #8C82EC

RGB 140 130 236

HSL 245.66, 0.74%, 0.72%

LAB 59.52, 29.19, -52.41

 

CMYK 0 / 45 / 26 / 7

HEX #EC82AE

RGB 236 130 174

HSL 335.09, 0.74%, 0.72%

LAB 67.17, 45.72, -5.04

 

CMYK 4 / 0 / 45 / 7

HEX #E3EC82

RGB 227 236 130

HSL 65.09, 0.74%, 0.72%

LAB 90.75, -18.03, 50.12

 

CMYK 45 / 0 / 19 / 7

HEX #82ECC0

RGB 130 236 192

HSL 155.09, 0.74%, 0.72%

LAB 86.28, -40.71, 11.89

 

Description

Color code: HEX #8C82EC | qconv.com Color code: HEX #8C82EC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 130 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 130 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 45 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 45% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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