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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C8AD5 it is the complementary color #73752A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C8AD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C8AD5 shade: #918AD0, #A29CE3, #B3AEF6, #C4C0FF and #D5D2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C8AD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C8AD5 shade: #8C8AD5, #7B78C2, #6A66AF, #59549C and #484289

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C8AD5 shade: #8C8AD5, #A08AD5, #B48AD5, #C88AD5 and #D58ACD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C8AD5 shade: #8C8AD5 and #8A8AD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C8AD5 shade matches the following richer shades: #8C8AD5, #807EE1, #7471EE and #6864FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C8AD5 shade: #8C8AD5, #9897C8, #A4A4BB, #B1B1AE and #BDBDA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C8AD5 shade: #8AB1D5, #8A9DD5, #8C8AD5, #9F8AD5 and #B38AD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C8AD5 shade: #514EBF, #6E6CCA, #8C8AD5, #AAA9E0 and #C8C7EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C8AD5 shade: #8C8AD5, #D58AC5 and #A7D58A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C8AD5 shade: #8C8AD5, #D58C8A and #8AD58C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C8AD5 shade: #8C8AD5, #D58AC5, #D3D58A and #8AD59A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C8AD5 shade: #8C8AD5, #D58AAE, #D3D58A and #8AD5B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 35 / 0 / 16

HEX #8C8AD5

RGB 140 138 213

HSL 241.6, 0.47%, 0.69%

LAB 60.39, 18.26, -38.22

 

Complementary color

CMYK 2 / 0 / 64 / 54

HEX #73752A

RGB 115 117 42

HSL 61.6, 0.47%, 0.31%

LAB 47.67, -11.32, 39.85

 

CMYK 30 / 34 / 0 / 18

HEX #918AD0

RGB 145 138 208

HSL 246, 0.43%, 0.68%

LAB 60.56, 18.38, -35.12

 

CMYK 29 / 31 / 0 / 11

HEX #A29CE3

RGB 162 156 227

HSL 245.07, 0.56%, 0.75%

LAB 67.28, 17.76, -35.12

 

CMYK 27 / 29 / 0 / 4

HEX #B3AEF6

RGB 179 174 246

HSL 244.17, 0.8%, 0.82%

LAB 73.88, 17.2, -35.15

 

CMYK 23 / 25 / 0 / 0

HEX #C4C0FF

RGB 196 192 255

HSL 243.81, 1%, 0.88%

LAB 79.99, 14.39, -30.46

 

CMYK 16 / 18 / 0 / 0

HEX #D5D2FF

RGB 213 210 255

HSL 244, 1%, 0.91%

LAB 85.74, 9.85, -21.57

 

CMYK 34 / 35 / 0 / 16

HEX #8C8AD5

RGB 140 138 213

HSL 241.6, 0.47%, 0.69%

LAB 60.39, 18.26, -38.22

 

CMYK 37 / 38 / 0 / 24

HEX #7B78C2

RGB 123 120 194

HSL 242.43, 0.38%, 0.62%

LAB 53.53, 19.02, -38.32

 

CMYK 39 / 42 / 0 / 31

HEX #6A66AF

RGB 106 102 175

HSL 243.29, 0.31%, 0.54%

LAB 46.53, 19.9, -38.48

 

CMYK 43 / 46 / 0 / 39

HEX #59549C

RGB 89 84 156

HSL 244.17, 0.3%, 0.47%

LAB 39.35, 20.94, -38.7

 

CMYK 47 / 52 / 0 / 46

HEX #484289

RGB 72 66 137

HSL 245.07, 0.35%, 0.4%

LAB 31.99, 22.19, -38.99

 

CMYK 34 / 35 / 0 / 16

HEX #8C8AD5

RGB 140 138 213

HSL 241.6, 0.47%, 0.69%

LAB 60.39, 18.26, -38.22

 

CMYK 25 / 35 / 0 / 16

HEX #A08AD5

RGB 160 138 213

HSL 257.6, 0.47%, 0.69%

LAB 62.04, 24.01, -35.51

 

CMYK 15 / 35 / 0 / 16

HEX #B48AD5

RGB 180 138 213

HSL 273.6, 0.47%, 0.69%

LAB 63.9, 30.03, -32.48

 

CMYK 6 / 35 / 0 / 16

HEX #C88AD5

RGB 200 138 213

HSL 289.6, 0.47%, 0.69%

LAB 65.95, 36.22, -29.15

 

CMYK 0 / 35 / 4 / 16

HEX #D58ACD

RGB 213 138 205

HSL 306.4, 0.47%, 0.69%

LAB 67.07, 38.84, -22.84

 

CMYK 34 / 35 / 0 / 16

HEX #8C8AD5

RGB 140 138 213

HSL 241.6, 0.47%, 0.69%

LAB 60.39, 18.26, -38.22

 

CMYK 35 / 35 / 0 / 16

HEX #8A8AD5

RGB 138 138 213

HSL 240, 0.47%, 0.69%

LAB 60.23, 17.71, -38.47

 

CMYK 34 / 35 / 0 / 16

HEX #8C8AD5

RGB 140 138 213

HSL 241.6, 0.47%, 0.69%

LAB 60.39, 18.26, -38.22

 

CMYK 43 / 44 / 0 / 12

HEX #807EE1

RGB 128 126 225

HSL 241.21, 0.62%, 0.69%

LAB 57.02, 25.5, -50.31

 

CMYK 51 / 53 / 0 / 7

HEX #7471EE

RGB 116 113 238

HSL 241.44, 0.79%, 0.69%

LAB 53.7, 34.37, -62.94

 

CMYK 59 / 60 / 0 / 2

HEX #6864FB

RGB 104 100 251

HSL 241.59, 0.95%, 0.69%

LAB 50.71, 43.86, -75.06

 

CMYK 34 / 35 / 0 / 16

HEX #8C8AD5

RGB 140 138 213

HSL 241.6, 0.47%, 0.69%

LAB 60.39, 18.26, -38.22

 

CMYK 24 / 25 / 0 / 22

HEX #9897C8

RGB 152 151 200

HSL 241.22, 0.31%, 0.69%

LAB 64.14, 11.02, -25.05

 

CMYK 12 / 12 / 0 / 27

HEX #A4A4BB

RGB 164 164 187

HSL 240, 0.14%, 0.69%

LAB 68.04, 4.64, -11.8

 

CMYK 0 / 0 / 2 / 31

HEX #B1B1AE

RGB 177 177 174

HSL 60, 0.02%, 0.69%

LAB 72.13, -0.55, 1.52

 

CMYK 0 / 0 / 15 / 26

HEX #BDBDA1

RGB 189 189 161

HSL 60, 0.18%, 0.69%

LAB 75.94, -4.82, 14.18

 

CMYK 35 / 17 / 0 / 16

HEX #8AB1D5

RGB 138 177 213

HSL 208.8, 0.47%, 0.69%

LAB 70.63, -4.37, -22.41

 

CMYK 35 / 26 / 0 / 16

HEX #8A9DD5

RGB 138 157 213

HSL 224.8, 0.47%, 0.69%

LAB 65.22, 6.76, -30.72

 

CMYK 34 / 35 / 0 / 16

HEX #8C8AD5

RGB 140 138 213

HSL 241.6, 0.47%, 0.69%

LAB 60.39, 18.26, -38.22

 

CMYK 25 / 35 / 0 / 16

HEX #9F8AD5

RGB 159 138 213

HSL 256.8, 0.47%, 0.69%

LAB 61.96, 23.71, -35.66

 

CMYK 16 / 35 / 0 / 16

HEX #B38AD5

RGB 179 138 213

HSL 272.8, 0.47%, 0.69%

LAB 63.81, 29.73, -32.64

 

CMYK 58 / 59 / 0 / 25

HEX #514EBF

RGB 81 78 191

HSL 241.59, 0.47%, 0.53%

LAB 39.51, 34.02, -59.19

 

CMYK 46 / 47 / 0 / 21

HEX #6E6CCA

RGB 110 108 202

HSL 241.28, 0.47%, 0.61%

LAB 49.86, 25.2, -48.78

 

CMYK 34 / 35 / 0 / 16

HEX #8C8AD5

RGB 140 138 213

HSL 241.6, 0.47%, 0.69%

LAB 60.39, 18.26, -38.22

 

CMYK 24 / 25 / 0 / 12

HEX #AAA9E0

RGB 170 169 224

HSL 241.09, 0.47%, 0.77%

LAB 71.08, 12.09, -27.55

 

CMYK 15 / 15 / 0 / 8

HEX #C8C7EA

RGB 200 199 234

HSL 241.71, 0.45%, 0.85%

LAB 81.33, 7.23, -17.16

 

CMYK 34 / 35 / 0 / 16

HEX #8C8AD5

RGB 140 138 213

HSL 241.6, 0.47%, 0.69%

LAB 60.39, 18.26, -38.22

 

CMYK 0 / 35 / 8 / 16

HEX #D58AC5

RGB 213 138 197

HSL 312.8, 0.47%, 0.69%

LAB 66.79, 37.43, -18.81

 

CMYK 22 / 0 / 35 / 16

HEX #A7D58A

RGB 167 213 138

HSL 96.8, 0.47%, 0.69%

LAB 80.54, -28.39, 32.33

 

CMYK 34 / 35 / 0 / 16

HEX #8C8AD5

RGB 140 138 213

HSL 241.6, 0.47%, 0.69%

LAB 60.39, 18.26, -38.22

 

CMYK 0 / 34 / 35 / 16

HEX #D58C8A

RGB 213 140 138

HSL 1.6, 0.47%, 0.69%

LAB 65.54, 27.55, 12.56

 

CMYK 35 / 0 / 34 / 16

HEX #8AD58C

RGB 138 213 140

HSL 121.6, 0.47%, 0.69%

LAB 78.98, -37.8, 28.94

 

CMYK 34 / 35 / 0 / 16

HEX #8C8AD5

RGB 140 138 213

HSL 241.6, 0.47%, 0.69%

LAB 60.39, 18.26, -38.22

 

CMYK 0 / 35 / 8 / 16

HEX #D58AC5

RGB 213 138 197

HSL 312.8, 0.47%, 0.69%

LAB 66.79, 37.43, -18.81

 

CMYK 1 / 0 / 35 / 16

HEX #D3D58A

RGB 211 213 138

HSL 61.6, 0.47%, 0.69%

LAB 83.59, -11.97, 36.89

 

CMYK 35 / 0 / 28 / 16

HEX #8AD59A

RGB 138 213 154

HSL 132.8, 0.47%, 0.69%

LAB 79.23, -35.43, 21.98

 

CMYK 34 / 35 / 0 / 16

HEX #8C8AD5

RGB 140 138 213

HSL 241.6, 0.47%, 0.69%

LAB 60.39, 18.26, -38.22

 

CMYK 0 / 35 / 18 / 16

HEX #D58AAE

RGB 213 138 174

HSL 331.2, 0.47%, 0.69%

LAB 66.04, 33.65, -7.02

 

CMYK 1 / 0 / 35 / 16

HEX #D3D58A

RGB 211 213 138

HSL 61.6, 0.47%, 0.69%

LAB 83.59, -11.97, 36.89

 

CMYK 35 / 0 / 17 / 16

HEX #8AD5B1

RGB 138 213 177

HSL 151.2, 0.47%, 0.69%

LAB 79.71, -31.06, 10.5

 

Description

Color code: HEX #8C8AD5 | qconv.com Color code: HEX #8C8AD5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 138 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 138 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 35 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 35% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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