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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C98C3 it is the complementary color #73673C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C98C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C98C3 shade: #9198BE, #A2AAD1, #B3BCE4, #C4CEF7 and #D5E0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C98C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C98C3 shade: #8C98C3, #7B86B0, #6A749D, #59628A and #485077

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C98C3 shade: #8D99C3, #908DC3, #9E8DC3, #AD8DC3 and #BB8DC3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C98C3 shade: #8D99C3 and #8D8DC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C98C3 shade matches the following richer shades: #8D99C3, #7F91D1, #7189DF, #6381ED and #5579FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C98C3 shade: #8D99C3, #9BA1B5, #A9A8A7, #B7B099 and #C5B88B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C98C3 shade: #8DB6C3, #8DA8C3, #8D99C3, #8F8DC3 and #9D8DC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C98C3 shade: #5768A6, #7280B4, #8D99C3, #A8B1D1 and #C3C9DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C98C3 shade: #8C98C3, #C18DC3 and #AFC38D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C98C3 shade: #8C98C3, #C38D99 and #99C38D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C98C3 shade: #8C98C3, #C18DC3, #C3B68D and #8FC38D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C98C3 shade: #8C98C3, #C38DB4, #C3B68D and #8DC39B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 22 / 0 / 24

HEX #8C98C3

RGB 140 152 195

HSL 226.91, 0.31%, 0.66%

LAB 63.32, 5.55, -23.6

 

Complementary color

CMYK 0 / 10 / 48 / 55

HEX #73673C

RGB 115 103 60

HSL 46.91, 0.31%, 0.34%

LAB 43.76, -1.72, 25.91

 

CMYK 24 / 20 / 0 / 25

HEX #9198BE

RGB 145 152 190

HSL 230.67, 0.26%, 0.66%

LAB 63.5, 5.87, -20.48

 

CMYK 22 / 19 / 0 / 18

HEX #A2AAD1

RGB 162 170 209

HSL 229.79, 0.34%, 0.73%

LAB 70.2, 5.57, -20.72

 

CMYK 21 / 18 / 0 / 11

HEX #B3BCE4

RGB 179 188 228

HSL 228.98, 0.48%, 0.8%

LAB 76.77, 5.3, -20.98

 

CMYK 21 / 17 / 0 / 3

HEX #C4CEF7

RGB 196 206 247

HSL 228.24, 0.76%, 0.87%

LAB 83.23, 5.05, -21.25

 

CMYK 16 / 12 / 0 / 0

HEX #D5E0FF

RGB 213 224 255

HSL 224.29, 1%, 0.92%

LAB 89.24, 2.47, -16.28

 

CMYK 28 / 22 / 0 / 24

HEX #8C98C3

RGB 140 152 195

HSL 226.91, 0.31%, 0.66%

LAB 63.32, 5.55, -23.6

 

CMYK 30 / 24 / 0 / 31

HEX #7B86B0

RGB 123 134 176

HSL 227.55, 0.25%, 0.59%

LAB 56.48, 5.92, -23.44

 

CMYK 32 / 26 / 0 / 38

HEX #6A749D

RGB 106 116 157

HSL 228.24, 0.21%, 0.52%

LAB 49.48, 6.33, -23.32

 

CMYK 36 / 29 / 0 / 46

HEX #59628A

RGB 89 98 138

HSL 228.98, 0.22%, 0.45%

LAB 42.3, 6.82, -23.26

 

CMYK 39 / 33 / 0 / 53

HEX #485077

RGB 72 80 119

HSL 229.79, 0.25%, 0.37%

LAB 34.9, 7.42, -23.25

 

CMYK 28 / 22 / 0 / 24

HEX #8D99C3

RGB 141 153 195

HSL 226.67, 0.31%, 0.66%

LAB 63.66, 5.29, -23.07

 

CMYK 26 / 28 / 0 / 24

HEX #908DC3

RGB 144 141 195

HSL 243.33, 0.31%, 0.66%

LAB 60.71, 13.07, -27.58

 

CMYK 19 / 28 / 0 / 24

HEX #9E8DC3

RGB 158 141 195

HSL 258.89, 0.31%, 0.66%

LAB 61.88, 17.43, -25.69

 

CMYK 11 / 28 / 0 / 24

HEX #AD8DC3

RGB 173 141 195

HSL 275.56, 0.31%, 0.66%

LAB 63.24, 22.25, -23.48

 

CMYK 4 / 28 / 0 / 24

HEX #BB8DC3

RGB 187 141 195

HSL 291.11, 0.31%, 0.66%

LAB 64.61, 26.84, -21.27

 

CMYK 28 / 22 / 0 / 24

HEX #8D99C3

RGB 141 153 195

HSL 226.67, 0.31%, 0.66%

LAB 63.66, 5.29, -23.07

 

CMYK 28 / 28 / 0 / 24

HEX #8D8DC3

RGB 141 141 195

HSL 240, 0.31%, 0.66%

LAB 60.47, 12.16, -27.97

 

CMYK 28 / 22 / 0 / 24

HEX #8D99C3

RGB 141 153 195

HSL 226.67, 0.31%, 0.66%

LAB 63.66, 5.29, -23.07

 

CMYK 39 / 31 / 0 / 18

HEX #7F91D1

RGB 127 145 209

HSL 226.83, 0.47%, 0.66%

LAB 61.1, 9.55, -34.94

 

CMYK 49 / 39 / 0 / 13

HEX #7189DF

RGB 113 137 223

HSL 226.91, 0.63%, 0.66%

LAB 58.72, 14.81, -46.56

 

CMYK 58 / 46 / 0 / 7

HEX #6381ED

RGB 99 129 237

HSL 226.96, 0.79%, 0.66%

LAB 56.55, 21.08, -57.87

 

CMYK 66 / 52 / 0 / 2

HEX #5579FB

RGB 85 121 251

HSL 226.99, 0.95%, 0.66%

LAB 54.63, 28.25, -68.77

 

CMYK 28 / 22 / 0 / 24

HEX #8D99C3

RGB 141 153 195

HSL 226.67, 0.31%, 0.66%

LAB 63.66, 5.29, -23.07

 

CMYK 14 / 11 / 0 / 29

HEX #9BA1B5

RGB 155 161 181

HSL 226.15, 0.15%, 0.66%

LAB 66.36, 2.01, -11.05

 

CMYK 0 / 1 / 1 / 34

HEX #A9A8A7

RGB 169 168 167

HSL 30, 0.01%, 0.66%

LAB 68.92, 0.17, 0.63

 

CMYK 0 / 4 / 16 / 28

HEX #B7B099

RGB 183 176 153

HSL 46, 0.17%, 0.66%

LAB 71.84, -1.42, 12.68

 

CMYK 0 / 7 / 29 / 23

HEX #C5B88B

RGB 197 184 139

HSL 46.55, 0.33%, 0.66%

LAB 74.83, -2.33, 24.57

 

CMYK 28 / 7 / 0 / 24

HEX #8DB6C3

RGB 141 182 195

HSL 194.44, 0.31%, 0.66%

LAB 71.59, -10.64, -11.06

 

CMYK 28 / 14 / 0 / 24

HEX #8DA8C3

RGB 141 168 195

HSL 210, 0.31%, 0.66%

LAB 67.73, -3.08, -16.88

 

CMYK 28 / 22 / 0 / 24

HEX #8D99C3

RGB 141 153 195

HSL 226.67, 0.31%, 0.66%

LAB 63.66, 5.29, -23.07

 

CMYK 27 / 28 / 0 / 24

HEX #8F8DC3

RGB 143 141 195

HSL 242.22, 0.31%, 0.66%

LAB 60.63, 12.77, -27.71

 

CMYK 19 / 28 / 0 / 24

HEX #9D8DC3

RGB 157 141 195

HSL 257.78, 0.31%, 0.66%

LAB 61.79, 17.11, -25.83

 

CMYK 48 / 37 / 0 / 35

HEX #5768A6

RGB 87 104 166

HSL 227.09, 0.31%, 0.5%

LAB 45.19, 10.95, -35.4

 

CMYK 37 / 29 / 0 / 29

HEX #7280B4

RGB 114 128 180

HSL 227.27, 0.31%, 0.58%

LAB 54.36, 7.85, -29.07

 

CMYK 28 / 22 / 0 / 24

HEX #8D99C3

RGB 141 153 195

HSL 226.67, 0.31%, 0.66%

LAB 63.66, 5.29, -23.07

 

CMYK 20 / 15 / 0 / 18

HEX #A8B1D1

RGB 168 177 209

HSL 226.83, 0.31%, 0.74%

LAB 72.48, 3.6, -17.23

 

CMYK 13 / 10 / 0 / 13

HEX #C3C9DF

RGB 195 201 223

HSL 227.14, 0.3%, 0.82%

LAB 81.13, 2.28, -11.61

 

CMYK 28 / 22 / 0 / 24

HEX #8C98C3

RGB 140 152 195

HSL 226.91, 0.31%, 0.66%

LAB 63.32, 5.55, -23.6

 

CMYK 1 / 28 / 0 / 24

HEX #C18DC3

RGB 193 141 195

HSL 297.78, 0.31%, 0.66%

LAB 65.22, 28.82, -20.28

 

CMYK 10 / 0 / 28 / 24

HEX #AFC38D

RGB 175 195 141

HSL 82.22, 0.31%, 0.66%

LAB 76.11, -16.18, 24.95

 

CMYK 28 / 22 / 0 / 24

HEX #8C98C3

RGB 140 152 195

HSL 226.91, 0.31%, 0.66%

LAB 63.32, 5.55, -23.6

 

CMYK 0 / 28 / 22 / 24

HEX #C38D99

RGB 195 141 153

HSL 346.67, 0.31%, 0.66%

LAB 64.12, 22.28, 1.78

 

CMYK 22 / 0 / 28 / 24

HEX #99C38D

RGB 153 195 141

HSL 106.67, 0.31%, 0.66%

LAB 74.65, -24.15, 22.72

 

CMYK 28 / 22 / 0 / 24

HEX #8C98C3

RGB 140 152 195

HSL 226.91, 0.31%, 0.66%

LAB 63.32, 5.55, -23.6

 

CMYK 1 / 28 / 0 / 24

HEX #C18DC3

RGB 193 141 195

HSL 297.78, 0.31%, 0.66%

LAB 65.22, 28.82, -20.28

 

CMYK 0 / 7 / 28 / 24

HEX #C3B68D

RGB 195 182 141

HSL 45.56, 0.31%, 0.66%

LAB 74.18, -1.79, 22.58

 

CMYK 27 / 0 / 28 / 24

HEX #8FC38D

RGB 143 195 141

HSL 117.78, 0.31%, 0.66%

LAB 74.06, -27.59, 21.81

 

CMYK 28 / 22 / 0 / 24

HEX #8C98C3

RGB 140 152 195

HSL 226.91, 0.31%, 0.66%

LAB 63.32, 5.55, -23.6

 

CMYK 0 / 28 / 8 / 24

HEX #C38DB4

RGB 195 141 180

HSL 316.67, 0.31%, 0.66%

LAB 64.92, 26.74, -12.28

 

CMYK 0 / 7 / 28 / 24

HEX #C3B68D

RGB 195 182 141

HSL 45.56, 0.31%, 0.66%

LAB 74.18, -1.79, 22.58

 

CMYK 28 / 0 / 21 / 24

HEX #8DC39B

RGB 141 195 155

HSL 135.56, 0.31%, 0.66%

LAB 74.23, -25.76, 14.54

 

Description

Color code: HEX #8C98C3 | qconv.com Color code: HEX #8C98C3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 152 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 152 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 22 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 22% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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