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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C99C5 it is the complementary color #73663A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C99C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C99C5 shade: #9199C0, #A2ABD3, #B3BDE6, #C4CFF9 and #D5E1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C99C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C99C5 shade: #8C99C5, #7B87B2, #6A759F, #59638C and #485179

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C99C5 shade: #8B98C4, #8E8BC4, #9D8BC4, #AC8BC4 and #BC8BC4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C99C5 shade: #8B98C4 and #8B8BC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C99C5 shade matches the following richer shades: #8B98C4, #7D91D2, #6F89E0, #6181EE and #537AFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C99C5 shade: #8B98C4, #99A0B6, #A7A7A8, #B5AF9A and #C3B78C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C99C5 shade: #8BB7C4, #8BA8C4, #8B99C4, #8D8BC4 and #9C8BC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C99C5 shade: #5568A8, #7080B7, #8B98C4, #A7B1D2 and #C2C9E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C99C5 shade: #8C99C5, #C38BC4 and #AFC48B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C99C5 shade: #8C99C5, #C48B99 and #99C48B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C99C5 shade: #8C99C5, #C38BC4, #C4B78B and #8DC48B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C99C5 shade: #8C99C5, #C48BB5, #C4B78B and #8BC49A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 22 / 0 / 23

HEX #8C99C5

RGB 140 153 197

HSL 226.32, 0.33%, 0.66%

LAB 63.66, 5.49, -24.19

 

Complementary color

CMYK 0 / 11 / 50 / 55

HEX #73663A

RGB 115 102 58

HSL 46.32, 0.33%, 0.34%

LAB 43.44, -1.35, 26.64

 

CMYK 24 / 20 / 0 / 25

HEX #9199C0

RGB 145 153 192

HSL 229.79, 0.27%, 0.66%

LAB 63.84, 5.79, -21.09

 

CMYK 23 / 19 / 0 / 17

HEX #A2ABD3

RGB 162 171 211

HSL 228.98, 0.36%, 0.73%

LAB 70.53, 5.49, -21.31

 

CMYK 22 / 18 / 0 / 10

HEX #B3BDE6

RGB 179 189 230

HSL 228.24, 0.5%, 0.8%

LAB 77.1, 5.21, -21.56

 

CMYK 21 / 17 / 0 / 2

HEX #C4CFF9

RGB 196 207 249

HSL 227.55, 0.82%, 0.87%

LAB 83.55, 4.96, -21.82

 

CMYK 16 / 12 / 0 / 0

HEX #D5E1FF

RGB 213 225 255

HSL 222.86, 1%, 0.92%

LAB 89.49, 1.95, -15.9

 

CMYK 29 / 22 / 0 / 23

HEX #8C99C5

RGB 140 153 197

HSL 226.32, 0.33%, 0.66%

LAB 63.66, 5.49, -24.19

 

CMYK 31 / 24 / 0 / 30

HEX #7B87B2

RGB 123 135 178

HSL 226.91, 0.26%, 0.59%

LAB 56.83, 5.85, -24.04

 

CMYK 33 / 26 / 0 / 38

HEX #6A759F

RGB 106 117 159

HSL 227.55, 0.22%, 0.52%

LAB 49.85, 6.28, -23.94

 

CMYK 36 / 29 / 0 / 45

HEX #59638C

RGB 89 99 140

HSL 228.24, 0.22%, 0.45%

LAB 42.67, 6.78, -23.88

 

CMYK 40 / 33 / 0 / 53

HEX #485179

RGB 72 81 121

HSL 228.98, 0.25%, 0.38%

LAB 35.29, 7.39, -23.88

 

CMYK 29 / 22 / 0 / 23

HEX #8B98C4

RGB 139 152 196

HSL 226.32, 0.33%, 0.66%

LAB 63.29, 5.5, -24.22

HEX #8B98C4

CMYK 28 / 29 / 0 / 23

HEX #8E8BC4

RGB 142 139 196

HSL 243.16, 0.33%, 0.66%

LAB 60.07, 13.87, -29.15

HEX #8E8BC4

CMYK 20 / 29 / 0 / 23

HEX #9D8BC4

RGB 157 139 196

HSL 258.95, 0.33%, 0.66%

LAB 61.32, 18.49, -27.11

HEX #9D8BC4

CMYK 12 / 29 / 0 / 23

HEX #AC8BC4

RGB 172 139 196

HSL 274.74, 0.33%, 0.66%

LAB 62.69, 23.27, -24.89

HEX #AC8BC4

CMYK 4 / 29 / 0 / 23

HEX #BC8BC4

RGB 188 139 196

HSL 291.58, 0.33%, 0.66%

LAB 64.28, 28.48, -22.33

HEX #BC8BC4

CMYK 29 / 22 / 0 / 23

HEX #8B98C4

RGB 139 152 196

HSL 226.32, 0.33%, 0.66%

LAB 63.29, 5.5, -24.22

HEX #8B98C4

CMYK 29 / 29 / 0 / 23

HEX #8B8BC4

RGB 139 139 196

HSL 240, 0.33%, 0.66%

LAB 59.83, 12.97, -29.53

HEX #8B8BC4

CMYK 29 / 22 / 0 / 23

HEX #8B98C4

RGB 139 152 196

HSL 226.32, 0.33%, 0.66%

LAB 63.29, 5.5, -24.22

HEX #8B98C4

CMYK 40 / 31 / 0 / 18

HEX #7D91D2

RGB 125 145 210

HSL 225.88, 0.49%, 0.66%

LAB 61.01, 9.29, -35.64

HEX #7D91D2

CMYK 50 / 39 / 0 / 12

HEX #6F89E0

RGB 111 137 224

HSL 226.19, 0.65%, 0.66%

LAB 58.65, 14.66, -47.24

HEX #6F89E0

CMYK 59 / 46 / 0 / 7

HEX #6181EE

RGB 97 129 238

HSL 226.38, 0.81%, 0.66%

LAB 56.5, 21.03, -58.51

HEX #6181EE

CMYK 67 / 52 / 0 / 1

HEX #537AFD

RGB 83 122 253

HSL 226.24, 0.98%, 0.66%

LAB 54.92, 28.03, -69.41

HEX #537AFD

CMYK 29 / 22 / 0 / 23

HEX #8B98C4

RGB 139 152 196

HSL 226.32, 0.33%, 0.66%

LAB 63.29, 5.5, -24.22

HEX #8B98C4

CMYK 16 / 12 / 0 / 29

HEX #99A0B6

RGB 153 160 182

HSL 225.52, 0.17%, 0.66%

LAB 65.97, 2.12, -12.21

HEX #99A0B6

CMYK 1 / 1 / 0 / 34

HEX #A7A7A8

RGB 167 167 168

HSL 240, 0.01%, 0.66%

LAB 68.52, 0.19, -0.52

HEX #A7A7A8

CMYK 0 / 3 / 15 / 29

HEX #B5AF9A

RGB 181 175 154

HSL 46.67, 0.15%, 0.66%

LAB 71.43, -1.48, 11.53

HEX #B5AF9A

CMYK 0 / 6 / 28 / 24

HEX #C3B78C

RGB 195 183 140

HSL 46.91, 0.31%, 0.66%

LAB 74.42, -2.45, 23.45

HEX #C3B78C

CMYK 29 / 7 / 0 / 23

HEX #8BB7C4

RGB 139 183 196

HSL 193.68, 0.33%, 0.66%

LAB 71.79, -11.52, -11.34

 

CMYK 29 / 14 / 0 / 23

HEX #8BA8C4

RGB 139 168 196

HSL 209.47, 0.33%, 0.66%

LAB 67.64, -3.44, -17.59

 

CMYK 29 / 22 / 0 / 23

HEX #8B99C4

RGB 139 153 196

HSL 225.26, 0.33%, 0.66%

LAB 63.55, 4.94, -23.8

 

CMYK 28 / 29 / 0 / 23

HEX #8D8BC4

RGB 141 139 196

HSL 242.11, 0.33%, 0.66%

LAB 59.99, 13.57, -29.28

 

CMYK 20 / 29 / 0 / 23

HEX #9C8BC4

RGB 156 139 196

HSL 257.89, 0.33%, 0.66%

LAB 61.24, 18.17, -27.25

 

CMYK 49 / 38 / 0 / 34

HEX #5568A8

RGB 85 104 168

HSL 226.27, 0.33%, 0.5%

LAB 45.16, 11.08, -36.64

 

CMYK 39 / 30 / 0 / 28

HEX #7080B7

RGB 112 128 183

HSL 226.48, 0.33%, 0.58%

LAB 54.35, 8.13, -30.82

 

CMYK 29 / 22 / 0 / 23

HEX #8B98C4

RGB 139 152 196

HSL 226.32, 0.33%, 0.66%

LAB 63.29, 5.5, -24.22

HEX #8B98C4

CMYK 20 / 16 / 0 / 18

HEX #A7B1D2

RGB 167 177 210

HSL 226.05, 0.32%, 0.74%

LAB 72.44, 3.51, -17.84

HEX #A7B1D2

CMYK 13 / 10 / 0 / 12

HEX #C2C9E0

RGB 194 201 224

HSL 226, 0.33%, 0.82%

LAB 81.08, 2.16, -12.22

HEX #C2C9E0

CMYK 29 / 22 / 0 / 23

HEX #8C99C5

RGB 140 153 197

HSL 226.32, 0.33%, 0.66%

LAB 63.66, 5.49, -24.19

 

CMYK 1 / 29 / 0 / 23

HEX #C38BC4

RGB 195 139 196

HSL 298.95, 0.33%, 0.66%

LAB 65, 30.78, -21.15

 

CMYK 11 / 0 / 29 / 23

HEX #AFC48B

RGB 175 196 139

HSL 82.11, 0.33%, 0.66%

LAB 76.35, -16.98, 26.32

 

CMYK 29 / 22 / 0 / 23

HEX #8C99C5

RGB 140 153 197

HSL 226.32, 0.33%, 0.66%

LAB 63.66, 5.49, -24.19

 

CMYK 0 / 29 / 22 / 23

HEX #C48B99

RGB 196 139 153

HSL 345.26, 0.33%, 0.66%

LAB 63.75, 23.75, 1.26

 

CMYK 22 / 0 / 29 / 23

HEX #99C48B

RGB 153 196 139

HSL 105.26, 0.33%, 0.66%

LAB 74.9, -24.96, 24.12

 

CMYK 29 / 22 / 0 / 23

HEX #8C99C5

RGB 140 153 197

HSL 226.32, 0.33%, 0.66%

LAB 63.66, 5.49, -24.19

 

CMYK 1 / 29 / 0 / 23

HEX #C38BC4

RGB 195 139 196

HSL 298.95, 0.33%, 0.66%

LAB 65, 30.78, -21.15

 

CMYK 0 / 7 / 29 / 23

HEX #C4B78B

RGB 196 183 139

HSL 46.32, 0.33%, 0.66%

LAB 74.49, -2.19, 24.09

 

CMYK 28 / 0 / 29 / 23

HEX #8DC48B

RGB 141 196 139

HSL 117.89, 0.33%, 0.66%

LAB 74.19, -29.08, 23.04

 

CMYK 29 / 22 / 0 / 23

HEX #8C99C5

RGB 140 153 197

HSL 226.32, 0.33%, 0.66%

LAB 63.66, 5.49, -24.19

 

CMYK 0 / 29 / 8 / 23

HEX #C48BB5

RGB 196 139 181

HSL 315.79, 0.33%, 0.66%

LAB 64.59, 28.36, -13.33

 

CMYK 0 / 7 / 29 / 23

HEX #C4B78B

RGB 196 183 139

HSL 46.32, 0.33%, 0.66%

LAB 74.49, -2.19, 24.09

 

CMYK 29 / 0 / 21 / 23

HEX #8BC49A

RGB 139 196 154

HSL 135.79, 0.33%, 0.66%

LAB 74.38, -27.08, 15.28

 

Description

Color code: HEX #8C99C5 | qconv.com Color code: HEX #8C99C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 153 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 153 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 22 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 22% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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