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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C9096 it is the complementary color #736F69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C9096. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C9096 shade: #919091, #A2A2A4, #B3B4B7, #C4C6CA and #D5D8DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C9096. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C9096 shade: #8C9096, #7B7E83, #6A6C70, #595A5D and #48484A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C9096 shade: #8B9096, #8B8D96, #8D8B96, #908B96 and #938B96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C9096 shade: #8B9096, #8B8D96 and #8B8B96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C9096 shade matches the following richer shades: #8B9096, #7A8CA8, #6889BA, #5685CC and #4482DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C9096 shade: #8B9096, #9D9385, #AF9773, #C19A61 and #D29E4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C9096 shade: #8B9696, #8B9396, #8B9096, #8B8D96 and #8D8B96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C9096 shade: #62676D, #767B82, #8B9096, #A1A5AA and #B7B9BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C9096 shade: #8C9096, #948B96 and #94968B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C9096 shade: #8C9096, #968B90 and #90968B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C9096 shade: #8C9096, #948B96, #96928B and #8E968B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C9096 shade: #8C9096, #968B95, #96928B and #8B968C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 4 / 0 / 41

HEX #8C9096

RGB 140 144 150

HSL 216, 0.05%, 0.57%

LAB 59.64, -0.24, -3.69

 

Complementary color

CMYK 0 / 3 / 9 / 55

HEX #736F69

RGB 115 111 105

HSL 36, 0.05%, 0.43%

LAB 47.02, 0.39, 3.88

 

CMYK 0 / 1 / 0 / 43

HEX #919091

RGB 145 144 145

HSL 300, 0%, 0.57%

LAB 59.9, 0.56, -0.41

 

CMYK 1 / 1 / 0 / 36

HEX #A2A2A4

RGB 162 162 164

HSL 240, 0.01%, 0.64%

LAB 66.67, 0.39, -1.04

 

CMYK 2 / 2 / 0 / 28

HEX #B3B4B7

RGB 179 180 183

HSL 225, 0.03%, 0.71%

LAB 73.31, 0.22, -1.66

 

CMYK 3 / 2 / 0 / 21

HEX #C4C6CA

RGB 196 198 202

HSL 220, 0.05%, 0.78%

LAB 79.83, 0.06, -2.25

 

CMYK 4 / 2 / 0 / 13

HEX #D5D8DD

RGB 213 216 221

HSL 217.5, 0.11%, 0.85%

LAB 86.25, -0.09, -2.82

 

CMYK 7 / 4 / 0 / 41

HEX #8C9096

RGB 140 144 150

HSL 216, 0.05%, 0.57%

LAB 59.64, -0.24, -3.69

 

CMYK 6 / 4 / 0 / 49

HEX #7B7E83

RGB 123 126 131

HSL 217.5, 0.03%, 0.5%

LAB 52.7, -0.08, -3.11

 

CMYK 5 / 4 / 0 / 56

HEX #6A6C70

RGB 106 108 112

HSL 220, 0.03%, 0.43%

LAB 45.58, 0.08, -2.5

 

CMYK 4 / 3 / 0 / 64

HEX #595A5D

RGB 89 90 93

HSL 225, 0.02%, 0.36%

LAB 38.25, 0.25, -1.87

 

CMYK 3 / 3 / 0 / 71

HEX #48484A

RGB 72 72 74

HSL 240, 0.01%, 0.29%

LAB 30.66, 0.45, -1.2

 

CMYK 7 / 4 / 0 / 41

HEX #8B9096

RGB 139 144 150

HSL 212.73, 0.05%, 0.57%

LAB 59.56, -0.59, -3.81

 

CMYK 7 / 6 / 0 / 41

HEX #8B8D96

RGB 139 141 150

HSL 229.09, 0.05%, 0.57%

LAB 58.73, 1.1, -5.03

 

CMYK 6 / 7 / 0 / 41

HEX #8D8B96

RGB 141 139 150

HSL 250.91, 0.05%, 0.57%

LAB 58.35, 2.95, -5.58

 

CMYK 4 / 7 / 0 / 41

HEX #908B96

RGB 144 139 150

HSL 267.27, 0.05%, 0.57%

LAB 58.6, 4.02, -5.19

 

CMYK 2 / 7 / 0 / 41

HEX #938B96

RGB 147 139 150

HSL 283.64, 0.05%, 0.57%

LAB 58.85, 5.1, -4.78

 

CMYK 7 / 4 / 0 / 41

HEX #8B9096

RGB 139 144 150

HSL 212.73, 0.05%, 0.57%

LAB 59.56, -0.59, -3.81

 

CMYK 7 / 6 / 0 / 41

HEX #8B8D96

RGB 139 141 150

HSL 229.09, 0.05%, 0.57%

LAB 58.73, 1.1, -5.03

 

CMYK 7 / 7 / 0 / 41

HEX #8B8B96

RGB 139 139 150

HSL 240, 0.05%, 0.57%

LAB 58.19, 2.23, -5.84

 

CMYK 7 / 4 / 0 / 41

HEX #8B9096

RGB 139 144 150

HSL 212.73, 0.05%, 0.57%

LAB 59.56, -0.59, -3.81

 

CMYK 27 / 17 / 0 / 34

HEX #7A8CA8

RGB 122 140 168

HSL 216.52, 0.21%, 0.57%

LAB 57.77, 0.11, -16.9

 

CMYK 44 / 26 / 0 / 27

HEX #6889BA

RGB 104 137 186

HSL 215.85, 0.37%, 0.57%

LAB 56.47, 1.54, -29.28

 

CMYK 58 / 35 / 0 / 20

HEX #5685CC

RGB 86 133 204

HSL 216.1, 0.54%, 0.57%

LAB 55.19, 5.29, -41.57

 

CMYK 69 / 41 / 0 / 13

HEX #4482DD

RGB 68 130 221

HSL 215.69, 0.69%, 0.57%

LAB 54.46, 9.73, -52.35

 

CMYK 7 / 4 / 0 / 41

HEX #8B9096

RGB 139 144 150

HSL 212.73, 0.05%, 0.57%

LAB 59.56, -0.59, -3.81

 

CMYK 0 / 6 / 15 / 38

HEX #9D9385

RGB 157 147 133

HSL 35, 0.11%, 0.57%

LAB 61.42, 1.24, 8.73

 

CMYK 0 / 14 / 34 / 31

HEX #AF9773

RGB 175 151 115

HSL 36, 0.27%, 0.57%

LAB 63.74, 3.54, 22.28

 

CMYK 0 / 20 / 50 / 24

HEX #C19A61

RGB 193 154 97

HSL 35.63, 0.44%, 0.57%

LAB 65.99, 7.37, 35.29

 

CMYK 0 / 25 / 62 / 18

HEX #D29E4F

RGB 210 158 79

HSL 36.18, 0.59%, 0.57%

LAB 68.55, 10.94, 47.92

 

CMYK 7 / 0 / 0 / 41

HEX #8B9696

RGB 139 150 150

HSL 180, 0.05%, 0.57%

LAB 61.22, -3.94, -1.37

 

CMYK 7 / 2 / 0 / 41

HEX #8B9396

RGB 139 147 150

HSL 196.36, 0.05%, 0.57%

LAB 60.39, -2.27, -2.59

 

CMYK 7 / 4 / 0 / 41

HEX #8B9096

RGB 139 144 150

HSL 212.73, 0.05%, 0.57%

LAB 59.56, -0.59, -3.81

 

CMYK 7 / 6 / 0 / 41

HEX #8B8D96

RGB 139 141 150

HSL 229.09, 0.05%, 0.57%

LAB 58.73, 1.1, -5.03

 

CMYK 6 / 7 / 0 / 41

HEX #8D8B96

RGB 141 139 150

HSL 250.91, 0.05%, 0.57%

LAB 58.35, 2.95, -5.58

 

CMYK 10 / 6 / 0 / 57

HEX #62676D

RGB 98 103 109

HSL 212.73, 0.05%, 0.41%

LAB 43.36, -0.6, -4.04

 

CMYK 9 / 5 / 0 / 49

HEX #767B82

RGB 118 123 130

HSL 215, 0.05%, 0.49%

LAB 51.42, -0.38, -4.46

 

CMYK 7 / 4 / 0 / 41

HEX #8B9096

RGB 139 144 150

HSL 212.73, 0.05%, 0.57%

LAB 59.56, -0.59, -3.81

 

CMYK 5 / 3 / 0 / 33

HEX #A1A5AA

RGB 161 165 170

HSL 213.33, 0.05%, 0.65%

LAB 67.57, -0.44, -3.08

 

CMYK 4 / 3 / 0 / 25

HEX #B7B9BE

RGB 183 185 190

HSL 222.86, 0.05%, 0.73%

LAB 75.13, 0.26, -2.78

 

CMYK 7 / 4 / 0 / 41

HEX #8C9096

RGB 140 144 150

HSL 216, 0.05%, 0.57%

LAB 59.64, -0.24, -3.69

 

CMYK 1 / 7 / 0 / 41

HEX #948B96

RGB 148 139 150

HSL 289.09, 0.05%, 0.57%

LAB 58.94, 5.46, -4.64

 

CMYK 1 / 0 / 7 / 41

HEX #94968B

RGB 148 150 139

HSL 70.91, 0.05%, 0.57%

LAB 61.63, -2.8, 5.54

 

CMYK 7 / 4 / 0 / 41

HEX #8C9096

RGB 140 144 150

HSL 216, 0.05%, 0.57%

LAB 59.64, -0.24, -3.69

 

CMYK 0 / 7 / 4 / 41

HEX #968B90

RGB 150 139 144

HSL 332.73, 0.05%, 0.57%

LAB 58.94, 5.03, -1.19

 

CMYK 4 / 0 / 7 / 41

HEX #90968B

RGB 144 150 139

HSL 92.73, 0.05%, 0.57%

LAB 61.31, -4.28, 5.04

 

CMYK 7 / 4 / 0 / 41

HEX #8C9096

RGB 140 144 150

HSL 216, 0.05%, 0.57%

LAB 59.64, -0.24, -3.69

 

CMYK 1 / 7 / 0 / 41

HEX #948B96

RGB 148 139 150

HSL 289.09, 0.05%, 0.57%

LAB 58.94, 5.46, -4.64

 

CMYK 0 / 3 / 7 / 41

HEX #96928B

RGB 150 146 139

HSL 38.18, 0.05%, 0.57%

LAB 60.7, 0.17, 4.22

 

CMYK 5 / 0 / 7 / 41

HEX #8E968B

RGB 142 150 139

HSL 103.64, 0.05%, 0.57%

LAB 61.16, -5.02, 4.8

 

CMYK 7 / 4 / 0 / 41

HEX #8C9096

RGB 140 144 150

HSL 216, 0.05%, 0.57%

LAB 59.64, -0.24, -3.69

 

CMYK 0 / 7 / 1 / 41

HEX #968B95

RGB 150 139 149

HSL 305.45, 0.05%, 0.57%

LAB 59.08, 6, -3.84

 

CMYK 0 / 3 / 7 / 41

HEX #96928B

RGB 150 146 139

HSL 38.18, 0.05%, 0.57%

LAB 60.7, 0.17, 4.22

 

CMYK 7 / 0 / 7 / 41

HEX #8B968C

RGB 139 150 140

HSL 125.45, 0.05%, 0.57%

LAB 60.95, -5.93, 3.91

 

Description

Color code: HEX #8C9096 | qconv.com Color code: HEX #8C9096 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 144 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 144 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 4 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 4% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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