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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D0291 it is the complementary color #72FD6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D0291. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D0291 shade: #92028C, #A3149F, #B426B2, #C538C5 and #D64AD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D0291. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D0291 shade: #8D0291, #7C007E, #6B006B, #5A0058 and #490045

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D0291 shade: #8D0291, #91026F, #910248, #910221 and #910202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D0291 shade: #8D0291, #660291, #400291, #190291 and #020291

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D0291 shade matches the following richer shades: #8D0291

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D0291 shade: #8D0291, #820E85, #771A79, #6B266D and #603261

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D0291 shade: #400291, #660291, #8C0291, #910270 and #910249

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D0291 shade: #3E0040, #660169, #8D0291, #B502BA and #DC03E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D0291 shade: #8D0291, #911A02 and #029153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D0291 shade: #8D0291, #918C02 and #02918C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D0291 shade: #8D0291, #911A02, #079102 and #027991

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D0291 shade: #8D0291, #914502, #079102 and #024E91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 99 / 0 / 43

HEX #8D0291

RGB 141 2 145

HSL 298.32, 0.97%, 0.29%

LAB 33.46, 63.57, -41.05

 

Complementary color

CMYK 55 / 0 / 57 / 1

HEX #72FD6E

RGB 114 253 110

HSL 118.32, 0.97%, 0.71%

LAB 89.37, -64.84, 56.25

 

CMYK 0 / 99 / 4 / 43

HEX #92028C

RGB 146 2 140

HSL 302.5, 0.97%, 0.29%

LAB 34.08, 63.67, -36.91

 

CMYK 0 / 88 / 2 / 36

HEX #A3149F

RGB 163 20 159

HSL 301.68, 0.78%, 0.36%

LAB 39.22, 67.14, -40.13

 

CMYK 0 / 79 / 1 / 29

HEX #B426B2

RGB 180 38 178

HSL 300.85, 0.65%, 0.43%

LAB 44.67, 69.42, -42.62

 

CMYK 0 / 72 / 0 / 23

HEX #C538C5

RGB 197 56 197

HSL 300, 0.56%, 0.5%

LAB 50.37, 70.65, -44.48

 

CMYK 1 / 66 / 0 / 15

HEX #D64AD8

RGB 214 74 216

HSL 299.15, 0.65%, 0.57%

LAB 56.24, 71.19, -45.89

 

CMYK 3 / 99 / 0 / 43

HEX #8D0291

RGB 141 2 145

HSL 298.32, 0.97%, 0.29%

LAB 33.46, 63.57, -41.05

 

CMYK 2 / 100 / 0 / 51

HEX #7C007E

RGB 124 0 126

HSL 299.05, 1%, 0.25%

LAB 28.88, 57.93, -36.73

 

CMYK 0 / 100 / 0 / 58

HEX #6B006B

RGB 107 0 107

HSL 300, 1%, 0.21%

LAB 24.28, 51.86, -32.11

 

CMYK 0 / 100 / 2 / 65

HEX #5A0058

RGB 90 0 88

HSL 301.33, 1%, 0.18%

LAB 19.55, 45.61, -27.33

 

CMYK 0 / 100 / 5 / 71

HEX #490045

RGB 73 0 69

HSL 303.29, 1%, 0.14%

LAB 14.66, 39.15, -22.33

 

CMYK 3 / 99 / 0 / 43

HEX #8D0291

RGB 141 2 145

HSL 298.32, 0.97%, 0.29%

LAB 33.46, 63.57, -41.05

 

CMYK 0 / 99 / 23 / 43

HEX #91026F

RGB 145 2 111

HSL 314.27, 0.97%, 0.29%

LAB 32.28, 59.47, -21.55

 

CMYK 0 / 99 / 50 / 43

HEX #910248

RGB 145 2 72

HSL 330.63, 0.97%, 0.29%

LAB 30.71, 55.39, 1.53

 

CMYK 0 / 99 / 77 / 43

HEX #910221

RGB 145 2 33

HSL 346.99, 0.97%, 0.29%

LAB 29.84, 53.04, 26.28

 

CMYK 0 / 99 / 99 / 43

HEX #910202

RGB 145 2 2

HSL 0, 0.97%, 0.29%

LAB 29.58, 52.32, 42.26

 

CMYK 3 / 99 / 0 / 43

HEX #8D0291

RGB 141 2 145

HSL 298.32, 0.97%, 0.29%

LAB 33.46, 63.57, -41.05

 

CMYK 30 / 99 / 0 / 43

HEX #660291

RGB 102 2 145

HSL 281.96, 0.97%, 0.29%

LAB 26.48, 57.64, -52.68

 

CMYK 56 / 99 / 0 / 43

HEX #400291

RGB 64 2 145

HSL 266.01, 0.97%, 0.29%

LAB 20.74, 53.65, -62.33

 

CMYK 83 / 99 / 0 / 43

HEX #190291

RGB 25 2 145

HSL 249.65, 0.97%, 0.29%

LAB 16.96, 51.71, -68.73

 

CMYK 99 / 99 / 0 / 43

HEX #020291

RGB 2 2 145

HSL 240, 0.97%, 0.29%

LAB 16.01, 51.33, -70.34

 

CMYK 3 / 99 / 0 / 43

HEX #8D0291

RGB 141 2 145

HSL 298.32, 0.97%, 0.29%

LAB 33.46, 63.57, -41.05

 

CMYK 3 / 99 / 0 / 43

HEX #8D0291

RGB 141 2 145

HSL 298.32, 0.97%, 0.29%

LAB 33.46, 63.57, -41.05

 

CMYK 2 / 89 / 0 / 48

HEX #820E85

RGB 130 14 133

HSL 298.49, 0.81%, 0.29%

LAB 31.24, 57.88, -37.28

 

CMYK 2 / 79 / 0 / 53

HEX #771A79

RGB 119 26 121

HSL 298.74, 0.65%, 0.29%

LAB 29.52, 50.59, -32.6

 

CMYK 2 / 65 / 0 / 57

HEX #6B266D

RGB 107 38 109

HSL 298.31, 0.48%, 0.29%

LAB 28.42, 40.7, -26.82

 

CMYK 1 / 48 / 0 / 62

HEX #603261

RGB 96 50 97

HSL 298.72, 0.32%, 0.29%

LAB 28.46, 28.59, -19.15

 

CMYK 56 / 99 / 0 / 43

HEX #400291

RGB 64 2 145

HSL 266.01, 0.97%, 0.29%

LAB 20.74, 53.65, -62.33

 

CMYK 30 / 99 / 0 / 43

HEX #660291

RGB 102 2 145

HSL 281.96, 0.97%, 0.29%

LAB 26.48, 57.64, -52.68

 

CMYK 3 / 99 / 0 / 43

HEX #8C0291

RGB 140 2 145

HSL 297.9, 0.97%, 0.29%

LAB 33.27, 63.4, -41.36

 

CMYK 0 / 99 / 23 / 43

HEX #910270

RGB 145 2 112

HSL 313.85, 0.97%, 0.29%

LAB 32.33, 59.6, -22.11

 

CMYK 0 / 99 / 50 / 43

HEX #910249

RGB 145 2 73

HSL 330.21, 0.97%, 0.29%

LAB 30.75, 55.47, 0.91

 

CMYK 3 / 100 / 0 / 75

HEX #3E0040

RGB 62 0 64

HSL 298.13, 1%, 0.13%

LAB 11.92, 36.11, -23.32

 

CMYK 3 / 99 / 0 / 59

HEX #660169

RGB 102 1 105

HSL 298.27, 0.98%, 0.21%

LAB 23.22, 50.42, -32.56

 

CMYK 3 / 99 / 0 / 43

HEX #8D0291

RGB 141 2 145

HSL 298.32, 0.97%, 0.29%

LAB 33.46, 63.57, -41.05

 

CMYK 3 / 99 / 0 / 27

HEX #B502BA

RGB 181 2 186

HSL 298.37, 0.98%, 0.37%

LAB 43.38, 76.52, -49.38

 

CMYK 3 / 99 / 0 / 11

HEX #DC03E2

RGB 220 3 226

HSL 298.39, 0.97%, 0.45%

LAB 52.7, 88.54, -57.14

 

CMYK 3 / 99 / 0 / 43

HEX #8D0291

RGB 141 2 145

HSL 298.32, 0.97%, 0.29%

LAB 33.46, 63.57, -41.05

 

CMYK 0 / 82 / 99 / 43

HEX #911A02

RGB 145 26 2

HSL 10.07, 0.97%, 0.29%

LAB 31.26, 47.52, 43.5

 

CMYK 99 / 0 / 43 / 43

HEX #029153

RGB 2 145 83

HSL 153.99, 0.97%, 0.29%

LAB 52.83, -47.86, 23.86

 

CMYK 3 / 99 / 0 / 43

HEX #8D0291

RGB 141 2 145

HSL 298.32, 0.97%, 0.29%

LAB 33.46, 63.57, -41.05

 

CMYK 0 / 3 / 99 / 43

HEX #918C02

RGB 145 140 2

HSL 57.9, 0.97%, 0.29%

LAB 56.86, -11.47, 60.67

 

CMYK 99 / 0 / 3 / 43

HEX #02918C

RGB 2 145 140

HSL 177.9, 0.97%, 0.29%

LAB 54.19, -33.05, -6.62

 

CMYK 3 / 99 / 0 / 43

HEX #8D0291

RGB 141 2 145

HSL 298.32, 0.97%, 0.29%

LAB 33.46, 63.57, -41.05

 

CMYK 0 / 82 / 99 / 43

HEX #911A02

RGB 145 26 2

HSL 10.07, 0.97%, 0.29%

LAB 31.26, 47.52, 43.5

 

CMYK 95 / 0 / 99 / 43

HEX #079102

RGB 7 145 2

HSL 117.9, 0.97%, 0.29%

LAB 52.18, -56.07, 54.34

 

CMYK 99 / 17 / 0 / 43

HEX #027991

RGB 2 121 145

HSL 190.07, 0.97%, 0.29%

LAB 46.62, -19.27, -21

 

CMYK 3 / 99 / 0 / 43

HEX #8D0291

RGB 141 2 145

HSL 298.32, 0.97%, 0.29%

LAB 33.46, 63.57, -41.05

 

CMYK 0 / 52 / 99 / 43

HEX #914502

RGB 145 69 2

HSL 28.11, 0.97%, 0.29%

LAB 38.34, 28.67, 47.82

 

CMYK 95 / 0 / 99 / 43

HEX #079102

RGB 7 145 2

HSL 117.9, 0.97%, 0.29%

LAB 52.18, -56.07, 54.34

 

CMYK 99 / 46 / 0 / 43

HEX #024E91

RGB 2 78 145

HSL 208.11, 0.97%, 0.29%

LAB 32.93, 6.92, -42.55

 

Description

Color code: HEX #8D0291 | qconv.com Color code: HEX #8D0291 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 2 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 2 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 99 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 99% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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