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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D1580 it is the complementary color #72EA7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D1580. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D1580 shade: #92157B, #A3278E, #B439A1, #C54BB4 and #D65DC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D1580. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D1580 shade: #8D1580, #7C036D, #6B005A, #5A0047 and #490034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D1580 shade: #8D1580, #8D1560, #8D153F, #8D151F and #8D1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D1580 shade: #8D1580, #7A158D, #59158D, #39158D and #18158D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D1580 shade matches the following richer shades: #8D1580 and #9B088B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D1580 shade: #8D1580, #802276, #732F6C, #663C61 and #594A57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D1580 shade: #59158D, #79158D, #8D1581, #8D1561 and #8D1541

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D1580 shade: #460A3F, #6A0F60, #8D1580, #B11AA1 and #D51FC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D1580 shade: #8D1580, #8D3915 and #158D69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D1580 shade: #8D1580, #818D15 and #15818D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D1580 shade: #8D1580, #8D3915, #158D21 and #15698D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D1580 shade: #8D1580, #8D5D15, #158D21 and #15458D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 9 / 45

HEX #8D1580

RGB 141 21 128

HSL 306.5, 0.74%, 0.32%

LAB 33.47, 57.85, -30.48

 

Complementary color

CMYK 51 / 0 / 46 / 8

HEX #72EA7F

RGB 114 234 127

HSL 126.5, 0.74%, 0.68%

LAB 83.94, -55.49, 41.73

 

CMYK 0 / 86 / 16 / 43

HEX #92157B

RGB 146 21 123

HSL 311.04, 0.75%, 0.33%

LAB 34.14, 58.19, -26.22

 

CMYK 0 / 76 / 13 / 36

HEX #A3278E

RGB 163 39 142

HSL 310.16, 0.61%, 0.4%

LAB 39.9, 59.94, -28.74

 

CMYK 0 / 68 / 11 / 29

HEX #B439A1

RGB 180 57 161

HSL 309.27, 0.52%, 0.46%

LAB 45.91, 60.68, -30.58

 

CMYK 0 / 62 / 9 / 23

HEX #C54BB4

RGB 197 75 180

HSL 308.36, 0.51%, 0.53%

LAB 52.06, 60.81, -31.96

 

CMYK 0 / 57 / 7 / 16

HEX #D65DC7

RGB 214 93 199

HSL 307.44, 0.6%, 0.6%

LAB 58.27, 60.56, -33.03

 

CMYK 0 / 85 / 9 / 45

HEX #8D1580

RGB 141 21 128

HSL 306.5, 0.74%, 0.32%

LAB 33.47, 57.85, -30.48

 

CMYK 0 / 98 / 12 / 51

HEX #7C036D

RGB 124 3 109

HSL 307.44, 0.95%, 0.25%

LAB 27.99, 54.82, -27.3

 

CMYK 0 / 100 / 16 / 58

HEX #6B005A

RGB 107 0 90

HSL 309.53, 1%, 0.21%

LAB 23.22, 49.25, -22.63

 

CMYK 0 / 100 / 21 / 65

HEX #5A0047

RGB 90 0 71

HSL 312.67, 1%, 0.18%

LAB 18.49, 43, -17.42

 

CMYK 0 / 100 / 29 / 71

HEX #490034

RGB 73 0 52

HSL 317.26, 1%, 0.14%

LAB 13.62, 36.56, -11.87

 

CMYK 0 / 85 / 9 / 45

HEX #8D1580

RGB 141 21 128

HSL 306.5, 0.74%, 0.32%

LAB 33.47, 57.85, -30.48

 

CMYK 0 / 85 / 32 / 45

HEX #8D1560

RGB 141 21 96

HSL 322.5, 0.74%, 0.32%

LAB 31.91, 53.51, -12.55

 

CMYK 0 / 85 / 55 / 45

HEX #8D153F

RGB 141 21 63

HSL 339, 0.74%, 0.32%

LAB 30.78, 50.24, 7.5

 

CMYK 0 / 85 / 78 / 45

HEX #8D151F

RGB 141 21 31

HSL 355, 0.74%, 0.32%

LAB 30.15, 48.37, 27.64

 

CMYK 0 / 85 / 85 / 45

HEX #8D1515

RGB 141 21 21

HSL 0, 0.74%, 0.32%

LAB 30.04, 48.04, 33.48

 

CMYK 0 / 85 / 9 / 45

HEX #8D1580

RGB 141 21 128

HSL 306.5, 0.74%, 0.32%

LAB 33.47, 57.85, -30.48

 

CMYK 13 / 85 / 0 / 45

HEX #7A158D

RGB 122 21 141

HSL 290.5, 0.74%, 0.32%

LAB 30.87, 56.26, -42.92

 

CMYK 37 / 85 / 0 / 45

HEX #59158D

RGB 89 21 141

HSL 274, 0.74%, 0.32%

LAB 25.51, 50.6, -51.87

 

CMYK 60 / 85 / 0 / 45

HEX #39158D

RGB 57 21 141

HSL 258, 0.74%, 0.32%

LAB 21.32, 46.34, -58.92

 

CMYK 83 / 85 / 0 / 45

HEX #18158D

RGB 24 21 141

HSL 241.5, 0.74%, 0.32%

LAB 18.6, 43.7, -63.5

 

CMYK 0 / 85 / 9 / 45

HEX #8D1580

RGB 141 21 128

HSL 306.5, 0.74%, 0.32%

LAB 33.47, 57.85, -30.48

 

CMYK 0 / 95 / 10 / 39

HEX #9B088B

RGB 155 8 139

HSL 306.53, 0.9%, 0.32%

LAB 36, 64.41, -33.15

 

CMYK 0 / 85 / 9 / 45

HEX #8D1580

RGB 141 21 128

HSL 306.5, 0.74%, 0.32%

LAB 33.47, 57.85, -30.48

 

CMYK 0 / 73 / 8 / 50

HEX #802276

RGB 128 34 118

HSL 306.38, 0.58%, 0.32%

LAB 31.9, 49.45, -26.83

 

CMYK 0 / 59 / 6 / 55

HEX #732F6C

RGB 115 47 108

HSL 306.18, 0.42%, 0.32%

LAB 31.26, 38.44, -21.64

 

CMYK 0 / 41 / 5 / 60

HEX #663C61

RGB 102 60 97

HSL 307.14, 0.26%, 0.32%

LAB 31.62, 24.74, -14.2

 

CMYK 0 / 17 / 2 / 65

HEX #594A57

RGB 89 74 87

HSL 308, 0.09%, 0.32%

LAB 33.37, 8.93, -5.32

 

CMYK 37 / 85 / 0 / 45

HEX #59158D

RGB 89 21 141

HSL 274, 0.74%, 0.32%

LAB 25.51, 50.6, -51.87

 

CMYK 14 / 85 / 0 / 45

HEX #79158D

RGB 121 21 141

HSL 290, 0.74%, 0.32%

LAB 30.7, 56.07, -43.21

 

CMYK 0 / 85 / 9 / 45

HEX #8D1581

RGB 141 21 129

HSL 306, 0.74%, 0.32%

LAB 33.53, 58, -31.01

 

CMYK 0 / 85 / 31 / 45

HEX #8D1561

RGB 141 21 97

HSL 322, 0.74%, 0.32%

LAB 31.95, 53.63, -13.13

 

CMYK 0 / 85 / 54 / 45

HEX #8D1541

RGB 141 21 65

HSL 338, 0.74%, 0.32%

LAB 30.83, 50.4, 6.25

 

CMYK 0 / 86 / 10 / 73

HEX #460A3F

RGB 70 10 63

HSL 307, 0.75%, 0.16%

LAB 14.83, 33.94, -17.88

 

CMYK 0 / 86 / 9 / 58

HEX #6A0F60

RGB 106 15 96

HSL 306.59, 0.75%, 0.24%

LAB 24.48, 46.67, -24.61

 

CMYK 0 / 85 / 9 / 45

HEX #8D1580

RGB 141 21 128

HSL 306.5, 0.74%, 0.32%

LAB 33.47, 57.85, -30.48

 

CMYK 0 / 85 / 9 / 31

HEX #B11AA1

RGB 177 26 161

HSL 306.36, 0.74%, 0.4%

LAB 42.25, 69.02, -36.38

 

CMYK 0 / 85 / 9 / 16

HEX #D51FC2

RGB 213 31 194

HSL 306.26, 0.75%, 0.48%

LAB 50.71, 79.72, -42.03

 

CMYK 0 / 85 / 9 / 45

HEX #8D1580

RGB 141 21 128

HSL 306.5, 0.74%, 0.32%

LAB 33.47, 57.85, -30.48

 

CMYK 0 / 60 / 85 / 45

HEX #8D3915

RGB 141 57 21

HSL 18, 0.74%, 0.32%

LAB 35.29, 33.76, 38.3

 

CMYK 85 / 0 / 26 / 45

HEX #158D69

RGB 21 141 105

HSL 162, 0.74%, 0.32%

LAB 52.1, -40.03, 10.53

 

CMYK 0 / 85 / 9 / 45

HEX #8D1580

RGB 141 21 128

HSL 306.5, 0.74%, 0.32%

LAB 33.47, 57.85, -30.48

 

CMYK 9 / 0 / 85 / 45

HEX #818D15

RGB 129 141 21

HSL 66, 0.74%, 0.32%

LAB 55.86, -18.86, 55.72

 

CMYK 85 / 9 / 0 / 45

HEX #15818D

RGB 21 129 141

HSL 186, 0.74%, 0.32%

LAB 49.23, -23.77, -14.64

 

CMYK 0 / 85 / 9 / 45

HEX #8D1580

RGB 141 21 128

HSL 306.5, 0.74%, 0.32%

LAB 33.47, 57.85, -30.48

 

CMYK 0 / 60 / 85 / 45

HEX #8D3915

RGB 141 57 21

HSL 18, 0.74%, 0.32%

LAB 35.29, 33.76, 38.3

 

CMYK 85 / 0 / 77 / 45

HEX #158D21

RGB 21 141 33

HSL 126, 0.74%, 0.32%

LAB 51.06, -52.15, 45.78

 

CMYK 85 / 26 / 0 / 45

HEX #15698D

RGB 21 105 141

HSL 198, 0.74%, 0.32%

LAB 41.51, -10.53, -26.52

 

CMYK 0 / 85 / 9 / 45

HEX #8D1580

RGB 141 21 128

HSL 306.5, 0.74%, 0.32%

LAB 33.47, 57.85, -30.48

 

CMYK 0 / 34 / 85 / 45

HEX #8D5D15

RGB 141 93 21

HSL 36, 0.74%, 0.32%

LAB 43.57, 13.62, 45.63

 

CMYK 85 / 0 / 77 / 45

HEX #158D21

RGB 21 141 33

HSL 126, 0.74%, 0.32%

LAB 51.06, -52.15, 45.78

 

CMYK 85 / 51 / 0 / 45

HEX #15458D

RGB 21 69 141

HSL 216, 0.74%, 0.32%

LAB 30.25, 12.64, -44.4

 

Description

Color code: HEX #8D1580 | qconv.com Color code: HEX #8D1580 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 21 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 21 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 9 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 9% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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