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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D1883 it is the complementary color #72E77C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D1883. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D1883 shade: #92187E, #A32A91, #B43CA4, #C54EB7 and #D660CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D1883. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D1883 shade: #8D1883, #7C0670, #6B005D, #5A004A and #490037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D1883 shade: #8B1781, #8B1762, #8B1743, #8B1723 and #8B1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D1883 shade: #8B1781, #76178B, #56178B, #37178B and #18178B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D1883 shade matches the following richer shades: #8B1781 and #980A8C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D1883 shade: #8B1781, #7E2476, #71326B, #633F60 and #564C55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D1883 shade: #57178B, #76178B, #8B1781, #8B1762 and #8B1744

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D1883 shade: #440B40, #681160, #8B1781, #AE1DA2 and #D223C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D1883 shade: #8D1883, #8B3817 and #178B66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D1883 shade: #8D1883, #818B17 and #17818B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D1883 shade: #8D1883, #8B3817, #178B21 and #176A8B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D1883 shade: #8D1883, #8B5B17, #178B21 and #17478B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 7 / 45

HEX #8D1883

RGB 141 24 131

HSL 305.13, 0.71%, 0.32%

LAB 33.89, 57.59, -31.69

 

Complementary color

CMYK 51 / 0 / 46 / 9

HEX #72E77C

RGB 114 231 124

HSL 125.13, 0.71%, 0.68%

LAB 83.01, -54.74, 42.02

 

CMYK 0 / 84 / 14 / 43

HEX #92187E

RGB 146 24 126

HSL 309.84, 0.72%, 0.33%

LAB 34.54, 57.92, -27.48

 

CMYK 0 / 74 / 11 / 36

HEX #A32A91

RGB 163 42 145

HSL 308.93, 0.59%, 0.4%

LAB 40.39, 59.42, -29.8

 

CMYK 0 / 67 / 9 / 29

HEX #B43CA4

RGB 180 60 164

HSL 308, 0.5%, 0.47%

LAB 46.47, 60, -31.49

 

CMYK 0 / 60 / 7 / 23

HEX #C54EB7

RGB 197 78 183

HSL 307.06, 0.51%, 0.54%

LAB 52.66, 60.01, -32.76

 

CMYK 0 / 55 / 6 / 16

HEX #D660CA

RGB 214 96 202

HSL 306.1, 0.59%, 0.61%

LAB 58.91, 59.7, -33.75

 

CMYK 0 / 83 / 7 / 45

HEX #8D1883

RGB 141 24 131

HSL 305.13, 0.71%, 0.32%

LAB 33.89, 57.59, -31.69

 

CMYK 0 / 95 / 10 / 51

HEX #7C0670

RGB 124 6 112

HSL 306.1, 0.91%, 0.25%

LAB 28.34, 54.75, -28.67

 

CMYK 0 / 100 / 13 / 58

HEX #6B005D

RGB 107 0 93

HSL 307.85, 1%, 0.21%

LAB 23.39, 49.69, -24.34

 

CMYK 0 / 100 / 18 / 65

HEX #5A004A

RGB 90 0 74

HSL 310.67, 1%, 0.18%

LAB 18.66, 43.43, -19.22

 

CMYK 0 / 100 / 25 / 71

HEX #490037

RGB 73 0 55

HSL 314.79, 1%, 0.14%

LAB 13.78, 36.98, -13.78

 

CMYK 0 / 83 / 7 / 45

HEX #8B1781

RGB 139 23 129

HSL 305.17, 0.72%, 0.32%

LAB 33.32, 57.1, -31.37

 

CMYK 0 / 83 / 29 / 45

HEX #8B1762

RGB 139 23 98

HSL 321.21, 0.72%, 0.32%

LAB 31.77, 52.75, -14.08

 

CMYK 0 / 83 / 52 / 45

HEX #8B1743

RGB 139 23 67

HSL 337.24, 0.72%, 0.32%

LAB 30.66, 49.49, 4.61

 

CMYK 0 / 83 / 75 / 45

HEX #8B1723

RGB 139 23 35

HSL 353.79, 0.72%, 0.32%

LAB 29.97, 47.41, 24.8

 

CMYK 0 / 83 / 83 / 45

HEX #8B1717

RGB 139 23 23

HSL 0, 0.72%, 0.32%

LAB 29.82, 46.95, 31.98

 

CMYK 0 / 83 / 7 / 45

HEX #8B1781

RGB 139 23 129

HSL 305.17, 0.72%, 0.32%

LAB 33.32, 57.1, -31.37

 

CMYK 15 / 83 / 0 / 45

HEX #76178B

RGB 118 23 139

HSL 289.14, 0.72%, 0.32%

LAB 30.23, 54.6, -42.75

 

CMYK 38 / 83 / 0 / 45

HEX #56178B

RGB 86 23 139

HSL 272.59, 0.72%, 0.32%

LAB 25.12, 48.98, -51.28

 

CMYK 60 / 83 / 0 / 45

HEX #37178B

RGB 55 23 139

HSL 256.55, 0.72%, 0.32%

LAB 21.17, 44.71, -57.92

 

CMYK 83 / 83 / 0 / 45

HEX #18178B

RGB 24 23 139

HSL 240.52, 0.72%, 0.32%

LAB 18.68, 42.08, -62.13

 

CMYK 0 / 83 / 7 / 45

HEX #8B1781

RGB 139 23 129

HSL 305.17, 0.72%, 0.32%

LAB 33.32, 57.1, -31.37

 

CMYK 0 / 93 / 8 / 40

HEX #980A8C

RGB 152 10 140

HSL 305.07, 0.88%, 0.32%

LAB 35.57, 63.74, -34.48

 

CMYK 0 / 83 / 7 / 45

HEX #8B1781

RGB 139 23 129

HSL 305.17, 0.72%, 0.32%

LAB 33.32, 57.1, -31.37

 

CMYK 0 / 71 / 6 / 51

HEX #7E2476

RGB 126 36 118

HSL 305.33, 0.56%, 0.32%

LAB 31.82, 48.19, -26.98

 

CMYK 0 / 56 / 5 / 56

HEX #71326B

RGB 113 50 107

HSL 305.71, 0.39%, 0.32%

LAB 31.47, 36.09, -20.69

 

CMYK 0 / 36 / 3 / 61

HEX #633F60

RGB 99 63 96

HSL 305, 0.22%, 0.32%

LAB 31.93, 21.61, -13.13

 

CMYK 0 / 12 / 1 / 66

HEX #564C55

RGB 86 76 85

HSL 306, 0.06%, 0.32%

LAB 33.57, 6.02, -3.78

 

CMYK 37 / 83 / 0 / 45

HEX #57178B

RGB 87 23 139

HSL 273.1, 0.72%, 0.32%

LAB 25.27, 49.14, -51.03

 

CMYK 15 / 83 / 0 / 45

HEX #76178B

RGB 118 23 139

HSL 289.14, 0.72%, 0.32%

LAB 30.23, 54.6, -42.75

 

CMYK 0 / 83 / 7 / 45

HEX #8B1781

RGB 139 23 129

HSL 305.17, 0.72%, 0.32%

LAB 33.32, 57.1, -31.37

 

CMYK 0 / 83 / 29 / 45

HEX #8B1762

RGB 139 23 98

HSL 321.21, 0.72%, 0.32%

LAB 31.77, 52.75, -14.08

 

CMYK 0 / 83 / 51 / 45

HEX #8B1744

RGB 139 23 68

HSL 336.72, 0.72%, 0.32%

LAB 30.69, 49.58, 3.99

 

CMYK 0 / 84 / 6 / 73

HEX #440B40

RGB 68 11 64

HSL 304.21, 0.72%, 0.15%

LAB 14.62, 33.25, -18.95

 

CMYK 0 / 84 / 8 / 59

HEX #681160

RGB 104 17 96

HSL 305.52, 0.72%, 0.24%

LAB 24.29, 45.67, -24.95

 

CMYK 0 / 83 / 7 / 45

HEX #8B1781

RGB 139 23 129

HSL 305.17, 0.72%, 0.32%

LAB 33.32, 57.1, -31.37

 

CMYK 0 / 83 / 7 / 32

HEX #AE1DA2

RGB 174 29 162

HSL 304.97, 0.71%, 0.4%

LAB 41.98, 67.94, -37.44

 

CMYK 0 / 83 / 7 / 18

HEX #D223C3

RGB 210 35 195

HSL 305.14, 0.71%, 0.48%

LAB 50.5, 78.53, -42.98

 

CMYK 0 / 83 / 7 / 45

HEX #8D1883

RGB 141 24 131

HSL 305.13, 0.71%, 0.32%

LAB 33.89, 57.59, -31.69

 

CMYK 0 / 60 / 83 / 45

HEX #8B3817

RGB 139 56 23

HSL 17.07, 0.72%, 0.32%

LAB 34.76, 33.54, 36.72

 

CMYK 83 / 0 / 27 / 45

HEX #178B66

RGB 23 139 102

HSL 160.86, 0.72%, 0.32%

LAB 51.39, -39.75, 11.26

 

CMYK 0 / 83 / 7 / 45

HEX #8D1883

RGB 141 24 131

HSL 305.13, 0.71%, 0.32%

LAB 33.89, 57.59, -31.69

 

CMYK 7 / 0 / 83 / 45

HEX #818B17

RGB 129 139 23

HSL 65.17, 0.72%, 0.32%

LAB 55.27, -17.75, 54.69

 

CMYK 83 / 7 / 0 / 45

HEX #17818B

RGB 23 129 139

HSL 185.17, 0.72%, 0.32%

LAB 49.19, -24.27, -13.53

 

CMYK 0 / 83 / 7 / 45

HEX #8D1883

RGB 141 24 131

HSL 305.13, 0.71%, 0.32%

LAB 33.89, 57.59, -31.69

 

CMYK 0 / 60 / 83 / 45

HEX #8B3817

RGB 139 56 23

HSL 17.07, 0.72%, 0.32%

LAB 34.76, 33.54, 36.72

 

CMYK 83 / 0 / 76 / 45

HEX #178B21

RGB 23 139 33

HSL 125.17, 0.72%, 0.32%

LAB 50.4, -51.28, 45.14

 

CMYK 83 / 24 / 0 / 45

HEX #176A8B

RGB 23 106 139

HSL 197.07, 0.72%, 0.32%

LAB 41.77, -11.67, -24.91

 

CMYK 0 / 83 / 7 / 45

HEX #8D1883

RGB 141 24 131

HSL 305.13, 0.71%, 0.32%

LAB 33.89, 57.59, -31.69

 

CMYK 0 / 35 / 83 / 45

HEX #8B5B17

RGB 139 91 23

HSL 35.17, 0.72%, 0.32%

LAB 42.81, 13.93, 44.11

 

CMYK 83 / 0 / 76 / 45

HEX #178B21

RGB 23 139 33

HSL 125.17, 0.72%, 0.32%

LAB 50.4, -51.28, 45.14

 

CMYK 83 / 49 / 0 / 45

HEX #17478B

RGB 23 71 139

HSL 215.17, 0.72%, 0.32%

LAB 30.77, 10.63, -42.34

 

Description

Color code: HEX #8D1883 | qconv.com Color code: HEX #8D1883 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 24 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 24 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 7 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 7% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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