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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D1CF6 it is the complementary color #72E309. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D1CF6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D1CF6 shade: #921CF1, #A32EFF, #B440FF, #C552FF and #D664FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D1CF6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D1CF6 shade: #8D1CF6, #7C0AE3, #6B00D0, #5A00BD and #4900AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D1CF6 shade: #8D1DF5, #C71DF5, #F51DE9, #F51DAE and #F51D74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D1CF6 shade: #8D1DF5, #531DF5 and #1D1DF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D1CF6 shade matches the following richer shades: #8D1DF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D1CF6 shade: #8D1DF5, #8C30E2, #8C43CF, #8B56BC and #8A69A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D1CF6 shade: #1D21F5, #531DF5, #8D1DF5, #C61DF5 and #F51DEA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D1CF6 shade: #6307B9, #7909E0, #8D1DF5, #A145F7 and #B56DF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D1CF6 shade: #8D1CF6, #F51D5A and #1DF536

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D1CF6 shade: #8D1CF6, #F58D1D and #1DF58D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D1CF6 shade: #8D1CF6, #F51D5A, #86F51D and #1DF5B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D1CF6 shade: #8D1CF6, #F5211D, #86F51D and #1DF2F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 89 / 0 / 4

HEX #8D1CF6

RGB 141 28 246

HSL 271.1, 0.92%, 0.54%

LAB 42.98, 78.59, -84.78

 

Complementary color

CMYK 50 / 0 / 96 / 11

HEX #72E309

RGB 114 227 9

HSL 91.1, 0.92%, 0.46%

LAB 81.04, -61.73, 77.85

 

CMYK 39 / 88 / 0 / 5

HEX #921CF1

RGB 146 28 241

HSL 273.24, 0.88%, 0.53%

LAB 43.2, 78.1, -81.58

 

CMYK 36 / 82 / 0 / 0

HEX #A32EFF

RGB 163 46 255

HSL 273.59, 1%, 0.59%

LAB 48.21, 78.62, -81.13

 

CMYK 29 / 75 / 0 / 0

HEX #B440FF

RGB 180 64 255

HSL 276.44, 1%, 0.63%

LAB 52.5, 75.36, -74.04

 

CMYK 23 / 68 / 0 / 0

HEX #C552FF

RGB 197 82 255

HSL 279.88, 1%, 0.66%

LAB 57.2, 71.56, -66.33

 

CMYK 16 / 61 / 0 / 0

HEX #D664FF

RGB 214 100 255

HSL 284.13, 1%, 0.7%

LAB 62.19, 67.49, -58.2

 

CMYK 43 / 89 / 0 / 4

HEX #8D1CF6

RGB 141 28 246

HSL 271.1, 0.92%, 0.54%

LAB 42.98, 78.59, -84.78

 

CMYK 45 / 96 / 0 / 11

HEX #7C0AE3

RGB 124 10 227

HSL 271.52, 0.92%, 0.46%

LAB 37.93, 75.87, -82.41

 

CMYK 49 / 100 / 0 / 18

HEX #6B00D0

RGB 107 0 208

HSL 270.87, 1%, 0.41%

LAB 33.31, 71.64, -79.17

 

CMYK 52 / 100 / 0 / 26

HEX #5A00BD

RGB 90 0 189

HSL 268.57, 1%, 0.37%

LAB 29.03, 66.17, -75.18

 

CMYK 57 / 100 / 0 / 33

HEX #4900AA

RGB 73 0 170

HSL 265.76, 1%, 0.33%

LAB 24.7, 60.64, -71.06

 

CMYK 42 / 88 / 0 / 4

HEX #8D1DF5

RGB 141 29 245

HSL 271.11, 0.92%, 0.54%

LAB 42.96, 78.16, -84.24

 

CMYK 19 / 88 / 0 / 4

HEX #C71DF5

RGB 199 29 245

HSL 287.22, 0.92%, 0.54%

LAB 51.4, 85.66, -70.12

 

CMYK 0 / 88 / 5 / 4

HEX #F51DE9

RGB 245 29 233

HSL 303.33, 0.92%, 0.54%

LAB 58.2, 91.2, -52.05

 

CMYK 0 / 88 / 29 / 4

HEX #F51DAE

RGB 245 29 174

HSL 319.72, 0.92%, 0.54%

LAB 55.43, 83.93, -22.6

 

CMYK 0 / 88 / 53 / 4

HEX #F51D74

RGB 245 29 116

HSL 335.83, 0.92%, 0.54%

LAB 53.55, 78.77, 9.12

 

CMYK 42 / 88 / 0 / 4

HEX #8D1DF5

RGB 141 29 245

HSL 271.11, 0.92%, 0.54%

LAB 42.96, 78.16, -84.24

 

CMYK 66 / 88 / 0 / 4

HEX #531DF5

RGB 83 29 245

HSL 255, 0.92%, 0.54%

LAB 36.57, 73.18, -95.01

 

CMYK 88 / 88 / 0 / 4

HEX #1D1DF5

RGB 29 29 245

HSL 240, 0.92%, 0.54%

LAB 33.42, 71.04, -100.35

 

CMYK 42 / 88 / 0 / 4

HEX #8D1DF5

RGB 141 29 245

HSL 271.11, 0.92%, 0.54%

LAB 42.96, 78.16, -84.24

 

CMYK 42 / 88 / 0 / 4

HEX #8D1DF5

RGB 141 29 245

HSL 271.11, 0.92%, 0.54%

LAB 42.96, 78.16, -84.24

 

CMYK 38 / 79 / 0 / 11

HEX #8C30E2

RGB 140 48 226

HSL 271.01, 0.75%, 0.54%

LAB 43.03, 68.44, -73.38

 

CMYK 32 / 68 / 0 / 19

HEX #8C43CF

RGB 140 67 207

HSL 271.29, 0.59%, 0.54%

LAB 44.37, 56.19, -60.32

 

CMYK 26 / 54 / 0 / 26

HEX #8B56BC

RGB 139 86 188

HSL 271.18, 0.43%, 0.54%

LAB 46.68, 41.65, -45.62

 

CMYK 18 / 38 / 0 / 34

HEX #8A69A9

RGB 138 105 169

HSL 270.94, 0.27%, 0.54%

LAB 49.94, 25.95, -29.41

 

CMYK 88 / 87 / 0 / 4

HEX #1D21F5

RGB 29 33 245

HSL 238.89, 0.92%, 0.54%

LAB 33.86, 69.7, -99.62

 

CMYK 66 / 88 / 0 / 4

HEX #531DF5

RGB 83 29 245

HSL 255, 0.92%, 0.54%

LAB 36.57, 73.18, -95.01

 

CMYK 42 / 88 / 0 / 4

HEX #8D1DF5

RGB 141 29 245

HSL 271.11, 0.92%, 0.54%

LAB 42.96, 78.16, -84.24

 

CMYK 19 / 88 / 0 / 4

HEX #C61DF5

RGB 198 29 245

HSL 286.94, 0.92%, 0.54%

LAB 51.24, 85.52, -70.38

 

CMYK 0 / 88 / 4 / 4

HEX #F51DEA

RGB 245 29 234

HSL 303.06, 0.92%, 0.54%

LAB 58.26, 91.34, -52.53

 

CMYK 46 / 96 / 0 / 27

HEX #6307B9

RGB 99 7 185

HSL 271.01, 0.93%, 0.38%

LAB 30.18, 64.89, -70.87

 

CMYK 46 / 96 / 0 / 12

HEX #7909E0

RGB 121 9 224

HSL 271.26, 0.92%, 0.46%

LAB 37.19, 75.08, -81.93

 

CMYK 42 / 88 / 0 / 4

HEX #8D1DF5

RGB 141 29 245

HSL 271.11, 0.92%, 0.54%

LAB 42.96, 78.16, -84.24

 

CMYK 35 / 72 / 0 / 3

HEX #A145F7

RGB 161 69 247

HSL 271.01, 0.92%, 0.62%

LAB 50.15, 68.44, -73.5

 

CMYK 27 / 56 / 0 / 3

HEX #B56DF8

RGB 181 109 248

HSL 271.08, 0.91%, 0.7%

LAB 59.47, 53.92, -58.91

 

CMYK 43 / 89 / 0 / 4

HEX #8D1CF6

RGB 141 28 246

HSL 271.1, 0.92%, 0.54%

LAB 42.98, 78.59, -84.78

 

CMYK 0 / 88 / 63 / 4

HEX #F51D5A

RGB 245 29 90

HSL 343.06, 0.92%, 0.54%

LAB 52.98, 77.18, 24.05

 

CMYK 88 / 0 / 78 / 4

HEX #1DF536

RGB 29 245 54

HSL 126.94, 0.92%, 0.54%

LAB 84.91, -80.63, 72.05

 

CMYK 43 / 89 / 0 / 4

HEX #8D1CF6

RGB 141 28 246

HSL 271.1, 0.92%, 0.54%

LAB 42.98, 78.59, -84.78

 

CMYK 0 / 42 / 88 / 4

HEX #F58D1D

RGB 245 141 29

HSL 31.11, 0.92%, 0.54%

LAB 68.42, 32.61, 69.01

 

CMYK 88 / 0 / 42 / 4

HEX #1DF58D

RGB 29 245 141

HSL 151.11, 0.92%, 0.54%

LAB 85.75, -70.34, 36.85

 

CMYK 43 / 89 / 0 / 4

HEX #8D1CF6

RGB 141 28 246

HSL 271.1, 0.92%, 0.54%

LAB 42.98, 78.59, -84.78

 

CMYK 0 / 88 / 63 / 4

HEX #F51D5A

RGB 245 29 90

HSL 343.06, 0.92%, 0.54%

LAB 52.98, 77.18, 24.05

 

CMYK 45 / 0 / 88 / 4

HEX #86F51D

RGB 134 245 29

HSL 90.83, 0.92%, 0.54%

LAB 87.22, -61.97, 80.74

 

CMYK 88 / 0 / 25 / 4

HEX #1DF5B8

RGB 29 245 184

HSL 163.06, 0.92%, 0.54%

LAB 86.52, -61.62, 16.07

 

CMYK 43 / 89 / 0 / 4

HEX #8D1CF6

RGB 141 28 246

HSL 271.1, 0.92%, 0.54%

LAB 42.98, 78.59, -84.78

 

CMYK 0 / 87 / 88 / 4

HEX #F5211D

RGB 245 33 29

HSL 1.11, 0.92%, 0.54%

LAB 52.5, 74.46, 56.95

 

CMYK 45 / 0 / 88 / 4

HEX #86F51D

RGB 134 245 29

HSL 90.83, 0.92%, 0.54%

LAB 87.22, -61.97, 80.74

 

CMYK 88 / 1 / 0 / 4

HEX #1DF2F5

RGB 29 242 245

HSL 180.83, 0.92%, 0.54%

LAB 87.17, -44.5, -14.82

 

Description

Color code: HEX #8D1CF6 | qconv.com Color code: HEX #8D1CF6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 28 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 28 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 89 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 89% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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