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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D1EBC it is the complementary color #72E143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D1EBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D1EBC shade: #921EB7, #A330CA, #B442DD, #C554F0 and #D666FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D1EBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D1EBC shade: #8D1EBC, #7C0CA9, #6B0096, #5A0083 and #490070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D1EBC shade: #8D1EBC, #B81EBC, #BC1E96, #BC1E6B and #BC1E41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D1EBC shade: #8D1EBC, #631EBC, #381EBC and #1E1EBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D1EBC shade matches the following richer shades: #8D1EBC and #940CCE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D1EBC shade: #8D1EBC, #8630AA, #7F4299, #785387 and #706575

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D1EBC shade: #391EBC, #631EBC, #8D1EBC, #B71EBC and #BC1E97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D1EBC shade: #581375, #721899, #8D1EBC, #A628DC and #B54BE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D1EBC shade: #8D1EBC, #BC1E2E and #1EBC4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D1EBC shade: #8D1EBC, #BC8D1E and #1EBC8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D1EBC shade: #8D1EBC, #BC1E2E, #4EBC1E and #1EBCAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D1EBC shade: #8D1EBC, #BC3E1E, #4EBC1E and #1E9DBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 84 / 0 / 26

HEX #8D1EBC

RGB 141 30 188

HSL 282.15, 0.72%, 0.43%

LAB 38.24, 66.19, -59.19

 

Complementary color

CMYK 49 / 0 / 70 / 12

HEX #72E143

RGB 114 225 67

HSL 102.15, 0.72%, 0.57%

LAB 80.65, -58.61, 64.18

 

CMYK 20 / 84 / 0 / 28

HEX #921EB7

RGB 146 30 183

HSL 285.49, 0.72%, 0.42%

LAB 38.65, 66.05, -55.53

 

CMYK 19 / 76 / 0 / 21

HEX #A330CA

RGB 163 48 202

HSL 284.81, 0.62%, 0.49%

LAB 44.47, 67.32, -57.12

 

CMYK 19 / 70 / 0 / 13

HEX #B442DD

RGB 180 66 221

HSL 284.13, 0.7%, 0.56%

LAB 50.48, 67.78, -58.21

 

CMYK 18 / 65 / 0 / 6

HEX #C554F0

RGB 197 84 240

HSL 283.46, 0.84%, 0.64%

LAB 56.59, 67.73, -58.97

 

CMYK 16 / 60 / 0 / 0

HEX #D666FF

RGB 214 102 255

HSL 283.92, 1%, 0.7%

LAB 62.52, 66.59, -57.67

 

CMYK 25 / 84 / 0 / 26

HEX #8D1EBC

RGB 141 30 188

HSL 282.15, 0.72%, 0.43%

LAB 38.24, 66.19, -59.19

 

CMYK 27 / 93 / 0 / 34

HEX #7C0CA9

RGB 124 12 169

HSL 282.8, 0.87%, 0.35%

LAB 32.73, 63.75, -56.98

 

CMYK 29 / 100 / 0 / 41

HEX #6B0096

RGB 107 0 150

HSL 282.8, 1%, 0.29%

LAB 27.65, 59.65, -53.82

 

CMYK 31 / 100 / 0 / 49

HEX #5A0083

RGB 90 0 131

HSL 281.22, 1%, 0.26%

LAB 23.04, 53.66, -49.64

 

CMYK 35 / 100 / 0 / 56

HEX #490070

RGB 73 0 112

HSL 279.11, 1%, 0.22%

LAB 18.3, 47.53, -45.35

 

CMYK 25 / 84 / 0 / 26

HEX #8D1EBC

RGB 141 30 188

HSL 282.15, 0.72%, 0.43%

LAB 38.24, 66.19, -59.19

 

CMYK 2 / 84 / 0 / 26

HEX #B81EBC

RGB 184 30 188

HSL 298.48, 0.72%, 0.43%

LAB 45.29, 73.62, -47.47

 

CMYK 0 / 84 / 20 / 26

HEX #BC1E96

RGB 188 30 150

HSL 314.43, 0.72%, 0.43%

LAB 43.98, 68.98, -26.9

 

CMYK 0 / 84 / 43 / 26

HEX #BC1E6B

RGB 188 30 107

HSL 330.76, 0.72%, 0.43%

LAB 42.28, 64.2, -3.04

 

CMYK 0 / 84 / 65 / 26

HEX #BC1E41

RGB 188 30 65

HSL 346.71, 0.72%, 0.43%

LAB 41.22, 61.09, 21.92

 

CMYK 25 / 84 / 0 / 26

HEX #8D1EBC

RGB 141 30 188

HSL 282.15, 0.72%, 0.43%

LAB 38.24, 66.19, -59.19

 

CMYK 47 / 84 / 0 / 26

HEX #631EBC

RGB 99 30 188

HSL 266.2, 0.72%, 0.43%

LAB 32.28, 60.18, -69.17

 

CMYK 70 / 84 / 0 / 26

HEX #381EBC

RGB 56 30 188

HSL 249.87, 0.72%, 0.43%

LAB 27.85, 55.94, -76.65

 

CMYK 84 / 84 / 0 / 26

HEX #1E1EBC

RGB 30 30 188

HSL 240, 0.72%, 0.43%

LAB 26.26, 54.49, -79.33

 

CMYK 25 / 84 / 0 / 26

HEX #8D1EBC

RGB 141 30 188

HSL 282.15, 0.72%, 0.43%

LAB 38.24, 66.19, -59.19

 

CMYK 28 / 94 / 0 / 19

HEX #940CCE

RGB 148 12 206

HSL 282.06, 0.89%, 0.43%

LAB 39.61, 74.07, -67.44

 

CMYK 25 / 84 / 0 / 26

HEX #8D1EBC

RGB 141 30 188

HSL 282.15, 0.72%, 0.43%

LAB 38.24, 66.19, -59.19

 

CMYK 21 / 72 / 0 / 33

HEX #8630AA

RGB 134 48 170

HSL 282.3, 0.56%, 0.43%

LAB 37.99, 55.16, -48.97

 

CMYK 17 / 57 / 0 / 40

HEX #7F4299

RGB 127 66 153

HSL 282.07, 0.4%, 0.43%

LAB 39.08, 41.21, -37.07

 

CMYK 11 / 39 / 0 / 47

HEX #785387

RGB 120 83 135

HSL 282.69, 0.24%, 0.43%

LAB 41.1, 25.34, -23.06

 

CMYK 4 / 14 / 0 / 54

HEX #706575

RGB 112 101 117

HSL 281.25, 0.07%, 0.43%

LAB 44.29, 7.6, -7.37

 

CMYK 70 / 84 / 0 / 26

HEX #391EBC

RGB 57 30 188

HSL 250.25, 0.72%, 0.43%

LAB 27.92, 56.01, -76.52

 

CMYK 47 / 84 / 0 / 26

HEX #631EBC

RGB 99 30 188

HSL 266.2, 0.72%, 0.43%

LAB 32.28, 60.18, -69.17

 

CMYK 25 / 84 / 0 / 26

HEX #8D1EBC

RGB 141 30 188

HSL 282.15, 0.72%, 0.43%

LAB 38.24, 66.19, -59.19

 

CMYK 3 / 84 / 0 / 26

HEX #B71EBC

RGB 183 30 188

HSL 298.1, 0.72%, 0.43%

LAB 45.12, 73.43, -47.75

 

CMYK 0 / 84 / 20 / 26

HEX #BC1E97

RGB 188 30 151

HSL 314.05, 0.72%, 0.43%

LAB 44.02, 69.11, -27.43

 

CMYK 25 / 84 / 0 / 54

HEX #581375

RGB 88 19 117

HSL 282.24, 0.72%, 0.27%

LAB 23.08, 45.69, -40.68

 

CMYK 25 / 84 / 0 / 40

HEX #721899

RGB 114 24 153

HSL 281.86, 0.73%, 0.35%

LAB 30.71, 56.37, -50.62

 

CMYK 25 / 84 / 0 / 26

HEX #8D1EBC

RGB 141 30 188

HSL 282.15, 0.72%, 0.43%

LAB 38.24, 66.19, -59.19

 

CMYK 25 / 82 / 0 / 14

HEX #A628DC

RGB 166 40 220

HSL 282, 0.72%, 0.51%

LAB 45.35, 73.73, -66.03

 

CMYK 20 / 67 / 0 / 12

HEX #B54BE1

RGB 181 75 225

HSL 282.4, 0.71%, 0.59%

LAB 52.17, 65.12, -57.76

 

CMYK 25 / 84 / 0 / 26

HEX #8D1EBC

RGB 141 30 188

HSL 282.15, 0.72%, 0.43%

LAB 38.24, 66.19, -59.19

 

CMYK 0 / 84 / 76 / 26

HEX #BC1E2E

RGB 188 30 46

HSL 353.92, 0.72%, 0.43%

LAB 40.92, 60.21, 33.24

 

CMYK 84 / 0 / 59 / 26

HEX #1EBC4E

RGB 30 188 78

HSL 138.23, 0.72%, 0.43%

LAB 67.12, -61.41, 44.18

 

CMYK 25 / 84 / 0 / 26

HEX #8D1EBC

RGB 141 30 188

HSL 282.15, 0.72%, 0.43%

LAB 38.24, 66.19, -59.19

 

CMYK 0 / 25 / 84 / 26

HEX #BC8D1E

RGB 188 141 30

HSL 42.15, 0.72%, 0.43%

LAB 61.51, 8.21, 60.25

 

CMYK 84 / 0 / 25 / 26

HEX #1EBC8D

RGB 30 188 141

HSL 162.15, 0.72%, 0.43%

LAB 68.14, -49.64, 13.03

 

CMYK 25 / 84 / 0 / 26

HEX #8D1EBC

RGB 141 30 188

HSL 282.15, 0.72%, 0.43%

LAB 38.24, 66.19, -59.19

 

CMYK 0 / 84 / 76 / 26

HEX #BC1E2E

RGB 188 30 46

HSL 353.92, 0.72%, 0.43%

LAB 40.92, 60.21, 33.24

 

CMYK 59 / 0 / 84 / 26

HEX #4EBC1E

RGB 78 188 30

HSL 101.77, 0.72%, 0.43%

LAB 67.78, -57.15, 62.93

 

CMYK 84 / 0 / 9 / 26

HEX #1EBCAC

RGB 30 188 172

HSL 173.92, 0.72%, 0.43%

LAB 68.91, -41.57, -2.83

 

CMYK 25 / 84 / 0 / 26

HEX #8D1EBC

RGB 141 30 188

HSL 282.15, 0.72%, 0.43%

LAB 38.24, 66.19, -59.19

 

CMYK 0 / 67 / 84 / 26

HEX #BC3E1E

RGB 188 62 30

HSL 12.15, 0.72%, 0.43%

LAB 44.56, 49.16, 45.53

 

CMYK 59 / 0 / 84 / 26

HEX #4EBC1E

RGB 78 188 30

HSL 101.77, 0.72%, 0.43%

LAB 67.78, -57.15, 62.93

 

CMYK 84 / 16 / 0 / 26

HEX #1E9DBC

RGB 30 157 188

HSL 191.77, 0.72%, 0.43%

LAB 59.91, -21.74, -25.3

 

Description

Color code: HEX #8D1EBC | qconv.com Color code: HEX #8D1EBC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 30 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 30 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 84 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 84% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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