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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D23C7 it is the complementary color #72DC38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D23C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D23C7 shade: #9223C2, #A335D5, #B447E8, #C559FB and #D66BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D23C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D23C7 shade: #8D23C7, #7C11B4, #6B00A1, #5A008E and #49007B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D23C7 shade: #8D23C7, #B923C7, #C723A8, #C7237C and #C72350

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D23C7 shade: #8D23C7, #6123C7, #3423C7 and #2323C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D23C7 shade matches the following richer shades: #8D23C7 and #9210DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D23C7 shade: #8D23C7, #8736B4, #8249A1, #7C5C8E and #776F7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D23C7 shade: #3323C7, #5F23C7, #8B23C7, #B623C7 and #C723AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D23C7 shade: #5B1681, #741DA4, #8D23C7, #A137DB and #B25BE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D23C7 shade: #8D23C7, #C7233E and #23C749

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D23C7 shade: #8D23C7, #C78B23 and #23C78B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D23C7 shade: #8D23C7, #C7233E, #5FC723 and #23C7AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D23C7 shade: #8D23C7, #C73923, #5FC723 and #23B1C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 82 / 0 / 22

HEX #8D23C7

RGB 141 35 199

HSL 278.78, 0.7%, 0.46%

LAB 39.56, 67.02, -63.49

 

Complementary color

CMYK 48 / 0 / 75 / 14

HEX #72DC38

RGB 114 220 56

HSL 98.78, 0.7%, 0.54%

LAB 79.07, -57.49, 66.41

 

CMYK 25 / 82 / 0 / 24

HEX #9223C2

RGB 146 35 194

HSL 281.89, 0.69%, 0.45%

LAB 39.93, 66.82, -59.93

 

CMYK 23 / 75 / 0 / 16

HEX #A335D5

RGB 163 53 213

HSL 281.25, 0.66%, 0.52%

LAB 45.82, 67.75, -61.27

 

CMYK 22 / 69 / 0 / 9

HEX #B447E8

RGB 180 71 232

HSL 280.62, 0.78%, 0.59%

LAB 51.88, 67.98, -62.18

 

CMYK 22 / 65 / 0 / 2

HEX #C559FB

RGB 197 89 251

HSL 280, 0.95%, 0.67%

LAB 58.02, 67.78, -62.79

 

CMYK 16 / 58 / 0 / 0

HEX #D66BFF

RGB 214 107 255

HSL 283.38, 1%, 0.71%

LAB 63.37, 64.3, -56.32

 

CMYK 29 / 82 / 0 / 22

HEX #8D23C7

RGB 141 35 199

HSL 278.78, 0.7%, 0.46%

LAB 39.56, 67.02, -63.49

 

CMYK 31 / 91 / 0 / 29

HEX #7C11B4

RGB 124 17 180

HSL 279.39, 0.83%, 0.39%

LAB 33.94, 65.05, -61.57

 

CMYK 34 / 100 / 0 / 37

HEX #6B00A1

RGB 107 0 161

HSL 279.88, 1%, 0.32%

LAB 28.64, 61.83, -58.93

 

CMYK 37 / 100 / 0 / 44

HEX #5A008E

RGB 90 0 142

HSL 278.03, 1%, 0.28%

LAB 24.09, 55.95, -54.82

 

CMYK 41 / 100 / 0 / 52

HEX #49007B

RGB 73 0 123

HSL 275.61, 1%, 0.24%

LAB 19.42, 49.93, -50.61

 

CMYK 29 / 82 / 0 / 22

HEX #8D23C7

RGB 141 35 199

HSL 278.78, 0.7%, 0.46%

LAB 39.56, 67.02, -63.49

 

CMYK 7 / 82 / 0 / 22

HEX #B923C7

RGB 185 35 199

HSL 294.88, 0.7%, 0.46%

LAB 46.5, 74.48, -51.93

 

CMYK 0 / 82 / 16 / 22

HEX #C723A8

RGB 199 35 168

HSL 311.34, 0.7%, 0.46%

LAB 47.2, 72.59, -32.49

 

CMYK 0 / 82 / 38 / 22

HEX #C7237C

RGB 199 35 124

HSL 327.44, 0.7%, 0.46%

LAB 45.36, 67.39, -8.77

 

CMYK 0 / 82 / 60 / 22

HEX #C72350

RGB 199 35 80

HSL 343.54, 0.7%, 0.46%

LAB 44.12, 63.76, 16.77

 

CMYK 29 / 82 / 0 / 22

HEX #8D23C7

RGB 141 35 199

HSL 278.78, 0.7%, 0.46%

LAB 39.56, 67.02, -63.49

 

CMYK 51 / 82 / 0 / 22

HEX #6123C7

RGB 97 35 199

HSL 262.68, 0.7%, 0.46%

LAB 33.7, 60.91, -73.31

 

CMYK 74 / 82 / 0 / 22

HEX #3423C7

RGB 52 35 199

HSL 246.22, 0.7%, 0.46%

LAB 29.55, 56.74, -80.31

 

CMYK 82 / 82 / 0 / 22

HEX #2323C7

RGB 35 35 199

HSL 240, 0.7%, 0.46%

LAB 28.6, 55.8, -81.92

 

CMYK 29 / 82 / 0 / 22

HEX #8D23C7

RGB 141 35 199

HSL 278.78, 0.7%, 0.46%

LAB 39.56, 67.02, -63.49

 

CMYK 33 / 93 / 0 / 15

HEX #9210DA

RGB 146 16 218

HSL 278.61, 0.86%, 0.46%

LAB 40.48, 75.59, -72.95

 

CMYK 29 / 82 / 0 / 22

HEX #8D23C7

RGB 141 35 199

HSL 278.78, 0.7%, 0.46%

LAB 39.56, 67.02, -63.49

 

CMYK 25 / 70 / 0 / 29

HEX #8736B4

RGB 135 54 180

HSL 278.57, 0.54%, 0.46%

LAB 39.72, 54.96, -52.11

 

CMYK 19 / 55 / 0 / 37

HEX #8249A1

RGB 130 73 161

HSL 278.86, 0.38%, 0.46%

LAB 41.35, 40.05, -38.26

 

CMYK 13 / 35 / 0 / 44

HEX #7C5C8E

RGB 124 92 142

HSL 278.4, 0.21%, 0.46%

LAB 44.08, 22.88, -22.65

 

CMYK 3 / 10 / 0 / 52

HEX #776F7B

RGB 119 111 123

HSL 280, 0.05%, 0.46%

LAB 47.91, 5.52, -5.51

 

CMYK 74 / 82 / 0 / 22

HEX #3323C7

RGB 51 35 199

HSL 245.85, 0.7%, 0.46%

LAB 29.49, 56.67, -80.42

 

CMYK 52 / 82 / 0 / 22

HEX #5F23C7

RGB 95 35 199

HSL 261.95, 0.7%, 0.46%

LAB 33.47, 60.67, -73.7

 

CMYK 30 / 82 / 0 / 22

HEX #8B23C7

RGB 139 35 199

HSL 278.05, 0.7%, 0.46%

LAB 39.27, 66.7, -63.98

 

CMYK 9 / 82 / 0 / 22

HEX #B623C7

RGB 182 35 199

HSL 293.78, 0.7%, 0.46%

LAB 46, 73.94, -52.75

 

CMYK 0 / 82 / 14 / 22

HEX #C723AC

RGB 199 35 172

HSL 309.88, 0.7%, 0.46%

LAB 47.4, 73.13, -34.55

 

CMYK 29 / 83 / 0 / 49

HEX #5B1681

RGB 91 22 129

HSL 278.69, 0.71%, 0.3%

LAB 24.9, 47.86, -45.34

 

CMYK 29 / 82 / 0 / 36

HEX #741DA4

RGB 116 29 164

HSL 278.67, 0.7%, 0.38%

LAB 32.42, 57.5, -54.52

 

CMYK 29 / 82 / 0 / 22

HEX #8D23C7

RGB 141 35 199

HSL 278.78, 0.7%, 0.46%

LAB 39.56, 67.02, -63.49

 

CMYK 26 / 75 / 0 / 14

HEX #A137DB

RGB 161 55 219

HSL 278.78, 0.69%, 0.54%

LAB 46.21, 67.88, -64.09

 

CMYK 21 / 60 / 0 / 11

HEX #B25BE2

RGB 178 91 226

HSL 278.67, 0.7%, 0.62%

LAB 54.49, 57.36, -54.62

 

CMYK 29 / 82 / 0 / 22

HEX #8D23C7

RGB 141 35 199

HSL 278.78, 0.7%, 0.46%

LAB 39.56, 67.02, -63.49

 

CMYK 0 / 82 / 69 / 22

HEX #C7233E

RGB 199 35 62

HSL 350.12, 0.7%, 0.46%

LAB 43.79, 62.75, 27.48

 

CMYK 82 / 0 / 63 / 22

HEX #23C749

RGB 35 199 73

HSL 133.9, 0.7%, 0.46%

LAB 70.65, -65.03, 50.49

 

CMYK 29 / 82 / 0 / 22

HEX #8D23C7

RGB 141 35 199

HSL 278.78, 0.7%, 0.46%

LAB 39.56, 67.02, -63.49

 

CMYK 0 / 30 / 82 / 22

HEX #C78B23

RGB 199 139 35

HSL 38.05, 0.7%, 0.46%

LAB 62.28, 14.33, 59.81

 

CMYK 82 / 0 / 30 / 22

HEX #23C78B

RGB 35 199 139

HSL 158.05, 0.7%, 0.46%

LAB 71.6, -53.95, 18.93

 

CMYK 29 / 82 / 0 / 22

HEX #8D23C7

RGB 141 35 199

HSL 278.78, 0.7%, 0.46%

LAB 39.56, 67.02, -63.49

 

CMYK 0 / 82 / 69 / 22

HEX #C7233E

RGB 199 35 62

HSL 350.12, 0.7%, 0.46%

LAB 43.79, 62.75, 27.48

 

CMYK 52 / 0 / 82 / 22

HEX #5FC723

RGB 95 199 35

HSL 98.05, 0.7%, 0.46%

LAB 71.83, -56.31, 65.53

 

CMYK 82 / 0 / 14 / 22

HEX #23C7AC

RGB 35 199 172

HSL 170.12, 0.7%, 0.46%

LAB 72.35, -45.91, 2.2

 

CMYK 29 / 82 / 0 / 22

HEX #8D23C7

RGB 141 35 199

HSL 278.78, 0.7%, 0.46%

LAB 39.56, 67.02, -63.49

 

CMYK 0 / 71 / 82 / 22

HEX #C73923

RGB 199 57 35

HSL 8.05, 0.7%, 0.46%

LAB 45.89, 54.94, 45.07

 

CMYK 52 / 0 / 82 / 22

HEX #5FC723

RGB 95 199 35

HSL 98.05, 0.7%, 0.46%

LAB 71.83, -56.31, 65.53

 

CMYK 82 / 11 / 0 / 22

HEX #23B1C7

RGB 35 177 199

HSL 188.05, 0.7%, 0.46%

LAB 66.46, -27.88, -21.39

 

Description

Color code: HEX #8D23C7 | qconv.com Color code: HEX #8D23C7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 35 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 35 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 82 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 82% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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